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Posts Tagged ‘Francis Bacon

“A prudent question is one-half of wisdom”*…

Sir Francis Bacon, portrait by Paul van Somer I, 1617

The death of Queen Elizabeth I created a career opportunity for philosopher and statesman Francis Bacon– one that, as Susan Wise Bauer explains– led him to found empiricism, to pioneer inductive reasoning, and in so doing, to advance the scientific method…

In 1603, Francis Bacon, London born, was forty-three years old: a trained lawyer and amateur philosopher, happily married, politically ambitious, perpetually in debt.

He had served Elizabeth I of England loyally at court, without a great deal of recognition in return. But now Elizabeth was dead at the age of sixty-nine, and her crown would go to her first cousin twice removed: James VI of Scotland, James I of England.

Francis Bacon hoped for better things from the new king, but at the moment he had no particular ‘in’ at the English court. Forced to be patient, he began working on a philosophical project he’d had in mind for some years–a study of human knowledge that he intended to call Of the Proficience and Advancement of Learning, Divine and Human.

Like most of Bacon’s undertakings, the project was ridiculously ambitious. He set out to classify all learning into the proper branches and lay out all of the possible impediments to understanding. Part I condemned what he called the three ‘distempers’ of learning, which included ‘vain imaginations,’ pursuits such as astrology and alchemy that had no basis in actual fact; Part II divided all knowledge into three branches and suggested that natural philosophy should occupy the prime spot. Science, the project of understanding the universe, was the most important pursuit man could undertake. The study of history (‘everything that has happened’) and poesy (imaginative writings) took definite second and third places.

For a time, Bacon didn’t expand on these ideas. The Advancement of Learning opened with a fulsome dedication to James I (‘I have been touched–yea, and possessed–with an extreme wonder at those your virtues and faculties . . . the largeness of your capacity, the faithfulness of your memory, the swiftness of your apprehension, the penetration of your judgment, and the facility and order of your elocution …. There hath not been since Christ’s time any king or temporal monarch which hath been so learned in all literature and erudition, divine and human’), and this groveling soon yielded fruit. In 1607 Bacon was appointed as solicitor general, a position he had coveted for years, and over the next decade or so he poured his energies into his government responsibilities.

He did not return to natural philosophy until after his appointment to the even higher post of chancellor in 1618. Now that he had battled his way to the top of the political dirt pile, he announced his intentions to write a work with even greater scope–a new, complete system of philosophy that would shape the minds of men and guide them into new truths. He called this masterwork the Great Instauration: the Great Establishment, a whole new way of thinking, laid out in six parts.

Part I, a survey of the existing ‘ancient arts’ of the mind, repeated the arguments of the Advancement of Learning. But Part II, published in 1620 as a stand-alone work, was something entirely different. It was a wholesale challenge to Aristotelian methods, a brand-new ‘doctrine of a more perfect use of reason.’

Aristotelian thinking relies, heavily, on deductive reasoning for ancient logicians and philosophers, the highest and best road to the truth. Deductive reasoning moves from general statements (premises) to specific conclusions.

MAJOR PREMISE: All heavy matter falls toward the center of the universe. MINOR PREMISE: The earth is made of heavy matter. MINOR PREMISE: The earth is not falling. CONCLUSION: The earth must already be at the center of the universe.

But Bacon had come to believe that deductive reasoning was a dead end that distorted evidence: ‘Having first determined the question according to his will,’ he objected, ‘man then resorts to experience, and bending her to conformity with his placets [expressions of assent], leads her about like a captive in a procession.’ Instead, he argued, the careful thinker must reason the other way around: starting from specifics and building toward general conclusions, beginning with particular pieces of evidence and working, inductively, toward broader assertions.

This new way of thinking–inductive reasoning–had three steps to it. The ‘true method’ Bacon explained,

‘first lights the candle, and then by means of the candle shows the way; commencing as it does with experience duly ordered and digested, not bungling or erratic, and from it deducing axioms, and from established axioms again new experiments.’

In other words, the natural philosopher must first come up with an idea about how the world works: ‘lighting the candle.’ Second, he must test the idea against physical reality, against ‘experience duly ordered’–both observations of the world around him and carefully designed experiments. Only then, as a last step, should he ‘deduce axioms,’ coming up with a theory that could be claimed to carry truth. 

Hypothesis, experiment, conclusion: Bacon had just traced the outlines of the scientific method…

Francis Bacon and the Scientific Method

An excerpt from The Story of Western Science by @SusanWiseBauer, via the invaluable @delanceyplace.

* Francis Bacon

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As we embrace empiricism, we might send carefully-transmitted birthday greetings to Augusto Righi; he was born on this date in 1850. A physicist and a pioneer in the study of electromagnetism, he showed that showed that radio waves displayed characteristics of light wave behavior (reflection, refraction, polarization, and interference), with which they shared the electromagnetic spectrum. In 1894 Righi was the first person to generate microwaves.

Righi influenced the young Guglielmo Marconi, the inventor of radio, who visited him at his lab. Indeed, Marconi invented the first practical wireless telegraphy radio transmitters and receivers in 1894 using Righi’s four ball spark oscillator (from Righi’s microwave work) in his transmitters.

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“Eventually everything connects”*…

Long-time readers will know of your correspondent’s fascination with Powers of Ten, a remarkable short film by Charles and Ray Eames, with Philip Morrison, that begins with a couple having a picnic, zooms out by “powers of ten” to the edge of the universe, then zooms in (by those same increments) to a proton.

We’ve looked before at a number of riffs on this meditation on scale: see, e.g., here, here, and here.

Now the BBC has updated the first half of Powers of Ten:

It’s a trip worth taking.

* Charles Eames

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As we wrestle with relationships, we might light a birthday candle for Sir Francis Bacon– English Renaissance philosopher, lawyer, linguist, composer, mathematician, geometer, musician, poet, painter, astronomer, classicist, philosopher, historian, theologian, architect, father of modern science (The Baconian– aka The Scientific– Method), and patron of modern democracy, whom some allege was the illegitimate son of Queen Elizabeth I of England (and others, the actual author of Shakespeare’s plays)… He was in any event born on this date in 1561.

Bacon (whose Essays were, in a fashion, the first “management book” in English) was, in Alexander Pope’s words, “the greatest genius that England, or perhaps any country, ever produced.”  He probably did not actually write the plays attributed to Shakespeare (as a thin, but long, line of enthusiasts, including Mark Twain and Friedrich Nietzsche, believed).  But Bacon did observe, in a discussion of sedition that’s as timely today as ever, that “the remedy is worse than the disease.”

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“Immigrants, we get the job done”*…

When the Piccirilli Brothers arrived in New York from Italy in 1888, they brought with them skill, artistry, and passion for stone-carving unrivaled in the United States. At their studio at 467 East 142nd Street, in the Mott Haven Section of the Bronx, the brothers turned monumental slabs of marble into some of the nation’s recognizable icons, including the senate pediment of the US Capitol Building and the statue of Abraham Lincoln that sits resolutely in the Lincoln Memorial on the National Mall.

The Piccirillis not only helped set our national narrative in stone but they also left an indelible mark on New York City. They carved hundreds of commissions around the five boroughs, including the 11 figures in the pediment of the New York Stock exchange, the “four continents” adorning the Customs House at Bowling Green, the two stately lions that guard the New York Public Library, both statues of George Washington for the Arch at Washington Square, and upwards of 500 individual carvings at Riverside Church…

The remarkable story of a remarkable family: “How six Italian immigrants from the South Bronx carved some of the nation’s most iconic sculptures.” 

* Lin-Manuel Miranda (as Hamilton, to Lafayette in Hamilton)

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As we celebrate sculpture, we might wish a grateful Happy Birthday to another son of Italy, Galileo Galilei, the physicist, mathematician, astronomer, and philosopher who, with Francis Bacon, pioneered the Scientific Method; he was born on this date in 1564.  It was Galileo’s observations that gave conclusive support to Copernicus’ heliocentric theory of the solar system.

Tintoretto’s portrait of Galileo

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“Knowledge is not simply another commodity. On the contrary. Knowledge is never used up. It increases by diffusion and grows by dispersion.”*…

 

Bacon

Six Degrees of Francis Bacon is a digital reconstruction of the early modern social network that scholars and students from all over the world can collaboratively expand, revise, curate, and critique. Unlike published prose, Six Degrees is extensible, collaborative, and interoperable: extensible in that people and associations can always be added, modified, developed, or, removed; collaborative in that it synthesizes the work of many scholars; interoperable in that new work on the network is put into immediate relation to previously studied relationships.

This website is hosted by Carnegie Mellon University Libraries, and data is available for download both on this site and as part of the Folger Shakespeare Library’s digital collections

While the new Six Degrees of Francis Bacon interface is designed specifically for researchers of early modern Britain, it also confronts many of the challenges that humanists in general now face in the contexts of data visualization, crowdsourcing, user experience, and graphic design…

The Six Degrees of Francis Bacon project is dedicated primarily to the social networks of early modern Britain, 1500-1700, but in order to support scholars and students of historical social networks more broadly, the project team, with critical support from the National Endowment for the Humanities, will soon release freely available website code on Github under an Open Source License for modification and reuse…

A dynamic, collaborative recreating of the connections through which knowledge was shared in early modern England, and a template for digital humanties scholars in other fields/eras– from Project Director Christopher Warren (@ChrisVVarren) and his colleagues at Carnegie Mellon, “Six Degrees of Francis Bacon.”

* Daniel J. Boorstin

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As we channel E.M. Forster, we might recall that it was on this date in 1864 that Oxford mathematician and amateur photographer Rev. Charles Lutwidge Dodgson– aka Lewis Carroll– delivered a handwritten and hand-illustrated manuscript called “Alice’s Adventures Under Ground” to 10-year-old Alice Liddell.  The original (on display at the British Library) was the basis of Alice’s Adventures in Wonderland… which was published exactly one year later, on this date in 1865.

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“Who that goeth on Pilgrimage but would have one of these Maps about him, that he may look when he is at a stand, which is the way he must take?*…

 

magnus_carta_marina_0

Carta Marina, by Olaus Magnus, 1539

 

Johannes Gutenberg printed his first Bible in 1455, and the first published sailing directions appeared thirty-five years later. Print media encouraged the divergence of navigational information from material discussing the commercial prospects of trade at various ports. Printing promoted the widespread distribution of geographic and hydrographic information, including maps, to readers throughout Europe at a time when literacy was on the rise and the spreading use of vernacular languages made such works available to non-scholars…

Europe’s explorers actively sought and exploited both academic knowledge and geographic experience in their systematic search for new trade routes. Use of the sea ultimately rested on reliable knowledge of the ocean. Fresh appreciation for empirical evidence fueled recognition of the value of experience, and the process of exploration included mechanisms for accumulating and disseminating new geographic knowledge to form the basis for future navigation.

At the outset of the discovery of the seas, portolan charts recorded actual experiences at sea. These navigational aids provided mariners with compass direction and estimated the distance between coastal landmarks or harbors. Utterly novel for their time, portolans were the first charts to attempt to depict scale. Portolans created by fourteenth- and fifteenth-century explorers document Portuguese and Spanish discovery of Atlantic islands and the African coast and helped subsequent mariners retrace their steps. Accuracy of portolans was best over shorter distances, and they became less useful when navigators steered offshore.

In contrast to creators of portolans, armchair cartographers compiled world maps of little use for actual navigation but which reflected shifting knowledge of oceans. While manuscript maps had been produced alongside written manuscripts since antiquity, the earliest known printed map was included in an encyclopedia of 1470. It represents the world schematically within a circle, in which the three continents of Asia, Europe, and Africa are surrounded by an ocean river and separated from each other by horizontal and vertical rivers that form a T shape—hence the name “T-O” to describe this kind of map. Other early maps were based on Ptolemy’s work, on biblical stories or other allegories, or occasionally on portolans…

Although the majority of medieval maps and nautical charts of the Age of Discovery did not include sea monsters, the ones that do reveal both a rise of general interest in marvels and wonders and a specific concern for maritime activities that took place at sea, including in far distant oceans. The more exotic creatures are often positioned on maps at the edge of the Earth, conveying a sense of mystery and danger and perhaps discouraging voyages in those areas. Images of octopuses or other monsters attacking ships would seem to be warning of dangers to navigation…

An excerpt from a fascinating essay on how cartographers saw the– mostly blue– world in the Age of Discovery; read it in full at  “Mapping the Oceans.”

* John Bunyan, The Pilgrim’s Progress

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As we find our way, we might light a birthday candle for Sir Francis Bacon– English Renaissance philosopher, lawyer, linguist, composer, mathematician, geometer, musician, poet, painter, astronomer, classicist, philosopher, historian, theologian, architect, father of modern science (The Baconian– aka The Scientific– Method), and patron of modern democracy, whom some allege was the illegitimate son of Queen Elizabeth I of England (and other’s, the actual author of Shakespeare’s plays)… He was in any event born on this date in 1561.

Bacon (whose Essays were, in a fashion, the first “management book” in English) was, in Alexander Pope’s words, “the greatest genius that England, or perhaps any country, ever produced.”  He probably did not actually write the plays attributed to Shakespeare (as a thin, but long, line of enthusiasts, including Mark Twain and Friedrich Nietzsche, believed).   But Bacon did observe, in a discussion of sedition that’s as timely today as ever, that “the remedy is worse than the disease.”

 source

 

Written by (Roughly) Daily

January 22, 2019 at 1:01 am

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