Posts Tagged ‘culture’
Larger image available at source, here
Saying “please” and “thank you” is not a universal custom — there are societies such as the Inuit, where it is not the case. In fact it first took hold in Western society during the commercial revolution of the sixteenth and seventeenth centuries as evidence of the democratization of society — our desire to view everyone as equals. Before that, saying please and thank you was a way to show deference to a lord or master. “Thank you” derives from “think,” it originally meant, “I will remember what you did for me” — and “please” is short for “if you please,” “if it pleases you to do this”:
“Consider the custom, in American society, of constantly saying ‘please’ and ‘thank you.’ To do so is often treated as basic morality: we are constantly chiding children for forgetting to do it, just as the moral guardians of our society — teachers and ministers, for instance — do to everybody else. We often assume that the habit is universal, but as the Inuit hunter made clear, it is not. Like so many of our everyday courtesies, it is a kind of democratization of what was once a habit of feudal deference: the insistence on treating absolutely everyone the way that one used only to have to treat a lord or similar hierarchical superior…
More of Delancey Place’s instructive excerpt of David Graber’s wonderful Debt – Updated and Expanded: The First 5,000 Years here.
* Shakespeare, The Tempest
As we mind our Ps and Qs, we might recall that it was on this date in 1897 that London taxi driver George Smith smashed his hack into a building on New Bond Street. On being charged with the offense, Smith admitted that he’d had “two or three glasses of beer” and apologized, arguing that “it is the first time I have been charged with being drunk in charge of a cab.” In fact, it was the first time anyone had been charged with drunk driving. Smith was fined 25 shillings.
Larger image available at the source, here
“Without culture, and the relative freedom it implies, society, even when perfect, is but a jungle. This is why any authentic creation is a gift to the future”*…
From MIT’s Media Lab and it Pantheon Project, an interactive mapping tool that let’s one visualize the history of cultural production.
You were not born with the ability to fly, cure disease or communicate at long distances, but you were born in a society that endows you with these capacities. These capacities are the result of information that has been generated by humans and that humans have been able to embed in tangible and digital objects.
This information is all around you. It is the way in which the atoms in an airplane are arranged or the way in which your cell-phone whispers dance instructions to electromagnetic waves.
Pantheon is a project celebrating the cultural information that endows our species with these fantastic capacities. To celebrate our global cultural heritage we are compiling, analyzing and visualizing datasets that can help us understand the process of global cultural development. Dive in, visualize, and enjoy.
Pantheon allows one to select a time period, then see the results sorted by place of origin (as in the chart above) or by profession, and provides a ranked listing of people.
It’s all fascinating, but the “professional” sort is especially telling, as Kottke observes:
Up until the Renaissance, the most well-known people in the world were mostly politicians and religious figures, with some writers and philosophers thrown in for good measure. Starting with the Renaissance through the beginnings of the Industrial Revolution, politicians, writers, painters, and composers become more prominent. For the past 50 years, athletes and entertainers dominate the list, with footballers making up almost a third of the most known. (If you only go back to 1990, actors dominate.)
Politicians rate slightly behind tennis players (but ahead of pornographic actors) and religious figures are not represented in the graph at all.
* Albert Camus,
As we put down the remote control and pick up a book, we might send tasty birthday greetings to the culinary genius behind green eggs and ham, Theodor Seuss Geisel, AKA “Dr. Seuss”; he was born on this date in 1904. After a fascinating series of early-career explorations, Geisel settled on a style that created what turned out to be the perfect “gateway drug” to book addiction for generations of young readers.
The more that you read,
The more things you will know.
The more that you learn,
The more places you’ll go.
– I Can Read With My Eyes Shut! (1978)
What does it mean to be “cultured”? Are you? The questionnaire above is from Ashley Montagu’s 1958 book, The Cultured Man…
Montagu—a well-respected anthropologist and former student of Franz Boas, who was influential in his profession’s midcentury rejection of the idea of innate racial hierarchy—wrote many popular books, of which The Cultured Man is one.
The book contains quizzes for 50 categories of knowledge in the arts and sciences, with 30 questions each; 25 of the questions test knowledge and five test what Montagu called “attitudes.” The test-taker could refer to the answers at the back of the book and tap the list of references Montagu offered as correctives to those who found themselves deficient in a particular area.
Distinguishing his project from that of the quiz shows that were popular staples of radio and TV in the 1930s, 1940s and 1950s, Montagu wrote that a person considered “cultured” would not just be able to readily summon facts, but also to access humane feelings, which would necessarily come about after contact with culture. “The principal mark of the cultured man is not so much knowledge as his attitude of mind in relating his knowledge to the world of experience,” Montagu wrote. A “cultured man” would be curious, unprejudiced, rational, and ethical.
“The function of these questions is not a static one,” Montagu wrote, encouraging readers to see the experience of being tested as an educational opportunity. “Their function is both dynamic and constructive: to tell you more or less exactly where you stand as a cultured person, and precisely in which directions you need to move from that position. No one grows who stands still.”
More, from the redoubtable Rebecca Onion, at “How Cultured Are You, by 1950s Standards?” It’s interesting to note, as Ms. Onion does, that while Montagu was a powerful mid-century voice for antiracism and multiculturalism, his idea of “culture” is essentially Western, and almost totally lacking in representation of non-male, non-white voices…
* Plato, The Republic
As we hit the books, we might spare a thought for a cultural observer extraordinaire: Jonathan Swift, the satirist, essayist, political pamphleteer, poet, and cleric who’s probably best remembered for Gulliver’s Travels and A Modest Proposal; he died on this date in 1745.
Suddenly, black was everywhere. It caked the flesh of miners and ironworkers; it streaked the walls and windows of industrial towns; it thickened the smoky air above. Proprietors donned black clothing to indicate their status and respectability. New black dyes and pigments created in factories and chemical laboratories entered painters’ studios, enabling a new expression for the new themes of the industrial age: factory work and revolt, technology and warfare, urbanity and pollution, and a rejection of the old status quo. A new class of citizen, later to be dubbed the “proletariat,” began to appear in illustrations under darkened smokestacks. The industrial revolution had found its color.
Black is technically an absence: the visual experience of a lack of light. A perfect black dye absorbs all of the light that impinges on it, leaving nothing behind. This ideal is remarkably difficult to manufacture. The industrialization of the 18th and 19th centuries made it easier, providing chemists and paint-makers with a growing palette of black—and altering the subjects that the color would come to represent. “These things are intimately connected,” says science writer Philip Ball, author of Bright Earth: The Invention of Color. The reinvention of black, in other words, went far beyond the color…
As the means of producing the color black changed, so did the subjects that it was used to evoke/represent. Get the basics at “The Reinvention of Black.”
* Shakespeare, Hamlet
As we paint it black, we might we might retreat to the colorful, remembering that it was on this date in 1969 that “An Aquarian Exposition: 3 Days of Peace & Music” opened in the Catskills in New York State. The organizers of the Woodstock Music and Art Fair– or Woodstock, as it is remembered– had hoped to sell 50,000 tickets; but by the week before the event, had moved 186,000. A last-minute change of venue presented them with a hard choice: hastily erect more/stronger fences and install additional security on the new site (the now-famous Yasgur’s Farm) or offer the event for free. The night before the event, with attendees already arriving in huge numbers, the promoters cut the fence. Ultimately an estimated 400,000 people enjoyed a (somewhat rainy) weekend of performances from 32 acts. It was, as Rolling Stone opined, a defining moment in Rock and Roll.
Approximately 50 million animals are killed every year for their fur; by comparison, 1 million animals a day— 365 million a year– are killed on the roads of America. As Culture Change puts it, “only meat-eaters take a larger toll than its motorists.”
Where many animal lovers see, simply, tragedy, Anna Paquin sees opportunity as well. Determined to create a clothing category that might sound oxymoronic– “ethical fur”– Paquin has founded Petit Mort, a company that recycles roadkill into fashionable clothing and accessories.
Wrap yourself in Anna’s story at “One Woman Is Revolutionizing the Fur Industry. By Using Roadkill.”
As we bundle up, we might spare a thought for Hypatia; she was killed on this date in 370 CE. A mathematician, astronomer, and philosopher, she was the head of the Neoplatonic school at Alexandria. She was murdered by a mob of Christian anti-pagan fanatics on the steps of an Alexandria church called The Caesarium– as a result of which, she has become a symbol of martyred Reason and of feminism. Stephen Greenblatt suggests that her murder “effectively marked the downfall of Alexandrian intellectual life”; Kathleen Wider proposes that her murder marked the end of Classical antiquity.
Neo-platonism is a progressive philosophy, and does not expect to state final conditions to men whose minds are finite. Life is an unfoldment, and the further we travel the more truth we can comprehend. To understand the things that are at our door is the best preparation for understanding those that lie beyond.
All roads lead from Rome, according to a visual history of human culture built entirely from the birth and death places of notable people. The 5-minute animation provides a fresh view of the movements of humanity over the last 2,600 years.
Maximilian Schich, an art historian at the University of Texas at Dallas, and his colleagues used the Google-owned knowledge base, Freebase, to find 120,000 individuals who were notable enough in their life-times that the dates and locations of their births and deaths were recorded.
The list includes people ranging from Solon, the Greek lawmaker and poet, who was born in 637 bc in Athens, and died in 557 bc in Cyprus, to Jett Travolta — son of the actor John Travolta — who was born in 1992 in Los Angeles, California, and died in 2009 in the Bahamas.
The team used those data to create a movie that starts in 600 bc and ends in 2012…
Learn more (e.g., that more architects than artists died in the French Revolution) at Nature.
* Ellsworth Huntington
As we take the long view, we might recall that on this date in 1597, the Hanseatic League (a northern European confederation that was a forerunner of Germany) expelled all English merchants. The expulsion was a product of on-going tensions with English and Dutch trading interests, and a direct response to Elizabeth I’s closure of the Steelyard, the League’s trading post in London.