Posts Tagged ‘politics’
“The tendency to perceive a connection or meaningful pattern between unrelated or random things (such as objects or ideas)”*…
I am a game designer with experience in a very small niche. I create and research games designed to be played in reality. I’ve worked in Alternate Reality Games (ARGs), LARPs, experience fiction, interactive theater, and “serious games.” Stories and games that can start on a computer, and finish in the real world. Fictions designed to feel as real as possible. Games that teach you. Puzzles that come to life all around the players. Games where the deeper you dig, the more you find. Games with rabbit holes that invite you into wonderland and entice you through the looking glass.
When I saw QAnon, I knew exactly what it was and what it was doing. I had seen it before. I had almost built it before. It was gaming’s evil twin. A game that plays people. (cue ominous music)
QAnon has often been compared to ARGs and LARPs and rightly so. It uses many of the same gaming mechanisms and rewards. It has a game-like feel to it that is evident to anyone who has ever played an ARG, online role-play (RP) or LARP before. The similarities are so striking that it has often been referred to as a LARP or ARG. However this beast is very very different from a game.
It is the differences that shed the light on how QAnon works and many of them are hard to see if you’re not involved in game development. QAnon is like the reflection of a game in a mirror, it looks just like one, but it is inverted…
Read on for a full and fascinating (and frankly, frightening) explanation from Reed Berkowitz, head of Curiouser LLC (@soi). Playing with reality: “A Game Designer’s Analysis Of QAnon.”
Then consider Roland Barthes‘ (painfully–prescient) “The World of Wrestling.”
* Merriam-Webster’s definition of “apophenia.” See also “Being Amused by Apophenia.”
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As we wrestle with reality, we might recall that it was on this date in 1856 that Millard Fillmore was nominated for the Presidency by the (altogether-accurately named far-right nativist) Know-Nothing Party. Fillmore, who had been elected Vice President in 1848 had ascended to the presidency in 1850, when Zachary Taylor died, but then failed to get his own party’s– the Whig’s– nomination to run for re-election in 1852. In 1856, Fillmore turned to the Know-Nothings in (an ultimately unsuccessful) attempt actually to be elected to the highest office.
He was finally trumped by Gerald Ford, who was not even elected– but was appointed in 1973 by Richard Nixon– to the Vice-Presidency, then assumed the top job on Nixon’s resignation in 1974. Ford beat back a primary challenge from Ronald Reagan to win the Republican nomination in 1976, but lost to Jimmy Carter.
“Everyone loves a conspiracy”*…
As the US Capitol was overwhelmed by Donald Trump supporters in early January, one figure stood out: with his painted face, bare chest, fur hat and American flag-draped spear, Jake Angeli became one of the most photographed rioters of the day. He is also known as the “QAnon Shaman” and has been seen waving a “Q sent me” placard in other protests.
QAnon is America’s most dangerous conspiracy theory, and if you pull hard enough on its threads, the whole tangled mess lands, somehow, at the feet of a group of Italian artists. It might sound like a conspiracy within a conspiracy, but, as Buzzfeed first reported in 2018, chances are that QAnon, at the start at least, took inspiration from an amorphous organisation of leftist artists who, for most of the mid-1990s, called themselves Luther Blissett after the 1980s English footballer.
They used the Watford and England striker’s name as a nom de plume, perpetrating countless media hoaxes, pranks and art interventions. They started raves on trams that turned into riots, they released albums, wrote books and manifestos, they mocked, questioned and undermined the mainstream, and they grew and grew until hundreds of people around the world were calling themselves Luther Blissett.
In the process, with their media-jamming hoaxes, they helped lay the groundwork for QAnon, a conspiracy theory about a secret satanic cabal of child abusers which controls the world. During the 2016 presidential elections, it famously gave rise to the rumour that Hillary Clinton ran a paedophile ring in a pizza parlour, Comet Ping Pong. More recently, QAnon has become a mainstay of far-right protests and riots, including the US Capitol insurrection.
Among Luther Blissett’s original ranks you will find leading contemporary artists including Eva and Franco Mattes, critical theorists such as Matteo Pasquinelli, and writers like Stewart Home.
The Luther Blissett Project (LBP) was an exercise in anonymity, in group creativity, in forcing left-wing ideals into the mainstream. And it would have remained a neat quirk of 1990s Italian cultural history if the group had not also released Q, a best-selling novel translated into multiple languages and published across the world.
The links between QAnon and Q extend far beyond alphabetic similarities. The book follows a subversive heretic as he joins a series of revolts across 16th-century Europe. Throughout, he is pursued relentlessly by a Papist agent called Q, a figure who manipulates facts and spreads disinformation to sow seeds of doubt in society and help maintain the dominance of the church, infiltrating and sabotaging every revolt, every uprising.
Sound familiar? It should, because the Q of today’s QAnon has a similar origin story, and similar methods. QAnon’s Q is a supposed White House insider, who in October 2017 began posting farfetched but incredibly popular “insider” information from the White House on the 4chan message board. Paedophilia, the Rothschilds, an impending “storm”, QAnon has multiple targets and beliefs…
From ritual abuse to secret government insiders and media hoaxes, the links between QAnon and LBP are striking. The LBP ended in 1999, with five of the founding members (Roberto Bui, Giovanni Cattabriga, Luca Di Meo, Federico Guglielmi and Riccardo Pedrini) going on to form the Wu Ming Foundation, a writer’s collective. Wu Ming 1 (all the authors use Wu Ming as a nom de plume) thinks the similarities are too obvious to ignore: “If they are coincidences, well, there’s a huge amount of them and they’re impressive,” he says…
An anonymous left-wing art group known in the 1990s as Luther Blissett are wondering what they have unwittingly helped create: “QAnon: the Italian artists who may have inspired America’s most dangerous conspiracy theory.” (Soft paywall: do read it all.)
For more on conspiracy theories as a cultural and political phenomenon: “The enduring allure of conspiracies.”
* A man who should know: Dan Brown, The DaVinci Code
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As we get the joke, we might spare a thought for Charlemagne; he died on this date in 814. A ruler who united the majority of western and central Europe (first as King of the Franks, then also King of the Lombards, finally adding Emperor of the Romans), he was the first recognized emperor to rule from western Europe since the fall of the Western Roman Empire three centuries earlier; the expanded Frankish state that he founded is called the Carolingian Empire, the predecessor to the Holy Roman Empire.
In 789, he began the establishment of schools teaching the elements of mathematics, grammar, music, and ecclesiastic subjects; every monastery and abbey in his realm was expected to have a school for the education of the boys of the surrounding villages. The tradition of learning he initiated helped fuel the expansion of medieval scholarship in the 12th-century Renaissance.
Charlemagne is considered the father of modern Europe. At the same time, in accepting Pope Leo’s investiture, he set up ages of conflict: Charlemagne’s coronation as Emperor, though intended to represent the continuation of the unbroken line of Emperors from Augustus, had the effect of creating up two separate (and often opposing) Empires– the Roman and the Byzantine– with two separate claims to imperial authority. It led to war in 802, and for centuries to come, the Emperors of both West and East would make competing claims of sovereignty over the whole.
“Exorbitant privilege”*…
Economic history books will commemorate the era we currently live in as the second wave of financial globalization, following the first wave during the Classical Gold Standard period. Our era is characterized by an unprecedented expansion of global financial flows. Partly, these flows form the counterpart to global value chains and the globalization of trade in goods and services. In the last few decades, however, they have been increasingly decoupled from the real sector. The financial infrastructure that enables this expansion is the international monetary system…
In its current shape, [the international monetary system] has a hierarchical structure with the US-Dollar (USD) at the top and various other monetary areas forming a multilayered periphery to it. A key feature of the system is the creation of USD offshore – a feature that in the 1950s and 60s developed in co-evolution with the Bretton Woods System and in the 1970s replaced it. Since the 2007–9 Financial Crisis, this ‘Offshore US-Dollar System’ has been backstopped by the Federal Reserve’s network of swap lines which are extended to other key central banks. This systemic evolution may continue in the decades to come, but other systemic arrangements are possible as well and have historical precedents. This article discusses four trajectories that would lead to different setups of the international monetary system by 2040, taking into account how its hierarchical structure and the role of offshore credit money creation may evolve. In addition to a continuation of USD hegemony, we present the emergence of competing monetary blocs, the formation of an international monetary federation and the disintegration into an international monetary anarchy…
Americans tend to take the global primacy of the U.S. Dollar for granted (indeed, often complaining about the current account imbalances to which huge quantities of off-shore dollars lead). But there’s no mistaking that this system has been been hugely advantageous to the U.S. Yet, as Steffen Murau (@steffenmurau) explains, it may not last: “The evolution of the Offshore US-Dollar System: past, present and four possible futures.”
See also Mernau’s “International Monetary System” (from whence, the image above), and Ben Bernanke’s “The dollar’s international role: An ‘exorbitant privilege’?“
* Valéry Giscard d’Estaing (then the French Minister of Finance; later French President), referring to the benefit that accrues to the U.S. as a result of the U.S. Dollar being the world’s reserve currency
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As we count our blessings, we might recall that it was on this date in 1890 that journalist Nellie Bly completed her 72-day trip around the world.
In 1888, Bly suggested to her editor at the New York World that she take a trip around the world, attempting to turn the fictional Around the World in Eighty Days into fact for the first time. A year later, at 9:40 a.m. on November 14, 1889, with two days’ notice, she boarded the steamer Augusta Victoria, and began her 24,899-mile journey.
She brought with her the dress she was wearing, a sturdy overcoat, several changes of underwear, and a small travel bag carrying her toiletry essentials. She carried most of her money (£200 in English bank notes and gold in total as well as some American currency) in a bag tied around her neck.
Bly traveled through England, France (where she met Jules Verne in Amiens), Brindisi, the Suez Canal, Colombo (Ceylon), the Straits Settlements of Penang and Singapore, Hong Kong, and Japan. Just over seventy-two days after her departure from Hoboken, having used steamships and existing railway lines, Bly was back in New York; she beat Phileas Fogg’s time by almost 8 days.
“Despite the constant negative press covfefe”*…
(Roughly) Daily rarely addresses the topically-political, but today– Inauguration Day in the U.S.– is a special occasion. So, even as we witness the not-as-peaceful-as-it-should-have-been transfer of power, we might spare a thought for the legacy of our out-going President…
We are still grappling with what it means to have endured Donald J. Trump’s presidency while still repairing the historic carnage of this tumultuous period in American history. This Presidential Library is an attempt to provide the American and International communities a place to reflect on what the rise of White Nationalism has meant to our country and try to eradicate it from our political discourse…
Tax evasion or the world’s worst businessman… why choose just one when you could have both? You’ve read The Art of the Deal – now take in volume II: the art of being smarter than all of you idiots. This mural showcases the staggering amounts of money one man declares to have lost, all in an effort to prove to the world that he’s actually a… winner…
A troubled history of failure– putting the 45th President’s life and work into historical context, while documenting the damage done to American institutions and spirit: “The Donald J. Trump Library.”
* President Donald J. Trump, Twitter, 31/5/17
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As we face history, we might (or might not) send birthday greetings to Kellyanne Conway; she was born on this date in 1967. A pollster and political consultant, she served as campaign manager for Donal Trump in 2016, then as Special Counselor to (and surrogate for) the President from 2017.
During her tenure, Conway has been embroiled in a series of controversies: using the phrase “alternative facts” to describe fictitious and disproven attendance numbers for Trump’s inauguration; speaking multiple times of a “Bowling Green massacre” that never occurred; and claiming that Michael Flynn had the full confidence of the president hours before he was dismissed. Members of Congress from both parties called for an investigation of an apparent ethics violation after she publicly endorsed commercial products associated with the president’s daughter, Ivanka Trump. And in June 2019, the U.S. Office of Special Counsel recommended that Conway be fired for “unprecedented” multiple violations of the Hatch Act of 1939.
Las summer, Conway stepped down from her Counselor position (after her daughter threatened to seek legal emancipation), though she still plays a surrogate role.
Kellyanne Conway is a member of the inaugural class of the “Hall of Enablers” at the Donald J. Trump Library.
“Context is everything”*…
Figure and ground… do all grounds make bad stories, and only figures make good ones?
“What’s the story?”
No question is asked more often by editors in newsrooms than that one. And for good reason: that’s what news is about: The Story.
Or, in the parlance of the moment, The Narrative. (Trend.)
I was just 22 when I wrote my first stories as a journalist, reporting for a daily newspaper in New Jersey. It was there that I first learned that all stories are built around three elements:
1. Character
2. Problem
3. Movement toward resolution
Subtract one or more of those and all you’ll have is an item, or an incident. Not a story. Which won’t run. So let’s unpack those elements a bit.
The character can be a person, a group, a team, a cause—anything with a noun. Mainly the character needs to be worth caring about in some way. You can love the character, hate it (or him, or her or whatever). Mainly you have to care about the character enough to be interested.
The problem can be of any kind at all, so long as it causes conflict involving the character. All that matters is that the conflict keeps going, toward the possibility of resolution. If the conflict ends, the story is over. For example, if you’re at a sports event, and your team is up (or down) by forty points with five minutes left, the character you now care about is your own ass, and your problem is getting it out of the parking lot. If that struggle turns out to be interesting, it might be a story you tell later at a bar.)
Movement toward resolution is nothing more than that. Bear in mind that many stories never arrive at a conclusion. In fact, that may be part of the story itself. Soap operas work that way…
… we do have two big fails for journalism here:
1. Its appetite for stories proves a weakness when it’s fed by a genius at hogging the stage.
2. It avoids reporting what doesn’t fit the story format. This includes most of reality.
My favorite priest says “some truths are so deep only stories can tell them,” and I’m sure this is true. But stories by themselves are also inadequate ways to present essential facts people need to know, because by design they exclude what doesn’t fit “the narrative,” which is the modern way to talk about story—and to spin journalists. (My hairs of suspicion stand on end every time I hear the word “narrative.”)
So here’s the paradox: We need to know more than stories can tell, yet stories are pretty much all human beings are interested in. Character, problem and movement give shape and purpose to every human life. We can’t correct for it.
That’s why my topic here—a deep and abiding flaw (also a feature) of both journalism and human nature—is one most journalists won’t touch. The flawed nature of The Story itself is not a story. Same goes for “earned media coverage.” Both are features rather than bugs, because they cause much of journalism’s success, and debugging them has proven impossible…
Consider The Holocaust (six million dead) vs. the story of Ann Frank. The Rwandan genocide vs. Hotel Rwanda. China’s one child policy (untold millions of full-term fetuses aborted or born babies killed or left beside the road to die) vs. One Child Nation. The Rohingya conflict (more than 10,000 civilians dead, 128,000 internally displaced, 950,000+ chased elsewhere) vs. approximately nobody. Heard of Holodomor? How about any of the millions who died during Mao’s revolution in China?
Without a story, statistics are cemeteries of facts.
Sure, academics and obsessives of other kinds (including journalists) can exhume those facts. But Big-J journalism will always be preoccupied with stories. Including, unavoidably, the genius for generating them who currently occupies the White House…
We traffic in stories because people can’t help being interested in them. But stories also fail at telling truths that don’t fit a tale. Presupposition is part of the problem; but only part. More fundamentally it is the privileging of strong (pure) emotion over messy reality, of “narrative impact” over understanding. Doc Searls (@dsearls) on “Where Journalism Fails,” eminently worth reading in full.
For some practical advice, follow Searls’ link to Jay Rosen’s suggestions.
And for a painful case-in-point, consider the wise Patrick Wyman‘s thoughts on the horrors of January 6:
We have a strong tendency to understand events unfolding as a story, a narrative, with all the structural beats we expect from a story: beginning, rising action, climax, resolution. Even as we’re consciously aware that there will be a tomorrow, a next week, and a next year, it’s hard to avoid treating the most recent big thing – in this case, the riot on the Capitol – as either the end or beginning of one particular story.
Narrative is how we process information and give the world some shape and meaning. But it’s deeply misleading as an attempt to understand the complex interactions between past and present that define a political system…
Do read it in full here.
[Searls’ piece via friend MS]
* In this phrasing and others closely linked, many, many authors/speakers, including Mary Beard, Margaret Atwood, Mary Catherine Bateson, and A.D. Garrett
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As we only connect, we might send circumscribed birthday greetings to Edmund Burke; he was born on this date in Dublin on this date in 1729. An author, orator, political theorist, and philosopher, he moved to England and served for many years in the House of Commons of Great Britain as a member of the Whig party. He’s probably best remembered for his advocacy of the American and his opposition to the French revolutions. While Burke was held up as a beacon by both conservatives and liberals in the 19th century, the 20th century generally viewed him as the philosophical founder of modern conservatism.
In “Consistency in Politics” Winston Churchill wrote:
On the one hand [Burke] is revealed as a foremost apostle of Liberty, on the other as the redoubtable champion of Authority. But a charge of political inconsistency applied to this life appears a mean and petty thing. History easily discerns the reasons and forces which actuated him, and the immense changes in the problems he was facing which evoked from the same profound mind and sincere spirit these entirely contrary manifestations. His soul revolted against tyranny, whether it appeared in the aspect of a domineering Monarch and a corrupt Court and Parliamentary system, or whether, mouthing the watch-words of a non-existent liberty, it towered up against him in the dictation of a brutal mob and wicked sect. No one can read the Burke of Liberty and the Burke of Authority without feeling that here was the same man pursuing the same ends, seeking the same ideals of society and Government, and defending them from assaults, now from one extreme, now from the other.
And indeed, historian Piers Brendon credits Burke’ paternalistic insistence the colonial domination was a trust, with laying the moral foundations for the British Empire: Burke wrote that “The British Empire must be governed on a plan of freedom, for it will be governed by no other”– it was to be so exercised for the benefit of subject people that they would eventually attain their birthright—freedom” …a noble aim that was in the event an ideological bacillus, as Brendon observed, that would prove fatal.
“You can never plan the future by the past.” – “Letter to a Member of the National Assembly” (1791)
“Justice is itself the great standing policy of civil society; and any eminent departure from it, under any circumstances, lies under the suspicion of being no policy at all”. – Reflections on the Revolution in France (1790)
