“Valentine’s Day is a gentle reminder that Christmas decorations must come down”*…

Today is, of course, Valentine’s Day– a celebration overseen by Cupid. Jacqueline Mansky explains how that rascally cherub has been part of Valentine’s Day lore since Chaucer’s time…
Despite a long list of Valentines and Valentinas that included emperors, martyrs-turned-saints, and a pope, there is no evidence that Saint Valentine’s Day as a holiday about love existed before Chaucer’s time. But as soon as it was, Cupid was part of it.
As the late University of Kansas English professor Jack B. Oruch wrote in “St. Valentine, Chaucer, and Spring in February,” it was the English literary giant and a circle of contemporaries, including John Gower, Oton de Grandson, and John Lydgate, who, building on the courtly love tradition, were the original “mythmaker[s]”of Valentine’s Day as a holiday focused on love and fertility. Cupid’s association with the day was present from the start, says Oruch. “At the time of Chaucer’s death in 1400, the transformation of Valentine into an auxiliary or parallel to Cupid as sponsor of lovers was well under way.”
But Cupid’s image did not stay the same in Valentine’s lore. By the mid-1800s, Cupid was looking less literary and more marketable.
As Leigh Eric Schmidt, a professor of religion and politics at Washington University in St. Louis, writes in “The Fashioning of a Modern Holiday: St. Valentine’s Day, 1840-1870,” Americans in the mid 1800s repurposed the holiday, and Cupid’s image shifted. Valentine’s Day had such a hold over the public, Schmidt writes, that it amounted to a “mania, craze, rage, or epidemic—a ‘social disease’ that seemed to recrudesce annually with ever heightening interest and anticipation.”
Naturally, Schmidt writes, merchants were eager to capitalize on this phenomenon even more by bringing children into the fold, so they created “lines of ‘juvenile valentines’.” Cupid came to have a new visual. Middle-class Americans of the nineteenth century had a “sentimental devotion to the child,” Schmidt writes, so the “piety of the angelic youngster” was reflected in a wide range of Valentine’s Day cards. The repackaging, Schmidt contends, was “very much a new image for the holiday”:
A refashioned image of Cupid as an innocent cherub indicated a redirection toward children and familial devotion. Merchants helped create a darling infant Cupid who bore only a faint resemblance to the often capricious Roman Cupid, who was said, among other things, to have sharpened his arrows on a grindstone whetted with blood.
Cupid’s image continues to be repurposed to this day in the pursuit of profit. Take the 2001 slasher flick Valentine. As film theorist and historian Richard Nowell writes in his essay “‘There’s More Than One Way to Lose Your Heart’: The American Film Industry, Early Teen Slasher Films, and Female Youth Author(s),” Cupid was reimagined as a “cherub-masked killer” to target teenage girls and young women, America’s “second-largest theatergoing demographic.” Clearly no longer playing for the children in the room, the trailer asks: “Why is it that the one day of the year that everyone’s afraid to be alone is Valentine’s Day?” The answer, Nowell writes, is the film’s tagline: “Love Hurts.”
It’s certainly a stretch from where Chaucer started with springtime and lovers, but considering that planned Valentine’s Day sales in the U.S. are expected to rake in approximately $27.4 billion this year—an increase of $6.7 billion since 2019—unless we collectively agree to quit celebrating Valentine’s Day, it’s a sure bet there’s more of this waiting in the, well, wings…
“Why Cupid Rules Valentine’s Day,” from @jstordaily.bsky.social.
* anonymous
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As we celebrate, we might recall that it was on this date in 1977 that The B-52s performed their first live show at a Valentine’s Day party in their hometown of Athens, Georgia.
“Technology challenges us to assert our human values, which means that first of all, we have to figure out what they are”*…
As we head into the weekend, some food for thought…
A decade ago, the world was, at once, both the seed of today and a very different place: In what was considered one of the biggest political upsets in American political history (and the fifth and most recent presidential election in which the winning candidate lost the popular vote), Donald Trump was elected to his first term. The U.K. chose Brexit. The stock market finished strong, with the Dow Jones, S&P 500, and Nasdaq reaching new highs. (In the 10 years that have followed, the Dow has risen about 150%; the S&P 500, roughly 400%; and the NASDAQ has roughly sextupled.)
It was a big year for pop culture, marked by Beyoncé’s Lemonade, the massive Pokémon Go craze, and the rise of Netflix with Stranger Things, the Rio Olympics, and the loss of icons like David Bowie and Prince.
It was also a big year in tech: Russian hacking and disinfo (especially on Facebook) was a huge story– as was Apple’s elimination of the headphone jack in the iPhone 7. Theranos collapsed; and Wells fargo opened millions of accounts for customers without those customers’ permission (for which they were sunsequently fined $3 Billion). And Virtual Reality was everywhere (in the promises/offers from tech companies), but nowhere in the market. TikTok was launched in 2016, but hadn’t yet become the phenomenon (and avatar of algorithmly-driven feeds) that it has become. And in the course of 2016, artificial intelligence made the leap from “science fiction concept” to “almost meaningless buzzword” (though in fairness, 2016 was the year that Google DeepMind’s AlphaGo program triumphed against South Korean Go grandmaster Lee Sedol).
Back in 2016, the estimable Alan Jacobs was pondering the road ahead. In a piece for The New Atlantis, he coined and discussed a series of aphorisms relevant to the future as then he saw it. He begins…
Aphorisms are essentially an aristocratic genre of writing. The apho-
rist does not argue or explain, he asserts; and implicit in his assertion
is a conviction that he is wiser or more intelligent than his readers.
– W. H. Auden and Louis Kronenberger, The Viking Book of AphorismsAuthor’s Note: I hope that the statement above is wrong, believing that certain adjustments can be made to the aphoristic procedure that will rescue the following collection from arrogance. The trick is to do this in a way that does not sacrifice
the provocative character that makes the aphorism, at its best, such a powerful form of utterance.Here I employ two strategies to enable me to walk this tightrope. The first is to characterize the aphorisms as “theses for disputation,” à la Martin Luther — that is, I invite response, especially response in the form of disagreement or correction. The second is to create a kind of textual conversation, both on the page and beyond it, by adding commentary (often in the form of quotation) that elucidates each thesis, perhaps even increases its provocativeness, but never descends into coarsely explanatory pedantry…
[There follows a series of provocations and discussions that feel as relevant– and important– today as they were a decade ago. He concludes…]
… Precisely because of this mystery, we need to evaluate our technologies according to the criteria established by our need for “conviviality.”
I use the term with the particular meaning that Ivan Illich gives it in Tools for Conviviality [here]:
I intend it to mean autonomous and creative intercourse among per-
sons, and the intercourse of persons with their environment; and this
in contrast with the conditioned response of persons to the demands
made upon them by others, and by a man-made environment. I con-
sider conviviality to be individual freedom realized in personal inter-
dependence and, as such, an intrinsic ethical value. I believe that, in
any society, as conviviality is reduced below a certain level, no amount
of industrial productivity can effectively satisfy the needs it creates
among society’s members.In my judgment, nothing is more needful in our present technological moment than the rehabilitation and exploration of Illich’s notion of conviviality, and the use of it, first, to apprehend the tools we habitually employ and, second, to alter or replace them. For the point of any truly valuable critique of technology is not merely to understand our tools but to change them — and us…
Eminently worth reading in full, as its still all-too-relevant: “Attending to Technology- Theses for Disputation,” from @ayjay.bsky.social.
Pair with a provocative piece from another fan of Illich, L. M. Sacasas (@lmsacasas.bsky.social): “Surviving the Show: Illich And The Case For An Askesis of Perception.”
[Image above: source]
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As we think about tech, we might recall that it was on this date in 1946 that an ancestor of today’s social networks, streaming services, and AIs, the ENIAC (Electronic Numerical Integrator And Computer), was first demonstrated in operation. (It was announced to the public the following day.) The first general-purpose computer (Turing-complete, digital, and capable of being programmed and re-programmed to solve different problems), ENIAC was begun in 1943, as part of the U.S’s war effort (as a classified military project known as “Project PX“); it was conceived and designed by John Mauchly and Presper Eckert of the University of Pennsylvania, where it was built. The finished machine, composed of 17,468 electronic vacuum tubes, 7,200 crystal diodes, 1,500 relays, 70,000 resistors, 10,000 capacitors and around 5 million hand-soldered joints, weighed more than 27 tons and occupied a 30 x 50 foot room– in its time the largest single electronic apparatus in the world. ENIAC’s basic clock speed was 100,000 cycles per second (or Hertz). Today’s home computers have clock speeds of 3,500,000,000 cycles per second or more.

“What’s in a name?”
Antidepressant use is on the rise in the U.S.– and with it, the proliferation of new mood-management drug names. At the same time, the Tech Right’s fascination with The Lord of the Rings, has occasioned a flood of company and product names drawn from that fantasy series. It can be very confusing, as a new game from the folks at Vercel demonstrates. Can you tell if a name is an antidressant drug or a Tolkien character?
* Shakespeare, Romeo and Juliet (Act II, Scene II)
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As we navigate nomenclature, we might recall that it was on this date in 1941 that first injection of penicillin into a patient was administered by physician Charles Fletcher at Radcliffe Infirmary in Oxford, England.
In 1928, Alexander Fleming had discovered the anitbacterial properties of the Penicillium mold. But he had little luck convincing his medical colleagues of its value: penicillin was so difficult to isolate that its development as a drug seemed impossible. After Fletcher’s experiment and others– all of which showed promise, but “failed” when the doctors ran out of penicillin– Fleming used the hospital’s entire supply of penicillin to cure a patient of an infection of the nervous system (streptococcal meningitis) which would otherwise have been fatal. Having established medical efficacy, the doctors were able to convince labs in the U.K and the U.S. to pursue large-scale fermentation of the mold and refinments in its medical form. By June 1942, just enough US penicillin was available to treat ten patients. But with the U.S. entry into World War II, the War Production Board undertook to make penicillin available to fighting forces across the conflict. By June, 1945, over 646 billion units per year were being produced.

“In the natural world, anything that is colored so brightly must be some kind of serious evolutionary badass”*…
There are an estimated 10 quintillion (10,000,000,000,000,000,000) individual insects alive on earth today; they’ve been around for over 350 million years and ihabit nearly every environment, from deserts to snowy mountains. Their total biomass is massive, estimated to be around 70 times more than all humans combined. Often considered pests, only about 3% of species are harmful to humans; the vast majority are crucial for pollination, decomposition, and as food sources for other animals. (More insect data.)
“Loren” (and here) is a microbiologist fascinated by bugs– and ready to share…
I am incredibly fond of insects. They’re small and usually pretty fast, so it’s rewarding to successfully capture a photo of one. from 2017 to 2023, I was fairly consistent about chasing down bugs and sharing the photos on instagram, but sticking them all in a square grid can only do so much for me (or you). Here, I want to have a little more fun with my photos, and share other bug-related things that I like. There’s a lot! I am not an entomologist, merely a bug fan, so this page in its current state skews more towards the entertaining than the informative, but who knows what it may turn into. Right now there’s an entomology textbook sitting on my coffee table, and plenty of time to read it while the bugs overwinter…
Browse and learn: “The Bug Zone,” via Matt Muir (@mattmuir.bsky.social) and his always-illuminating Web Curios (@curiobot.bsky.social).
* Neal Stephenson, Cryptonomicon
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As we creep and crawl, we might spare a thought for a man concerned with “bugs” of a different sort, Joseph Lister (1st Baron Lister, OM, PC, FRS, FRCSE, FRCPGlas, FRCS); he died on this date in 1912. A surgeon, medical scientist, and experimental pathologist, he was a pioneer of antiseptic surgery and preventive healthcare. Just as John Hunter revolutionised the science of surgery, Lister’s revolutionized the craft of surgery.
Lister researched the role of inflammation and tissue perfusion in the healing of wounds, and advanced diagnostic science by analysing specimens using microscopes. But his biggest contributions were a function of his application of Louis Pasteur‘s then-novel germ theory. Lister introduced carbolic acid (modern-day phenol) as a steriliser for surgical instruments, patients’ skins, sutures, surgeons’ hands, and wards, promoting the principle of antiseptics. And he devised strategies to increase the chances of survival after surgery by reducing post-operative infections (e.g., segragating post-op patients from pre-op patients who had germ-riddled wounds).






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