(Roughly) Daily

“Everyone waits in line”*…

What we can learn from studying the crowd-management approaches at Disneyland…

Who gets to do what and when at a themepark may sound like a trivial question, but I think it’s a perfect little microcosm for the distributional problems that are at the heart of all political economy – questions that the pandemic’s shortages and shocks threw into stark relief…

Stay in your lane: “The definitive answers to Disney’s pernicious queueing debates,” from Cory Doctorow (@doctorow)

The video that Cory recommends:

(image at the top: source)

* Paul Theroux


As we bide our time, we might recall that it was on this date in 1971 that traffic-choking crowds jammed Walt Disney World to capacity (on the day after Thanksgiving). Shortly before noon the Florida park closed its gates to additional visitors.


Written by (Roughly) Daily

November 26, 2021 at 1:00 am

“The element of mystery to which you want to draw attention should be surrounded and veiled by a quite obvious, readily recognisable commonness”*…

Day And Night (1938)

An appreciation of the marvelous M.C. Escher…

Despite being a fan of Rennaisance Art and the work of the Impressionists, he feels increasingly pulled in a different direction…

When you look at this picture, you’re flipping between world views. Either you’re seeing the white birds, and the bright, presumably sunlit day scene with its cheerful flotilla of steam ships puffing their way upriver – or you’re seeing the black birds, and your eye is drawn to the night-shrouded landscape where the houses have their lights on and the sky’s already eaten the horizon & is creeping nearer…

Except, that’s not quite right. The black birds are in the daylight side, and the white ones are flying into the night. These aren’t just mirror images: they’re like the Ancient Chinese yin-yang symbol, each side containing part of its opposite…

Escher’s love of the fantastical is primarily inspired by what he sees around him, not what he can dream up out of next to nothing… By looking closely at the real world, and trying to understand how it works, Escher will invite his initially small but intensely loyal fanbase to explore some very strange mysteries indeed.

Ascending And Descending (1960)

It’s the 1960s now, and nonconformity is all the rage. Hair is getting longer, psychedelics-powered artistry is flourishing, and anything that seems to scream to hell with the rules is increasingly in vogue… Because of the fantastical elements of his work, Escher is acquiring a reputation as a surrealist. As a self-identifying “reality enthusiast,” it’s the very last thing he wants. Take Ascending & Descending, where he’s clearly turning his imagination to the futility of so much in the human-centred world. In a letter to a friend, he says:

“Yes, yes, we climb up and up, we imagine we are ascending; one step is about 10 inches high, terribly tiring – and where does it get us? Nowhere.”

But until the end of his career, his work will continue to speak to something deeper – a rebellion against human incuriosity, or a constant rallying-cry for the act of paying attention…

Read it in full: “Fooling With Certainty: The Impossibly Real Worlds Of MC Escher,” from Mike Sowden (@Mikeachim)

* M. C. Escher


As we look closely, we might recall that it was on this date in 1859 that our perspective was shifted in a different kind of way: Charles Darwin published The Origin of the Species.  Actually, on that day he published On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life; the title was shortened to the one we know with the sixth edition in 1872.

Title page of the 1859 edition


(Roughly) Daily will be on a brief Thanksgiving hiatus, returning when the the tryptophan haze has passed…

“If one tells the truth, one is sure, sooner or later, to be found out”*…

That most quotable (well, after Shakespeare) of wits…

More enduring epigrams in the entertaining infographic “And the Oscar goes to…” (full and larger) from @guardian.

See also “Oscar Wilde Will Not Be Automated, ” from @benjaminerrett.

* Oscar Wilde


As we chortle, we might recall that it was on this date (which is, by the way, Fibonacci Day) in 1644 that John Milton published Areopagitica; A speech of Mr. John Milton for the Liberty of Unlicenc’d Printing, to the Parlament of England.  A prose polemic opposing licensing and censorship, it is among history’s most influential and impassioned philosophical defenses of the principle of a right to freedom of speech and expression.  The full text is here.



“Men knew better than they realized, when they placed the abode of the gods beyond the reach of gravity”*…

In search of a theory of everything…

Twenty-five particles and four forces. That description — the Standard Model of particle physics — constitutes physicists’ best current explanation for everything. It’s neat and it’s simple, but no one is entirely happy with it. What irritates physicists most is that one of the forces — gravity — sticks out like a sore thumb on a four-fingered hand. Gravity is different.

Unlike the electromagnetic force and the strong and weak nuclear forces, gravity is not a quantum theory. This isn’t only aesthetically unpleasing, it’s also a mathematical headache. We know that particles have both quantum properties and gravitational fields, so the gravitational field should have quantum properties like the particles that cause it. But a theory of quantum gravity has been hard to come by.

In the 1960s, Richard Feynman and Bryce DeWitt set out to quantize gravity using the same techniques that had successfully transformed electromagnetism into the quantum theory called quantum electrodynamics. Unfortunately, when applied to gravity, the known techniques resulted in a theory that, when extrapolated to high energies, was plagued by an infinite number of infinities. This quantization of gravity was thought incurably sick, an approximation useful only when gravity is weak.

Since then, physicists have made several other attempts at quantizing gravity in the hope of finding a theory that would also work when gravity is strong. String theory, loop quantum gravity, causal dynamical triangulation and a few others have been aimed toward that goal. So far, none of these theories has experimental evidence speaking for it. Each has mathematical pros and cons, and no convergence seems in sight. But while these approaches were competing for attention, an old rival has caught up.

The theory called asymptotically (as-em-TOT-ick-lee) safe gravity was proposed in 1978 by Steven Weinberg. Weinberg, who would only a year later share the Nobel Prize with Sheldon Lee Glashow and Abdus Salam for unifying the electromagnetic and weak nuclear force, realized that the troubles with the naive quantization of gravity are not a death knell for the theory. Even though it looks like the theory breaks down when extrapolated to high energies, this breakdown might never come to pass. But to be able to tell just what happens, researchers had to wait for new mathematical methods that have only recently become available…

For decades, physicists have struggled to create a quantum theory of gravity. Now an approach that dates to the 1970s is attracting newfound attention: “Why an Old Theory of Everything Is Gaining New Life,” from @QuantaMagazine.

* Arthur C. Clarke, 2010: Odyssey Two


As we unify, we might pause to remember Sir Arthur Stanley Eddington, OM, FRS; he died in this date in 1944.  An astrophysicist, mathematician, and philosopher of science known for his work on the motion, distribution, evolution and structure of stars, Eddington is probably best remembered for his relationship to Einstein:  he was, via a series of widely-published articles, the primary “explainer” of Einstein’s Theory of General Relativity to the English-speaking world; and he was, in 1919, the leader of the experimental team that used observations of a solar eclipse to confirm the theory.


“A man will turn over half a library to make one book.”*…

Source: Takram

Continuing yesterday’s focus on books…

Marioka Shoten is a bookstore that sells only one book at a time (but sells multiple copies of it) for a week. The bookseller Yoshiyuki Morioka carefully selects a title from novels, manga, biographies and graphic novels for showcasing every week. With the extreme approach to curation, the bookstore is a blend of a shop, a gallery and a meeting place with an essence of minimalism…

From Rishikesh Sreehari (@rishikeshshari), “Single Room with a Single Book,” in his fascinating newsletter 10 + 1 Things.

See also, “Japanese bookshop stocks only one book at a time,” in @guardian.

* Samuel Johnson


As we contemplate curation, we might send rational birthday greetings to Francois-Marie Arouet, better known as Voltaire; he was born on this date in 1694.  The Father of the Age of Reason, he produced works in almost every literary form: plays, poems, novels, essays, and historical and scientific works– more than 2,000 books and pamphlets (and more than 20,000 letters).  He popularized Isaac Newton’s work in France by arranging a translation of Principia Mathematica to which he added his own commentary.

A social reformer, Voltaire used satire to criticize the intolerance, religious dogma, and oligopolistic privilege of his day, perhaps nowhere more sardonically than in Candide.


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