(Roughly) Daily

Posts Tagged ‘innovation

“Language is the road map of a culture. It tells you where its people come from and where they are going”*…

A historical scene depicting men and women in a busy accounting office filled with papers and bags, showcasing a discussion about debts and transactions.
The tax-collector’s office, Pieter Brueghel the Younger (1565–1636)

From Colin Gorrie, how our world also shapes our language– and in the example he uses, also our sense of duty…

Debt is old. It’s older than writing. The first writing system, Sumerian cuneiform, evolved out of marks used for accounting. From the beginning, writing was used to track who had what, and, crucially, who owed what to whom.

The influence of debt also extends to language more generally. In many languages, including English, the experiences of owing and being owed provided the blueprint for more abstract notions of duty, necessity, and obligation.

Words meaning ‘to owe’ developed into abstract expressions of obligation so often that it’s useful to have a name for the phenomenon. I call it the owe-to-ought pipeline, named after one of the clearest cases of this development. The word ought is, in fact, nothing but the old past tense form of owe.

This pipeline shows us something about how language changes and develops over time. First, it shows how easily words can slide from one meaning to another, although that’ll be no surprise to anyone who has watched the development of slang over a few decades.

The more important lesson owe-to-ought teaches us has to do with where grammar comes from. Wait, don’t run away! This isn’t a grammar lesson. What I want to show you is how languages create grammar — a collection of abstract meanings such as plurality and verb tense — out of the concrete realities of our shared human experience.

And what human experience is more common than debt?

This is the story of three families of words: owe, should, and the word debt itself. Understand these three families, and you’ll understand how the English language built its way of expressing duty, necessity, and obligation — not to mention guilt and sin — out of the raw materials of accounting…

A case study in how our vocabulary (and our sense of obligation) evolved: “How debt shaped the way we speak,” from @colingorrie.bsky.social.

* Rita Mae Brown

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As we acknowledge our antecedents, we might recall that it was on this date in 1950 that Rose Marie Reid was granted one of her several patents, US2535018A. A swimwear designer and manufacturer, Reid has already been the first swimsuit designer to use inner brassieres, tummy-tuck panels, stay-down legs, elastic banding, brief skirts, and foundation garments in swimwear, and the first designer to introduce dress sizes in swimwear, designing swimwear for multiple sizes and types of bodies, rather than just producing one standard size. This patent was, in its way, even more revolutionary– it was for a one-piece bathing suit made of elastic fabric “embodying a novel construction for causing it to snugly fit the body of a wearer in a flattering manner [that would] shape and support portions of the body of the wearer in areas of the bust and abdomen in a flattering manner without discomfort or impedance to free movements of the body.” The elastic fabric and elastic securing bands were designed to enable the garment to be put on without having buttoned openings which would “detract from the appearance of the garment.”

Reid assigned her patent to her company and enjoyed huge sales success, in part due to her impact in Hollywood and the motion picture industry. Famous screen actresses (e,g, Rita Hayworth, Marilyn Monroe, Jane Russell, and Rhonda Fleming) wore her swimsuits. And her suits also appeared in several California beach party films from the late 1950s and the early 1960s, including GidgetMuscle Beach Party, and Where the Boys Are.

A gold glittery one-piece bathing suit displayed on a mannequin, featuring ruffled straps and a snug fit.
The “Glittering Metallic Lamé” suit worn by Rita Hayworth to publicize Gilda (source)

“No one prospers without rendering benefit to others”*…

Close-up of a zipper on a fabric surface, highlighting the metal slider and stitching detail.

Revisiting a topic we last considered about six years ago: the modern zipper was invented (or, at least, first patented) in 1913. But, as Michael Knispel explains, story of the zipper-as-we-know-it began in Japan in 1934…

Here’s a test you can do right now. Look down at your jacket. Your jeans. Your bag. Find a zipper—any zipper—and check the pull tab. Three letters. YKK.

Try another. Your backpack. Your hoodie. Your tent, if you’ve got one nearby. YKK.

It’s everywhere. And once you start noticing, you can’t stop. It’s like discovering a secret language written into the fabric of modern life.

Those three letters stand for Yoshida Kōgyō Kabushikigaisha—Yoshida Manufacturing Corporation. And they represent one of the most successful, least-known companies in the world.

YKK produces roughly half of all zippers made globally. Seven billion zippers a year. In some markets—Japan, for instance—their share approaches 90%. If you’ve ever zipped anything, there’s a better-than-even chance it was theirs.

But here’s what fascinates me: they didn’t get there through aggressive expansion or undercutting competitors. They got there by being better. By obsessing over a component most people never think about. By treating the humble zipper not as a commodity, but as a craft.

And after ninety years of that obsession, they’re not resting. They’re constantly evolving—pushing the zipper into territory it’s never been before.

Let me tell you the story…

[And tell it, he does: the company’s remarkable history, turning the to a survey of recent innovations…]

… For most of YKK’s history, innovation meant incremental improvement. Better corrosion resistance. Smoother sliders. More durable coils.

But in the past few years, something’s shifted.

YKK isn’t just refining the zipper anymore. They’re rethinking it entirely.

After ninety years of mastering the fundamentals, they’re finally asking: what else could a zipper be?..

[Knispel recouns recent developments– the “AiryString” (tapeless) zipper, the self-propelled zipper– concluding with “The Revived Collection”…]

… Here’s the most important innovation—and it’s not a single product. It’s a philosophy.

The YKK Revived Collection is a series of repair-focused components designed to keep zippers functional and maximize a product’s lifecycle. The goal is simple but radical: the zipper should never be the reason a product is thrown away.

YKK has developed three main components in the Revived series, each targeting a specific failure mode. Together, they represent a fundamental shift in how YKK thinks about their products—not just as components to be manufactured and sold, but as systems to be maintained and repaired.

Traditional center-front zippers—the kind you find on jackets and hoodies—have a problem. When the slider breaks or the pull tab snaps off, you’re stuck. The standard repair requires cutting off the top stop, that metal or plastic piece that keeps the slider from flying off the end, and replacing the entire slider. It’s destructive, time-consuming, and often requires specialized tools.

The Revived Top Stop changes that. It looks like a standard top stop, but with a zigzag groove pattern cut through it. That channel allows you to orient the slider through the stop and derail it, removing it without cutting anything…

[Knispel explains the ingenious fixes for regular zippers, pocket and accessory zippers, and bag zippers. Then he draws the wisdom they embody…]

… Here’s what ties the Revived Collection together: YKK is building repair infrastructure.

They’re not just selling replacement parts. They’re designing zippers to be repairable from the start, and they’re working with brands, warranty centers, third-party repair shops, and even consumers to make those repairs accessible.

“We’re targeting this for warranty and quality centers, third-party repair centers, potentially in-store retail repairs, and eventually consumer repairs,” says John Holiday, YKK’s Senior Product Development Manager. “We want to make sure the fastener or the zipper is not the reason a product is no longer in use or why it needs to be warrantied.”

That’s a shift. Traditionally, YKK sells zippers to manufacturers in bulk—cut zippers or chain-and-slider assemblies. The Revived components are sold as standalone parts, which means YKK is rethinking its distribution model to make replacement parts available outside traditional manufacturing channels.

I started this piece with a test: look at your zippers. Three letters. YKK.

Now you know why they’re there. Not because of aggressive marketing or locking out competitors. Because a man in 1934 Tokyo decided that if you make something genuinely better—more reliable, more consistent, more thoughtful—success follows naturally.

Ninety years later, YKK still operates on that philosophy. They’re still privately held. Still vertically integrated. Still obsessing over a component most people never think about.

And it looks like they’re not done. They’re constantly evolving…

The Company That Zips the World | YKK’s Ninety-Year Obsession,” from @carryology.bsky.social.

YKK Corporate Philosophy

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As we zip it, we might that on this date– Halloween– in 2005, Gary Estrada, met his goal to visit at Walt Disney World’s Magic Kingdom Haunted Mansion 999 times. Estrada had begun riding in January of that year and finished on Halloween in just ten months. Why 999 times? Because that is how many “happy haunts” are said to live there.

A nighttime view of the Haunted Mansion at Walt Disney World, featuring a carriage in the foreground and the mansion's Gothic architecture illuminated by warm lights.

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Written by (Roughly) Daily

October 31, 2025 at 1:00 am

“‘When I use a word,’ Humpty Dumpty said in rather a scornful tone, ‘it means just what I choose it to mean — neither more nor less.'”*…

A Renaissance portrait of Erasmus of Rotterdam, depicting him in profile while writing in a book with a quill pen, set against a dark green background.
Portrait of Erasmus of Rotterdam Writing (1523) by Hans Holbein

Like today’s large language models, some 16th-century humanists (like Erasmus) had techniques to automate writing. But as Hannah Katznelson explains, others (like Rabelais) called foul…

The Renaissance scholar and educator Erasmus of Rotterdam opens his polemical treatise The Ciceronian (1528) by describing the utterly dysfunctional writing process of a character named Nosoponus. The Ciceronianis structured as a dialogue, withtwo mature writers, Bulephorus and Hypologus, trying to talk Nosoponus out of his paralysing obsession with stylistic perfection. Nosoponus explains that it would take him weeks of fruitless writing and rewriting to produce a casual letter in which he asks a friend to return some borrowed books. He says that writing requires such intense concentration that he can do it only at night, when no one else is awake to distract him, and even then his perfectionism is so intense that a single sentence becomes a full night’s work. Nosoponus goes over what he’s written again and again, but remains so dissatisfied with the quality of his language that eventually he just gives up.

Nosoponus’s problem might resonate. Who has not spent too long going over the wording of a simple email, at some point or another? Today there is an easy fix: we have large language models (LLMs) to write our letters for us, helpfully proffering suggestions as to what we might say, and how we might phrase it. When I input Nosoponus’s intended request into GPT-4, it generated the following almost instantly:

Hey [Friend’s Name],

Hope you’re doing well! I just realised I never got those books back that I lent you a while ago. No rush, but whenever you get a chance, I’d love to get them back. Let me know what works for you! Thanks!

Nosoponus

But there was a solution in the 16th century, too. A humanist education on the Erasmian model could train its students to produce letters of any length, on any topic – quickly, easily and eloquently. The French humanist François Rabelais, a contemporary of Erasmus, appears to have understood these compositional techniques as automating the creating of text in a way that, retrospectively, looks a lot like how LLMs function. If we want to understand LLMs, and what they are and aren’t capable of, we can look at earlier versions of the same technology – like Erasmian humanism. We can also read authors like Rabelais, who is already thinking about automatic text-generation along these lines, as someone who appreciates the effectiveness of Erasmian generative technology, but at the same time sees it as vitiating the social force of language and, ultimately, ruining language as a tool for moral and political life…

[Katznelson recounts Erasmus’s efforts, Rabelais’s response, and unpacks the important differences between our own authentic speech language created to speak for us and their practical and moral implications…]

What lessons from the 16th century can tell us about AI and LLMs: “Methodical banality,” from @aeon.co.

* Lewis Carroll, Through the Looking Glass

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As we honor authenticity, we might recall that it was on this date in 1886 that three U.S. patents were issued to Alexander Graham Bell’s Volta Labs for “recording and reproducing speech and other sounds.” The Graphophone, was an improved (and the first practical) version of the Edison phonograph (from 1877), and became the foundation on which the speech recording (e.g., dictaphone) and recorded music (and spoken word) industries began to grow.

An illustration of an early speech recording device, the Graphophone, showcasing its intricate components and design.

source

“The street finds its own uses for things”*…

Your correspondent is off again, this time across borders and for a little longer that my last few absences; regauler service should resume around April 19…

The estimable Matt Webb on an approach to thnking more comprhensively and creatively about the ultimate impacts of and given innovation…

… I recently learnt about twig, which is a biotech startup manufacturing industrial chemicals using custom bacteria.

The two examples they cite: palm oil which is used in lipstick but displaces rainforests; isoprene which is used to make tyres but comes from fossil fuels.

What if instead you could engineer a strain of bacteria to bulk produce these chemicals sustainably?

The capabilities are present in the metabolic pathways. So that’s what twig does. At scale, is the promise.

  1. I hadn’t realised this kind of biotech had gotten to commercialisation! And in London too. Good stuff.
  2. What Are The Civilian Applications?

What Are The Civilian Applications? is of course a Culture ship name, a GSV (General Systems Vehicle) from The Use of Weapons by Iain M. Banks.

It is also an oblique strategy we deployed regularly in design workshops back in the day at BERG, introduced (I think? Gang please correct me if I’m wrong) by long-time design leader and friend Matt Jones. That’s his project history. Go have a read.

Let me unpack.

Oblique Strategies (a history) by Brian Eno and Peter Schmidt, 1975: a deck of approx 100 cards, each of which is a prompt to bump you out of a creative hole.

For example:

Honor thy error as a hidden intention

Or:

Discard an axiom

And so on.

In product invention, which is kinda what we did at BERG and kinda what I do now, it’s handy to carry your own toolkit of prompts. So I adopted What Are The Civilian Applications? into my personal deck of oblique strategies.

Therefore.

What would do you with engineered bacteria that can make palm oil or whatever, if it were cheap enough to play with, if the future were sufficiently distributed, if we all had it at home?

Like, it’s a good question to ask. What would civilians do with engineered bacteria?

Tomato soup.

Instead of buying tomato soup at the store, I’d have a little starter living in a jar. A bioreactor all of my own, and I’d fill it with intelligently designed bacteria that eat slop and excrete ersatz Heinz tomato soup.

I’m not 100% sure what “slop” is in this context. The food I mean. Maybe the bacteria just get energy from sunlight, fix carbon from the air, and I drop in a handful of vitamin gummies or fish flakes every Monday?

A second oblique strategy adopted into my personal deck over the years:

A good science fiction story should be able to predict not the automobile but the traffic jam,” by Frederik Pohl. As previously discussed re a national drone network.

Let’s say I can go to the store and buy a can of Perpetual Heinz, or however they brand it. A can with a sunroof on the top and a tap on the side that I keep in the garden and I can juice it for soup once a week for a year, or until the bacterial population diverges enough that I’m at risk of brewing neurotoxins or psychedelics or strange and wonderful new flavours or something.

Heinz is not going to like that, economically. They’ll require me to enrol in some kind of printer and printer ink business model where I have to subscribe to the special vitamin pills to keep (a) the soup colony alive and (b) their shareholders happy.

Which will end up being pricey, like the monthly cash we all pay out to mutually incompatible streaming services. Demand will arise for black market FMCGs on the dark web. Jars of illegal Infinite Coca Cola that only requires the cheap generic slop and it tastes just the same.

So I love to play with these strategies and imagine what the world might be like. Each step makes a sort of sense yet you end up somewhere fantastical – that’s the journey I want to take you on in text, too. Then the game, in product invention, is to take those second order possibilities and bring them back to today. (I’m giving away all my secrets now.)

But I prefer cosier, more everyday futures:

Grandma’s secret cake recipe, passed down generation to generation, could be literally passed down: a flat slab of beige ooze kept in a battered pan, DNA-spliced and perfected by guided evolution by her own deft and ancient hands, a roiling wet mass of engineered microbes that slowly scabs over with delicious sponge cake, a delectable crust to be sliced once a week and enjoyed still warm with cream and spoons of pirated jam.

A small jar of precious, proprietary cake ooze handed down parent to child, parent to child, together with a rack filled with the other family starter recipes, a special coming of age moment, a ceremony…

Thinking broadly and deeply about the implications of innovations: “What Are The Civilian Applications?” from @genmon.fyi.

(Image above: source)

* William Gibson

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As we ponder the particulars of progress, we might spare a thought for Francis Bacon– the English Renaissance philosopher, lawyer, linguist, composer, mathematician, geometer, musician, poet, painter, astronomer, classicist, philosopher, historian, theologian, architect, father of modern empirical science (The Baconian– aka The Scientific– Method), and patron of modern democracy, whom some allege was the illegitimate son of Queen Elizabeth I of England (and other’s, the actual author of Shakespeare’s plays). He died on this date in 1561… after (about a month earlier) he had stuffed a dressed chicken with snow to see how long the flesh could be preserved by the extreme cold. He caught a cold and perished from its complications.

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Written by (Roughly) Daily

April 9, 2025 at 1:00 am

“I tell you, sir, the only safeguard of order and discipline in the modern world is a standardized worker with interchangeable parts.”*…

French gunLock (true Flintlock) as that made by and improved upon by Blanc

… a sentiment that grates on the indivisualists among us. Still, there’s no denying the enormous impact that standardization has had. In an excerpt from his book, Exactly: How Precision Engineers Created The Modern World, Simon Winchester on the revolution that came from interchangeable parts…

Lewis Mumford, the historian and philosopher of technology, was one of the earliest to recognize the major role played by the military in the advancement of technology, in the dissemination of precision-based standardization, in the making of innumerable copies of the same and usually deadly thing, all iterations of which must be identical to the tiniest measure, in nanometers or better. The stories that follow, in which standardization and precision­-based manufacturing are shown to become crucial ambitions of armies on both sides of the Atlantic, serve both to confirm Mum­ford’s prescience and to underline the role that the military plays in the evolution of precision. The examples from the early days of the science are of course far from secret; those from today, and that might otherwise be described in full to illustrate today’s very much more precise and precision-obsessed world, are among the most se­cure and confidential topics of research on the planet — kept in per­manent shadow, as the dark side necessarily has to be.

It was in the French capital in 1785 that the idea of producing in­terchangeable parts for guns was first properly realized, and the precision manufacturing processes that allowed for it were ordered to be first put into operation. Still, it is reasonable to ask why, if the process was dreamed up in 1785, was it not being applied to the American musketry in official use in 1814, twenty-nine years later? Men were running, battles were being lost, great cities were being burned — and in part because the army’s guns were not being made as they should have been made. There is an answer, and it is not a pretty one.

Two little-remembered Frenchmen got the honor of first introducing the system that, had it been implemented in time and implemented properly, would have given America the guns it should have had. The first, the less familiar of the pair, despite the evidently su­perior nature of his name, was Jean-Baptiste Vaquette de Gribeau­val, a wellborn and amply connected figure who specialized in designing cannons for the French artillery. He supposedly came up with a scheme, in 1776, for boring out cannons using almost ex­actly the same technique that John Wilkinson had invented in England, that of moving a rotating drill into a solid cannon-size and cannon-shaped slug of iron. Wilkinson had patented his pre­cisely similar system two years earlier, in 1774, but nonetheless, the French system, the système Gribeauval, as it came to be known for the next three decades, long dominated French artillery mak­ing. It gave the French armies access to a range of highly efficient and lightweight, but manifestly not entirely originally conceived, field pieces. (Gribeauval did employ what were called go and no-go gauges as a means of ensuring that cannonballs fitted properly in­side his cannons, but this was hardly revolutionary engineering, and it had been around in principle for five centuries.)

The second figure, the man who did the most to bring the sys­tem of interchangeable parts to the making of guns, and whose technique was, unlike Gribeauval’s, unchallengeable, was Honoré Blanc. He was not a soldier but a gunsmith, and during his appren­ticeship he became well aware of the Gribeauval system. He decided early in his career that he could bring a similar standardization to the flintlock musket, for the benefit of the man on the battlefield.

Yet there was a difference. A cannon was big and heavy and crude — a gunner simply touched his linstock, with its attached lighted match, to the vent, and the cannon fired — and so such parts as there were proved easily amenable to standardization. With the flintlock, however, the lock (that part of a musket that delivered the spark that exploded the priming powder that ignited the main charge and drove the ball down the barrel) was a fairly delicate and complex piece of engineering, made of many oddly shaped parts and liable to all kinds of failure. To the uninitiated, the names of the bits and pieces of a flintlock alone are bewildering: a lock has parts that are variously known as the bridle, the sear, the frizzen, the pan, and any number of springs and screws and bolts and plates as well as, of course, the spark-producing (when struck by the aforementioned metal frizzen) piece of flint. To render the lock into a standard piece of military equipment, with all its parts made exactly the same for each lock, was going to be a tall order.

Cost, rather than the well-being of the infantryman or the con­duct of the battle, was the prime motive. The French government declared in the mid-1780s that the country’s gunsmiths were charging too much for their craftsmanship, and demanded they improve their manufacturing process or lower their prices. The smiths not unnat­urally balked at the impertinence of the suggestion, and promptly tried selling their products to the new armories and gun makers across the Atlantic in America, a move that alarmed the French government, as it imagined it might well run out of weaponry as a result.

It was at this point that Honore Blanc entered the picture, taking a civilian job as the army’s quality-control inspector. His brother gunsmiths expressed their dismay over the fact that one of their number was going over to the other side, was a poacher turning gamekeeper. Blanc dismissed the criticism and got on with his job, his own motivation being the welfare of the soldier out in the field rather than allowing the government to cut costs. He was greatly in­fluenced by M. de Gribeauval, and decided he could ape his system of standardization, ensuring that all the component parts of a flint­lock he made as exact and faithful copies of one perfectly made master.

This master he made himself, carefully and with great precision, and with all the specifications laid down as precisely as possible (us­ing the arcane system of the Ancien Régime, which still employed dimensional measures such as the pointe, the ligne, and the pouce) to tolerances of about what today we would recognize as 0.02 millime­ters. He then made a series of jigs and gauges to ensure that all the locks made subsequently were faithful to this first perfect master, by the judicious use of files and such lathes as were available. The gunsmiths hired by Blanc to perform this task — by hand, still — made each lock exactly as the original. Providing that they did so, exactly, all the pieces would then fit perfectly together, and the whole assem­bled lock would fit equally perfectly into each completed weapon.

Yet only a small number of gunsmiths were willing to work under these stringent new conditions. Most balked. Making guns simply by copying parts reduced the value of the gunsmith’s craftsman­ship to near insignificance, they argued. Unskilled drones could do their work instead. By arguing this, the French smiths were voicing much the same complaints as the Luddites had grumbled over in England: that precision was stripping their skills of worth. This argument would be heard many times in the future as the steady march of precision engineering advanced across Europe, the Americas, the world. The kind of mutinous sentiments heard in the English Midlands half a century before were now being mut­tered in northern France, as precision started to become an inter­national phenomenon, its consequences rippling into the beyond.

Such was the hostility in France to Honoré Blanc, in fact, that the government had to offer him protection, and so sequestered him and his small but faithful crew of precision gun makers in the base­ment dungeons of the great Château de Vincennes, east of Paris. At the time, the great structure (much of it still standing, and much visited) was in use as a prison: Diderot had been incarcerated there, and the Marquis de Sade. In the relative peace of what would, within thirty years, become one of postrevolutionary France’s greatest ar­senals, Blanc and his team worked away producing his locks, all of them supposedly identical. Blanc made all the necessary tools and jigs to help in his efforts — according to one source, hardening the metal pieces by burying them for weeks in the copious leavings of manure from the castle stables.

By July of 1785, Blanc was ready to offer a demonstration. He sent out invitations to the capital’s nabobs and military flag officers and to his still-hostile colleague gunsmiths, to show them what he had achieved. Many officials came, but few of the smiths, who were still seething. Yet one person of great future significance did present himself at the donjon’s fortified gates: the minister to France of the United States of America, Thomas Jefferson…

On the making of the modern world: interchangeable parts, from @simonwwriter, via the invaluable @delanceyplace.

Jean Giraudoux

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As we mix and match, we might spare a thought for another contibutor to our modern age, Jethro Tull; he died on this date in 1741. An agronomist who promoted planting seeds in rows (as opposed to “broadcast,” simply casting the seeds around), he perfected a horse-drawn seed drill in 1701 that economically sowed the seeds in three neat rows; because of its internal moving parts (including a rotary mechanism that became part of all sowing devices that followed), it has been called the first agricultural machinery. He later developed a horse-drawn hoe, a four-coultered plow that made vertical cuts in the soil before the plowshare.

Tull’s methods– horse-hoeing and row seeding, effectively a rejection of traditional Virgilian husbandry– were initailly controversial, but were steadily adopted by many landowners and helped to provide the basis for modern agriculture.

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Written by (Roughly) Daily

February 21, 2025 at 1:00 am