Archive for the ‘Uncategorized’ Category
In examining the history of famous robots, you’d be forgiven for overlooking a 1950s children’s toy named Robert.
Robert the Robot, who was a product of the once-mighty Ideal Toy Company, didn’t do much, at least compared to the standards set by science fiction at the time. Unlike the helpful humanoids of Isaac Asimov’s I, Robot, Robert was just a 14-inch-tall hunk of plastic that could utter a few phrases, wheel around with a tethered remote control, and grip objects in his mechanical arms.
Still, Robert deserves credit for being the first plastic toy robot made in the United States, and the first toy robot to become [as your correspondent, a delighted recipient of Robert as a Christmas gift, can attest] an American sensation. He was the subject of children’s songs, enjoyed a Hollywood film cameo, and was quickly imitated by rival toy makers. He also preceded the industrial robotics boom by several years, capturing people’s imagination long before we truly understood what robots could do…
Before Rosie and R2-D2 became pop culture icons, a humble toy named Robert paved the way: “The 1950s Toy Robot Sensation That Time Forgot.”
As we turn the crank, we might spare a thought for Rube Goldberg; he died on this date in 1970. A cartoonist, sculptor, author, engineer, and inventor, he is best remembered as a satirist of the American obsession with technology; his series of “Invention” cartoons used a string of outlandish tools, people, plants, and steps to accomplish simple, everyday tasks in the most complicated possible way. (His work has inspired a number of “Rube Goldberg competitions,” the best-known of which, readers may recall, has been profiled here.)
Goldberg was a founder and the first president of the National Cartoonists Society, and he is the namesake of the Reuben Award, which the organization awards to the Cartoonist of the Year.
Thanks to obsessive online forums that pore over a production’s every anachronism , [the entertainment industry] requires increasingly discerning and dedicated prop hunters. Nowhere is this more apparent on set than with the technology that surrounds actors. Mad Men inspired its dedicated watchers to complain that the Sterling Cooper office’s IBM Selectric typewriters were a year ahead of their time, and the numerous period-specific shows that followed have only had to be more diligent.
Now, as television is trending toward ’80s-era creations like Stranger Things, The Americans, Halt and Catch Fire, and The Goldbergs, decorators are finding it increasingly difficult to fill their sets with gadgets that won’t cause persnickety fans to froth at the mouth. It’s a very first-world Hollywood problem, but a fascinating one. The breakneck pace of consumer technology development — the same thing that has brought us generational inside jokes and those viral “Kids React to Old Computers” videos — is trailed by landfills full of mass-produced gadgets. They are not made of metal or wood, but a beige and flimsy plastic that tends to yellow over time. As the production designer for the first two seasons of The Americans, John Mott, put it, the ’80s “were also a time where design had kind of lost its way.” As a result, gadgets from that era don’t tend to be on most collectors’ radars, even if they’re in high demand in the entertainment industry…
It can’t just be a computer from the ’80s — it has to be THE computer from the ’80s: “How Hollywood Gets Its Old-School Tech.”
And for more on the viewer-side energy driving this, see “The Internet Is Spoiling TV.”
* Sha Li
As we aspire to accuracy, we might recall that it was on this date in 1970 that Gimme Shelter was released. A Maysles Brothers documentary edited by Charlotte Zwerin and produced by Porter Bibb (with incidental assistance from your correspondent), it chronicled the last weeks of The Rolling Stones’ 1969 US tour, which culminated in the disastrous Altamont Free Concert.
One of the most immediate and compelling documentaries ever committed to celluloid, it was released twelve months to the day after the era-defining tragedy that it depicted. Before directing Gimme Shelter, Albert and David Maysles had made vérité documentaries focusing on celebrities such as Marlon Brando, Orson Welles, Truman Capote and the Beatles and it was the latter experience that convinced Mick Jagger and the Rolling Stones to invite the brothers and their creative collaborator Charlotte Zwerin to film the free concert they were headlining at the Altamont Speedway. The concert was attended by an enormous 300,000 people but the free love party was so large that the Hell’s Angels motorcycle gang were recruited in the last minute to act as security for the event. Rather than being a West Coast version of Woodstock (which had been held earlier that summer) Altamont instead became infamous for the death of Meredith Hunter, an 18-year-old African-American man, stabbed to death by the Hell’s Angels after drawing a long-barreled revolver. Amazingly, the Maysles caught the incident on film, turning Gimme Shelter into, as Amy Taubin succinctly put it, rock ‘n’ roll’s answer to the Zapruder footage of JFK’s assassination. Not only does the movie feature the fatal incident but, even more compellingly, in one scene we see a clearly affected Jagger watching the incident again as the Maysles edit the footage. A great concert film as well as a hugely important cinematic document hugely altered the trajectory of the Maysles’ career and remains, along with Don’t Look Back, one of the most important music docs ever made.
The Voynich Manuscript is a special kind of original. We know, thanks to carbon dating, that it was put together in the early fifteenth century. But no living person has ever, as far as we know, understood it. Nobody can decode the language the book is written in… In “Cryptographic Attempts,” another essay that accompanies the Yale facsimile, William Sherman notes that “some of the greatest code breakers in history” attempted to unlock the manuscript’s mysteries; the impenetrability of Voynichese became a professional problem for those in the code game…
Humans are fond of weaving narratives like doilies around gaping holes, so that the holes won’t scare them. And objects from premodern history—like medieval manuscripts—are the perfect canvas on which to project our worries about the difficult and the frightening and the arcane, because these objects come from a time outside culture as we conceive of it. This single, original manuscript encourages us to sit with the concept of truth and to remember that there are ineluctable mysteries at the bottom of things whose meanings we will never know.
The story in its impenetrable– but fascinating– whole at “The Unsolveable Mysteries of the Voynich Manuscript.”
* Albert Einstein
As we muse on mysteries, we might send bucolic birthday wishes to Elizabeth Cabot Agassiz (née Cary), the naturalist and educator who was the co-founder and first president of Radcliffe College; she was born on this date in 1822. After the death of her husband, Swiss naturalist Louis Agassiz, with whom she traveled on scientific expeditions, she settled on the idea of college for women in the “Harvard Annex” in Cambridge; in 1894 the Annex became Radcliffe College. She served as its president until 1899, then honorary president until 1903. Her books include A First Lesson in Natural History (1859), and A Journey in Brazil (1867).
Hoss Cartwright, a former editor of the International Journal of Agricultural Innovations and Research, had a good excuse for missing the 5th World Congress on Virology last year: He doesn’t exist…
As grant funding and career advancement depend ever more heavily on publishing metrics, scientists are inventing “co-authors” with prestigious-sounding affiliations to give their papers more credibility with the journals to which they submit: “Why fake data when you can fake a scientist?”
* Groucho Marx
As we prune the pretenders, we might spare a thought for Persian polymath Omar Khayyam; the mathematician, philosopher, astronomer, epigrammatist, and poet died on this date in 1131. While he’s probably best known to English-speakers as a poet, via Edward FitzGerald’s famous translation of the quatrains that comprise the Rubaiyat of Omar Khayyam, Omar was one of the major mathematicians and astronomers of the medieval period. He is the author of one of the most important works on algebra written before modern times, the Treatise on Demonstration of Problems of Algebra (which includes a geometric method for solving cubic equations by intersecting a hyperbola with a circle). His astronomical observations contributed to the reform of the Persian calendar. And he made important contributions to mechanics, geography, mineralogy, music, climatology, and Islamic theology.
“All opinions are not equal. Some are a very great deal more robust, sophisticated and well supported in logic and argument than others”*…
Now more than ever: Get a free logical fallacy poster.
* Douglas Adams, The Salmon of Doubt
As we dedicate ourselves to discipline, we might send carefully-calculated birthday greetings to John Wallis; he was born on this date in 1616. An English mathematician who served as chief cryptographer for Parliament and, later, the royal court, he helped develop infinitesimal calculus and is credited with introducing the symbol ∞ for infinity.
Is confusion a good way to encourage safer driving? That seems to be the idea behind a new traffic calming ploy in Cambridge, England. The city reopened a remodeled street last week featuring what appears, at first, to be a roundabout. Look carefully, however, and you’ll notice that it isn’t a roundabout at all. It’s simply a circle of bricks laid into the street and adjoining sidewalk. It’s practical function is essentially nothing.
Or is it? The city’s thinking is that drivers will instinctively slow down when they approach this ghost roundabout. When they get closer, they will realize they’re actually on a normal street, and accelerate—but in the meantime they will have slowed down and watched the road more carefully on what could be a potentially dangerous corner.
The plan is interesting, if strangely devious, but it hasn’t received the warmest of welcomes from locals…
And … the whole thing is just a little eerie. There’s something unnervingly contemporary about road markings that seek to control drivers specifically through confusion and misinformation. The roundel essentially attempts to undermine drivers’ ability to tell what is real and what is false. It then uses their perplexity to enforce more submissive, hesitant behavior. In a contemporary scene where the concept of “post-truth” has become so ubiquitous that it’s moved from buzzword to cliché, it seems that even road planners are now tapping into the trend for misinformation…
Take the trip in full at “Britain’s Totally Fake Roundabout Is Driving Locals Crazy.”
As we prepare to circle, we might spare a cartographically-correct thought for Gerardus Mercator; he died on this date in 1594. The most renown cartographer of his time, he created a world map based on a new projection– the Mercator Projection— which represented sailing courses of constant bearing as straight lines, an approach still employed in nautical charts used for navigation.
While he was most esteemed as the foremost geographer of his day, Mercator was also an accomplished engraver, calligrapher and maker of globes and scientific instruments. And he studied theology, philosophy, history, mathematics, and magnetism.
We know that there is sound on planets and moons in the solar system – places where there’s a medium through which sound waves can be transmitted, such as an atmosphere or an ocean. But what about empty space? You may have been told definitively that space is silent, maybe by your teacher or through the marketing of the movie Alien – “In space no one can hear you scream”. The common explanation for this is that space is a vacuum and so there’s no medium for sound to travel through.
But that isn’t exactly right. Space is never completely empty – there are a few particles and sound waves floating around. In fact, sound waves in the space around the Earth are very important to our continued technological existence. They also they sound pretty weird!…
More– including another, different opportunity to listen in and info on how you can help– at “What does empty space sound like?”
* William Cowper
As we prick up our ears, we might recall that it was on this date in 1956 that American International Pictures released Shake Rattle and Rock!, a comedy-drama (featuring the music of Fats Domino) directed by Edward L. Cahn, who went on to notoriety, if not fame, two years later with It! The Terror from Beyond Space, the film that inspired the 1979 film Alien.