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Posts Tagged ‘Haunted Mansion’

“Hell is empty and all the devils are here”*…

A depicted figure representing 'The Trinity of Evil,' featuring a central figure with horns and multiple faces on its body, seated on a throne.

Today is, of course, All Hallows Eve. Let us pause to consider the patron “saint” of the occasion. From Ross MacFarlane…

“While the idea of God has received much attention from philosophers and progressive theologians, its counterpart, the dark figure of the Evil One, has been much neglected”. So begins The History of the Devil, wherein this perceived wrong is to be righted by Paul Carus [see here], a self-described “theologian of science”.

Although an unfamiliar name now, at the end the nineteenth century Carus was hailed for his attempts to “conciliate science and religion”. He also played a key role in the introduction of Buddhist thought to the United States, to which he emigrated from his native Germany in the mid-1880s. A prolific author — The History of the Devil was one of the seventy-five books he published in his lifetime — Carus also edited two philosophical journals (The Open Court and The Monist), through which he published some of the most notable thinkers of his day.

His work reflected the intellectual climate of the times. Educated at Strasburg and then Tübingen, he used rigorous historical techniques such as textual analysis in his comparative studies of religion and mythology. Carus was also conceptually influenced, like many other writers of the period, by the ideas of Edward Tylor, an English anthropologist, who applied Darwinian principles to the evolution of the social world. Carus’ view that “the belief in magic is a natural phase in the evolution of mankind” closely aligned with Tylor’s theory that societies evolve from savagery to barbarism and finally to civilisation.

The History of Devil, then, brings the same sensibility to bear on the Evil One. The approach is broad, sweeping, and comparative. “The Gnostic Christian view of Doomsday and Hell”, Carus tells us, “embodies many ancient traditions of Egyptian, Indian, and Persian mythology and foreshadows at the same time the later Roman Catholic view as represented in mediaeval art, finding its poetical consummation in Dante’s Divina Comedia”. It is also inherently Tylorean: “Demonolatry, or Devil-worship, is the first stage in the evolution of religion, for we fear the bad, not the good”, he declares.

Carus pays particular attention to the era of European witch trials, arguing that beliefs in witchcraft and the selling of souls marked “a new period in the evolution of mankind”. So too was their later decline, which “ceased naturally with the ascendancy of science”, a development that Carus sees as interlinked with the rise of Protestantism. Indeed, in his interpretation, the Reformation played a major role in how the Devil was understood, with the notion of evil changing from a real-life personification to a more abstract notion or principle. By the nineteenth century, the Devil’s powers had declined from their medieval peak, with “his main office . . . that of a general mischief-worker in the universe”; a figure of fun rather than of fear, he had now become a laughable character in folktales, easily outwitted by old women and children.

For Carus, the changing status of the Devil was intimately linked to a similar transformation in perceptions of the Christian God — less of a regular interventionist and more the background orchestrator of a harmonious universe…

… In this changing conception of Christianity, Carus sees civilised society as one where science alters but does not replace religion, “passing out of the old stage of magic into the higher stage of a direct comprehension of facts . . . as astrology changed into astronomy, so the religion of miracles will give way to the religion of science”. In other words, “faith in the objective authority of truth is the next step in the religious evolution of mankind.”

Although The History of the Devil is easy to critique from the standpoint of the twenty-first century — how to explain the witch hunts that took place in Protestant lands during and after the Reformation? — its attempts to show the complex nature of the development of religious beliefs still hold relevance to our contemporary world. The book also anticipates later, better-known ideas: Carus’ schema for the growth of a sceptical worldview — where excessive religious faith is beaten back by the rationality of science — prefigures in part Max Weber’s thesis on the “Disenchantment of the World”. If nothing else, The History of the Devil deserves attention as a work of comparative scholarship as such. Carus builds his argument in a chronological fashion with the help of over three hundred illustrations. Highlighting similarities and differences between gods and goddesses across different belief systems, he ranges across history, philosophy and theology, providing a more ambitious work of comparative mythology than the volume’s title suggests.

Finally, the book reveals the mind and character of a humane and thoughtful individual. Carus is nothing if not an optimist in his belief that science and religion can exist in harmony, and he often exhibits wry humour about evil and the human condition. He thus concludes The History of the Devil with a suggestion that a little devilish mischief may go a long way in achieving a happy life:

If we took away from life its satire, jokes, and other “devilries,” it would lose part of its most fragrant zest, and if constructing a man consisting of virtues only, would not that fellow be the most unbearable bore in the world, wearisome beyond description? For it is a sprinkling of petty vices that makes even a great man human. A mere ethical machine would neither be attractive nor arouse our sympathies.

“Paul Carus’ The History of the Devil and the Idea of Evil (1899),” from @publicdomainrev.bsky.social.

* Shakespeare, The Tempest, Act 1, Scene 2

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As we deal with the devil, we might recall that on this date– Halloween– in 2005, Gary Estrada, met his goal visiting and taking the ride at Walt Disney World’s Magic Kingdom Haunted Mansion 999 times. Estrada had begun riding in January of that year and finished on Halloween in just ten months. Why 999 times? Because that is how many “happy haunts” are said to live there.

A nighttime view of the Haunted Mansion at Walt Disney World, featuring a carriage in the foreground and the mansion's Gothic architecture illuminated by warm lights.

source

Written by (Roughly) Daily

October 31, 2026 at 1:00 am

“No one prospers without rendering benefit to others”*…

Close-up of a zipper on a fabric surface, highlighting the metal slider and stitching detail.

Revisiting a topic we last considered about six years ago: the modern zipper was invented (or, at least, first patented) in 1913. But, as Michael Knispel explains, story of the zipper-as-we-know-it began in Japan in 1934…

Here’s a test you can do right now. Look down at your jacket. Your jeans. Your bag. Find a zipper—any zipper—and check the pull tab. Three letters. YKK.

Try another. Your backpack. Your hoodie. Your tent, if you’ve got one nearby. YKK.

It’s everywhere. And once you start noticing, you can’t stop. It’s like discovering a secret language written into the fabric of modern life.

Those three letters stand for Yoshida Kōgyō Kabushikigaisha—Yoshida Manufacturing Corporation. And they represent one of the most successful, least-known companies in the world.

YKK produces roughly half of all zippers made globally. Seven billion zippers a year. In some markets—Japan, for instance—their share approaches 90%. If you’ve ever zipped anything, there’s a better-than-even chance it was theirs.

But here’s what fascinates me: they didn’t get there through aggressive expansion or undercutting competitors. They got there by being better. By obsessing over a component most people never think about. By treating the humble zipper not as a commodity, but as a craft.

And after ninety years of that obsession, they’re not resting. They’re constantly evolving—pushing the zipper into territory it’s never been before.

Let me tell you the story…

[And tell it, he does: the company’s remarkable history, turning the to a survey of recent innovations…]

… For most of YKK’s history, innovation meant incremental improvement. Better corrosion resistance. Smoother sliders. More durable coils.

But in the past few years, something’s shifted.

YKK isn’t just refining the zipper anymore. They’re rethinking it entirely.

After ninety years of mastering the fundamentals, they’re finally asking: what else could a zipper be?..

[Knispel recouns recent developments– the “AiryString” (tapeless) zipper, the self-propelled zipper– concluding with “The Revived Collection”…]

… Here’s the most important innovation—and it’s not a single product. It’s a philosophy.

The YKK Revived Collection is a series of repair-focused components designed to keep zippers functional and maximize a product’s lifecycle. The goal is simple but radical: the zipper should never be the reason a product is thrown away.

YKK has developed three main components in the Revived series, each targeting a specific failure mode. Together, they represent a fundamental shift in how YKK thinks about their products—not just as components to be manufactured and sold, but as systems to be maintained and repaired.

Traditional center-front zippers—the kind you find on jackets and hoodies—have a problem. When the slider breaks or the pull tab snaps off, you’re stuck. The standard repair requires cutting off the top stop, that metal or plastic piece that keeps the slider from flying off the end, and replacing the entire slider. It’s destructive, time-consuming, and often requires specialized tools.

The Revived Top Stop changes that. It looks like a standard top stop, but with a zigzag groove pattern cut through it. That channel allows you to orient the slider through the stop and derail it, removing it without cutting anything…

[Knispel explains the ingenious fixes for regular zippers, pocket and accessory zippers, and bag zippers. Then he draws the wisdom they embody…]

… Here’s what ties the Revived Collection together: YKK is building repair infrastructure.

They’re not just selling replacement parts. They’re designing zippers to be repairable from the start, and they’re working with brands, warranty centers, third-party repair shops, and even consumers to make those repairs accessible.

“We’re targeting this for warranty and quality centers, third-party repair centers, potentially in-store retail repairs, and eventually consumer repairs,” says John Holiday, YKK’s Senior Product Development Manager. “We want to make sure the fastener or the zipper is not the reason a product is no longer in use or why it needs to be warrantied.”

That’s a shift. Traditionally, YKK sells zippers to manufacturers in bulk—cut zippers or chain-and-slider assemblies. The Revived components are sold as standalone parts, which means YKK is rethinking its distribution model to make replacement parts available outside traditional manufacturing channels.

I started this piece with a test: look at your zippers. Three letters. YKK.

Now you know why they’re there. Not because of aggressive marketing or locking out competitors. Because a man in 1934 Tokyo decided that if you make something genuinely better—more reliable, more consistent, more thoughtful—success follows naturally.

Ninety years later, YKK still operates on that philosophy. They’re still privately held. Still vertically integrated. Still obsessing over a component most people never think about.

And it looks like they’re not done. They’re constantly evolving…

“The Company That Zips the World | YKK’s Ninety-Year Obsession,” from @carryology.bsky.social.

* YKK Corporate Philosophy

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As we zip it, we might that on this date– Halloween– in 2005, Gary Estrada, met his goal to visit at Walt Disney World’s Magic Kingdom Haunted Mansion 999 times. Estrada had begun riding in January of that year and finished on Halloween in just ten months. Why 999 times? Because that is how many “happy haunts” are said to live there.

A nighttime view of the Haunted Mansion at Walt Disney World, featuring a carriage in the foreground and the mansion's Gothic architecture illuminated by warm lights.

source

Written by (Roughly) Daily

October 31, 2025 at 1:00 am