Posts Tagged ‘maintenance’
“Infrastructure is much more important than architecture”*…
A kind of toxic debt is embedded in much of the infrastructure that America built during the 20th century. For decades, corporate executives, as well as city, county, state, and federal officials, not to mention voters, have decided against doing the routine maintenance and deeper upgrades to ensure that electrical systems, roads, bridges, dams, and other infrastructure can function properly under a range of conditions. Kicking the can down the road like this is often seen as the profit-maximizing or politically expedient option. But it’s really borrowing against the future, without putting that debt on the books.
In software development, engineers have long noted that taking the easy way out of coding problems builds up what they call “technical debt,” as the tech journalist Quinn Norton has written.
Like other kinds of debt, this debt compounds if you don’t deal with it, and it can distort the true cost of decisions. If you ignore it, the status quo looks cheaper than it is. At least until the off-the-books debt comes to light…
All told, the American Society of Civil Engineers estimates that it will cost $3.6 trillion to get Americans back to an acceptable level of technical debt in our infrastructure.
Of course, it’s been saying that for many years. The number is so big as to be almost laughable. It’s 2.4 times the amount Donald Trump’s tax cuts are to add to the American budget deficit over the next 10 years, according to the Washington Examiner…
Climate change will soon expose a crippling problem embedded in the nation’s infrastructure. In fire-ravaged California, it already has: “The Toxic Bubble of Technical Debt Threatening America.”
[TotH to AR]
* Rem Koolhaas
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As we aspire to be good ancestors, we might recall that it was on this date in 1906, at the first International Radiotelegraph Convention in Berlin, that the Morse Code signal “SOS”– “. . . _ _ _ . . .”– became the global standard radio distress signal. While it was officially replaced in 1999 by the Global Maritime Distress Safety System, SOS is still recognized as a visual distress signal.
SOS has traditionally be “translated” (expanded) to mean “save our ship,” “save our souls,” “send out succor,” or other such pleas. But while these may be helpful mnemonics, SOS is not an abbreviation or acronym. Rather, according to the Oxford English Dictionary, the letters were chosen simply because they are easily transmitted in Morse code.
“Time isn’t the main thing. It’s the only thing.”*…
Vaclav Smil is a distinguished professor emeritus in the faculty of environment at the University of Manitoba in Winnipeg, Canada. Over more than 40 years, his books on the environment, population, food and energy have steadily grown in influence. He is now seen as one of the world’s foremost thinkers on development history and a master of statistical analysis. Bill Gates says he waits for new Smil books the way some people wait for the next Star Wars movie. The latest is Growth: From Microorganisms to Megacities.
You are the nerd’s nerd. There is perhaps no other academic who paints pictures with numbers like you. You dug up the astonishing statistic that China has poured more cement every three years since 2003 than the US managed in the entire 20th century. You calculated that in 2000, the dry mass of all the humans in the world was 125m metric tonnes compared with just 10m tonnes for all wild vertebrates. And now you explore patterns of growth, from the healthy development of forests and brains to the unhealthy increase in obesity and carbon dioxide in the atmosphere. Before we get into those deeper issues, can I ask if you see yourself as a nerd?
Not at all. I’m just an old-fashioned scientist describing the world and the lay of the land as it is. That’s all there is to it. It’s not good enough just to say life is better or the trains are faster. You have to bring in the numbers. This book is an exercise in buttressing what I have to say with numbers so people see these are the facts and they are difficult to dispute.Growth is a huge book – almost 200,000 words that synthesise many of your other studies, ranging across the world and exploring far into the past and future. Do you see this as your magnum opus?
I have deliberately set out to write the megabook on growth. In a way, it’s unwieldy and unreasonable. People can take any number of books out of it – economists can read about the growth of GDP and population; biologists can read about the growth of organisms and human bodies. But I wanted to put it all together under one roof so people could see how these things are inevitably connected and how it all shares one crystal clarity: that growth must come to an end. Our economist friends don’t seem to realise that…
The always-illuminating Jonathan Watts interviews the always-provocative Vaclav Smil: “Vaclav Smil: ‘Growth must end. Our economist friends don’t seem to realise that’.”
Pair with “Minimal Maintenance,” the essay version of a talk by Shannon Mattern, Professor of Anthropology at The New School for Social Research. As Patrick Tanguay suggests: it is a “really excellent read which ties together maintenance, degrowth, libraries, museums, environmental justice, and architecture…[it] frames degrowth not as blanket anti-growth but as a critique of growth as an end in itself.”
See also Astra Taylor’s “Bad ancestors: does the climate crisis violate the rights of those yet to be born?” and. for a look at the challenges ahead, The Economist‘s “The past, present and future of climate change.”
* Miles Davis
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As we ponder progress, we might recall that it was on this date in 1961 that How to Succeed in Business Without Really Trying premiered on Broadway. A musical comedy by Frank Loesser, with book by Abe Burrows, Jack Weinstock, and Willie Gilbert, it was based on Shepherd Mead’s 1952 book of the same name. It follows young, ambitious J. Pierrepont Finch, who, with the help of the self-help manual How to Succeed in Business Without Really Trying, rises from window washer to chairman of the board of the World Wide Wicket Company.
The play, which starred Robert Morse and Rudy Vallée, ran for 1,417 performances; it won seven Tony Awards, the New York Drama Critics Circle award, and the 1962 Pulitzer Prize for Drama.
