(Roughly) Daily

… still, metaphor animates much of our thought and of the received wisdom that it can become. Quinn Slobodian unpacks the ways in which metaphors of the natural sciences loom large in the neoliberalism conception, then walks us through its myriad permutations, concluding with metaphor’s corrosion at the hands of Silicon Valley’s reactionary accumulation regime…

Polyps confounded political theorists in the 18th century. The creatures that collectively make up coral reefs acted in ways that defied both expectations of divine design and the established hierarchy of the animal kingdom. How could these lowest of organisms create such enormous structures—especially ones that appeared to be the product of one mind? How could microscopic creatures obstruct the ships of the most powerful forces on Earth, rupturing their hulls and forcing them to chart their way around polyp metropoli risen into islands? It’s no wonder that the anarchist anthropologist James C. Scott later drew an analogy between polyps and peasants. “Just as millions of anthozoan polyps create, willy-nilly, a coral reef,” he wrote, “so do thousands upon thousands of individual acts of subordination and evasion create a political or economic barrier reef of their own.” 

The historian of science Whitney Barlow Robles quotes Scott in her wonderful book, Curious Species, where she explains how coral unsettled certainties. Fed by sunlight like grass, plants with their tentacles laid down layers of limestone. The power of polyps turned ideas of agency on their head, a molecular sightless mass acting as architect. Robles imagines it would be like “suddenly learning that butterflies, not people, planted all the trees in Central Park.”  

It was a similar wonder at the endless events of the natural world that led classical liberals to draw connections between the order of nature and the order created by human exchange in the profane world of political economy. Philip Mirowski reminds us that natural metaphors serve double duty: they are “reassuring and graphically concrete images of order, situating humanity squarely at home in ‘its’ universe” while they also tame the disorder of nature, making “an unintelligible alien world comprehensible.”  

Nature offered what Deirdre McCloskey calls the ”metaphors economists live by.” Because so much of our politics relies on an explicit and implicit understanding of economics, this means we live by those metaphors too. The intellectual movement of neoliberalism arrived at its ideas of the good society by thinking with and through nature. As the post-Cold War consensus around neoliberal globalization crumbles and the boundaries of individual freedom narrow, new metaphors might help us understand the successor ideology…

[Slobodian outlines the intellectual history of neoliberalism, from Friedrich Hayek, its intwined connection with he sciences, and the centrality of the “garden” metaphor in economics. He describes the displacement of the graden with the “swarm” and argues that it is now being wrestled into a mechanistic, surveillance-centric vision of control– a factory…]

… In Curious Species, Whitney Robles reminds us that the polyp agglomerations—those coral structures built by tiny, collective labor—were dubbed “colonies” in the language of the European merchant empires and the Romans before them. The metaphor was no accident. Colonial science mapped political fantasies onto biological forms.  

Robles insists that the polyps were never docile subjects. Yet, however resilient, the polyps are not immortal. When the waters around them acidify and warm, these vast reef-structures bleach and break apart. The microorganisms that once formed a community detach from the whole and float away—winking, fluttering, nearly invisible. A nothing. A dispersal. Polyp politics does not just teach us about creation. It teaches us about endings, too. 

The neoliberal imagination, when it looked to nature, saw spontaneous order, unplanned complexity, and the beautiful unpredictability of emergent systems. But it often underestimated the possibility of collapse—not as failure of planning, but as a systemic consequence of the very freedom it prized. 

What happens when the waters change? When the reef dissolves? 

In our current moment, we are no longer just asking how order emerges, but how it vanishes. We are watching the garden trodden underfoot, the swarm militarized, the factory reinstalled as a total system of command. And in this long shift—from polyps to protocols, from butterflies to drones—there is a profound political lesson. 

Freedom, when real, is fragile. So is spontaneity. So is improvisation. The forces of order may begin in a coral reef or a Central Park meadow, but they can end in a codebase, a drone cloud, or a boardroom with no windows. 

The question is no longer whether we can find metaphors from the natural world to describe human society. It is whether we can preserve the kinds of life that those metaphors once made thinkable… 

As Robert Frost once said, “unless you are educated in metaphor, you are not safe to be let loose in the world”: “Garden, Swarm, Factory,” from The Ideas Letter and @open-society.bsky.social‬.

Apposite: “Artificial intelligence” as we’re being encouraged to understand and accept it is a lie that depends on a worldview the richest people on the planet need you to believe in, namely that intelligence is “measurable and hierarchical” “Toolmen.”

And further: “A Reality Check for Tech Oligarchs.”

* Milan Kundera

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As we analyze our analogies, we might send lyrical birthday greetings to a master of metaphor, Walt Whitman; he was born on this date in 1819.  A poet, essayist, and journalist; he also wrote two novels. Whitman is considered one of the most influential poets in American and world literature. He incorporated both transcendentalism and realism in his writings and is often called the father of free verse. His work was controversial in his time, particularly his 1855 poetry collection Leaves of Grass, which was described by some at the time (and again, more recently) as obscene for its overt sensuality.

Whitman grew up in Brooklyn, where over time he moved from printing to teaching to journalism, becoming the editor of the Brooklyn Daily Eagle in 1846.  He began experimenting with a new form of poetry, revolutionary at the time, free of a regular rhythm or rhyme scheme, that has come to be known as “free verse.”  In 1855, Whitman published, anonymously and at his own expense, the first edition of Leaves of Grass— which was revolutionary too in its content, celebrating the human body and the common man.  Whitman spent the rest of his life revising and enlarging Leaves of Grass; the ninth edition appeared in 1892, the year of his death.

Whitman and the Butterfly, from the 1889 edition of Leaves of Grass (source: Library of Congress)