Posts Tagged ‘photography’
“Here, are the stiffening hills”*…
The San Francisco street grid dates to the 1839 plan of Swiss ship captain and surveyor Jean-Jacques Vioget, who laid out the city on a north–south, east–west grid without regard to its topography. Subsequent plans extended the grid, except for its inflection south of Market Street…. and continued the practice of honoring geometry over topography, resulting in some of the steeper streets in the world.
Photographer Dan Ng explored…
What would San Francisco be without its steep hills?
Well for one, if would be much easier to walk around and without much effort. It would be easier to park a car and not have to curb the wheels. We would not have runaway vehicles and tennis balls.
On the other hand, we would not have cable cars, beautiful views and quaint neighborhoods. We would not have the many movies and postcard images to view. In fact, San Francisco would not be San Francisco.
By tilting the camera, I attempted to “level” the hills. These images whimsically portray the streets of San Francisco…flat. But thank goodness it isn’t!
See his more of “leveling” photos: “The Streets of San Francisco… but Flat?”
And on the subject of city streets: using OpenStreetMap, Andrei Kashcha’s City Roads project lets you enter any town or city in the world and generates a map of all the streets within its city limits.
* Rhondda Valley,” Collected Poems
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As we seek balance, we might spare a thought for Paul Lorin Kantner; he died on this date in 2016. A musician, he’s best known as co-founder, rhythm guitarist, and occasional vocalist of Jefferson Airplane, a seminal San Francisco psychedelic rock band of the counterculture era. He continued these roles as a member of Jefferson Starship, Jefferson Airplane’s successor band.
Coincidentally, one of his his Airplane co-founders, Signe Toly Anderson, died on the same day.
“I’m still learning”*…
1) Each year humanity produces 1,000 times more transistors than grains of rice and wheat combined. [Mark P Mills]…
24) “Mushrooms and truffles are fungi, more closely related to humans than they are to plants.” [Lynne Peskoe-Yang]…
51) Fast fashion is hitting the wiping rags businesses, because some clothing is just too badly made to be sold as rags. [Adam Minter]…
From Tom Whitwell (@TomWhitwell) of Fluxx, the sixth of his annual lists: “52 things I learned in 2019.”
[image above: source]
* “Ancora imparo,” Michelangelo
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As we continue our educations, we might recall that it was on this date in 1839 that John William Draper took a daguerreotype of the moon, the first celestial photograph (or astrophotograph) made in the U.S. (He exposed the plate for 20 minutes using a 5-inch telescope and produced an image one inch in diameter.) Draper’s picture of his sister, taken the following year, is the oldest surviving photographic portrait.
An 1840 shot of the moon by Draper– the oldest surviving “astrophotograph,” as his first is lost
“When you have seen one ant, one bird, one tree, you have not seen them all”*…
In fact, you may not have seen them– really seen them– at all…
Photographs of trees whose trunk and all visible branches have been removed by computer. Only the explosive power of the leaves remains, like fireworks in broad daylight. Through the process of retouching images, I sought to extract by subtraction this explosiveness, this will of life which participates in the majestuousness of the plant world but which is sometimes veiled by our habits of perception...
Visual artist and photographer Hugo Livet on his series “Fireworks” (“Feu d’artifice”). More at his site.
* E. O. Wilson
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As we commune with Kilmer, we might recall that it was on this date in 1307 that Wilhelm Tell (or we Anglos tend to know him, William Tell) shot an apple off his son’s head.
Tell, originally from Bürglen, was a resident of the Canton of Uri (in what is now Switzerland), well known as an expert marksman with the crossbow. At the time, the Habsburg emperors of Austria were seeking to dominate Uri. Hermann Gessler, the newly appointed Austrian Vogt (the Holy Roman Empire’s title for “overlord”) of Altdorf, raised a pole in the village’s central square, hung his hat on top of it, and demanded that all the local townsfolk bow before the hat. When Tell passed by the hat without bowing, he was arrested; his punishment was being forced to shoot an apple off the head of his son, Walter– or else both would be executed. Tell was promised freedom if he succeeded.
As the legend has it, Tell split the fruit with a single bolt from his crossbow. When Gessler queried him about the purpose of a second bolt in his quiver, Tell answered that if he had killed his son, he would have turned the crossbow on Gessler himself. Gessler became enraged at that comment, and had Tell bound and brought to his ship to be taken to his castle at Küssnacht. But when a storm broke on Lake Lucerne, Tell managed to escape. On land, he went to Küssnacht, and when Gessler arrived, Tell shot him with his crossbow.
Tell’s defiance of Gessler sparked a rebellion, in which Tell himself played a major part, leading to the formation of the Swiss Confederation.
“I think if human beings had genuine courage, they’d wear their costumes every day of the year, not just on Halloween”*…
With an eye to Thursday’s festivities, a collection of photos, circa 1897-1918, of children (from the Bronx) dressed as ghosts: “Costume.”
*
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As we give face to our fears, we might recall that it was on this date in 1966 that CBS premiered It’s the Great Pumpkin, Charlie Brown. it was the third Peanuts special (and second holiday-themed special, following A Charlie Brown Christmas) to be produced and animated by Bill Melendez. It was also the first Peanuts special to use the titular pattern of a short phrase, followed by “Charlie Brown”, a pattern which would remain the norm for almost all subsequent Peanuts specials. And it was one of 17 Peanuts specials (plus a feature film) to feature the music of Vince Guaraldi.
“It is still an unending source of surprise for me how a few scribbles on a blackboard or on a piece of paper can change the course of human affairs”*…
For the last year, Jessica Wynne, a photographer and professor at the Fashion Institute of Technology in New York, has been photographing mathematicians’ blackboards, finding art in the swirling gangs of symbols sketched in the heat of imagination, argument and speculation. “Do Not Erase,” a collection of these images, will be published by Princeton University Press in the fall of 2020…
This is what thought looks like.
Ideas, and ideas about ideas. Suppositions and suspicions about relationships among abstract notions — shape, number, geometry, space — emerging through a fog of chalk dust, preferably of the silky Hagoromo chalk, originally from Japan, now made in South Korea.
In these diagrams, mysteries are being born and solved…
More (and larger) examples from this photo survey of the blackboards of mathematicians at “Where Theory Meets Chalk, Dust Flies.”
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As we scribble “do not erase,” we might spare a thought for Herbert Aaron Hauptman; he died on this date in 2011. A mathematician, he pioneered and developed a mathematical method that has changed the whole field of chemistry and opened a new era in research in determination of molecular structures of crystallized materials. Today, Hauptman’s “direct methods,” which he continued to improve and refine, are routinely used to solve complicated structures… work for which he shared the the 1985 Nobel Prize in Chemistry.
“It is more important to click with people than to click the shutter”*…
Jimi Hendrix lighting his guitar on fire at Monterey Pop Festival, in Monterey, California, in 1967
Few photographers have had a life and career as historic as Jim Marshall. His pictures not only capture some of the most influential artists of the 20th century but also established a new level of intimacy in the relationship between entertainers and the photojournalists documenting them.
Some of the most iconic pictures ever made of artists like Jimi Hendrix, Janis Joplin, the Beatles, and Bob Dylan, to name a few, were captured through Marshall’s camera lens. His ability to level these larger-than-life musicians as normal human beings, coupled with his uncanny knack to find himself at the right place at the right time, established him as one of the era’s most sought-after music photographers. Whether it was the legendary Miles Davis or simply the neighborhood children playing stickball in the street, Marshall was able to capture the moment with striking humanity.
Marshall died in 2010 at the age of 74, leaving his entire archive of millions of photographs and negatives to his personal assistant of many years, Amelia Davis. This year, a new documentary about his life and the accompanying book, Jim Marshall: Show Me the Picture, chronicle the photographer’s journey through some of the most influential cultural events of the 20th century…
Johnny Cash “giving one to the warden” at San Quentin State Prison in San Quenton, California, in 1969
The Grateful Dead’s last free concert on Haight Street, in San Francisco, before they moved to Marin County, 1968
An interview with Davis– and more of Marshall’s marvelous work– at “23 Of The Most Influential Pictures From Music History.” Even more of Marshall’s work at Marshall’s official website.
Vaguely related: facing rising San Francisco rent, the world’s largest collection of punk records and Maximum Rocknroll, the anti-establishment music magazine that safeguards it, must find a new home: “Eight tons of punk.”
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As we bask in backstage access, we might recall that it was on this date in 1956 that Bill Haley tied Ruby Murray’s record (set in 1955) when he scored five songs in the UK Top 30: “See You Later, Alligator” (#19), “Razzle Dazzle” (#17), “Rock Around The Clock” (#13), “The Saints Rock ‘n’ Roll” (#11), and “Rockin’ Through The Rye” (#4).
“Life is one big road with lots of signs”*…
(R)D has looked before at the remarkable work of the Farm Security Administration, which was launched in the New Deal to help relieve crippling poverty in rural communities. As small part of that mission, the organization documented life in the the communities in which it worked….
These photos naturally included many road scenes, as the Great Depression had plunged rural America into a great migratory frenzy.
The photographs taken by FSA photographers under the direction of economist Roy Stryker have come to form the basis for the popular image of the Great Depression, among them Dorthea Lange’s Migrant Mother.
But I’m sure you familiar with that photo. What I want to share with you are some of the more striking images of cars and roadside life that also make up part of the collection, which the Library of Congress has digitized and made available on Flickr.
These photos capture a country on the move, attempting to make its way out of the worst financial crisis it had ever seen and into a productive future. This is intentional, of course. The photographs were intended to “introduce America to Americans” and instill pride in the country as it shook itself out of the depression…
More at: These Color Photos From the New Deal Show What Life On The Road Once Was Like.” Visit the Flickr archive here.
* Bob Marley
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As we motor on, we might recall that it was on this date in 1908, at the at the Ford Piquette Avenue Plant in Detroit, “Model T 001”– the first production Model T– rolled off the line. (On May 26, 1927, Henry Ford watched the 15 millionth Model T Ford roll off the assembly line at his factory in Highland Park, Michigan.)
1908 Ford Model T ad
