Posts Tagged ‘photography’
“Night Time Is the Right Time”*…
An architect based in Boston by day, Andrew Thomas Shea is a photography hobbyist at night and his latest project, Neon New England, celebrates a beloved common fixture across the Northeastern United States… vintage neon signs.
More of Shea’s sumptuous work at “Nocturnal photographs of New England’s famous American neon signs.”
* song written and first performed by Roosevelt Sykes (1937), bt better known in subsequent versions by inspired many subsequent versions, including hits by Ray Charles, Rufus and Carla (Thomas), and James Brown
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As we reflect on reflection, we might recall that it was on this date in 1851 that Léon Foucault famously used a pendulum suspended from the top of the dome in the Pantheon in Paris to demonstrate that the earth turns on its axis. (He used a technique developed by Vincenzo Viviani, though it was Foucault’s “experiment that caught the public’s attention.) The following year, Foucault used (and named) the gyroscope in a conceptually simpler experimental proof.
(Several years later he also helped take the first photo of the sun.)
“Wrestling is not sport, it is a spectacle”*…
Your correspondent has been musing on Roland Barthes’ eerily-prescient essay on wrestling, and on its relevance to the Manichean dramas playing out in the political arena today. At the dawn of his career, your correspondent had a close encounter with wrestling (on the television production crew of a weekly wrestling show in Charlotte, NC), so you can imagine his interest in the following, from that same period…
One Friday morning in the spring of 1971, Geoff Winningham picked up the sports section of the now defunct Houston Post. At the time, Winningham had just begun teaching photography at Rice University, but at night, he’d grab his camera and head wherever he could find a crowd to shoot. In the paper, he saw an ad for a wrestling event happening that night at the Sam Houston Coliseum. “I’d bet there be some crowds there,” he thought.
Winningham was familiar with wrestling; he’d grown up in Tennessee, watching Saturday night fights on TV. Yet what he saw at the coliseum that Friday floored him. “I walked in and walked down the aisle, through the crowd, and toward the ring,” he remembers. “All these bright spotlights coming down on this white mat with the ropes around the ring, crowds screaming, and big guys throwing each other through the air and jumping on each other and torturing each other. It was madness.”
The coliseum’s promoter, Paul Boesch—who also served as the ring announcer—welcomed Winningham, and the photographer became a regular, returning to the revelry night after night. Boesch let him photograph locker rooms, gave him access inside and outside the ring, and introduced him to the wrestlers. With that, Winningham—who became known inside the coliseum as the professor of wrestling—spent the next nine months photographing the Houston wrestling scene, capturing the villainous heels, heroic baby faces, and fervent fans…
Almost fifty years later, Winningham—still a professor of photography at Rice, whose work has been shown at the Museum of Modern Art and the Metropolitan Museum of Art—has revived the spirit, grit, and excitement of those sweaty wrestling nights in Friday Night in the Coliseum. The book, which was first published in 1971, saw its second edition released in February of this year.
Geoff Winningham‘s glorious record of baby faces, heels, and their fans: “Houston’s 1970s-Era Friday Night Wrestling Come Alive in a Stunning Photo Book.”
* “There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.” – Roland Barthes, “The World of Wrestling,” Mythologies
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As we roll off the ropes, we might recall that it was on this date in 1954 that the first of five hour-long “Davy Crockett” adventure-dramas aired on ABC as part of Walt Disney’s Disneyland series. While the form became popular in the mid-1970’s with limited series like Rich Man, Poor Man and Roots, “Davy Crockett” has some claim to the title “first mini-series on American television.”
“I’ve been making a list of the things they don’t teach you at school”*…
In Warsaw’s Gruba Kaśka water plant there are eight clams with sensors attached to their shells. If the clams close because they don’t like the taste of the water, the city’s supply is automatically shut off. [Judita K]
When bar codes were patented in 1952, they were round [Sarah Laskow]
A 70% dilution of isopropyl alcohol is better at killing bacteria, fungi, and viruses than ‘pure’ 99% isopropyl alcohol, for several distinct reasons. [Mitch Walleser]
Epidemiologists at Emory University in Atlanta believe that raising the mimimim wage in the US by $1 would have prevented 27,550 suicides since 1990. [John A Kaufman & Co, via The Economist]
Games Workshop, owner of Warhammer, is worth more than Centrica, owner of British Gas. [Allister Thomas]
Numbers 30-34 of this year’s list from Tom Whitwell of Fluxx: “52 things I learned in 2020.”
* Neil Gaiman, The Kindly Ones
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As we have fun with facts, we might send fascinatingly-illustrated birthday greetings to David Brewster; he was born on this date in 1781. A physicist, inventor, author, and academic administrator, he is best remembered for his work in optic (especially the phenomenon of polarization). Brewster was a pioneer in photography; he invented an improved stereoscope, which he called “lenticular stereoscope” and which became the first portable 3D-viewing device. He also invented the binocular camera, two types of polarimeters, the polyzonal lens, the lighthouse illuminator, and (perhaps most relevantly to today’s post) the kaleidoscope. For this work, William Whewell dubbed him the “father of modern experimental optics” and “the Johannes Kepler of optics.”
“A Room of One’s Own”*…
Interiors of real living and working spaces from an unusual perspective. It seems as if someone has lifted the ceiling and replaced it with a scanner. In fact, the photographs consist of up to a hundred individual shots taken with a remote control and then digitally assembled. One associates doll’s houses and at the same time thinks of surveillance…
Menno Aden‘s photos evoke the spirit of our “Surveillance Capitalist” age: “Room Portraits.”
* An extended essay by Virginia Wolff
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As we duck and cover, we might recall that it was on this date in 1954 that Rosemary Clooney hit the top of the U.S. pop chart with “This Ole House,” which soon topped the British chart as well. Written earlier that year by Stuart Hamblen, it was a #1 hit again in the U.K. in 1981 for Shakin’ Stevens.
“The beaver told the rabbit as they stared at the Hoover Dam: No, I didn’t build it myself, but it’s based on an idea of mine”*…
Of all the things that humanity builds from concrete or stone, there are few structures that influence the surface of Earth quite as profoundly as a dam.
By blocking the flow of a river, we dare to defy gravity’s pull on water from mountain to estuary – and influence the trajectory of geology itself. A dam does so much more than submerge a valley to create a reservoir: it transforms a river’s natural course, accruing silt and sediment at an artificial barrier, and dampening water’s erosional force downstream
Their vertiginous walls, striking shapes and deep foundations will also leave a unique archaeological imprint. Some of these engineered monoliths are so enormous that they may be preserved for millennia.
Meanwhile, dams can also bring deep changes for the people who live nearby, and the generations that follow them. When a government in a distant capital decides to exploit its rivers, destruction of local homes, farmland and livelihoods often follows. For example, while the rest of the world focused on Covid-19 earlier this year, an entire ancient town in Turkey was lost to rising reservoir waters. Long after we are gone, future archaeologists will study such submerged settlements and may wonder why we let them go for the sake of short-term politics and energy demand.
The effects can be felt a long way from home, too. Damming rivers that wind through continents, like the Nile in Africa, can withhold valuable water and power from countries downstream, forever changing the trajectories of those nations…
Few human structures can change a landscape quite like a dam– a pictorial essay: “How dams have reshaped our planet.”
* Nobel laureate Charles H. Townes
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As we interrogate interruption, we might recall that it was on this date in 1570 that the All Saints Flood broke dikes and overwhelmed the Dutch (and parts of the German) coast. At least 20,000 people were drowned and many times that many left homeless; livestock was lost in huge numbers; and winter stocks of food and fodder were destroyed. In Zeeland the small islands Wulpen, Koezand, Cadzand, and Stuivezand were permanently lost.
