Posts Tagged ‘film’
Thanks to obsessive online forums that pore over a production’s every anachronism , [the entertainment industry] requires increasingly discerning and dedicated prop hunters. Nowhere is this more apparent on set than with the technology that surrounds actors. Mad Men inspired its dedicated watchers to complain that the Sterling Cooper office’s IBM Selectric typewriters were a year ahead of their time, and the numerous period-specific shows that followed have only had to be more diligent.
Now, as television is trending toward ’80s-era creations like Stranger Things, The Americans, Halt and Catch Fire, and The Goldbergs, decorators are finding it increasingly difficult to fill their sets with gadgets that won’t cause persnickety fans to froth at the mouth. It’s a very first-world Hollywood problem, but a fascinating one. The breakneck pace of consumer technology development — the same thing that has brought us generational inside jokes and those viral “Kids React to Old Computers” videos — is trailed by landfills full of mass-produced gadgets. They are not made of metal or wood, but a beige and flimsy plastic that tends to yellow over time. As the production designer for the first two seasons of The Americans, John Mott, put it, the ’80s “were also a time where design had kind of lost its way.” As a result, gadgets from that era don’t tend to be on most collectors’ radars, even if they’re in high demand in the entertainment industry…
It can’t just be a computer from the ’80s — it has to be THE computer from the ’80s: “How Hollywood Gets Its Old-School Tech.”
And for more on the viewer-side energy driving this, see “The Internet Is Spoiling TV.”
* Sha Li
As we aspire to accuracy, we might recall that it was on this date in 1970 that Gimme Shelter was released. A Maysles Brothers documentary edited by Charlotte Zwerin and produced by Porter Bibb (with incidental assistance from your correspondent), it chronicled the last weeks of The Rolling Stones’ 1969 US tour, which culminated in the disastrous Altamont Free Concert.
One of the most immediate and compelling documentaries ever committed to celluloid, it was released twelve months to the day after the era-defining tragedy that it depicted. Before directing Gimme Shelter, Albert and David Maysles had made vérité documentaries focusing on celebrities such as Marlon Brando, Orson Welles, Truman Capote and the Beatles and it was the latter experience that convinced Mick Jagger and the Rolling Stones to invite the brothers and their creative collaborator Charlotte Zwerin to film the free concert they were headlining at the Altamont Speedway. The concert was attended by an enormous 300,000 people but the free love party was so large that the Hell’s Angels motorcycle gang were recruited in the last minute to act as security for the event. Rather than being a West Coast version of Woodstock (which had been held earlier that summer) Altamont instead became infamous for the death of Meredith Hunter, an 18-year-old African-American man, stabbed to death by the Hell’s Angels after drawing a long-barreled revolver. Amazingly, the Maysles caught the incident on film, turning Gimme Shelter into, as Amy Taubin succinctly put it, rock ‘n’ roll’s answer to the Zapruder footage of JFK’s assassination. Not only does the movie feature the fatal incident but, even more compellingly, in one scene we see a clearly affected Jagger watching the incident again as the Maysles edit the footage. A great concert film as well as a hugely important cinematic document hugely altered the trajectory of the Maysles’ career and remains, along with Don’t Look Back, one of the most important music docs ever made.
We know that there is sound on planets and moons in the solar system – places where there’s a medium through which sound waves can be transmitted, such as an atmosphere or an ocean. But what about empty space? You may have been told definitively that space is silent, maybe by your teacher or through the marketing of the movie Alien – “In space no one can hear you scream”. The common explanation for this is that space is a vacuum and so there’s no medium for sound to travel through.
But that isn’t exactly right. Space is never completely empty – there are a few particles and sound waves floating around. In fact, sound waves in the space around the Earth are very important to our continued technological existence. They also they sound pretty weird!…
More– including another, different opportunity to listen in and info on how you can help– at “What does empty space sound like?”
* William Cowper
As we prick up our ears, we might recall that it was on this date in 1956 that American International Pictures released Shake Rattle and Rock!, a comedy-drama (featuring the music of Fats Domino) directed by Edward L. Cahn, who went on to notoriety, if not fame, two years later with It! The Terror from Beyond Space, the film that inspired the 1979 film Alien.
Freedocumentaries.org streams full-length documentary films free of charge, with no registration needed. For several films, we even offer the ability to watch trailers or to download the actual film.
The films are gathered by our researchers as we scour the web for well-produced videos and present them to our viewers. We adhere to all copyright laws and honor the wishes of the producers.
We created Freedocumentaries.org because we wanted to find an easy way to bring thought-provoking, educational, and entertaining documentaries to anyone with a high-speed internet connection. We believe that the mainstream media increasingly practices self-censorship, and that it ignores many opinions and historical events. With the media distorting or ignoring information, it’s often very hard to get an accurate picture of a problem, even while watching the news. Sites like Freedocumentaries.org are a much-needed counterbalance to corporate media: an industry dominated by special interests. Even though every dollar we make via advertising or donations is critical, we do not let any advertisers have any influence over which films we play. We would rather lose that money than lose our independence. And the fact that we won’t shy away from controversial films is one of the things that makes us unique.
While some of the films on our site have widespread distribution, others are created by independent filmmakers who depend on sites like ours to get their information to the public. The amount of work that these producers have put into making a 90-minute film is astounding. Different films create different reactions among different people.
There will be aspects of the films in which you may disagree or agree. After watching you may cry, become inspired, or you may get angry; in any case the films will get you thinking. We are proud that in the last two years, we have helped share these films with countless people that would not have seen the movies otherwise. We believe that we have made the world just a little better by doing so.
We are proud to help these independent filmmakers. We encourage you to visit their website and donate so that they can continue creating great films. If you haven’t done so yet, please watch a film. And if you enjoy the experience, tell your friends!
Over 450 choices, across an extraordinary range of topics, at Freedocumentaries.org.
* “The cinema is truth 24 frames-per-second” – Jon-Luc Godard
As we lean in to learn, we might send philosophical birthday greetings to Francois-Marie Arouet, better known as Voltaire; he was born in Paris on this date in 1694. The Father of the Age of Reason, he produced works in almost every literary form: plays, poems, novels, essays, and historical and scientific works– more than 2,000 books and pamphlets (and more than 20,000 letters). A social reformer, Voltaire used satire to criticize the intolerance, religious dogma, and oligopolistic privilege of his day, perhaps nowhere more sardonically than in Candide.
Screenwriters sending scripts to Essanay Studios, a Chicago company that produced silent films between 1907 and 1917, received this form rejection letter in response to their submissions. Here Essanay identified several common problems with scripts; some (“Too difficult to produce”) were probably more helpful to aspiring writers than others (“Not interesting”).
Essanay, named after the initials of its founders George Spoor and Gilbert Anderson, made Westerns and comedies from its Uptown Chicago headquarters and in California. (Its specialty in the Western explains the use of a stereotyped “Indian chief” head as logo.) Charlie Chaplin was a contract player for the company between 1915–1916 and made The Tramp while he was there. Chicago Tribune reporter Michael Wilmington suggests that Chaplin’s departure for a more lucrative contract in 1916 “hastened Essanay’s demise,” causing “a fatal rupture” between the two founders struggling with a sudden loss in income…
More (from the always-fascinating Rebecca Onion) at “A Harsh, but Efficient, Form Rejection Letter for Silent Film Screenwriters.
* Louis-Ferdinand Celine
As we inoculate our egos, we might spare a thought for Abel Gance; he died on this date in 1981. While Essanay was developing the comedic form, Gance– a French film director, writer, producer, actor, and theorist– was working across the Atlantic to lay the foundation for cinema as we’ve come to know it. One of the first to employ close-ups and dolly shots, he was instrumental in developing both the theory and the practice of montage as it came to be employed in film editing. He is probably best remembered for three major silent films: J’accuse (1919), La Roue (1923), and the monumental Napoléon (1927).
50+ examples: “Evolution of Horror Movie Poster Designs: 1922 – 2009.”
* Robert Anton Wilson
As we prepare to shriek, we might recall that it was on this date in 1947 that a secret executive order issued by President Harry Truman established Majestic 12, a secret committee of scientists, military leaders, and government officials empaneled to investigate UFO activity in the aftermath of the Roswell incident— or so many UFO conspiracy theorists believe. The purported documentary evidence of Majestic 12 has been judged fake by both the FBI and the Air Force (e.g., here)… but then, they would wouldn’t they…
“Being virtually killed by a virtual laser in a virtual space is just as effective as the real thing, because you are as dead as you think you are.”*…
Long before Oculus Rift and HTC Vive, the paper peep show—a small, layered diorama that expands like an accordion to create the illusion of depth—was a way for audiences in the 19th century to peer into times and places beyond their own experience. A popular souvenir in their day, peep shows brought to life scenes of the completion of the Thames Tunnel and the Great Exhibition of 1851 to masquerade balls and theatrical stage sets. Now, they’re delightful pieces of ephemera from another time that suggest that desire for immersion in other worlds stretches back centuries…
Peep shows, also known as tunnel books, are widely considered to be the ancestors of animation and film. Peering through a peep show in the 21st century might as well be an analog version of virtual reality—one that transports you to a different time altogether…
Take a peek at “Paper Peep Shows Were The Virtual Reality Of The 19th Century.”
* Douglas Adams
As we don the goggles, we might recall that it was on this date in 1908 that Émile Cohl‘s Fantasmagorie was released. Considered by film scholars to be the first animated cartoon, it had tremendous influence not only on the future of animation, but also on early nature films.
An overview of how film works, the different types of film, and its place in the world of modern digital storytelling…
* François Truffaut
As we tell truth at 24 frames per second, we might send beautifully-composed birthday greetings to Stanley Kubrick; he was born on this date in 1928. A renown film director, screenwriter, producer,cinematographer, and editor, Kubrick got his start as a teenaged photographer for Look Magazine. In 1950, he made the move to cinema, going on to direct 16 films, produce 11, write 13, shoot 5, and edit 4– among them, Lolita (1962) and Dr. Strangelove (1964), 2001: A Space Odyssey (1968), A Clockwork Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999). most of his films were nominated for Oscars, Golden Globes, and/or BAFTA Awards.