Posts Tagged ‘Science Fiction’
“There is nothing new in the world except the history you do not know”*…
Map of the globe with a focus on trade and expansion, c. 1565, based on an earlier map by Giacomo Gastaldi. Image credit: Library of Congress
As we look forward to 2019 and beyond, we might do well to pause and take a look back…
This animation shows how humans have spread and organized themselves across the Earth over the past 200,000 years. The time lapse starts with the migration of homo sapiens out of sub-Saharan Africa 200,000 years ago, with a few thousand years passing every second. As the agricultural revolution gets underway and the pace of civilization quickens, the animation slows down to hundreds of years per second and eventually, as it nears modern times, 1-2 years per second…
Via Kottke.org. See also time lapse animations of the history of Europe from the fall of Rome to modern times and human population through time. (via open culture)
* Harry S. Truman
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As we listen for the rhymes, we might wish the happiest of birthdays to Isaak Yudovich Ozimov– aka Isaac Asimov– who was born on this date in 1920. A biochemistry professor, he is better remembered as an author– more specifically, as one one of the greatest science fiction authors of his time (imaginer of “The Foundation,” coiner of the term “robotics,” and author of “The Three Laws of Robotics”). But Asimov was extraordinarily prolific; he published over 500 books– including (in addition to sci fi) 14 books of history, several mysteries, a great deal of popular science, even a worthy volume on Shakespeare– and wrote an estimated 9,000 letters and postcards.
“There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity”*…
Somewhere in your life, a door opens, you enter, and you suddenly find yourself in another dimension—a place beyond that which is known to man. A dimension as vast as space and as timeless as infinity. Or, as we prefer to call it, the Internet—where everything is available and time disappears as you spend hours upon hours drifting in the hell of an Internet K-hole.
Sometimes you’re lucky. Sometimes you avoid the endless loops of cat and baby videos and dodge the fake news and outraged memes about nothing very much in particular only to land safely in a strange repository of mystery and imagination.
One such idyllic location can be found at the Internet Archive where the Pulp Magazine Archive has nearly every back issue of Rod Serling’s The Twilight Zone Magazine. This is the place to spend hours, days even, happily reading, learning, and being thrilled by the very best genre writers of our age like Stephen King, Richard Matheson, Ray Bradbury, Joyce Carol Oates, Isaac Bashevis Singer [!], Robert Silverberg, and Harlan Ellison.
Rod Serling’s The Twilight Zone Magazine started in April 1981 under the editorship of writer T. E. D. Klein and lasted until 1989. It was filled with first-class stories (see above), interviews with writers and directors, film reviews (including Stephen King’s take on Sam Raimi’s The Evil Dead), long illustrated features on films like Blade Runner, Gremlins, John Carpenter’s The Thing, and David Lynch’s Dune, plus book reviews by Thomas M. Disch and Theodore Sturgeon. There were also incredible treats like John Carpenters “lost” short fiction and the story behind H. P. Lovecraft’s “banned book.”…
Get a taste at “A Treasure Trove of the Twilight Zone Magazine“– then dive in.
* “There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone.” – Rod Serling’s opening narration for The Twilight Zone.
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As we feel the frisson, we might send speculative birthday greetings to novelist, short story writer, and essayist James Graham (J. G.) Ballard; he was born on this date in 1930. While he is probably most widely known for his conventional (and semi-autobiographical) novel Empire of the Sun, he is probably more meaningfully remembered for his New Wave science fiction novels (e.g., The Wind from Nowhere and The Drowned World) and for later dystopian works like Crash and High Rise.
Indeed, The literary distinctiveness of Ballard’s fiction has given rise to the adjective “Ballardian“, defined by the Collins English Dictionary as “resembling or suggestive of the conditions described in J. G. Ballard’s novels and stories, especially dystopian modernity, bleak man-made landscapes and the psychological effects of technological, social or environmental developments.” In the introduction to the seminal Mirrorshades anthology, Bruce Sterling cited Ballard cited as an important forebear of the cyberpunk movement; and in Simulacra and Simulation, Jean Baudrillard hailed Crash as the “first great novel of the universe of simulation.”
“The soul never thinks without a mental picture”*…
While popularised by Guillaume Apollinaire’s wonderful Calligrammes from 1918, the art of making images through the novel arrangement of words upon the page can be traced back many centuries. Some of the earliest examples of these “calligrams” are to be found in a marvellous 9th-century manuscript known as the Aratea.
Each page of the Aratea has a poem on the bottom half — written by the 3rd-century BC Greek poet Aratus and translated into Latin by a young Cicero — describing an astronomical constellation. This constellation is then beautifully drawn above the poetry; the drawings however are themselves made up of words taken from Hyginus’ Astronomica. The passages used to form the images describe the constellation which they create on the page, and in this way they become tied to one another: neither the words or images would make full sense without the other there to complete the scene. Also, note the red dots on each picture: these show where the stars appear in the sky.
This remarkable object brings together nearly 2000 years of cultural history. Making use of two Roman texts on astronomy written in the 1st century BC, the manuscript was created in Northern France in about 820. It then found its way into the library of the Harley family in England, before being sold to the nation in 1752 under the same Act of Parliament which created the British Museum.
More– and larger– examples of this extraordinary art at “Aratea: Making Pictures with Words in the 9th Century.”
* Aristotle
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As we “just doodle it,” we might send speculative birthday greetings to Roger Joseph Zelazny; he was born on this date in 1937. While (justly) remembered as an important science fiction author— he won the Hugo Award six times; the Nebula, three– he was also an accomplished poet.
“I try to conjure, to raise my own spirits, from wherever they are. I need to remember what they look like.”*…
In Margaret Atwood’s The Handmaid’s Tale, a Christian sect call the Sons of Jacob creates a male-dominated theocratic state
Margaret Atwood’s evergreen dystopian novel The Handmaid’s Tale is about to become a television drama. Published in 1985, it couldn’t feel more fresh or more timely, dealing as it does with reproductive rights, with the sudden accession to power of a theocracy in the United States, with the demonisation of imagined, pantomime villain “Islamic fanatics”. But then, feminist science fiction does tend to feel fresh – its authors have a habit of looking beyond their particular historical moment, analysing the root causes, suggesting how they might be, if not solved, then at least changed.
Where does the story of feminist science fiction begin? There are so many possible starting points: Margaret Cavendish’s 1666 book The Blazing World, about an empress of a utopian kingdom; one could point convincingly to Mary Shelley’s Frankenstein as an exploration of how men could “give birth” and what might happen if they did; one could recall the 1905 story “Sultana’s Dream” by Begum Rokeya, about a gender-reversed India in which it’s the men who are kept in purdah.
And perhaps one of the starting points was here: on 29 August 1911, a 50-year-old man, a member of the Yahi group of the Native American Yana people, walked out of the forest near Oroville, California, and was captured by the local sheriff. He was known at the time and popularised in the press as “the last wild Indian”.
He called himself “Ishi” – a word in the Yahi language that means simply “man”. He was the very last of his people, and had been living in the wilderness alone, travelling to places he remembered from the time when his tribe had flourished, in the hope of finding some remnant of those he’d grown up with. When he realised they were truly all gone, when a series of forest fires meant he was close to starvation, he allowed himself to be found and taken in…
And the link with feminist science fiction? Theodora and Alfred Kroeber’s daughter was Ursula Le Guin, the science fiction author. Her novel The Left Hand of Darkness was published in 1969, at the start of the revolutionary women’s movement, and was one of the earliest pieces of feminist SF. It is about a man from Earth who travels to the planet Gethen, where the people have no fixed gender. He is by turns fascinated, appalled and deeply, sickeningly lonely. Everyone’s “normality” is someone else’s wilderness…
From Mary Shelley to Margaret Atwood, feminist science fiction writers have imagined other ways of living that prompt us to ask, could we do things differently? More of their history at “Dystopian dreams: how feminist science fiction predicted the future.”
* Margaret Atwood, The Handmaiden’s Tale
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As we listen and learn, we might send hauntingly-beautiful birthday greetings to Eleanora Fagan; she was born on this date in 1915. Better known by her stage name, Billie Holiday (and her nickname, Lady Day), she was a jazz musician and singer-songwriter– a legendary performer who enjoyed both huge popular success and great acclaim from her fellow artists.
“Ignorance is the softest pillow on which a man can rest his head”*…
Chinese porcelain pillow, Song Dynasty (960–1279)
So far as we know, the earliest pillows date back over 9,000 years to Mesopotamia, or modern day Iraq. Formed from stone, the top was carved in a half-moon shape to support the neck. The idea obviously wasn’t comfort, at least not immediate comfort. The basic function of the pillow was to keep the head off the ground and prevent insects from crawling into mouths, noses, and ears. Ancient Egyptians and Chinese also used similar pillows, though each culture had its own reasons for them…
Learn how the pillow evolved in function–and happily, in form– at “Pillows Throughout The Ages.”
* Michel de Montaigne
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As we lay down our heads, we might send grateful birthday greetings to the extraordinary Jules Verne, imaginative writer non pareil (c.f., e.g., here); he was born in Nantes on this date in 1828.
Best known for his novels A Journey to the Center of the Earth (1864), From the Earth to the Moon (1865), Twenty Thousand Leagues Under the Sea (1869–1870), Around the World in Eighty Days (1873) and The Mysterious Island (1875), Verne is the second most translated (individual) author of all time, behind Agatha Christie. He is considered, with H.G. Wells, the founder of science fiction.
Verne was startlingly prescient: Paris in the 20th Century, for example, describes air conditioning, automobiles, the Internet, television, even electricity, and other modern conveniences very similar to their real world counterparts, developed years– in many cases, decades– later. From the Earth to the Moon, apart from using a space gun instead of a rocket, is uncannily similar to the real Apollo Program: three astronauts are launched from the Florida peninsula– from “Tampa Town” (only 130 miles from NASA’s Cape Canaveral)– and recovered through a splash landing. And in other works, he predicted helicopters, submarines, projectors, jukeboxes, and the existence of underwater hydrothermal vents that were not invented/discovered until long after he wrote about them.
“All we are not stares back at what we are”*…
I went to a bookstore and asked the saleswoman, “Where’s the self-help section?” She said if she told me, it would defeat the purpose.
– George Carlin
Napoleon Hill is the most famous conman you’ve probably never heard of. Born into poverty in rural Virginia at the end of the 19th century, Hill went on to write one of the most successful self-help books of the 20th century: Think and Grow Rich. In fact, he helped invent the genre. But it’s the untold story of Hill’s fraudulent business practices, tawdry sex life, and membership in a New York cult that makes him so fascinating…
Modern readers are probably familiar with the 2006 sensation The Secret, but the concepts in that book were essentially plagiarized from Napoleon Hill’s 1937 classic Think and Grow Rich, which has reportedly sold over 15 million copies to date. The big idea in both: The material universe is governed quite directly by our thoughts. If you simply visualize what you want out of life, those things and more will be delivered to you. Especially if those things involve money…
You can see the influence of Hill in everything from the success sermons of Tony Robbins to the crooked business dealings of Trump University. In fact, you can draw a direct line to Donald Trump’s way of thinking through Norman Vincent Peale, an ardent follower of Napoleon Hill. Reverend Peale, author of the 1952 book The Power of Positive Thinking, was Donald Trump’s pastor as a child [c.f. here]…
I’m not here to say that there’s nothing to be learned from some of Hill’s writings—especially those that speak of self-confidence, being kind to others, and going the extra mile for something you believe in. But the real story behind Napoleon Hill’s life is long past due…
That fascinating tale in full at “The Untold Story of Napoleon Hill, the Greatest Self-Help Scammer of All Time.”
* W.H. Auden
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As we tell ourselves that we’re OK, we might send speculative birthday greetings to the anti-Hill, Philip Kindred Dick; he was born on this date in 1928. A novelist, short story writer, essayist and philosopher, Dick published 44 novels and 121 short stories, nearly all in the Science Fiction genre. While he was recognized only within his field in his lifetime, and lived near poverty for much of his adult life, twelve popular films and TV series have been based on his work since his death in 1982 (including Blade Runner, Total Recall, A Scanner Darkly, Minority Report, Paycheck, Next, Screamers, The Adjustment Bureau, Impostor, and the Netflix series The Man in the High Castle). In 2005, Time magazine named Ubik one of the hundred greatest English-language novels published since 1923; and in 2007, Dick became the first science fiction writer to be included in The Library of America series.
“You can lead a horse to water, but a pencil must be lead”*…
The oldest known pencil in the world, from the early 17th century, on display at the Faber-Castell castle near Nuremberg, Germany
The pencil’s journey into your hand has been a 500-year process of discovery and invention. It began in the countryside of northern England, but a one-eyed balloonist from Napoleon Bonaparte’s army, one of America’s most famous philosophers, and some of the world’s most successful scientists and industrialists all have had a hand in the creation and refinement of this humble writing implement…
The story of everyone’s go-to writing implement: “The Write Stuff- How the Humble Pencil Conquered the World.”
* Stan Laurel
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As we keep our erasers handy, we might spare a memorial thought for Hugo Gernsback, a Luxemborgian-American inventor, broadcast pioneer, writer, and publisher; he died on this date in 1967 at the age of 83.
Gernsback held 80 patents at the time of his death; he founded radio station WRNY, was involved in the first television broadcasts and is considered a pioneer in amateur radio. But it was a writer and publisher that he probably left his most lasting mark: In 1926, as owner/publisher of the magazine Modern Electrics, he filled a blank spot in his publication by dashing off the first chapter of a series called “Ralph 124C 41+.” The twelve installments of “Ralph” were filled with inventions unknown in 1926, including “television” (Gernsback is credited with introducing the word), fluorescent lighting, juke boxes, solar energy, television, microfilm, vending machines, and the device we now call radar.
The “Ralph” series was an astounding success with readers; and later that year Gernsback founded the first magazine devoted to science fiction, Amazing Stories. Believing that the perfect sci-fi story is “75 percent literature interwoven with 25 percent science,” he coined the term “science fiction.”
Gernsback was a “careful” businessman, who was tight with the fees that he paid his writers– so tight that H. P. Lovecraft and Clark Ashton Smith referred to him as “Hugo the Rat.”
Still, his contributions to the genre as publisher were so significant that, along with H.G. Wells and Jules Verne, he is sometimes called “The Father of Science Fiction”; in his honor, the annual Science Fiction Achievement awards are called the “Hugos.”
(Coincidentally, today is also the birthday– in 1906– of Philo T. Farnsworth, the man who actually did invent television… and was thus the inspiration for the brand name “Philco.”)
Gernsback, wearing his invention, TV Glasses
