Posts Tagged ‘Science Fiction’
“Take a good book to bed with you—books do not snore”*…
From Greg Ross, a helpful vocabulary lesson for those of us who would talk about people’s relationships with books…
rarissima
n. extremely rare books, manuscripts, or printsIn The Book Hunter (1863), John Hill Burton identifies five types of “persons who meddle with books”:
- “A bibliognoste, from the Greek, is one knowing in title-pages and colophons, and in editions; the place and year when printed; the presses whence issued; and all the minutiae of a book.”
- “A bibliographe is a describer of books and other literary arrangements.”
- “A bibliomane is an indiscriminate accumulator, who blunders faster than he buys, cock-brained and purse-heavy.”
- “A bibliophile, the lover of books, is the only one in the class who appears to read them for his own pleasure.”
- “A bibliotaphe buries his books, by keeping them under lock, or framing them in glass cases.”
These groups seem to have been proposed by French librarian Jean Joseph Rive. Bibliographer Gabriel Peignot added four more:
- bibliolyte, a destroyer of books
- bibliologue, one who discourses about books
- bibliotacte, a classifier of books
- bibliopée, “‘l’art d’écrire ou de composer des livres,’ or, as the unlearned would say, the function of an author.”…
For the bibliophiles among us: “In a Word,” from Futility Closet.
(Image above: source)
* Thea Dorn
###
As we love our labels, we might send eerie birthday greetings to Howard Phillips Lovecraft; he was born on this date in 1890. The creator of the Cthulhu Mythos, he was a pioneer of weird, science, fantasy, and horror fiction. H.P. Lovecraft was almost unknown in his lifetime, but has become one of the most influential writers of the Twentieth Century– Jorge Luis Borges, Joyce Carol Oates, and Stephen King, among many other writers, comic artists, and filmmakers, have all proclaimed their indebtedness.
“We ceased to be the lunatic fringe. We’re now the lunatic core.”*…
Further, in a fashion, to yesterday’s post on analog computing, an essay from Benjamin Labatut (the author of two remarkable works of “scientific-historical fiction,” When We Cease to Understand the World and The MANIAC, continuing the animating theme of those books…
We will never know how many died during the Butlerian Jihad. Was it millions? Billions? Trillions, perhaps? It was a fantastic rage, a great revolt that spread like wildfire, consuming everything in its path, a chaos that engulfed generations in an orgy of destruction lasting almost a hundred years. A war with a death toll so high that it left a permanent scar on humanity’s soul. But we will never know the names of those who fought and died in it, or the immense suffering and destruction it caused, because the Butlerian Jihad, abominable and devastating as it was, never happened.
The Jihad was an imagined event, conjured up by Frank Herbert as part of the lore that animates his science-fiction saga Dune. It was humanity’s last stand against sentient technology, a crusade to overthrow the god of machine-logic and eradicate the conscious computers and robots that in the future had almost entirely enslaved us. Herbert described it as “a thalamic pause for all humankind,” an era of such violence run amok that it completely transformed the way society developed from then onward. But we know very little of what actually happened during the struggle itself, because in the original Dune series, Herbert gives us only the faintest outlines—hints, murmurs, and whispers, which carry the ghostly weight of prophecy. The Jihad reshaped civilization by outlawing artificial intelligence or any machine that simulated our minds, placing a damper on the worst excesses of technology. However, it was fought so many eons before the events portrayed in the novels that by the time they occur it has faded into legend and crystallized in apocrypha. The hard-won lessons of the catastrophe are preserved in popular wisdom and sayings: “Man may not be replaced.” “Once men turned their thinking over to machines in the hope that this would set them free. But that only permitted other men with machines to enslave them.” “We do not trust the unknown which can arise from imaginative technology.” “We must negate the machines-that-think.” The most enduring legacy of the Jihad was a profound change in humankind’s relationship to technology. Because the target of that great hunt, where we stalked and preyed upon the very artifacts we had created to lift ourselves above the seat that nature had intended for us, was not just mechanical intelligence but the machinelike attitude that had taken hold of our species: “Humans had set those machines to usurp our sense of beauty, our necessary selfdom out of which we make living judgments,” Herbert wrote.
Humans must set their own guidelines. This is not something machines can do. Reasoning depends upon programming, not on hardware, and we are the ultimate program!
The Butlerian Jihad removed a crutch—the part of ourselves that we had given over to technology—and forced human minds to develop above and beyond the limits of mechanistic reasoning, so that we would no longer depend on computers to do our thinking for us.
Herbert’s fantasy, his far-flung vision of a devastating war between humanity and the god of machine-logic, seemed quaint when he began writing it in the Sixties. Back then, computers were primitive by modern standards, massive mainframe contraptions that could process only hundreds of thousands of cycles per second (instead of billions, like today), had very little memory, operated via punch cards, and were not connected to one another. And we have easily ignored Herbert’s warnings ever since, but now the Butlerian Jihad has suddenly returned to plague us. The artificial-intelligence apocalypse is a new fear that keeps many up at night, a terror born of great advances that seem to suggest that, if we are not very careful, we may—with our own hands—bring forth a future where humanity has no place. This strange nightmare is a credible danger only because so many of our dreams are threatening to come true. It is the culmination of a long process that hearkens back to the origins of civilization itself, to the time when the world was filled with magic and dread, and the only way to guarantee our survival was to call down the power of the gods.
Apotheosis has always haunted the soul of humankind. Since ancient times we have suffered the longing to become gods and exceed the limits nature has placed on us. To achieve this, we built altars and performed rituals to ask for wisdom, blessings, and the means to reach beyond our capabilities. While we tend to believe that it is only now, in the modern world, that power and knowledge carry great risks, primitive knowledge was also dangerous, because in antiquity a part of our understanding of the world and ourselves did not come from us, but from the Other. From the gods, from spirits, from raging voices that spoke in silence.
[Labatut invokes the mysteries of the Vedas and their Altar of Fire, which was meant to develop “a mind, (that) when properly developed, could fly like a bird with outstretched wings and conquer the skies.”…]
Seen from afar by people who were not aware of what was being made, these men and women must surely have looked like bricklayers gone mad. And that same frantic folly seems to possess those who, in recent decades, have dedicated their hearts and minds to the building of a new mathematical construct, a soulless copy of certain aspects of our thinking that we have chosen to name “artificial intelligence,” a tool so formidable that, if we are to believe the most zealous among its devotees, will help us reach the heavens and become immortal…
[Labatut recounts the stories– and works– of some of the creators of AI’s DNA: George Boole (and his logic), Claude Shannon (who put that logic to work), and Geoffrey Hinton (Boole’s great-great-grandson, and “the Godfather of AI,” who created of the first neural networks, but has more recently undergone a change of opinion)…]
… Hinton has been transformed. He has mutated from an evangelist of a new form of reason into a prophet of doom. He says that what changed his mind was the realization that we had, in fact, not replicated our intelligence, but created a superior one.
Or was it something else, perhaps? Did some unconscious part of him whisper that it was he, rather than his great-great-grandfather, who was intended by God to find the mechanisms of thought? Hinton does not believe in God, and he would surely deny his ancestor’s claim that pain is an instrument of the Lord’s will, since he was forced to have every one of his meals on his knees, resting on a pillow like a monk praying at the altar, because of a back injury that caused him excruciating pain. For more than seventeen years, he could not sit down, and only since 2022 has he managed to do so long enough to eat.
Hinton is adamant that the dangers of thinking machines are real. And not just short-term effects like job replacement, disinformation, or autonomous lethal weapons, but an existential risk that some discount as fantasy: that our place in the world might be supplanted by AI. Part of his fear is that he believes AI could actually achieve a sort of immortality, as the Vedic gods did. “The good news,” he has said, “is we figured out how to build things that are immortal. When a piece of hardware dies, they don’t die. If you’ve got the weights stored in some medium and you can find another piece of hardware that can run the same instructions, then you can bring it to life again. So, we’ve got immortality. But it’s not for us.”
Hinton seems to be afraid of what we might see when the embers of the Altar of Fire die down at the end of the sacrifice and the sharp coldness of the beings we have conjured up starts to seep into our bones. Are we really headed for obsolescence? Will humanity perish, not because of the way we treat all that surrounds us, nor due to some massive unthinking rock hurled at us by gravity, but as a consequence of our own irrational need to know all that can be known? The supposed AI apocalypse is different from the mushroom-cloud horror of nuclear war, and unlike the ravages of the wildfires, droughts, and inundations that are becoming commonplace, because it arises from things that we have, since the beginning of civilization, always considered positive and central to what makes us human: reason, intelligence, logic, and the capacity to solve the problems, puzzles, and evils that taint even the most fortunate person’s existence with everyday suffering. But in clawing our way to apotheosis, in daring to follow the footsteps of the Vedic gods who managed to escape from Death, we may shine a light on things that should remain in darkness. Because even if artificial intelligence never lives up to the grand and terrifying nightmare visions that presage a nonhuman world where algorithms hum along without us, we will still have to contend with the myriad effects this technology will have on human society, culture, and economics.
In the meantime, the larger specter of superintelligent AI looms over us. And while it is less likely and perhaps even impossible (nothing but a fairy tale, some say, a horror story intended to attract more money and investment by presenting a series of powerful systems not as the next step in our technological development but as a death-god that ends the world), it cannot be easily dispelled, for it reaches down and touches the fibers of our mythmaking apparatus, that part of our being that is atavistic and fearful, because it reminds us of a time when we shivered in caves and huddled together, while outside in the dark, with eyes that could see in the night, the many savage beasts and monsters of the past sniffed around for traces of our scent.
As every new AI model becomes stronger, as the voices of warning form a chorus, and even the most optimistic among us begin to fear this new technology, it is harder and harder to think without panic or to reason with logic. Thankfully, we have many other talents that don’t answer to reason. And we can always rise and take a step back from the void toward which we have so hurriedly thrown ourselves, by lending an ear to the strange voices that arise from our imagination, that feral territory that will always remain a necessary refuge and counterpoint to rationality.
Faced, as we are, with wild speculation, confronted with dangers that no one, however smart or well informed, is truly capable of managing or understanding, and taunted by the promises of unlimited potential, we may have to sound out the future not merely with science, politics, and reason, but with that devil-eye we use to see in the dark: fiction. Because we can find keys to doors we have yet to encounter in the worlds that authors have imagined in the past. As we grope forward in a daze, battered and bewildered by the capabilities of AI, we could do worse than to think about the desert planet where the protagonists of Herbert’s Dune novels sought to peer into the streaming sands of future time, under the heady spell of a drug called spice, to find the Golden Path, a way for human beings to break from tyranny and avoid extinction or stagnation by being more diverse, resilient, and free, evolving past purely logical reasoning and developing our minds and faculties to the point where our thoughts and actions are unpredictable and not bound by statistics. Herbert’s books, with their strange mixture of past and present, remind us that there are many ways in which we can continue forward while preserving our humanity. AI is here already, but what we choose to do with it and what limits we agree to place on its development remain decisions to be made. No matter how many billions of dollars are invested in the AI companies that promise to eliminate work, solve climate change, cure cancer, and rain down miracles unlike anything we have seen before, we can never fully give ourselves over to these mathematical creatures, these beings with no soul or sympathy, because they are neither alive nor conscious—at least not yet, and certainly not like us—so they do not share the contradictory nature of our minds.
In the coming years, as people armed with AI continue making the world faster, stranger, and more chaotic, we should do all we can to prevent these systems from giving more and more power to the few who can build them. But we should also consider a warning from Herbert, the central commandment he chose to enshrine at the heart of future humanity’s key religious text, a rule meant to keep us from becoming subservient to the products of our reason, and from bowing down before the God of Logic and his many fearsome offspring:
Thou shalt not make a machine in the likeness of a human mind…
Before and after artificial intelligence: “The Gods of Logic” in @Harpers. Eminently worth reading in full.
For a less pessimistic view, see: “A Journey Through the Uncanny Valley: Our Relational Futures with AI,” from @dylanhendricks at @iftf.
* Geoffrey Hinton
###
As we deliberate on Daedalus’ caution, we might we might send fantastically far-sighted birthday greetings to a tecno-optimist who might likely have brushed aside Labatut’s concerns: Hugo Gernsback, a Luxemborgian-American inventor, broadcast pioneer, writer, and publisher; he was born on this date in 1884.
Gernsback held 80 patents at the time of his death; he founded radio station WRNY, was involved in the first television broadcasts, and is considered a pioneer in amateur radio. But it was as a writer and publisher that he probably left his most lasting mark: In 1926, as owner/publisher of the magazine Modern Electrics, he filled a blank spot in his publication by dashing off the first chapter of a series called “Ralph 124C 41+.” The twelve installments of “Ralph” were filled with inventions unknown in 1926, including “television” (Gernsback is credited with introducing the word), fluorescent lighting, juke boxes, solar energy, television, microfilm, vending machines, and the device we now call radar.
The “Ralph” series was an astounding success with readers; and later that year Gernsback founded the first magazine devoted to science fiction, Amazing Stories. Believing that the perfect sci-fi story is “75 percent literature interwoven with 25 percent science,” he coined the term “science fiction.”
Gernsback was a “careful” businessman, who was tight with the fees that he paid his writers– so tight that H. P. Lovecraft and Clark Ashton Smith referred to him as “Hugo the Rat.”
Still, his contributions to the genre as publisher were so significant that, along with H.G. Wells and Jules Verne, he is sometimes called “The Father of Science Fiction”; in his honor, the annual Science Fiction Achievement awards are called the “Hugos.”
(Coincidentally, today is also the birthday– in 1906– of Philo T. Farnsworth, the man who actually did invent television.)
“Before beginning, plan carefully”*…

The marvelous Matt Levine on one of the vexing challenges facing those who preserve themselves cryogenically…
See, if you go to a regular trusts and estates lawyer, she will ask you questions like “if your spouse and children die before you, whom do you want to inherit your estate,” but if you go to a science fiction trusts and estates lawyer, she will ask you questions like “if your frozen head cannot be attached to a fresh body and reanimated in 200 years, but your consciousness can be cloned in a computer simulation, would you like your estate to go to the cloned consciousness or stay with the frozen head?” Meanwhile I suppose if you go to a regular financial planner, he will ask you questions like “how much equity risk are you comfortable taking between now and retirement,” while if you go to a science fiction financial planner, he will ask you questions like “where are you most comfortable investing for the next 200 years, given that you will not be able to change your asset allocation decisions during that time, because you’ll be dead?”
When you are a kid, science fiction is fun because it imagines amazing futuristic technologies. And then you grow up and you realize that what’s really fun are the legal and financial technologies that are called into being by those physical technologies: Sure sure sure reviving a frozen head is great, but how does the frozen head get a credit card? Bloomberg’s Erin Schilling reports:
Estate attorneys are creating trusts aimed at extending wealth until people who get cryonically preserved can be revived, even if it’s hundreds of years later. These revival trusts are an emerging area of law built on a tower of assumptions. Still, they’re being taken seriously enough to attract true believers and merit discussion at industry conferences.
“The idea of cryopreservation has gone from crackpot to merely eccentric,” said Mark House, an estate lawyer who works with Scottsdale, Ariz.-based Alcor Life Extension Foundation, the world’s largest cryonics facility with 1,400 members and about 230 people already frozen. “Now that it’s eccentric, it’s kind of in vogue to be interested in it.”
He and others are trying to answer questions that at times seem more like prompts in a philosophy class.
Can money live indefinitely?
Are you dead if your body is cryonically preserved?
Are you considered revived if you have only your brain?
And if you’re revived, are you the same person?
So many good legal questions — “House considers the revived person to be different in the eyes of the law, in part because a person can’t be the beneficiary of their own trusts” — but also great financial ones.
Here’s one: Should you buy Bitcoin for your long sleep? The argument for Bitcoin is that you can hold it, indefinitely, without relying on anyone else: If you put 10 Bitcoin in a wallet and only you know the private key, and then you die and get frozen and come back in 200 years, no one will have taken your Bitcoin, legal rules about inheritance and perpetual trusts don’t matter, and you don’t need some succession plan for the trustees and financial advisers who will take care of your assets. You just have to make sure you remember your private key as you’re dying. Legal rules can change, human institutions can change, but your Bitcoin is immutable.
The argument against Bitcoin is, of course, what if people stop valuing Bitcoin? Putting your money in Bitcoin is a hedge against change in other human institutions, but it puts a lot of eggs in the basket of one human institution, “treating Bitcoin as money.” It’s a bit weird to bet that that’s more permanent than anything else.
More generally, what is money anyway? “It may be difficult to know what role money will play in a post-[artificial general intelligence] world,” says OpenAI to its investors, and what if OpenAI gets to artificial general intelligence before anyone gets around to unfreezing the heads? You might be leaving your future self all the wrong stuff…
Very long-term planning: “Cryogenics Law,” from @matt_levine via Ingrid Burrington’s wonderful newsletter, “Perfect Sentences” (in this instance, “Sure sure sure reviving a frozen head is great, but how does the frozen head get a credit card?).
* Marcus Tullius Cicero
###
As we chill, we might recall that it was on this date in 1983 that the coldest (natural) temperature ever recorded on Earth was registered by the research station at Vostok, Antarctica: -128.5 degrees Fahrenheit (-89.2 degrees Celsius).

We might also note that today– July 20, 2024– is the date on which the action in Octavia Butler’s Parable of the Sower begins: “…in 2024, when society in the United States has grown unstable due to climate change, growing wealth inequality, and corporate greed…”
“I prefer radio to TV because the pictures are better”*…
Was Walter Benjamin the ur-podcaster? Peter E. Gordon on Benjamin’s audio adventures, how they relate to his cultural theories, and what they suggest about what has become (and may yet become) of audio…
No audio recordings of Walter Benjamin have survived. His voice was once described as beautiful, even melodious—just the sort of voice that would have been suitable for the new medium of radio broadcasting that spread across Germany in the 1920s. If one could pay the fee for a wireless receiver, Benjamin could be heard in the late afternoons or early evenings, often during what was called “Youth Hour.” His topics ranged widely, from a brass works outside Berlin to a fish market in Naples. In one broadcast, he lavished his attention on an antiquarian bookstore with aisles like labyrinths, whose walls were adorned with drawings of enchanted forests and castles. For others, he related “True Dog Stories” or perplexed his young listeners with brain teasers and riddles. He also wrote, and even acted in, a variety of radio plays that satirized the history of German literature or plunged into surrealist fantasy. One such play introduced a lunar creature named Labu who bore the august title “President of the Moon Committee for Earth Research.”
Today Benjamin is widely esteemed as one of the foremost cultural critics and theorists of the 20th century. But his career was uneven and marked by failure. In 1925, after the faculty of philosophy in Frankfurt rejected his enigmatic study of German Baroque drama and dashed his hopes for an academic career, he found himself adrift, with little assurance of a regular income. But this failure also brought freedom. His untethering from the university meant that he could indulge in his interests without restraint, and he turned his talents to writing essays that took in the whole panorama of modern life—from high literature to children’s books and from photography to film—and, for nearly six years, he supplemented his earnings with radio broadcasts, some for adults and others meant especially for children. Of the many broadcasts, about 90 in all, that he produced for the radio stations in Frankfurt and Berlin, only a fragment of a single audio recording has been preserved; unfortunately, Benjamin’s voice cannot be heard.
Now transcripts of these broadcasts have been assembled and translated into English in a new volume edited by Lecia Rosenthal, whose incisive introduction assists the reader in appreciating their true significance. One can’t help but wonder what Benjamin would have made of all this attention, since he was inclined to dismiss his radio work as unimportant. In correspondence with his friend Gershom Scholem, he wrote with some embarrassment of “piddling radio matters” and condemned nearly all of it as having “no interest except in economic terms.” Today we know that he was mistaken. The transcripts are more than mere ephemera; they are perfect specimens of Benjamin’s interpretative method, exercises in a style of urban semiotics that he would later apply during his exile in Paris. Hannah Arendt once likened her late friend to a pearl diver who possessed a gift for diving into the wreckage of bourgeois civilization and emerging into the sunlight with the rarest of treasures. The radio transcripts offer further evidence of a genius whose career was ended far too soon…
A fascinating– and illuminating– read. Walter Benjamin’s radio years: “President of the Moon Committee,” from @thenation.
* Alistair Cooke
###
As we listen in, we might spare a thought for Hugo Gernsback, a Luxemborgian-American inventor, broadcast pioneer, writer, and publisher; he was born on this date in 1884. Gernsback founded radio station WRNY, was involved in the first television broadcasts, and is considered a pioneer in amateur radio. And he was a prolific inventor, with 80 patents at the time of his death.
But it was a writer and publisher that he probably left his most lasting mark: In 1926, as owner/publisher of the magazine Modern Electrics, he filled a blank spot in his publication by dashing off the first chapter of a series called “Ralph 124C 41+.” The twelve installments of “Ralph” were filled with inventions unknown in 1926, including “television” (Gernsback is credited with introducing the word), fluorescent lighting, juke boxes, solar energy, television, microfilm, vending machines, and the device we now call radar.
The “Ralph” series was an astounding success with readers; and later that year Gernsback founded the first magazine devoted to science fiction, Amazing Stories. Believing that the perfect sci-fi story is “75 percent literature interwoven with 25 percent science,” he coined the term “science fiction.”
Gernsback was a “careful” businessman, who was tight with the fees that he paid his writers– so tight that H. P. Lovecraft and Clark Ashton Smith referred to him as “Hugo the Rat.”
Still, his contributions to the genre as publisher were so significant that, along with H.G. Wells and Jules Verne, he is sometimes called “The Father of Science Fiction”; in his honor, the annual Science Fiction Achievement awards are called the “Hugos.”
“The horror! The horror!”
Tis the season, thus time for seasonal specials. Indeed, since 1990, those fabulous folks behind The Simpsons have given us annual installments of what’s become a beloved Halloween tradition: The Treehouse of Horror, a collection of wonderful riffs on horror and sci-fi films/shows/tropes that never fails to delight.
Enthusiasts have created beaucoup “best of” lists (see here and here, for a couple of examples). Now, just in time (this year’s installment airs tonight), Bo McCready has created a terrific resource: a comprehensive run-down of the source/inspiration of each Treehouse of Horror segment– in infographic form. A small excerpt:

See it all at “Treehouse of Horror: 100+ Simpsons Halloween Stories!” from @boknowsdata.
Apposite: “Run for your life, Charlie Brown.”
* Joseph Conrad, Heart of Darkness
###
As we trick and treat, we might recall that it was on this date in 1938 that the Mercury Theater broadcast the Halloween episode of its weekly series on the WABC Radio Network, Orson Welle’s adaptation of H.G. Wells’ War of the Worlds. The first two-thirds of the show (which was uninterrupted by ads) was composed of simulated news bulletins… which suggested to many listeners that a real Martian invasion was underway. (While headlines like the one below suggest that there was widespread panic, research reveals that the fright was more subdued. Still there was an out-cry against the “phoney-news” format… and Welles was launched into the notoriety that would characterize his career ever after.)









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