Posts Tagged ‘fantasy’
“Writers use everything. We can’t help it. Whatever touches us touches our writing.”*…
How a teenager anxious to launch a sci-fi zine helped birth one of Octavia Butler’s most important essays…
Science fiction writer Octavia Estelle Butler, who passed away 15 years ago, would have celebrated her 74th birthday on June 22 of this year. She was a prolific author of 15 novels and the first science fiction writer to receive the MacArthur Foundation “Genius Grant.” I knew Octavia when I was a teenager. Although my behavior with her was appalling at times, the result of our brief interaction turned out to be more meaningful and enduring than I could have imagined…
A wonderful story about a wonderful writer: “Octavia Butler and the Pimply, Pompous Publisher.”
* Octavia Butler
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As we are grateful that the Butler did it, we might recall that it was on this date in 1954 that J. R. R. Tolkien published The Fellowship of the Ring, a sequel to The Hobbit (published 17 years earlier) and the first volume in the Lord of the Rings trilogy.
“We find that whole communities suddenly fix their minds upon one object and go mad in its pursuit; that millions of people become simultaneously impressed with one delusion, and run after it”…
The human body is a miraculous piece of machinery. Try as they might, scientists can’t always seem to understand its power — and susceptibility — to the strangest situations throughout history. What happens when a meteorite causes a mental health calamity? Or a laughing epidemic? From ye old French dancing fits [evoked above], to an entire village of ‘sleeping beauties’, the lesson we’ve learned from the majority of these epidemics is this: viruses are terrifying, but the mind is the most dangerous thing of all…
A curious (and captivating) collection of collective compulsion: “The Unexplained Dancing Plague & Other Epidemics of Yore.”
* Charles Mackay, Extraordinary Popular Delusions and the Madness of Crowds
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As we muse on madness, we might spare a thought for Ernst Theodor Amadeus (“E.T.A.”) Hoffmann; he died on this date in 1822. A key figure in the German Romantic period, Hoffmann was an author of fantasy and horror– a phantasist and proto-surrealist– a jurist, composer, music critic, draftsman and caricaturist. While some of his compositions survive in the canon, he is probably better remembered for his stories: they form the basis of Jacques Offenbach’s opera The Tales of Hoffmann, in which Hoffmann appears (heavily fictionalized) as the hero. He is also the author of the novella The Nutcracker and the Mouse King, on which the famous ballet The Nutcracker is based. The ballet Coppélia is based on two other stories that Hoffmann wrote, while Schumann’s Kreisleriana is based on Hoffmann’s character Johannes Kreisler.
Hoffmann also influenced 19th century musical opinion through his music criticism. His reviews of Beethoven’s Symphony No. 5 in C minor, Op. 67 (1808) and other important works set new literary standards for writing about music, and encouraged later writers to consider music as “the most Romantic of all the arts.”
“There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity”*…
Somewhere in your life, a door opens, you enter, and you suddenly find yourself in another dimension—a place beyond that which is known to man. A dimension as vast as space and as timeless as infinity. Or, as we prefer to call it, the Internet—where everything is available and time disappears as you spend hours upon hours drifting in the hell of an Internet K-hole.
Sometimes you’re lucky. Sometimes you avoid the endless loops of cat and baby videos and dodge the fake news and outraged memes about nothing very much in particular only to land safely in a strange repository of mystery and imagination.
One such idyllic location can be found at the Internet Archive where the Pulp Magazine Archive has nearly every back issue of Rod Serling’s The Twilight Zone Magazine. This is the place to spend hours, days even, happily reading, learning, and being thrilled by the very best genre writers of our age like Stephen King, Richard Matheson, Ray Bradbury, Joyce Carol Oates, Isaac Bashevis Singer [!], Robert Silverberg, and Harlan Ellison.
Rod Serling’s The Twilight Zone Magazine started in April 1981 under the editorship of writer T. E. D. Klein and lasted until 1989. It was filled with first-class stories (see above), interviews with writers and directors, film reviews (including Stephen King’s take on Sam Raimi’s The Evil Dead), long illustrated features on films like Blade Runner, Gremlins, John Carpenter’s The Thing, and David Lynch’s Dune, plus book reviews by Thomas M. Disch and Theodore Sturgeon. There were also incredible treats like John Carpenters “lost” short fiction and the story behind H. P. Lovecraft’s “banned book.”…
Get a taste at “A Treasure Trove of the Twilight Zone Magazine“– then dive in.
* “There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone.” – Rod Serling’s opening narration for The Twilight Zone.
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As we feel the frisson, we might send speculative birthday greetings to novelist, short story writer, and essayist James Graham (J. G.) Ballard; he was born on this date in 1930. While he is probably most widely known for his conventional (and semi-autobiographical) novel Empire of the Sun, he is probably more meaningfully remembered for his New Wave science fiction novels (e.g., The Wind from Nowhere and The Drowned World) and for later dystopian works like Crash and High Rise.
Indeed, The literary distinctiveness of Ballard’s fiction has given rise to the adjective “Ballardian“, defined by the Collins English Dictionary as “resembling or suggestive of the conditions described in J. G. Ballard’s novels and stories, especially dystopian modernity, bleak man-made landscapes and the psychological effects of technological, social or environmental developments.” In the introduction to the seminal Mirrorshades anthology, Bruce Sterling cited Ballard cited as an important forebear of the cyberpunk movement; and in Simulacra and Simulation, Jean Baudrillard hailed Crash as the “first great novel of the universe of simulation.”
Special July 4th Edition: “Begin at the beginning,” the King said, very gravely, “and go on till you come to the end: then stop”*…
July 4 is, of course, a very special anniversary…
On this date in 1862, Charles Lutwidge Dodgson, a young Oxford mathematics don, took the daughters of the Dean of Christ Church College– Alice Liddell and her sisters– on a boating picnic on the River Thames in Oxford. To amuse the children he told them the story of a little girl, bored by a riverbank, whose adventure begins when she tumbles down a rabbit hole into a topsy-turvy world called “Wonderland.” The story so captivated the 10-year-old Alice that she begged him to write it down. The result was Alice’s Adventures in Wonderland, published in 1865 under the pen name “Lewis Carroll,” with illustrations by John Tenniel.
Readers in or around Oxford can join the celebration.
[The Tenniel illustration above, via]
* Alice’s Adventures in Wonderland
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