(Roughly) Daily

Posts Tagged ‘sculpture

“Inanimate objects sometimes appear endowed with a strange power of sight. A statue notices”*…

Scan the World is an ambitious initiative that gives you the possibility to enjoy 3D printable representations of cultural artifacts in a remarkably tangible way. The community led project enables everyone with access to the internet to experience material culture in an emotionally impactful manner, one which digital images cannot otherwise offer. The collaborative, living network removes the barriers of geographic location and socioeconomic backgrounds by empowering you to engage, behold, scan or own a copy of 3d printable artifacts that hold significance for you. The collective effort is as much about renowned historical artifacts as it is about household antiques with deep culturally significant roots.

Your contributions work to bridge the gap between technology and the arts. The web of diverse sharers range from educators, scanners, storytellers, artists, makers, historians, art lovers, globe trotters and all passionate individuals, eager to share a piece of their unique culture. Scan the world is about adding dimension to your cultural identity by sharing your views, roots, artifacts and narratives with the world. Providing you with space to deepen your understanding of your personal heritage while giving you the freedom to enrich the otherwise untold story of your ancestors. This initiative was born to put culture back on the map; to connect you to your roots and sense of belonging, and give you a chance to share and strengthen your understanding of yourself. You are the result of the generations that came before you. This network in its truest form is a shared, open access, museum of the future, built by and for you…

Cultural heritage is important for historical research and education as well as establishing a sense of identity amongst communities. Through documenting the past, cultural heritage comes in both physical and intangible forms which include objects, monuments, beliefs, rituals and traditions. 

Scan the World collects stories from people and museums alike, to share various views on the importance and impact of culture, helping diversify our personal approach to art. As different individuals will have very different experiences and values within their own culture, this network provides a safe space for culture to be shared and discovered, no matter where in the world it comes from… 

Access to heritage: Scan the World collects and shares 3-D printable files of cultural artifacts (since it’s inception in 2014, over 17,000, by over 1800 artists/artisans, from over 800 places around the world).

* Victor Hugo

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As we peruse our past, we might spare a thought for someone whose work is in STW– the painter, sculptor, architect, musician, mathematician, engineer, inventor, physicist, chemist, anatomist, botanist, geologist, cartographer, and writer– the archetypical Renaissance Man– Leonardo da Vinci.  Quite possibly the greatest genius of the last Millennium, he died on this date in 1519.

 Self-portrait in red chalk, circa 1512-15 [source]

“Immigrants, we get the job done”*…

When the Piccirilli Brothers arrived in New York from Italy in 1888, they brought with them skill, artistry, and passion for stone-carving unrivaled in the United States. At their studio at 467 East 142nd Street, in the Mott Haven Section of the Bronx, the brothers turned monumental slabs of marble into some of the nation’s recognizable icons, including the senate pediment of the US Capitol Building and the statue of Abraham Lincoln that sits resolutely in the Lincoln Memorial on the National Mall.

The Piccirillis not only helped set our national narrative in stone but they also left an indelible mark on New York City. They carved hundreds of commissions around the five boroughs, including the 11 figures in the pediment of the New York Stock exchange, the “four continents” adorning the Customs House at Bowling Green, the two stately lions that guard the New York Public Library, both statues of George Washington for the Arch at Washington Square, and upwards of 500 individual carvings at Riverside Church…

The remarkable story of a remarkable family: “How six Italian immigrants from the South Bronx carved some of the nation’s most iconic sculptures.” 

* Lin-Manuel Miranda (as Hamilton, to Lafayette in Hamilton)

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As we celebrate sculpture, we might wish a grateful Happy Birthday to another son of Italy, Galileo Galilei, the physicist, mathematician, astronomer, and philosopher who, with Francis Bacon, pioneered the Scientific Method; he was born on this date in 1564.  It was Galileo’s observations that gave conclusive support to Copernicus’ heliocentric theory of the solar system.

Tintoretto’s portrait of Galileo

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“Luxury lives in the finer details. It’s a cloth napkin at a dinner table.”*…

“There should always be a pretty centerpiece”, instructs Sarah Field Splint in The Art of Cooking and Serving, a Depression-era etiquette guide that greased the rails for Crisco shortening’s steady slide into the American home. During Margaret Atwood’s 2006 short story named after Splint’s book, her preteen protagonist weighs decoration against utility. “The charm of my centrepiece would not however cancel out the shabbiness of our paper napkins”. Mattia Giegher’s 1629 Trattato delle piegature (Treatise on folding) offers an elegant solution to the young girl’s quandary: nix the centerpiece and fold your napkins into finery worthy of display.

Giegher’s Trattato appeared as part of Li tre tratatti (1629), joining his earlier works on meat carving (Il trinciante) and stewardship (Lo scalco). While we crease modern napkins as an entrée to the main task — a lap dam for gravy, say, or neck-tucked against crustacean spray — Giegher’s creations were never meant for dabbing. These were starched objets d’art.

During the fifteenth century in northern Italy and southern Germany, technical knowledge of the mechanical arts (think: crafts, machinery, and culinary recipes) began to appear in vernacular writing. “Why around 1400 did artisans take up pen and paper with such gusto?” asks Pamela H. Smith about these early modern how-to guides. Her answer involves war technologies, state power, and urban, cultural exchange. Come the seventeenth century, with literacy on the rise in pockets of Europe, the proliferation of manuals on carving, table service, and, in Giegher’s case, napkin folding suggests a widening interest in knowledge once exclusive to the princely domain…

The history and cultural significance of a lost art (plus lots of nifty pictorial examples): “Serviette Sculptures: Mattia Giegher’s Treatise on Napkin Folding.”

* Iggy Azalea

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As we practice pleating, we might send amusing birthday greetings to John Garnet Carter; he was born on this date in 1883.  A hotelier who ran a lodge at Lookout Mountain, Tennessee/Rock City, Georgia, he built the first “Tom Thumb Golf” course to keep the children of his guests occupied– only to find that the attraction was a hit with adults.

Miniature golf dates back to the 19th century in the UK and the earlier 20th century in the U.S., when putting greens became attractions in their own right.  But Carter’s patented “Tom Thumb” approach– which incorporated tile, sewer pipe, hollow logs, and other obstacles, along with fairyland statuary– earned him the honorific “Father of Miniature Golf.”

garnett Carter
Carter, putting

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“If you could say it in words, there would be no reason to paint”*…

Studies of various types of water bird, swimming and diving among river weed. This work seems to have been intended as a kind of picture thesaurus.

One of the world’s most important collections of art has re-emerged after having been lost for more than 70 years.

The corpus – 103 original drawings by the non-Western world’s most famous artist, the 19th century Japanese painter, Hokusai – came to light in Paris and has now been bought by the British Museum.

The newly discovered artworks appear to have formed part of one of the most ambitious publishing projects ever conceived – a Japanese plan to create a huge pictorial encyclopaedia.

Known as the Great Picture Book of Everything, it was conceived by Hokusai (best known for his most famous work – The Great Wave) – but was never completed.

Published at around the same time as Hokusai was producing the 103 recently rediscovered drawings, The Great Wave is the artist’s most famous painting

The project was abandoned in the 1830s – either because of cost or possibly because Hokusai insisted on reproduction standards that were difficult to attain.

The Great Picture Book of Everything was to have been a comprehensive way for the Japanese to have access to images of people, cultures and nature around the world – at a time when virtually no Japanese people had been allowed out of Japan for some two centuries –  and virtually no foreigners had been allowed into 99 per cent of the country.

In that ultra-restrictive atmosphere, the project was to have given people an opportunity to explore a highly stylised printed version of the outside world as well as Japan itself…

The full story (and more examples of the work) at “Hokusai: More than 100 lost works by non-western world’s most famous artist rediscovered“– the artist’s abandoned attempt to create Great Picture Book of Everything.

* Edward Hopper

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As we picture that, we might send challenging birthday greetings to Hans Peter Wilhelm Arp; he was born on this date in 1886. A sculptor, painter, and poet (who also worked in other media such as torn and pasted paper), Arp was a friend and associate of Hugo Ball and a regular at the Cafe Voltaire, where he helped create the Dada Movement; at the same time he was associated with the Surrealists. But he broke with those movements to found Abstraction-Création, working with the Paris-based group Abstraction-Création and the periodical, Transition. Beginning in the 1930s, he expanded his efforts from collage and bas-relief to include bronze and stone sculptures, and to write and publish essays and poetry. Examples of his work are here.

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“Artifacts of our oldest cultures give evidence that the human race has always made things in miniature”*…

 

CBGB

1/12th scale model of CBGB, 315 Bowery

 

Drawn to the often-overlooked beauty of aging structures, [artist Randy] Hage began photographing the cast iron facades in the SoHo area of New York.  He has photographed over 450 storefronts over the past 14 years, 60% of which have since closed or been torn down. Hage’s models are not only acts of preservation but a way of calling attention to what has been lost as urban renewal and gentrification displace the storeowners and residents of these communities…

Hage then works from his photos to create exquisitely-detailed miniatures…

Hage15

scale model

See more of Hage’s marvelous work at “NYC Storefronts in Miniature,” and visit his website.

* Dorothy B. Thompson, Miniature Sculpture from the Athenian Agora

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As we get small, we might spare a thought for miniaturist of a different sort, Michel Eyquem de Montaigne; he died on this date in 1592.  Best known during his lifetime as a statesman, Montaigne is remembered for popularizing the essay as a literary form.  His effortless merger of serious intellectual exercises with casual anecdotes and autobiography– and his massive volume Essais (translated literally as “Attempts” or “Trials”)– contain what are, to this day, some of the most widely-influential essays ever written.  Montaigne had a powerful impact on writers ever after, from Descartes, Pascal, and Rousseau, through Hazlitt, Emerson, and Nietzsche, to Zweig, Hoffer, and Asimov.  Indeed, he’s believed to have been an influence on the later works of Shakespeare.

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Written by (Roughly) Daily

September 13, 2019 at 1:01 am

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