Posts Tagged ‘Tintoretto’
A pair of scholarly siblings compared 52 artists’ renditions of “The Last Supper,” and found that the size of the meal painted had grown through the years. Over the last millennium they found that entrees had increased by 70%, bread by 23%, and plate size by 65.6%. Their findings were published in the International Journal of Obesity.
The apostles depicted during the Middle Ages appear to be the ascetics they are said to have been. But by 1498, when Leonardo da Vinci completed his masterpiece, the party was more lavishly fed. Almost a century later, the Mannerist painter Jacobo Tintoretto piled the food on the apostles’ plates still higher.
As we think twice about “super-sizing that,” we might recall that it was on this date in 1309 that Pope Clement V (best remembered perhaps for suppressing the Knights Templar, executing many of its members, and thus, securing the career of Dan Brown) excommunicated the City of Venice– all of it, every last resident. Indeed, he decreed that Venetian citizens captured abroad could be sold into slavery “like non-Christians.” He was a pawn of French King Philip IV; still…
“Monsters are born too tall, too strong, too heavy, they are not evil by choice; that is their tragedy”
– Ishiro Honda (Kurosawa friend, Toho director, and creator of Godzilla)
As we rethink our attraction to urban centers, we might compose a birthday rhyme for Torquato Tasso, the 16th Century Italian poet; he was born on this date in 1544. Tasso was a giant in his own time– he died in 1595, a few days before the Pope was to crown him “King of the Poets”– but had fallen out the core of the Western Canon by the end of the 19th century. But he resonates still in the poems (Spencer, Milton, Byron), plays (Goethe), madrigals (Monteverdi), operas (Lully, Vivaldi, Handel, Haydn, Rossini, Dvorak) , and art work (Tintoretto, the Carracci, Guercino, Pietro da Cortona, Domenichino, Van Dyck, Poussin, Claude Lorrain, Tiepolo, Fragonard, Delacroix) that his life and work inspired.