(Roughly) Daily

Posts Tagged ‘Goethe

“All poets write bad poetry. Bad poets publish them, good poets burn them.”*…

 

Thunderstorm with the Death of Amelia 1784 by William Williams active 1758-1797

Thunderstorm with the Death of Amelia, by William Williams, 1784. Photograph © Tate (CC-BY-NC-ND 3.0).

 

Readers may recall an earlier nod to William Topaz McGonagall, widely considered to be the worst published poet in British history.  McGonagall, best known for his widely-excoriated verse recounting of “The Tay Bridge Disaster,” distributed his poems, often about momentous events, on handbills and performed them publicly (often, it is reported, to cat calls and thrown food).  And he collected his verse into volumes including Poetic Gems, More Poetic Gems, Still More Poetic Gems, Further Poetic Gems, and Yet Further Poetic Gems.  Imagine your correspondent’s surprise and delight to find a learned appreciation of McGonagall’s place in poetic history:

Not unjustly, McGonagall is rarely mentioned without an epithet: some version of “the worst poet in the English language.” And by any reasonable account, any judgment based on the most universally shared values of poetics, prosody, and taste, there is little to admire in McGonagall. The rest of his corpus shares—replicates, really—the faults of “The Tay Bridge Disaster”: its lapses into bathos, its involuted syntactical structures, its rhymes so slanted as to be more or less horizontal.

There have been worse poets, of course, and as such it would be more accurate to describe McGonagall as the worst famous poet in the English language, a testament in part to the man’s powers of self-promotion and the caprices of literary history. But McGonagall’s notoriety still owes much to the singularly strange power of his own badness. There’s something, I think, in poems like “The Tay Bridge Disaster”—as well as McGonagall’s many poems on his great themes of death and destruction—that is worth examining; something that might redeem him, ever so slightly, from the annals of amusing semi-obscurity; something unsettling about his ostensibly blinkered artistic vision that might help to account for why he lingers as the patron saint of misbegotten verse…

On William Topaz McGonagall, the worst famous poet in the English language: “The Disaster Poet.”

(Readers will find a selection of McGonagall’s poems here.)

* Umberto Eco

###

As we bathe in bathos, we might spare a thought for the decidedly more-accomplished poet (and playwright, artist, biologist, theoretical physicist, and philosopher) Johann Wolfgang von Goethe; he died on this date in 1832.  Probably best remembered these days for Faust, he was “the master spirit of the German people,” and, after Napoleon, the leading figure of his age.

 source

 

Written by LW

August 28, 2020 at 1:01 am

“For she had eyes and chose me”*…

 

eye-colors_620

 

Psychologist David Perrett’s… Perception Lab recruited 300 men and 400 women, all of whom had heterosexual partners and had been raised by two parents. They learned that romantic partners tend to look alike — the participants and their partners tended to have similar hair color and similar eye color.

This might be explained by a self-similar preference or narcissism, but on looking deeper into the data Perrett’s team found that the single best predictor of one’s partner’s eye color was the eye color of one’s parent of the opposite sex. If a woman’s mother had blue eyes and her father had brown eyes, she would most likely be partnered with a brown-eyed man. If a man’s mother had blue eyes and his father had brown eyes, his partner most likely had blue eyes. Similarly, the hair color of a man’s mother was the single best predictor of his partner’s hair color. “These results indicate that individuals choose partners who resemble their opposite-sex parent both in eye and hair color.”…

The mysteries of human attraction: “Eye to Eye.”

Read the underlying paper: Anthony C. Little et al., “Investigating an Imprinting-Like Phenomenon in Humans: Partners and Opposite-Sex Parents Have Similar Hair and Eye Colour,” Evolution and Human Behavior 24:1 [2003], 43-51.

* William Shakespeare, Othello

###

As we peer through the window to the soul, we might spare a thought for playwright, poet, artist, biologist, theoretical physicist, and philosopher Johann Wolfgang von Goethe; he died on this date in 1832.  Probably best remembered these days for Faust, he was “the master spirit of the German people,” and, after Napoleon, the leading figure of his age.

In 1810, Goethe published his Theory of Colors (Zur Farbenlehre), which he considered his most important work.  In it, he contentiously (and incorrectly) characterized color as arising from “the dynamic interplay of light and darkness through the mediation of a turbid medium.”  Still, Goethe was the first systematically to study the physiological effects of color; his observations of the effect of opposed colors led him to a symmetric arrangement of his color wheel, “for the colors diametrically opposed to each other… are those which reciprocally evoke each other in the eye.”  Indeed, after being translated into English by Charles Eastlake in 1840, his theory became widely adopted by the art world, most notably by J. M. W. Turner.

source

 

Written by LW

March 22, 2020 at 1:01 am

“A library implies an act of faith”*…

For almost 30 years Candida Höfer has photographed interiors, mostly representational spaces accessible to the public– staircases, lobbies, reading halls or exhibition spaces.  Rather than staging them, she captures them in as she finds them, with both discretion and humor.

Now, she’s trained her lens on libraries across Europe and the US: the State Archive in Naples (above, via), the Escorial in Spain, the Whitney Museum in New York, Villa Medici in Rome, the Hamburg University library, the Bibliothèque Nationale de France in Paris, the Museo Archeologico in Madrid, the Pierpont Morgan Library in New York, and many, many others.

Luxuriate in these temples of knowledge– and enjoy Umberto Eco’s exquisite introductory essay– in Libraries.

And on a lighter note, from Literary Man, “If Libraries Could Get Any Sexier“…

“What’s New, Pussycat?” (1965): Woody Allen, Romy Schneider, two ladders, and an open book.

* Victor Hugo

###

As we remain quiet, please, we might spare a thought for playwright, poet, artist, biologist, theoretical physicist, and philosopher Johann Wolfgang von Goethe; he died on this date in 1832.  Probably best remembered these days for Faust, he was “the master spirit of the German people,” and, after Napoleon, the leading figure of his age.

 source

Written by LW

March 22, 2013 at 1:01 am

Indigestion through the ages…

 

It’s only fair, after Friday’s post, to give equal time to culinary pursuits less thoughtful. And so, to Aspic and Other Delights, a Tumblr devoted to food that’s both bad and bad for one…

More (more perhaps than readers can stomach) at Aspic and Other Delights.

 

As we reach for the ipecac, we might wish a disciplined Happy Birthday to playwright, poet, artist, biologist, theoretical physicist, and philosopher Johann Wolfgang von Goethe; he was born on this date in 1749.  Probably best remembered these days for Faust, he was “the master spirit of the German people,” and, after Napoleon, the leading figure of his age.

source

 

Loving Godzilla, 17 syllables at a time…

From SamuraiFrog, an arresting (and very amusing) collection of Godzilla Haiku.

“Monsters are born too tall, too strong, too heavy, they are not evil by choice; that is their tragedy”
Ishiro Honda (Kurosawa friend, Toho director, and creator of Godzilla)

Honda on the set of the original Godzilla

As we rethink our attraction to urban centers, we might compose a birthday rhyme for Torquato Tasso, the 16th Century Italian poet; he was born on this date in 1544.  Though Tasso was a giant in his own time– he died in 1595, a few days before the Pope was to crown him “King of the Poets”– he had fallen out the core of the Western Canon by the end of the 19th century.  Still, he resonates in the poems (Spencer, Milton, Byron), plays (Goethe), madrigals (Monteverdi), operas (Lully, Vivaldi, Handel, Haydn, Rossini, Dvorak) , and art work (Tintoretto, the Carracci, Guercino, Pietro da Cortona, Domenichino, Van Dyck, Poussin, Claude Lorrain, Tiepolo, Fragonard, Delacroix) that his life and work inspired.

Tasso

<span>%d</span> bloggers like this: