Posts Tagged ‘Goethe’
“Demography is destiny”*…
But what destiny? Strong population growth has fueled economic development in some countries (where the phenomenon of economic growth tends to moderate population growth), and it has exacerbated problems in others. Conversely, a shrinking population can vex the prospects for development and growth. The Economist weighs in with thoughts on the world’s two most populous nations– one shrinking, the other growing…
China has been the world’s most populous country for hundreds of years. In 1750 it had an estimated 225m people, more than a quarter of the world’s total. India, not then a politically unified country, had roughly 200m, which ranked it second. In 2023 it will seize the crown. The UN guesses that India’s population will surpass that of China on April 14th. India’s population on the following day is projected to be 1,425,775,850.
The crown itself has little value, but it is a signal of things that matter. That India does not have a permanent seat on the UN Security Council while China does will come to seem more anomalous. Although China’s economy is nearly six times larger, India’s growing population will help it catch up. India is expected to provide more than a sixth of the increase of the world’s population of working age (15-64) between now and 2050.
China’s population, by contrast, is poised for a steep decline. The number of Chinese of working age peaked a decade ago. By 2050 the country’s median age will be 51, 12 years higher than now. An older China will have to work harder to maintain its political and economic clout. [See also:”For the first time since the 1960s, China’s population is shrinking” and “Here’s why China’s population dropped for the first time in decades.”]
Both countries took draconian measures in the 20th century to limit the growth of their populations. A famine in 1959-61 caused by China’s “great leap forward” was a big factor in persuading the Communist Party of the need to rein in population growth. A decade later China launched a “later, longer, fewer” campaign—later marriages, longer gaps between children and fewer of them. That had a bigger effect than the more famous one-child policy, introduced in 1980, says Tim Dyson, a British demographer. The decline in fertility, from more than six babies per woman in the late 1960s to fewer than three by the late 1970s, was the swiftest in history for any big population, he says.
It paid dividends. China’s economic miracle was in part the result of the rising ratio of working-age adults to children and oldsters from the 1970s to the early 2000s…
India’s attempt to reduce fertility was less successful. It was the first country to introduce family planning on a national scale in the 1950s. Mass-sterilisation campaigns, encouraged by Western donors, grew and were implemented more forcefully during the state of emergency declared by Indira Gandhi, the prime minister, in 1975-77… Though brutal, the campaign was not thorough enough to cause a dramatic drop in India’s birth rate. India’s fertility has dropped, but by less, and more slowly than China’s. With a median age of 28 and a growing working-age population, India now has a chance to reap its own demographic dividend. Its economy recently displaced Britain’s as the world’s fifth-biggest and will rank third by 2029, predicts State Bank of India. But India’s prosperity depends on the productivity of its youthful people, which is not as high as in China. Fewer than half of adult Indians are in the workforce, compared with two-thirds in China. Chinese aged 25 and older have on average 1.5 years more schooling than Indians of the same age.
That will not spare China from suffering the consequences of the demographic slump it engineered. The government ended the one-child policy in 2016 and removed all restrictions on family size in 2021. But birth rates have kept falling. China’s zero-covid policy has made young adults even more reluctant to bear children. The government faces resistance to its plans to raise the average retirement age, which at 54 is among the lowest in the world. The main pension fund may run out of money by 2035. Yet perhaps most painful for China will be the emergence of India as a superpower on its doorstep…
The contrasting demographic dynamics of China and India, and what they might mean: “India will become the world’s most populous country in 2023,” from @TheEconomist.
* attributed to Auguste Comte
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As we ponder population, we might recall that it was on this date in 1829 that the first part of the tragic play Faust by Johann Wolfgang von Goethe premiered. Originally published in 1808, the tale of Dr. Faust’s deal with Memphistopheles is considered by many to be the greatest work of German literature.
“All poets write bad poetry. Bad poets publish them, good poets burn them.”*…

Thunderstorm with the Death of Amelia, by William Williams, 1784. Photograph © Tate (CC-BY-NC-ND 3.0).
Readers may recall an earlier nod to William Topaz McGonagall, widely considered to be the worst published poet in British history. McGonagall, best known for his widely-excoriated verse recounting of “The Tay Bridge Disaster,” distributed his poems, often about momentous events, on handbills and performed them publicly (often, it is reported, to cat calls and thrown food). And he collected his verse into volumes including Poetic Gems, More Poetic Gems, Still More Poetic Gems, Further Poetic Gems, and Yet Further Poetic Gems. Imagine your correspondent’s surprise and delight to find a learned appreciation of McGonagall’s place in poetic history:
Not unjustly, McGonagall is rarely mentioned without an epithet: some version of “the worst poet in the English language.” And by any reasonable account, any judgment based on the most universally shared values of poetics, prosody, and taste, there is little to admire in McGonagall. The rest of his corpus shares—replicates, really—the faults of “The Tay Bridge Disaster”: its lapses into bathos, its involuted syntactical structures, its rhymes so slanted as to be more or less horizontal.
There have been worse poets, of course, and as such it would be more accurate to describe McGonagall as the worst famous poet in the English language, a testament in part to the man’s powers of self-promotion and the caprices of literary history. But McGonagall’s notoriety still owes much to the singularly strange power of his own badness. There’s something, I think, in poems like “The Tay Bridge Disaster”—as well as McGonagall’s many poems on his great themes of death and destruction—that is worth examining; something that might redeem him, ever so slightly, from the annals of amusing semi-obscurity; something unsettling about his ostensibly blinkered artistic vision that might help to account for why he lingers as the patron saint of misbegotten verse…
On William Topaz McGonagall, the worst famous poet in the English language: “The Disaster Poet.”
(Readers will find a selection of McGonagall’s poems here.)
* Umberto Eco
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As we bathe in bathos, we might spare a thought for the decidedly more-accomplished poet (and playwright, artist, biologist, theoretical physicist, and philosopher) Johann Wolfgang von Goethe; he died on this date in 1832. Probably best remembered these days for Faust, he was “the master spirit of the German people,” and, after Napoleon, the leading figure of his age.
“For she had eyes and chose me”*…
Psychologist David Perrett’s… Perception Lab recruited 300 men and 400 women, all of whom had heterosexual partners and had been raised by two parents. They learned that romantic partners tend to look alike — the participants and their partners tended to have similar hair color and similar eye color.
This might be explained by a self-similar preference or narcissism, but on looking deeper into the data Perrett’s team found that the single best predictor of one’s partner’s eye color was the eye color of one’s parent of the opposite sex. If a woman’s mother had blue eyes and her father had brown eyes, she would most likely be partnered with a brown-eyed man. If a man’s mother had blue eyes and his father had brown eyes, his partner most likely had blue eyes. Similarly, the hair color of a man’s mother was the single best predictor of his partner’s hair color. “These results indicate that individuals choose partners who resemble their opposite-sex parent both in eye and hair color.”…
The mysteries of human attraction: “Eye to Eye.”
Read the underlying paper: Anthony C. Little et al., “Investigating an Imprinting-Like Phenomenon in Humans: Partners and Opposite-Sex Parents Have Similar Hair and Eye Colour,” Evolution and Human Behavior 24:1 [2003], 43-51.
* Othello
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As we peer through the window to the soul, we might spare a thought for playwright, poet, artist, biologist, theoretical physicist, and philosopher Johann Wolfgang von Goethe; he died on this date in 1832. Probably best remembered these days for Faust, he was “the master spirit of the German people,” and, after Napoleon, the leading figure of his age.
In 1810, Goethe published his Theory of Colors (Zur Farbenlehre), which he considered his most important work. In it, he contentiously (and incorrectly) characterized color as arising from “the dynamic interplay of light and darkness through the mediation of a turbid medium.” Still, Goethe was the first systematically to study the physiological effects of color; his observations of the effect of opposed colors led him to a symmetric arrangement of his color wheel, “for the colors diametrically opposed to each other… are those which reciprocally evoke each other in the eye.” Indeed, after being translated into English by Charles Eastlake in 1840, his theory became widely adopted by the art world, most notably by J. M. W. Turner.
“A library implies an act of faith”*…
For almost 30 years Candida Höfer has photographed interiors, mostly representational spaces accessible to the public– staircases, lobbies, reading halls or exhibition spaces. Rather than staging them, she captures them in as she finds them, with both discretion and humor.
Now, she’s trained her lens on libraries across Europe and the US: the State Archive in Naples (above, via), the Escorial in Spain, the Whitney Museum in New York, Villa Medici in Rome, the Hamburg University library, the Bibliothèque Nationale de France in Paris, the Museo Archeologico in Madrid, the Pierpont Morgan Library in New York, and many, many others.
Luxuriate in these temples of knowledge– and enjoy Umberto Eco’s exquisite introductory essay– in Libraries.
And on a lighter note, from Literary Man, “If Libraries Could Get Any Sexier“…

“What’s New, Pussycat?” (1965): Woody Allen, Romy Schneider, two ladders, and an open book.
* Victor Hugo
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As we remain quiet, please, we might spare a thought for playwright, poet, artist, biologist, theoretical physicist, and philosopher Johann Wolfgang von Goethe; he died on this date in 1832. Probably best remembered these days for Faust, he was “the master spirit of the German people,” and, after Napoleon, the leading figure of his age.
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