(Roughly) Daily

Posts Tagged ‘norms

“The bond of our common humanity is stronger than the divisiveness of our fears and prejudices”*…

View of the Grand Market in Lier (early 17th century) by Philips de Momper

Inanna Hamati-Ataya on the importance of understanding our place in the world…

In the 1990s, an entire generation was robbed of its historical consciousness by a powerful and seemingly unprecedented tale. This story, crafted as the Cold War came to an end, declared that real or imagined boundaries had stopped working as they once had. Humans were no longer contained within their old geographies or identities. They now inhabited a new world that appeared to be unhinged from the normal evolution of human society.

The concept chosen to capture this transformational moment in human history was ‘globalisation’. It described how new technologies and networks of connectivity had suddenly brought human communities closer together and made them permeable to an uncontrollable flow of people, ideas, goods and cultural practices, which all moved freely across the integrated markets of the world economy. In the wake of this transformation, new jargon emerged, expressing new anxieties: the world had truly become the ‘global village’ that Marshall McLuhan anticipated in the 1960s, but it was a world shaped by multinational corporations and ‘elite globalisers’, who spoke a common, hegemonic ‘global English’, and were spearheading a destructive ‘homogenisation’ (or ‘McDonaldisation’) of human cultures that national borders were too fragile to withstand.

During the past three decades, more people have begun viewing our ‘global’ world as a cursed fate. With its suffocating time-space compression, globalisation seems to have uncoupled us from the logic and flow of history. Our suspicious, bastard identities – patched together from a mishmash of cultures – appear incompatible with our ancestors’ ‘authentic’ traditions and ways of life. We have become strangers to the places they called home, to the ways they dressed, ate or communicated with one another. And, with no template for how to live and no experience to learn from, the deafening siren songs of anti-globalisation movements are now luring us back into the safer identities and boundaries of a lost, golden past.

This tale of globalisation is the most successful scare story of our times. And like all scare stories, it stimulates our fear of an overwhelming unknown.

But it’s all an illusion. There is no new global world.

Our present appears that way only because we have forgotten our common past. Globalisation didn’t begin in the 1990s, or even in the past millennia. Remembering this older shared history is a path to a different tale, which begins much, much earlier – long before the arrival of international supply chains, ocean-going sailing ships, and continent-spanning silk roads. The tale of globalisation is written across human history. So why do we keep getting the story so wrong?…

[She unpacks the answer to her questions, then turns to it implications…]

… In our own contemporary era, anti-globalisation movements have recently shifted from the far Left to the far Right of national and global politics. Justified resentment against the locally experienced injustices of the global economy and the growing disruptive effect of global climate change are now couched in resentment for the social and cultural dimensions of globalisation. Identitarianism, a political ideology that stresses the preservation of narrowly conceived ‘Western’ ethnicities and cultures, has accordingly become the easiest and most efficient strategy to mobilise local grievances, and direct them at whatever is perceived as a threat to the wellbeing of those suffering within. The ugly age of nationalism is back.

Is nationalist identitarianism the ethos we will now deploy to confront the common existential threats that await us in the coming century? Why wouldn’t it be? Does anyone doubt that national borders will be turned, once again, into sacred physical boundaries and fiercely defended against those fleeing the environmental, economic or military devastation of their homes? Do we doubt that eloquent voices animated by the most (ig)noble intentions will rise to justify patriotic bullets being aimed at ‘alien migrants’ and climate refugees? And that leaders will say these displaced people cannot be accommodated because of their numbers and cultures, and the threat they pose to our secure lives – to our ‘identity’?

Such scenarios are far too likely given the rise of xenophobic worldviews, such as the conspiratorial idea of a ‘Great Replacement’, in which elites – imagined to be Jews and other minorities – have begun executing a plan to replace so-called indigenous white Europeans with other populations of apparently greater and threatening reproductive vitality. These racialist worldviews dangerously converge with a public misunderstanding of ‘race’ as reflected in the recent craze for DNA ‘ancestry tests’. DNA has little to do with ‘identity’, as social and political ideologies have constructed it, and much to do with physical and social geography. Our genes are a result of human adaptive mobility, and the journeys, rich encounters and kin-making that our freedom of movement made possible over tens of thousands of years. Our genome does not tell our whole story, but the story it does tell shows how past globalisations made us what we are today.

As we search for ways of communing with one another beyond the stubborn ideology of difference, we should also prepare for vicious future distortions and manipulations of our current scientific and historical understanding of identity. Some humans today carry a few genes that their Pleistocene ancestors inherited from intercourse with our Eurasian Neanderthalian and Denisovan cousins, whom some communities of Homo sapiens encountered on their journeys of cosmopolitan expansion. How might such a genetic difference among us be interpreted and used in the future by those intent on pursuing identitarianism to its silliest or most murderous conclusions? Might they declare that some humans are not ‘pure’ enough to enjoy the full freedom, security and dignity we recognise as the natural rights of humankind? Or might they, on the contrary, elevate the Neanderthalian or Denisovan gene as a marker of Eurasian ‘distinction’ to recreate narratives of racial superiority, similar to those that once plagued archaeological thinking about the allegedly more ‘advanced’ nature of those human fossils laying the farthest away from the species’ original African homes?

Palaeontologists who insist on ascribing the label ‘humans’ to the entire Homo genus while reserving that of ‘modern humans’ to the surviving representatives of the lineage (ie, us) probably understand better than most the dangers of ideological manipulations of scientific taxonomies. But in the open marketplace where ideas freely flow in the name of freedom of thought and expression, how can we protect ourselves and one another from such dangers, if we still perceive plurality as a threat to survival, and cannot see the richness of our shared human culture?

The wars we wage against one another are all civil wars. Until we recognise them as such, they will remain tragedies we accept as natural – or horrors we cheer on in the name of grand notions sold to us by loud voices who know our fears too well (and know too little of the richness of our world and our history). We have always been global, and this is our shared identity. It is our unique way of being and remaining in the world as one family. Whatever we cherish in our humanity and culture has been crafted by our global journeys and encounters. Through them, we will continue to write the story of how we become us…

All of our religions, stories, languages, and norms were muddled and mixed through mobility and exchange throughout history: “There are no pure cultures,” from @berytia.bsky.social in @aeon.co.

Still, as Venkatesh Rao reminds us, the “vacuous over-large abstractions like “globalization” make us underestimate the horizontal historicity of the world.”

* Jimmy Carter

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As we go with the flow, we might recall that it was on this date in 1690 (or so musicologists believe) that Johann Christoph Denner, inspired by a reeded recorder-like instrument called the chalumeau, designed and created a longer and keyed (so more widely-ranged) instrument that was quickly copied and modified by other makers– and became what we know as the clarinet. By 1791, Mozart was composing for the instrument; by Beethoven’s time, the clarinet was a staple member in the orchestra.

To the point of the essay above, it’s worth noting that the chalumeau– and thus the clarinet– were direct descendants of ancient Greek and ancient Egyptian reeded pipes… that may themselves have been modeled on similar instruments from Central and East Asia.

The clarinet, as depicted in Diderot’s Encyclopedia, 1776 (source)

“The method preferred by most balding men for making themselves look silly is called the comb over”*…

Balding has been the constant scourge of man since the beginning of time, and for millennia, our best solution was the comb-over. Brian VanHooker tells the story of how its once-ubiquitous popularity thinned, receded, and then got pushed to the side…

For decades now, having a comb-over to cover one’s baldness has been generally seen as unacceptable. There may be exceptions, but men with prominent, noticeable comb-overs are often regarded as desperate — instead of aging gracefully, they’re seen as hopelessly clinging to a time when they had a full head of hair. Worst of all, for people with advanced hair loss, the comb-over is entirely ineffective. Instead of disguising a man’s baldness, it only accentuates it, thus laying bare their lack of hair and, even worse, their insecurity.

This wasn’t always the case. For at least a couple thousand years, comb-overs were perfectly acceptable and worn by the most powerful men in the world. It was only during the latter half of the 20th century that it all came crashing (flopping?) down…

From Julius Caesar to Donald Trump, a tonsorial trip through time: “The Rise, Flop, and Fall of the Comb-Over,” from @TrivialHistory in @WeAreMel.

* Dave Barry

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As we resist the urge, we might send scandalous birthday greetings to Giacomo Casanova; he was born on this date in 1725. A Venetian adventurer and author, he is best remembered– as a product both of his memoir and of other contemporary accounts– as a libertine, a womanizer who carried on complicated and elaborate affairs with numerous women.

At the same time, he associated with European royalty, popes, and cardinals, along with intellectual and artistic figures like Voltaire, Goethe, and Mozart. His memoir (written toward the end of his life, while he served as librarian to Count Waldstein) is regarded as one of the most authentic sources of the customs and norms of European social life during the 18th century.

Casanova preferred a wig to a comb-over.

Potrait by Casanova’s brother Francesco

source

“Turn! Turn! Turn!”*…

 

Woodstock

 

The young people who assembled at the Woodstock music festival in August 1969 epitomized the countercultural movements and changes occurring in U.S. society at the time. One commentator described the three-day event as “an open, classless society of music, sex, drugs, love and peace.”

The “open” display of these activities at Woodstock was a direct challenge to the relatively conservative social views of the time…

Half a century later, Gallup offers a rundown of the major ways U.S. norms have changed: “10 Major Social Changes in the 50 Years Since Woodstock.”

* the title of a song written by Peter Seeger in the late 1950s, but adapted (and made into a hit) by The Byrds in 1965.  The lyrics – except for the title, which is repeated throughout the song, and the final two lines – consist of the first eight verses of the third chapter of the biblical Book of Ecclesiastes.

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As we ponder progress, we might recall that it was this date in 1995 that Sailor Moon debuted in the United States.  Based on a Japanese series of manga and animated television shows, Sailor Moon recounted the adventures of a young Japanese girl who discovers her destiny as the legendary warrior Sailor Moon and bands together with the other Sailor Scouts to defend the Earth and Galaxy.

The US TV series ran for four seasons.  The manga has sold over 35 million copies worldwide, making it one of the best-selling shōjo manga series. And the franchise has generated $13 billion in worldwide merchandise sales.

sailor moon source

 

Written by (Roughly) Daily

September 11, 2019 at 1:01 am