Posts Tagged ‘Haydn’
“Common sense is not so common”*…
The Enlightenment is under attack by the Left and the Right. It can only be “saved,” Eliane Glaser argues, through use of its greatest legacy: permanent critique. And then there’s AI. After summarizing the critiques from both sides, she continues…
In consequence of this pincer-movement attack, the Enlightenment’s legacy is existentially vulnerable. It makes me deeply worried as someone whose entire career has been built on trying to understand and analyse the world around me – especially a world that still tries to confine thinking women to the realms of emotion and ‘personal experience’.
I believe that Enlightenment values are essential, but that we have largely forgotten how to make a good case for them: we need to rely on shared facts, tested by experiment; a public sphere where open discussion can take place; and the belief that discussion should be founded on reasoned argument. We need, moreover, to cherish the more political values of tolerance, freedom, human rights and the common good. Advocates for artificial intelligence have the temerity to claim that large language models are ushering in a ‘second Enlightenment’ (a claim that was uncritically echoed in a paper published by the World Economic Forum last year) when what we are in fact seeing is the destruction of the Enlightenment legacy under the false banner of its name. As the historian David Bell argued in The New York Times in 2025, AI is actually ‘shedding Enlightenment values’ by simply reinforcing ‘what we already think we know.’ In The Guardian,the journalist and geopolitical risk consultant Joseph de Weck warned that ‘AI is taking us back to the dark ages’, making us lazy, and stymying independent thinking.
The evidence suggests that we are going through a rapid de-enlightenment. Newspaper circulations, attention spans, and trust in forms of agreed knowledge are in freefall. Misinformation, disinformation and deepfakes are gaining ground. If we let go of the valuable aspects of the Enlightenment project, we open ourselves up to a world of AI blather, ‘my truth’ pronouncements, wobbly sentiment and unchecked power.
My unease with this parlous state of affairs has provoked me to go back and rethink the Enlightenment and what it has to offer. But, rather than unthinkingly recouping it as a mission, I want instead to tease out and weigh up its merits, to discern with nuance what is still fit for our times. I want to ask if it is possible to rescue the Enlightenment’s rallying power, and if it’s worth defending what the combined forces of Left and Right are coming together to attack. Are the Enlightenment’s deficiencies barnacles on an old ship, or integral to its design?…
And so she does. Do read on: “Flickering Enlightenment,” from @elianeglaser.bsky.social in @aeon.co.
* Voltaire
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As we reclaim reason, we might spare a thought for a glorious product of the Enlightenment, Joseph Haydn; he died on this date in 1809. A composer of the Classical period, he was pivotal in the evolution of chamber music forms like the string quartet and piano trio, and is known as the “Father” of both the symphony and sonata forms. Haydn was a friend and mentor of Mozart, and a teacher of Beethoven; indeed, the Haydn, Mozart and Beethoven trio are sometimes referred to as the “First Viennese School.”
Schonberg wrote that Haydn “was the Classic performer par excellence, and in his long life, from 1732 to 1809, he grew up with the new musical ideas and, more than any one man, shaped them.”
“Everything we do is Music”*…
It was… difficult to put a modern day figure on [the earnings of] the likes of Mozart, Beethoven and Wagner… for a few reasons. For a start, a lot of the musicians we took a look at were paid in long dead currencies such as thalers, ducats and florins – then there’s the fact that composers were also more likely to have made supplemental income from compositions and tutoring. Nevertheless, even with the usual caveats (there are admittedly a few problems with comparing 18th century incomes with 21st century incomes) we still thought you’d want to know if you’re out-earning the musical superstars of their day. So without further ado, why not take a look at the modern day salaries of famous composers…
Play the pay scales at “Do you Make More Money than Mozart?”
[via Slipped Disc, thanks to friend MK]
* John Cage
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As we struggle to keep up with the Johanns, we might spare a thought for (the moderately-remunerated) Joseph Haydn; he died on this date in 1809. An accomplished composer who was, effectively, the architect of the Classical style, Haydn wrote 106 symphonies, and was instrumental in the development of chamber music. His influence on later composers was immense: he mentored Mozart and taught Beethoven; his contributions to musical form have earned him the epithets “Father of the Symphony” and “Father of the String Quartet.”
Thomas Hardy‘s portrait of Haydn
Loving Godzilla, 17 syllables at a time…
From SamuraiFrog, an arresting (and very amusing) collection of Godzilla Haiku.
“Monsters are born too tall, too strong, too heavy, they are not evil by choice; that is their tragedy”
– Ishiro Honda (Kurosawa friend, Toho director, and creator of Godzilla)
Honda on the set of the original Godzilla
As we rethink our attraction to urban centers, we might compose a birthday rhyme for Torquato Tasso, the 16th Century Italian poet; he was born on this date in 1544. Though Tasso was a giant in his own time– he died in 1595, a few days before the Pope was to crown him “King of the Poets”– he had fallen out the core of the Western Canon by the end of the 19th century. Still, he resonates in the poems (Spencer, Milton, Byron), plays (Goethe), madrigals (Monteverdi), operas (Lully, Vivaldi, Handel, Haydn, Rossini, Dvorak) , and art work (Tintoretto, the Carracci, Guercino, Pietro da Cortona, Domenichino, Van Dyck, Poussin, Claude Lorrain, Tiepolo, Fragonard, Delacroix) that his life and work inspired.
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