Posts Tagged ‘digital humanities’
“There is only one recipe for a best seller and it is a very simple one. You have to get the reader to turn over the page.”*…
Turns out, as Jordan Pruett explains, that while page-turning is necessary, it’s not sufficient…
In 1983, William Blatty—author of The Exorcist—sued the New York Times. His lawsuit alleged that the Times had incorrectly excluded his latest novel, Legion (a sequel to The Exorcist), from its bestseller list—the coveted ranking that purports to show the books that have sold the most copies that week in the United States. According to Blatty’s lawyers, Legion had sold enough copies to warrant a spot on the list, so its absence was due to negligence or fraud, for which Blatty was entitled to compensation. The Times countered with what might sound like a surprising admission: the bestseller list is not mathematically objective; it is editorial content, which is protected by the First Amendment. The court ruled in favor of the New York Times.
The Blatty case draws attention to a fundamental truth about bestseller lists, one that often gets forgotten amid the drama of their weekly publication: they are not a neutral window into what the public is really reading. Rather, they reflect editorial decisions about how and what to count. Changes on the list might reflect changes in counting procedure, rather than changes in the market. Despite their lack of neutrality—or, perhaps, because of it—these editorial and counting decisions can have a big effect on which books and authors get the honor of appearing on the list; in turn, they shape the public’s perception of what it is reading and what it should consider reading next.
In this piece, I want to explore one way such decisions have affected the Times list over its almost 90-year publication history: the separation of sales by book format (hardcover, paperback). In the 1950s and 1960s, the fact that the Times exclusively publicized hardcover sales meant that some of the most popular novelists of the time rarely appeared on the list, because they made most of their sales in paperback. Today, the Times publishes distinct lists for different formats, and the content of these lists often reflects status hierarchies associated with different genres and communities of readers.
It turns out, then, that “bestseller” is a more complicated category than you might at first think. Though its name seems to refer to something very straightforward, there are all sorts of weird historical factors and counting choices that affect whether a book might make the cut. Given the influence of the Times list, it’s worth examining the effects of the choices made when assembling it, and what they can tell us about the kinds of information about books we consider valuable…
What’s in and what’s left out- @pruett_jordan brings the data: “What Counts as a Bestseller?” in @PublicBooks.
* Ian Fleming
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As we (re-)count what counts, we might recall that it was on this date in 1955 that The Return of the King, the third and final volume of J.R.R. Tolkien’s The Lord of the Rings trilogy, was published. While it never made the bestseller list in its hardcover edition, the trilogy has become a classic– and a bestseller– with over 150 million copies sold.
“Knowledge is not simply another commodity. On the contrary. Knowledge is never used up. It increases by diffusion and grows by dispersion.”*…
Six Degrees of Francis Bacon is a digital reconstruction of the early modern social network that scholars and students from all over the world can collaboratively expand, revise, curate, and critique. Unlike published prose, Six Degrees is extensible, collaborative, and interoperable: extensible in that people and associations can always be added, modified, developed, or, removed; collaborative in that it synthesizes the work of many scholars; interoperable in that new work on the network is put into immediate relation to previously studied relationships.
This website is hosted by Carnegie Mellon University Libraries, and data is available for download both on this site and as part of the Folger Shakespeare Library’s digital collections…
While the new Six Degrees of Francis Bacon interface is designed specifically for researchers of early modern Britain, it also confronts many of the challenges that humanists in general now face in the contexts of data visualization, crowdsourcing, user experience, and graphic design…
The Six Degrees of Francis Bacon project is dedicated primarily to the social networks of early modern Britain, 1500-1700, but in order to support scholars and students of historical social networks more broadly, the project team, with critical support from the National Endowment for the Humanities, will soon release freely available website code on Github under an Open Source License for modification and reuse…
A dynamic, collaborative recreating of the connections through which knowledge was shared in early modern England, and a template for digital humanties scholars in other fields/eras– from Project Director Christopher Warren (@ChrisVVarren) and his colleagues at Carnegie Mellon, “Six Degrees of Francis Bacon.”
* Daniel J. Boorstin
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As we channel E.M. Forster, we might recall that it was on this date in 1864 that Oxford mathematician and amateur photographer Rev. Charles Lutwidge Dodgson– aka Lewis Carroll– delivered a handwritten and hand-illustrated manuscript called “Alice’s Adventures Under Ground” to 10-year-old Alice Liddell. The original (on display at the British Library) was the basis of Alice’s Adventures in Wonderland… which was published exactly one year later, on this date in 1865.
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