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Posts Tagged ‘Aristotle

“After nourishment, shelter and companionship, stories are the thing we need most in the world”*…

Shortly after 335 B.C., within a newly built library tucked just east of Athens’ limestone city walls, a free-thinking Greek polymath by the name of Aristotle gathered up an armful of old theater scripts. As he pored over their delicate papyrus in the amber flicker of a sesame lamp, he was struck by a revolutionary idea: What if literature was an invention for making us happier and healthier? The idea made intuitive sense; when people felt bored, or unhappy, or at a loss for meaning, they frequently turned to plays or poetry. And afterwards, they often reported feeling better. But what could be the secret to literature’s feel-better power? What hidden nuts-and-bolts conveyed its psychological benefits?

After carefully investigating the matter, Aristotle inked a short treatise that became known as the Poetics. In it, he proposed that literature was more than a single invention; it was many inventions, each constructed from an innovative use of story. Story includes the countless varieties of plot and character—and it also includes the equally various narrators that give each literary work its distinct style or voice. Those story elements, Aristotle hypothesized, could plug into our imagination, our emotions, and other parts of our psyche, troubleshooting and even improving our mental function.

Aristotle’s idea was so unusual that, for more than two millennia, his account of literary inventions existed as an intellectual one-off, too intriguing to be forgotten but also too idiosyncratic to be developed further. In the mid-20th century, R. S. Crane and the renegade professors of the Chicago School revived the Poetics’ techno-scientific method, using it to excavate literary inventions from Shakespearean tragedies, 18th-century novels, and other works that Aristotle never knew. Later, in the early 2000s, one of the Chicago School’s students, James Phelan, co-founded Ohio State’s Project Narrative, where I now work as a professor of story science. Project Narrative is the world’s leading academic think tank for the study of stories, and in our research labs, with the help of neuroscientists and psychologists from across the globe, we’ve uncovered dozens more literary inventions in Zhou Dynasty lyrics, Italian operas, West African epics, classic children’s books, great American novels, Agatha Christie crime fictions, Mesoamerican myths, and even Hollywood television scripts.

These literary inventions can alleviate grief, improve your problem-solving skills, dispense the anti-depressant effects of LSD, boost your creativity, provide therapy for trauma (including both kinds of PTSD), spark joy, dole out a better energy kick than caffeine, lower your odds of dying alone, and (as impossible as it sounds) increase the chance that your dreams will come true. They can even make you a more loving spouse and generous friend

Recurring story elements that have proven effects on our imagination and our psyche: “Eight of Literature’s Most Powerful Inventions—and the Neuroscience Behind How They Work.” (Excerpted from Angus Fletcher’s Wonderworks: The 25 Most Powerful Inventions in the History of Literature.)

* Philip Pullman

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As we noodle narratives, we might send a combo birthday and St Patrick’s Day greeting to Catherine “Kate” Greenaway; she was born on this date in 1846.  Creator of books for children such as Mother Goose (1881), Little Ann (1883), and The Pied Piper of Hamelin (1889), she was one of the most the most accomplished illustrators of her time– and the inspiration for The Kate Greenaway Medal, awarded annually by the Chartered Institute of Library and Information Professionals in the U.K. to an illustrator of children’s books.

Greenaway’s illustration of the Pied Piper leading the children out of Hamelin; for Robert Browning’s version of the tale.

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“Any human anywhere will blossom in a hundred unexpected talents and capacities simply by being given the opportunity to do so”*…

 

income

Top: A map consulted by President Lincoln in 1861, demarcating the counties with the most slaves.   Bottom: A detail from Raj Chetty’s Opportunity Atlas, in which areas with poor upward mobility are shown in red.

 

[Raj] Chetty turns 40 this month, and is widely considered to be one of the most influential social scientists of his generation. “The question with Raj,” says Harvard’s Edward Glaeser, one of the country’s leading urban economists, “is not if he will win a Nobel Prize, but when.”

The work that has brought Chetty such fame is an echo of his family’s history. He has pioneered an approach that uses newly available sources of government data to show how American families fare across generations, revealing striking patterns of upward mobility and stagnation. In one early study, he showed that children born in 1940 had a 90 percent chance of earning more than their parents, but for children born four decades later, that chance had fallen to 50 percent, a toss of a coin…

Now he wants to do more than change our understanding of America—he wants to change America itself. His new Harvard-based institute, called Opportunity Insights, is explicitly aimed at applying his findings in cities around the country and demonstrating that social scientists, despite a discouraging track record, are able to fix the problems they articulate in journals. His staff includes an eight-person policy team, which is building partnerships with Charlotte, Seattle, Detroit, Minneapolis, and other cities.

For a man who has done so much to document the country’s failings, Chetty is curiously optimistic. He has the confidence of a scientist: If a phenomenon like upward mobility can be measured with enough precision, then it can be understood; if it can be understood, then it can be manipulated. “The big-picture goal,” Chetty told me, “is to revive the American dream.”…

No one has done more to dispel the myth of American social mobility than Raj Chetty. But he has a plan to make equality of opportunity a reality: “The Economist Who Would Fix the American Dream.”

* Doris Lessing

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As we ponder possibility, we might send imperial birthday greetings to Alexander III of Macedon (or as he’s better known, Alexander the Great); he was born on this date in 356 BC.  After a childhood of tutelage by Aristotle, twenty-year-old Alexander succeeded his father, Philip II, as Basileus (King) of Macedon.  He devoted most of his reign to an unprecedented military campaign through Asia and northeast Africa, and by the age of thirty he had created one of the largest empires of the ancient world, stretching from Greece to northwestern India.  He was undefeated in battle and is widely considered one of history’s most successful military commanders; indeed, military academies still teach his tactics.

At his death he was Basileus of Macedon, Hegemon of the Hellenic League, Shahanshah of Persia, Pharaoh of Egypt, and Lord of Asia.  His legacy includes 20 cities that bear his name (maybe most notably, Alexandria, in Egypt), but more fundamentally, it includes the cultural diffusion and syncretism that his conquests engendered.  For example, Alexander’s settlement of Greek colonists and the resulting spread of Greek culture in the east resulted in a new Hellenistic civilization, aspects of which were still evident in the traditions of the Byzantine Empire in the mid-15th century AD and in the presence of Greek speakers in central and far eastern Anatolia until the 1920s.

220px-Istanbul_-_Museo_archeol._-_Alessandro_Magno_(firmata_Menas)_-_sec._III_a.C._-_da_Magnesia_-_Foto_G._Dall'Orto_28-5-2006_b-n source

 

Written by (Roughly) Daily

July 20, 2019 at 1:01 am

Great minds…

From College Binary, a series of “Three Minute Philosophy” lessons….

Consider this refresher on the thinking of Rene Descartes:

From Aristotle to Kant, illuminations awaits one at Three Minute Philosophy.

(Warning number one:  some of the language is… well, decidedly non-academic.  Warning number two:  our instructor is from Brisbane– so readers should brace themselves for an Australian accent… thus warned, watch away– they’re quite wonderful.)

As we console ourselves that we think, therefore we are, we might recall that it was on this date in 1875 that Black Bart (Charles Bolles), a poet with a fondness for Wells Fargo, robbed his first stagecoach, the Sonora to Milton stage, in Calaveras County, California — the same stage line he targeted in his last heist (his 29th) in 1883– after which he left a taunting verse in the empty money box.

Here I lay me down to sleep

To wait the coming morrow,

Perhaps success, perhaps defeat,

And everlasting sorrow.

Let come what will, I’ll try it on,

My condition can’t be worse;

And if there’s money in that box

‘Tis munny in my purse.

Black Bart

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