Posts Tagged ‘charts’
“Without a map who would attempt to study geography?”*…
History and maps!…
Imagine creating a timeline of your country’s whole history stretching back to its inception.
It would be no small task, and simply weighing the relative importance of so many great people, technological achievements, and pivotal events would be a tiny miracle in itself.
While that seems like a challenge, imagine going a few steps further. Instead of a timeline for just one country, what about creating a graphical timeline showing the history of the entire world over a 4,000 year time period, all while having no access to computers or the internet?…
John B. Sparks maps the ebb and flow of global power going all the way back to 2,000 B.C. on one coherent timeline.
Histomap, published by Rand McNally in 1931, is an ambitious attempt at fitting a mountain of historical information onto a five-foot-long poster. The poster cost $1 at the time, which would equal approximately $18 when accounting for inflation.
Although the distribution of power is not quantitatively defined on the x-axis, it does provide a rare example of looking at historic civilizations in relative terms. While the Roman Empire takes up a lot of real estate during its Golden Age, for example, we still get a decent look at what was happening in other parts of the world during that period.
The visualization is also effective at showing the ascent and decline of various competing states, nations, and empires. Did Sparks see world history as a zero-sum exercise; a collection of nations battling one another for control over scarce territory and resources?
Crowning a world leader at certain points in history is relatively easy, but divvying up influence or power to everyone across 4,000 years requires some creativity, and likely some guesswork, as well. Some would argue that the lack of hard data makes it impossible to draw these types of conclusions (though there have been other more quantitative approaches.)
Another obvious criticism is that the measures of influence are skewed in favor of Western powers. China’s “seam”, for example, is suspiciously thin throughout the length of the timeline. Certainly, the creator’s biases and blind spots become more apparent in the information-abundant 21st century.
Lastly, Histomap refers to various cultural and racial groups using terms that may seem rather dated to today’s viewers.
John Spark’s creation is an admirable attempt at making history more approachable and entertaining. Today, we have seemingly limitless access to information, but in the 1930s an all encompassing timeline of history would have been incredibly useful and groundbreaking. Indeed, the map’s publisher characterized the piece as a useful tool for examining the correlation between different empires during points in history.
Critiques aside, work like this paved the way for the production of modern data visualizations and charts that help people better understand the world around them today…
Histomap: a 1931 attempt to visualize the 4,000 year history of global power. (via Visual Capitalist)
* John B. Sparks, creator of Histomap
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As we ponder patterns in the past, we might spare a thought for Carl Jacob Christoph Burckhardt; he died on this date in 1897. Probably best known for The Civilization of the Renaissance in Italy (which established that period as the vaunted subject it has become), he was a historian of art and culture and an influential figure in the historiography of both fields. Indeed, he is considered one the the founders of cultural history.
Sigfried Giedion said of Burckhardt’s achievement: “The great discoverer of the age of the Renaissance, he first showed how a period should be treated in its entirety, with regard not only for its painting, sculpture and architecture, but for the social institutions of its daily life as well.”
“Every history is a map”*…

How does one visualize history and chart time? Is it a line, moving forever outward in one direction? A Grecian temple, as Emma Willard envisioned, with Ionic columns representing centuries, receding from view toward a vanishing point at the world’s origin? Or could it be a corkscrew ascending upward, allowing us to look down from our present position into past events similar to our own?
For the Polish educator Antoni Jażwiński, history was best represented by an abstract grid — or at least it was for the purposes of remembering it. The so-called “Polish System” originated in the 1820s and was later brought to public attention in the 1830s and 1840s by General Józef Bem, a military engineer with a penchant for mnemonics. As Anthony Grafton and Daniel Rosenberg catalogue in their Cartographies of Time, the nineteenth century brimmed with new methods and technologies for committing historical information to memory — and Jażwiński’s contribution (and its later adaptations) proved one of the most popular.
The Polish System — which almost anticipates Piet Mondrian’s abstract checkerboards and the wider modernist fascination with grid figures — coupled chronology to the map-making traditions of geography. In Jażwiński’s original chart, each main 10×10 box is a century and the rows separate decades. Within a century box, each individual square is a year, each color a nation (with shading for different monarchs or governments), and symbols can stand for marriages, wars, treaties, and other types of events. Should one become proficient with this system, they can peer down on the history of the world, summarized on a surface not much larger than a chessboard…
More on this proto-modernist memory palace: “Visualizing History: The Polish System.”
* Jacob Bronowski
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As we picture the past, we might recall that it was on this date in 1965 that the FBI Laboratory declared the lyrics of Louie Louie to be officially “unintelligible at any speed.”
In February 1964, an outraged parent wrote to Robert F. Kennedy, then the Attorney General of the U.S., alleging that the lyrics of “Louie Louie” were obscene, suggesting that “The lyrics are so filthy that I can-not [sic] enclose them in this letter.” The Federal Bureau of Investigation investigated the complaint, and looked into the various rumors of “real lyrics” that were circulating among teenagers. In June 1965, the FBI laboratory obtained a copy of the Kingsmen recording and, after 31 months of investigation, concluded that it could not be interpreted– and therefore that the Bureau could not find that the recording was obscene.
In September 1965, an FBI agent interviewed one member of the Kingsmen, who denied that there was any obscenity in the song. The FBI never interviewed songwriter Richard Berry nor consulted the actual lyrics that were on file with the U.S. Copyright Office.
Snopes suggests that while some teenage mondegreens were indeed pretty filthy, the song itself was clean.
“Once, centuries ago, a map was a thing of beauty, a testament not to the way things were but to the heights scaled by men’s dreams”*…
George III’s extensive ‘K.Top’ [King’s Topographical] collection of around 40,000 maps and views reflects changing impressions of place and space across the 16th–19th centuries through manuscript and printed atlases; architectural drawings and garden plans; maps and records of military campaigns, fortifications, barracks, bridges and canals; records of town and country houses, civic and collegiate buildings; drawn and printed records of antiquities including stained glass, sculpture, tombs, mosaic pavements and brasses; and thousands of drawn and printed views.
The collection includes the work of familiar names from Hollar to Hawksmoor, alongside the works of a host of lesser-known artists and amateurs and much anonymous or unidentified material. The British Library has received support from a number of generous donors to make this material available digitally…
Maps: King George III Topographical and Maritime collections, digitized by the British Museum– on their web site, here; on Flickr, here.
* Bea González, Mapmaker’s Opera
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As we find our way, we might recall that it was on this date in 4004 BCE that the Universe was created… as per calculations by Archbishop James Ussher in the mid-17th century.
When Clarence Darrow prepared his famous examination of William Jennings Bryan in the Scopes trial [see here], he chose to focus primarily on a chronology of Biblical events prepared by a seventeenth-century Irish bishop, James Ussher. American fundamentalists in 1925 found—and generally accepted as accurate—Ussher’s careful calculation of dates, going all the way back to Creation, in the margins of their family Bibles. (In fact, until the 1970s, the Bibles placed in nearly every hotel room by the Gideon Society carried his chronology.) The King James Version of the Bible introduced into evidence by the prosecution in Dayton contained Ussher’s famous chronology, and Bryan more than once would be forced to resort to the bishop’s dates as he tried to respond to Darrow’s questions.
– source











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