Posts Tagged ‘FBI’
“Every history is a map”*…
How does one visualize history and chart time? Is it a line, moving forever outward in one direction? A Grecian temple, as Emma Willard envisioned, with Ionic columns representing centuries, receding from view toward a vanishing point at the world’s origin? Or could it be a corkscrew ascending upward, allowing us to look down from our present position into past events similar to our own?
For the Polish educator Antoni Jażwiński, history was best represented by an abstract grid — or at least it was for the purposes of remembering it. The so-called “Polish System” originated in the 1820s and was later brought to public attention in the 1830s and 1840s by General Józef Bem, a military engineer with a penchant for mnemonics. As Anthony Grafton and Daniel Rosenberg catalogue in their Cartographies of Time, the nineteenth century brimmed with new methods and technologies for committing historical information to memory — and Jażwiński’s contribution (and its later adaptations) proved one of the most popular.
The Polish System — which almost anticipates Piet Mondrian’s abstract checkerboards and the wider modernist fascination with grid figures — coupled chronology to the map-making traditions of geography. In Jażwiński’s original chart, each main 10×10 box is a century and the rows separate decades. Within a century box, each individual square is a year, each color a nation (with shading for different monarchs or governments), and symbols can stand for marriages, wars, treaties, and other types of events. Should one become proficient with this system, they can peer down on the history of the world, summarized on a surface not much larger than a chessboard…
More on this proto-modernist memory palace: “Visualizing History: The Polish System.”
* Jacob Bronowski
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As we picture the past, we might recall that it was on this date in 1965 that the FBI Laboratory declared the lyrics of Louie Louie to be officially “unintelligible at any speed.”
In February 1964, an outraged parent wrote to Robert F. Kennedy, then the Attorney General of the U.S., alleging that the lyrics of “Louie Louie” were obscene, suggesting that “The lyrics are so filthy that I can-not [sic] enclose them in this letter.” The Federal Bureau of Investigation investigated the complaint, and looked into the various rumors of “real lyrics” that were circulating among teenagers. In June 1965, the FBI laboratory obtained a copy of the Kingsmen recording and, after 31 months of investigation, concluded that it could not be interpreted– and therefore that the Bureau could not find that the recording was obscene.
In September 1965, an FBI agent interviewed one member of the Kingsmen, who denied that there was any obscenity in the song. The FBI never interviewed songwriter Richard Berry nor consulted the actual lyrics that were on file with the U.S. Copyright Office.
Snopes suggests that while some teenage mondegreens were indeed pretty filthy, the song itself was clean.
“A very merry Unbirthday to you!”*…
There’s been a good deal of understandable concern over online platforms and the dangers that they present to our health, both personal and civic. But occasionally it’s good to remind ourselves that there are services they provide that are genuinely crucial– e.g., Is Today Ted Danson’s Birthday?
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As we go to The Good Place, we might recall that it was on this date in 1965 that the FBI exonerated “Louie Louie,” declaring that the lyrics of the 1963 recording by The Kingsmen– widely rumored to be “dirty”– were in fact simply indecipherable. After analyzing the disc at its intended 45 rpm and also at 33 1/3 and 78, and interviewing a member of the band, the FBI Laboratory declared the lyrics to be officially “unintelligible at any speed.”
In fact the song’s creator, Richard Berry, had released “Louie Louie” to mild regional success– and no lyrical controversy– a decade earlier. But the FBI’s verdict notwithstanding, a cloud hovered over the tune: in 2005, the superintendent of the Benton Harbor, Michigan school system refused to let the marching band at one of the schools play the song in a parade; she later relented.
from the FBI’s “Louie Louie” file
“Making money is art”*…
In 2005, an unusual painting appeared on the website of the New Orleans Auction Gallery, a small operation headquartered on the banks of the Mississippi River. Twenty-six inches tall and 18 and a half inches wide, the painting depicted Christ in Renaissance-era robes, one hand raised in benediction, the other cupping a diaphanous sphere. “After Leonardo da Vinci (Italian 1452–1519),” read the description. “Christ Salvator Mundi. Oil on cradled panel.”
Among the people to click on the listing for Lot 664 was a Rockland County art speculator named Alexander Parish. Parish has spent his entire career in the art world, first as an assistant, later as an adviser to a major European gallery, and now as what’s known as a picker — a dealer who purchases art from minor auction houses and antiques sales and resells it to wealthy clients at a profit. “A major part of what I do,” Parish told me, “is educated gambling. You get a good feeling about a piece of art, and you place a bet that you know more about it than the auctioneer does.”
Parish felt very good about Lot 664. In fact, although he had only a few postage-stamp-size JPEGS to work with, he thought he might be looking at a piece by a student of Leonardo’s — perhaps the Milanese painter Bernardino Luini. That same afternoon, he sent a link to his friend Robert Simon, the owner of an old-master gallery on the Upper East Side, who has a doctorate in art history from Columbia University with a specialty in the art of the Renaissance.
“My first reaction was that it was a very intriguing painting,” Simon recalled. As he knew, the original Salvator Mundi, painted by Leonardo around 1500, possibly for the French king Louis XII, had been one of da Vinci’s most copied works — dozens of replicas hang in museums around the world, but the original had been lost to history. It seemed possible that another period copy dating to the Renaissance would exist. Simon and Parish agreed to invest in the painting together, with a bid ceiling of $10,000; Parish would handle the bidding via phone. “My memory of the auction is that I just sat there waiting for the price to go up,” Parish said. “But it became apparent that no one else was interested.” His winning bid came in at $1,000.
Today, of course, the contents of Lot 664 are worth far more than that: The picture has since sold once for $127.5 million and again, in a record-setting auction at Christie’s, for close to half a billion dollars…
Find out how to turn a $1,000 art-auction pickup into a $450 million masterpiece: “The Invention of the ‘Salvator Mundi’.”
* Andy Warhol
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As we appreciate appreciation, we might recall that it was on this date in 1934 that a team of FBI agents went toe to toe with John Dillinger, Baby Face Nelson, and their gang. The lawmen tried to capture the outlaws at their temporary hide-out, the Little Bohemia Lodge (in northern Wisconsin)
As the agents approached the lodge, the owner’s dogs began to bark. Since the dogs barked incessantly, their warning was ignored by the gang. A few minutes later, a car approached the agents. Thinking that the gangsters were inside, they opened fire in an attempt to shoot out the tires. Shooting high, which often happens when firing on full auto, they hit all of the occupants of the car, and killed one of them. To make matters worse, they had the wrong guys. Dillinger and his crew were still inside the lodge.
Barking dogs you can ignore, but submachine-gun fire will get your attention every time. Dillinger and the boys heard the shots and knew that the heat was on. They opened fire on the agents from the lodge. After throwing some hot lead at the G-men, the gang bolted for the door. Dillinger and two of his guys turned one way and made a clean getaway. Nelson turned the other way, and wound up at a nearby house in a car with the owner of the lodge and a neighbor.
A car containing two of the FBI agents and a local constable approached Nelson. Nelson pointed his gun at them, and ordered them out of the car. When they complied, Nelson shot all three of them. Agent W. Carter Baum was killed; Agent J. C. Newman and local constable Carl Christensen were injured.
The final tally: two dead (one lawman and one innocent bystander), four injured (two lawmen and two bystanders), no gangsters in custody. [source]
Little Bohemia Lodge
“It is time for parents to teach young people early on that in diversity there is beauty and there is strength”*…
Since 1990, more than 90 percent of U.S. metro areas saw a decline in racial stratification, signaling a trend toward a more integrated America. Yet, while areas like Houston and Atlanta have undergone rapid demographic changes, cities like Detroit and Chicago still have large areas dominated by a single racial group.Some 50 years ago, policies like the Fair Housing Act and Voting Rights Act were enacted to increase integration, promote equity, combat discrimination and dismantle the lingering legacy of Jim Crow laws. But a Post analysis shows that some cities remain deeply segregated — even as the country itself becomes more diverse.
To explore these national changes, The Post analyzed census data from 1990, 2000, 2010 and the latest estimates from the 2016 five-year American Community Survey. Using this data, we generated detailed maps of the United States using six race categories: black, white, Hispanic, Asian/Pacific Islander, Native American and multirace/other for the available years…
The United States is on track to be a majority-minority nation by 2044. But census data show most of our neighbors are the same race. Take stock of where there has been progress and where there has been none using the interactive (and zoomable to zip code level) map at “America is more diverse than ever — but still segregated.”
* Maya Angelou
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As we turn up the heat on the melting pot, we might recall that it was on this date in 1924 that 29 year old J. Edgar Hoover became the fifth Director of the Bureau of Investigation, which became the Federal Bureau of Investigation in 1935; he remained the FBI’s first director until his death in 1972 at the age of 77.
Hoover has been credited with building the FBI into a larger crime-fighting agency than it was at its inception and with instituting a number of modernizations to police technology, such as a centralized fingerprint file and forensic laboratories. But especially later in his carer and since his death, Hoover became a controversial figure as evidence of his secretive abuses of power began to surface. He was found to have exceeded the jurisdiction of the FBI, and to have used the FBI to harass political dissenters and activists (especially civil rights activists; see here and here), to amass secret files on political leaders and to collect evidence using illegal methods.
“Isn’t Baldwin a well-known pervert?”*…
Your tax dollars at work: the FBI’s files on James Baldwin…
Baldwin was “Jimmy” to most of his friends and to himself as well when he meditated on the various aspects of his personality. The numerous “strangers called Jimmy Baldwin,” he observed of his own diversity, included an “older brother with all the egotism and rigidity that implies,” a “self-serving little boy,” and “a man” and “a woman, too. There are lots of people there.” This secret FBI summary made the mistake of treating variations on Baldwin’s name and identity as a set of potentially criminal pseudonyms. For the Bureau, “James Baldwin,” “James Arthur Baldwin,” “Jim Baldwin,” and “Jimmy Baldwin” were “aliases” needing correlation and correction.
More memos on “aliases,” sexuality, and The Blood Counters at: “A look inside James Baldwin’s 1,884-page FBI file.”
* J. Edgar Hoover
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As we shake our heads, we might recall that it was on this date in 1868 that Christopher Latham Sholes, Samuel W. Soulé, James Densmore, and Carlos Glidden received the first patent for a commercially-made typewriter. This early version looked like a piano with ivory keys for the alphabetical keyboard. The patent was sold to Remington & Sons who began production and later developed the Remington Typewriter with the now standard Qwerty layout.
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