Posts Tagged ‘rock and roll’
“It is impossible to win gracefully at chess. No man has yet said “Mate!” in a voice which failed to sound to his opponent bitter, boastful and malicious.”*…
… but perhaps the offense is muted if the call is remote.
Electronic gaming is huge– and growing, As Rolling Stone reports…
The gaming industry, fueled by platforms like Twitch and YouTube, has surged into a multi-billion-dollar powerhouse, projected to exceed $207 billion in 2026. These platforms do more than showcase gameplay—they cultivate vibrant, interactive communities where fans engage in real time, from live chats to virtual watch parties. Games like League of Legends, Call of Duty, Counter-Strike and Fortnite have become a cultural phenomenon, drawing in over 2.6 billion gamers globally, a number that continues to climb each year. Mobile gaming, accounting for over 60% of global gaming revenue, plays a significant role in this growth, making gaming accessible to a broader audience than ever before…
But as Danny Robb explains, using tecnology to play games remotely has a long history…
In 1897, the United States House of Representatives held a series of chess matches to find their most skilled players. The five winners were pitted against counterparts in the British House of Commons. But while the Americans sat down to play in Washington, D.C., their opponents sat in London. The players received moves by telegraph, and sent responses back over wires that crossed the Atlantic.
By this point, “cable chess” had been slowly evolving for decades. Historian Simone Müller-Pohl argues that this form of long-distance chess play offers insight into the cultural and political currents of the industrial era.
By the mid-nineteenth century, she explains, there was a growing sports culture in Europe and the US. Industrial technologies enabled more people to attend games and follow along from a distance. A growing middle class fostered this sporting culture, which came to include chess.
“Weekly,” Müller-Pohl explains, “the liberal and intellectual elites of the time assembled around chess boards in Paris, Berlin, Warsaw, Vienna, Moscow, Rome, and London.” Interest in the game spread, and chess clubs emerged. As clubs arranged tournaments and standardized chess rules, Müller-Pohl argues that chess “was gradually turned into a sport.”
Correspondence chess grew along with the game, in part thanks to cheap and efficient postal services. When the telegraph emerged on the scene, the application to chess was almost immediate.
“It was telegraphy’s fathers who pulled the strings behind the first schemes for cable chess,” Müller-Pohl explains. In 1844, inventor Samuel Morse arranged chess matches on a new telegraph line between Baltimore and Washington, D.C. “All of the 686 moves necessary for the seven games played were transmitted without mistake or interruption,” Müller-Pohl writes.
Not long after, in 1845, inventor Charles Wheatstone attended a demonstration in London. Chess legend Howard Staunton played against his rival George Walker over the South Western Railway line between Portsmouth and London. Müller-Pohl describes how witnesses found the match “rather tedious,” but it received a lot of press. This was partly the point—the matches demonstrated and advertised the capabilities and accuracy of the invention.
The Staunton match had another interesting aspect. Müller-Pohl points out that “the lines were still used for ordinary traffic during the games, allowing a group of chess players from Southampton to have every move telegraphed to them.” A bit like modern e-sports, spectators could observe the virtual match…
The early history of e-gaming– when telegraph cables let chess clubs stage matches across continents, linking players and spectators in a new kind of long-distance competition: “The First E-Sports? Chess by Telegraph,” from @inverting-vision.bsky.social in @jstordaily.bsky.social.
* A. A. Milne
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As we note that what’s old is new again, we might recall that it was on this date in 1958 that Chuck Berry’s “Johnny B. Goode” was released. It peaked at number two on the Hot R&B Sides chart and number eight on its pre-Billboard Hot 100 chart. Considered “the first rock & roll hit about rock & roll stardom”, it has been covered by many, many other artists and has received many, many honors and accolades, among them being ranked 33rd and 7th, respectively, on Rolling Stone’s 2021 and 2004 lists of 500 Greatest Songs of All Time. It was also included as one of the 27 songs on the Voyager Golden Record (a collection of music, images, and sounds designed to serve as an introduction and record of global humanity’s achievements, innovations and culture, to alien/otherworldly inhabitants).
Apropos the piece above, it was released by Chess Records.
“If you tried to give rock and roll another name, you might call it ‘Chuck Berry'”*…
Alex Abramovich with a dispatch on the headwaters of rock and roll…
‘There are ten thousand freedoms,’ the late Joshua Clover once said, ‘but rock freedom is definitely set – in the first instance – in a car, when it’s late outside. It can be ecstatic, it can be boring, it can be adjectiveless freedom, but you have reached escape velocity, faster miles an hour, you have no particular place to go, and you have the radio on.’
Chuck Berry’s ‘Maybellene’ recently turned seventy. Recorded on 21 May 1955 in a studio on the South Side of Chicago, it tells the story of a man chasing his girlfriend down the highway. He’s in a Ford V8, she’s driving a Cadillac. She’s cheating, the car’s overheating, he’s trying to catch her before she gets away for good. ‘Maybellene’ isn’t Chuck Berry’s best song but it was his first single. Without it there’d be no Bob Dylan. No rock and roll as we know it. It’s a miracle.
There’s a story about the song, too….
Read on: “Escape Velocity” (archived link), from @lrb.co.uk.
* John Lennon
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As we roll over, we might send tuneful brithday greetings to Steve Young, a musical pioneer who followed Berry (the first singer-songwriter in the new era of popular music, Roy Orbison suggested)… and took a different path; he was born on this date in 1942. A singer, songwriter, and guitarist, known for his song “Seven Bridges Road” (on Young’s albums Rock Salt & Nails & Seven Bridges Road, but probably best known in the version by The Eagles). He was a pioneer of the country rock, Americana, and alternative country sounds– a vital force behind the outlaw movement.
Oh, and in 1979 this was also “‘The Night Disco Died’ — Or Didn’t.”
“I’m sick to death of people saying we’ve made 11 albums that sound exactly the same. In fact, we’ve made 12 albums that sound exactly the same.”
Ever wonder what your taste in Classic Rock means? John K. Peck is here to help; a sample:
The Doors: You have been bitten by an animal while trying to get it stoned.
Ted Nugent: Your hair has at some point been caught in a ceiling fan, boat propeller, or lathe.
Led Zeppelin: The first three things you smoked were banana peels, catnip, and poppies, in that order.
The Grateful Dead: Your stories about the ‘70s make your daughter’s roommates at Tufts very uncomfortable.
AC/DC: You only remove your socks to shower, and then only reluctantly.
Kiss: You have partied on a boat in a driveway.
The Byrds: There is a thin layer of sand on the bottom shelf of your fridge.
The Band: You have misspelled your name while carving it into a picnic table.
Slade: You have smoked speed through a TV antenna.
Joe Jackson: You are an excellent speller.
Van Morrison: You have had to use bolt cutters to remove a mood ring.
Don McLean: You have used a lint roller on a dropped piece of toast.
James Gang: You have eaten two consecutive meals in a hot tub.
Vanilla Fudge: You have slept in a bathtub for two or more consecutive nights.
Much, much more: “What Your Favorite Classic Rock Band Says About You,” (Part 1, Part 2, Part 3), from @johnkpeck in @mcsweeneys.
* Angus Young (AC/DC)
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As we stroll down memory lane, we might recall that on this date in 1989 the number on song in the U.S. was soap opera star and vocalist Michael Damian‘s cover of David Essex‘s “Rock On.”
“The sound must seem an echo to the sense”*…
As devices once common fall out of use, we stop hearing the sounds that they made…
“Conserve the sound” is an online archive for disappearing sounds. The sounds of a rotary dial phone, a Walkman, an analog typewriter, a pay phone, a 56k modem, a nuclear power plant or even a mobile phone keyboard have partly disappeared or are just disappearing from everyday life. In addition, people have their say in text and video interviews and deepen their view into the world of disappearing sounds…”
The signature sounds of the items above and so many more: “Conserve the sound,” a project of CHUNDERKSEN.
Apposite: “Google Translate for the zoo? How humans might talk to animals,” a review of Karen Bakker‘s The Sounds of Life.
And. of course, 32 Sounds.
* Alexander Pope
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As we listen in, we might recall that it was on this date in 1986, in Cleveland, that the Rock and Roll Hall of Fame inducted it’s first class of members: Little Richard, Chuck Berry, James Brown, Ray Charles, Sam Cooke, Fats Domino, The Everly Brothers, Alan Freed, John Hammond, Buddy Holly, Robert Johnson, Jerry Lee Lewis, San Phillips, Elvis Presley, Little Richard, Jimmie Rodgers, and Jimmy Yancey. The I. M. Pei designed museum opened on June 7, 1993.
“Once, during Prohibition, I was forced to live for days on nothing but food and water”*…
From the annals of self-help, get rich quick writing, The Saturday Evening Post…
If you were a bright, ambitious, young man in 1922 who wasn’t inconvenienced by your conscience, you might have considered starting your own liquor distribution business.
There were, of course, challenges: specifically, the 18th Amendment, Treasury Department officers, and, to a wildly unpredictable level, state and local law enforcement.
But in our May 13, 1922, issue, an Anonymous Bootlegger offered insider information to help ambitious entrepreneurs on their way to becoming the next Al Capone.
He discussed three promising business models: brokering legal “medicinal” liquor, driving liquor over the border from Canada, or bringing it by boat from overseas…
How to: “So You Want to Be a Bootlegger,” from @SatEvePost.
* W.C. Fields
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As we scoff at the law, we might recall that it was on this date in 1956 that city authorities in the California beach town of Santa Cruz announced a total ban on the public performance or playing of rock and roll music, calling it “detrimental to both the health and morals of our youth and community.”
It may seem obvious now that Santa Cruz’s ban on “Rock-and-roll and other forms of frenzied music” was doomed to fail, but it was hardly the only such attempt. Just two weeks later in its June 18, 1956 issue, Time magazine reported on similar bans recently enacted in Asbury Park, New Jersey, and in San Antonio, Texas, where the city council’s fear of “undesirable elements” echoed the not-so-thinly-veiled concerns of Santa Cruz authorities over the racially integrated nature of the event that prompted the rock-and-roll ban… (source)
On an orthogonol (and personal) note: the important (and revolutionary) work of @b612foundation (on whose board I sit) is featured on the front page of this week’s New York Times Science Section: “Killer Asteroids Are Hiding in Plain Sight. A New Tool Helps Spot Them” (unlocked).
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