Posts Tagged ‘sound’
“Since there is no real silence / Silence will contain all the sounds”*…
Sound: it’s so ubiquitous that, unless we’re momentarily thrilled or annoyed by it, we tend to take it for granted. But what is it? Tim Urban to the rescue…
We think of sound as something we hear—something that makes noise. But in pure physics terms, sound is just a vibration going through matter. The way a vibration “goes through” matter is in the form of a sound wave [as per the illustration above]…
Ears are an evolutionary innovation that allows us to register sound waves in the air around us and process them as information—without ears, most sound waves would be imperceptible to a human with only the loudest sounds registering as a felt vibration on our skin. Ears give us a magical ability to sense even slight sound waves in a way so nuanced, it can usually tell us exactly where the sound is coming from and what the meaning of it is. And it enables us to talk. The most important kind of human communication happens when our brains send information to other brains through complex patterns of air pressure waves. Have you ever stopped and thought about how incredible that is?…
The next time you’re talking to someone, I want you to stop and think about what’s happening. Your brain has a thought. It translates that thought into a pattern of pressure waves. Then your lungs send air out of your body, but as you do that, you vibrate your vocal chords in just the right way and you move your mouth and tongue into just the right shapes that by the time the air leaves you, it’s embedded with a pattern of high- and low-pressure areas. The code in that air then spreads out to all the air in the vicinity, a little bit of which ends up in your friend’s ear, where it passes by their eardrum. When it does, it vibrates their eardrum in such a way as to pass on not only the code, but exactly where in the room it came from and the particular tone of voice it came with. The eardrum’s vibrations are transmitted through three tiny bones and into a little sac of fluid, which then transmits the information into electrical impulses and sends them up the auditory nerve and into the brain, where the information is decoded. And all of that happens in an eighth of a second, without any effort from either of you. Talking is a miracle…
And so much more: “Everything You Should Know About Sound,” from @waitbutwhy.
See also: 32 Sounds
* Since there is no real silence,
Silence will contain all the sounds,
All the words, all the languages,
All knowledge, all memory.”
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As we listen, we might we might recall that it was on this date in 1931 that Alam Ara was released. the first “talkie” (feature film with a sound track), it birthed the modern Indian film business, and set the high-romance, all-singing, all-dancing template for what we now know as Bollywood films (which sell more tickets worldwide than Hollywood films– though with lower grosses, as admission prices are generally lower). Sadly, no copy of Alam Ara survives; in 2017, the British Film Institute joined most Indian film scholars in declaring it the most important of all lost films produced in India.
“Every record I put on was like a baptism”*…
The sensation of being “in the groove” is the holy grail of jazz. As the renowned drummer Charli Persip described it, “When you get in that groove, you ride right down that groove with no strain and no pain—you can’t lay back or go forward. That’s why they call it a groove. It’s where the beat is, and we’re always trying to find that.”
This expression from the Roaring Twenties is an allusion to an insect secretion. The close fit between a phonograph needle and the grooves in early shellac 78 rpm records determined the quality of the playback. Shellac—a resinous, amber-colored secretion of the tiny scale insect Kerria lacca—served as the key ingredient in the first generation of phonographic disks. Odd as it may seem, a gummy substance manufactured by bugs and their human hosts in South Asia was the pioneering medium for the transmission of recorded sound.
The curious story of how a sticky discharge from billions of insect bodies became a vehicle for the globalization of audio culture spans millennia and crosses oceans…
The miraculous properties, and fascinating history, of shellac: “Like Jazz, Bowling, and Old Hollywood Hairdos? Thank Insects.“
* Questlove, Mo’ Meta Blues
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As we gently lower the needle, we might send tuneful birthday greetings to James Marshall “Jimi” Hendrix; he was born (Johnny Allen Hendrix) on this date in 1942. Though his career as a front man lasted only four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. Indeed, the Rock and Roll Hall of Fame describes him as “arguably the greatest instrumentalist in the history of rock music.”
“Have you ever heard a blindfolded octopus unwrap a cellophane-covered bathtub?”*…
The relentless progression of human technology leaves us with many relics: the Walkman, the Game Boy, the payphone, the VCR. But there’s an aspect to these devices that isn’t preserved when you let them gather dust on a basement shelf: their signature beeps, clicks, and whirrings.
In the interest of salvaging these obsolete noises, Brendan Chilcutt has since 2012 maintained the Museum of Endangered Sounds, for which he aims to complete data collection by 2015. Then he’ll “spend the next seven years developing the proper markup language to reinterpret the sounds as a binary composition.” Suggestions of exhibits to include are welcome.
The site is already fascinating place to click around; depending on your age, you’ll be transported by the original default Nokia ringtone, or the Windows 95 startup chords. The AOL Instant Messenger alerts in particular take me back—someone wants to chat! Is it the devastatingly cute girl I have a crush on? No, just one of my fellow nerds. But hope lives on.
When technology reaches a stage of silent frictionlessness, Chilcutt says, these audio files will offer some of the most direct links to our mechanical past. Nice to have them all in one place…
The din of typewriters and Tamogatchis lives on: “Museum of Endangered Sounds keeps vintage noises alive.” Explore the museum here.
See also: Conserve the Sound’s “Projekt.”
* Norton Juster, The Phantom Tollbooth
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As we listen carefully, we might recall that it was on this date in 1830 that the Anti-Masonic Party, the official first third-party in United States political history, convened its convention. The Anti-Masons formed, as the name suggests, to combat the perceived secret government influence Freemasonry held in the U.S. While the party quickly dissolved after anti-Masonic public feelings died down (most of its members folded in the Whig Party), It did pioneer presidential nomination conventions and the adoption of a party platform.
For more on the Anti-Masons see “Nearly two centuries ago, a QAnon-like conspiracy theory propelled candidates to Congress.”
“Soon silence will have passed into legend”*…
The idea behind myNoise is to use the noises you most enjoy to mask the noises you don’t want to hear: chatty colleagues, your tinnitus, or even your inner voice when you can’t shut it down! The concept is simple, works extremely well, and doesn’t require expensive noise-cancelling headphones. Thanks to its sound quality and unique audio engineering, myNoise sets the standard among online background noise machines…
Missing the buzz of the coffee shop? Anxious to mask unwanted audio distractions? Need to concentrate (or sleep)? MyNoise is ready to help.
[Image above: Flickr user Sascha Kohlmann, via]
* “Soon silence will have passed into legend. Man has turned his back on silence. Day after day he invents machines and devices that increase noise and distract humanity from the essence of life, contemplation, meditation…tooting, howling, screeching, booming, crashing, whistling, grinding, and trilling bolster his ego. His anxiety subsides. His inhuman void spreads monstrously like a gray vegetation.” — the censorious Jean Arp (who, if he were alive today, might or might not agree that “if you can’t beat ’em, join ’em”…)
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As we bathe in sound, we might recall that it was on this date in 1955 that that Bill Haley & His Comets’ “Rock Around the Clock” reached number one on the Billboard charts– the first rock and roll record to ascend to that pinnacle.
Exactly one year later, Dick Clark began one of television’s longest-running stints as a host when he debuted Bandstand on WFIL, a Philadelphia TV station. The show was eventually picked up by ABC-TV and changed its name to American Bandstand.
“I see by hearing”*…
Daniel Kish navigates the world like a bat does—and he does so without ever leaving the ground.
After losing his vision as an infant, Kish taught himself to move around with the help of echolocation. Like bats, Kish uses his mouth to produce a series of short, crisp clicking sounds, and then listens to how those sounds bounce off the surrounding landscape. (Our winged neighbors tend to emit these clicks at frequencies humans can’t hear, but Kish’s clicks are perfectly audible to human ears.) From there, Kish makes a mental map of his environment, considering everything from broad contours—like walls and doors—down to textural details.
Kish now teaches echolocation, mostly to students who are blind. For these students, Kish believes that an echolocation practice can buoy confidence and independence. Kish’s own experience is persuasive—he famously bikes along hilly, car-lined streets—and a growing body of scholarly research has begun to unpack exactly how expert echolocaters do their thing. This research has also backed up the idea that this skill is highly learnable. When researchers at the University of California, Berkeley, asked novice echolocators to use tongue clicks to determine which of the two objects in front of them was larger, the newbies were soon able to do so in a way that the scientists couldn’t attribute to chance.
Whatever your sightedness, there’s something to be said for learning to listen more attentively to sonic scenery. Kish believes that vision has a way of blunting the other senses unless people work to really flex them. Deft echolocators, he says, are able to perceive fine differences—distinguishing, say, between an oleander bush (“a million sharp returns”) and an evergreen (“wisps closely packed together, which sound like a bit like a sponge or a curtain”). They’re discovering sonic wonder wherever they go…
A beginner’s guide to navigating with sound: “Teach Yourself to Echolocate.”
Hello, Bumblebee Bat
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As we take sound advice, we might send closely-heard birthday greetings to Sir Frederic Charles Bartlett, FRS; he was born on this date in 1886. A psychologist (and the first professor of experimental psychology at the University of Cambridge), he was one of the pioneers of both cognitive psychology and cultural psychology. His 1932 book Remembering was hugely influential in its demonstration (via the experiments it reports) that memory is not a consultative process that retrieves facts from an immutable record, as most then believed; rather, it is reconstruction, open it a variety of influences that can shape what is recalled.
But relevantly here, he also studied sound and its impact on humans. His 1934 book The Problem of Noise is a study of “sound that is a nuisance,” and its impact, both physiological and psychological, on hearers. It was, though probably unintended, Bartlett’s contribution to “clearing the air” for echolation.
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