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Posts Tagged ‘BBC

“Everything we see hides another thing”*…

Son of Man

No artist more perfectly anticipated the banal strangeness of life in the twenty-first century than Rene Magritte…

René François Ghislain Magritte: born 1898, died 1967; noted fan of bowler hats and pipes; creator of some 1,100 oil paintings and another 850 works on paper, many of which now seem kitschy or lazily repetitive; and yet, I suspect, the twentieth-century artist whose work best anticipated the texture and tenor of life in the twenty-first. The texture: smooth as an iPhone screen, unscathed by contact with the physical world. The tenor: a low rumble, almost silent, somewhere between a growl and a chuckle.

A century ago, the only people who called the world “surreal” were capital-S Surrealists: poets and painters, many of them rooted in Paris, who sought to dig up the buried treasures of the unconscious and convert them into words and images. Today, nobody seriously doubts that the world is a lowercase-s surreal place. Advertising is surreal. Politics is surreal. Dating is surreal. Half of television and all of the Internet is surreal. The art world would be surreal even if Surrealism didn’t sell so well (last week someone picked up a Magritte for the GDP of a small country). At some point between the 1920s and the 2020s, between capital and lowercase, the surreal has been hidden all over again, banalized to the point where everybody acknowledges it but nobody stops to notice it.

Studying Magritte’s life and work forces you to stop and notice. Contemporary U.S. life is surreal, but, at least to me, it doesn’t look like a Salvador Dalí painting or even the work of latter-day descendants such as David Lynch and Haruki Murakami. It looks like Magritte, with its weightless, endlessly reproduced photographs and logos that make everywhere feel like everywhere else (i.e., nowhere). It puzzles in the same placid, teasing way that Magritte puzzles; it seems utterly random and utterly repetitive, at once too obscure and too obvious, creating the illusion that everything will make sense if only you stay and puzzle a little longer. Contemporary U.S. life—like an apple in a café, like many of the figures in Magritte’s paintings, like Magritte himself—is hiding in plain sight…

Jackson Arn on “Magritte’s Prophetic Surrealism.”

* Rene Magritte

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As we investigate the invisible, we might recall that it was on this date (April Fool’s Day) in 1965 that the BBC put one over on its television viewers:

BBC TV interviewed a professor from London University who had perfected a technology he called “smellovision.” It allowed viewers to smell aromas produced in the television studio in their homes. The professor explained that his machine broke scents down into their component molecules which could then be transmitted through the screen.

The professor offered a demonstration by placing first some coffee beans and then onions into the smellovision machine. He asked viewers to report by noon whether they were able to smell anything, instructing them that “for best results stand six feet away from your set and sniff.” Viewers called in from across the country to confirm that they distinctly experienced these scents as if they were there in the studio with him. Some claimed the onions made their eyes water.

The Smellovision experiment was repeated on June 12, 1977 by Bristol University psychology lecturer Michael O’Mahony, who was interested in exploring the effect of the power of suggestion on smell. O’Mahony told viewers of Reports Extra, a late-night news show that aired in the Manchester region, that a new technology called Ramen spectroscopy would allow the station to transmit smells over the airwaves. He told them he was going to transmit “a pleasant country smell, not manure” over their TV sets, and he asked people to report what they smelled. Within the next 24 hours the station received 172 responses. The highest number came from people who reported smelling hay or grass. Others reported their living rooms filling with the scent of flowers, lavender, apple blossom, fruits, potatoes, and even homemade bread. Two people complained that the transmission brought on a severe bout of hay fever.

Museum of Hoaxes

Written by (Roughly) Daily

April 1, 2022 at 1:00 am

“Who is to say plutonium is more powerful than, say, rice?”*…

A mysterious illness killed princesses and sailors alike. Wellcome Collection/CC BY 4.0

In the late 19th century, a mysterious illness plagued the upper reaches of Japanese society…

In 1877, Japan’s Meiji Emperor watched his aunt, the princess Kazu, die of a common malady: kakke. If her condition was typical, her legs would have swollen, and her speech slowed. Numbness and paralysis might have come next, along with twitching and vomiting. Death often resulted from heart failure.

The emperor had suffered from this same ailment, on-and-off, his whole life. In response, he poured money into research on the illness. It was a matter of survival: for the emperor, his family, and Japan’s ruling class. While most diseases ravage the poor and vulnerable, kakke afflicted the wealthy and powerful, especially city dwellers. This curious fact gave kakke its other name: Edo wazurai, the affliction of Edo (Edo being the old name for Tokyo). But for centuries, the culprit of kakke went unnoticed: fine, polished, white rice…

The fascinating tale of kakke, and of the determined doctor who found a cure: “How Killer Rice Crippled Tokyo and the Japanese Navy,” in @atlasobscura.

* N.K. Jemisin

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As we opt for brown rice, we might recall that it was on this date in 1937 that Marcel Boulestin became the first “television chef” when he hosted the first episode of the first TV cooking show, the BBC’s Cook’s Night Out. A successful chef, restaurateur, and cookbook author, Boulestin helped popularize French cuisine in the English-speaking world (and was an important influence on Elizabeth David, and in turn, on Julia Child).

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“Ladies and gentlemen, this is the most terrifying thing I have ever witnessed!”*…

As a teenager I was completely suckered in by a television documentary hoax (Forgotten Silver, by Peter Jackson pre-Lord of the Rings). For many years it was quite a sore spot for me that I was duped. I imagine the many people who believed that The War of the Worlds depicted an actual Martian invasion felt the same way. And twelve years before Orson Welles’ famous 1938 radio play another hoax on the airwaves was terrifying the innocent public.

Broadcasting the Barricades by the mystery writer [and Catholic priest] Ronald Knox was performed on BBC Radio in early 1926. Styled like a news report, it described a Bolshevik revolution running through the streets of London. Government ministers were captured and strung up; the Savoy Hotel and the Palace of Westminster were both blown up (thus toppling the Clock Tower and Big Ben too).

Now, there were plenty of clues that it was a hoax. Not least of which was that they told everyone it was not real at the start. Not everyone caught that [as was the case with World of the Worlds], or the many announcements to the same effect on the same channel later that night. Complicating matters, a snowstorm prevented the next day’s newspapers getting out of London, stoking fears that the capital city was in ruins or occupied by revolutionary forces. And 1926 UK was a tense place already: four months after Broadcasting the Barricades, 1.7 million workers joined a general strike in support of locked out coal miners…

The radio hoax that presaged– and inspired– Orson Welles’ The War of the Worlds: “From the Barricades.”

The BBC’s own account of the occasion (the source of the image above) is here. And here is the amusing tale of an Australian variation on the theme, broadcast a year after Knox’s pioneering effort.

Oh, and Forgotten Silver is wonderful!

* “Reporter Carl Phillips” (Frank Readick), The War of the Worlds

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As we check our sources, we might recall that it was on this date in 1843 that John Browne Bell published the first of his London-based newspaper, The News of the World. Bell’s competitive strategy was to focus on the sensational and the lurid– basically, crime and vice… a strategy that served him and subsequent owners, most recently Rupert Murdoch and News Corp., extremely well. Indeed, its long suit in celebrity scoops, gossip, and populist news– especially its somewhat prurient focus on sex scandals– gained it the nickname News of the Screws.

In 2011, 25 years after Murdoch had made it into the Sunday edition of his paper The Sun, The News of the World was closed… sort of. In its last decade it had developed a reputation for exposing celebrities’ drug use, sexual peccadilloes, or criminal acts, by using insiders and journalists in disguise to provide video or photographic evidence, and covert phone hacking in ongoing police investigations. Many of these allegations proved true. On July 4, 2011 it was revealed that, nearly a decade earlier, a private investigator hired by the newspaper had intercepted the voicemail of missing British teenager Milly Dowler, who was later found murdered. Amid a public backlash and the withdrawal of advertising, News International announced the closure of the newspaper three days later.

After a brief hiatus, the fun continued in The Sunday Sun (with many former News of the World staffers), but without several senior News of the World editors, who were arrested and indicted for illegal wiretapping, bribing police officers for information, and other offenses.

Front-page of the first issue

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Written by (Roughly) Daily

October 1, 2020 at 1:01 am

“Facts are stubborn things, but statistics are pliable”*…

 

FL covid

 

Data visualizations that make no sense...

cheese

weather

flights

work from home

More at “WTF Visualizations.”

* Mark Twain

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As we celebrate clarity, we might spare a thought for the mathematician, biologist, historian of science, literary critic, poet, and inventor Jacob Bronowski; he died on this date in 1974.  Bronowski is probably best remembered as the writer (and host) of the epochal 1973 BBC television documentary series (and accompanying book), The Ascent of Man (the title of which was a play on the title of Darwin’s second book on evolution, The Descent of Man)… the thirteen-part series, a survey of the history of science–  from rock tools to relativity– and its place in civilizations, is still an extraordinary treat.  It’s available at libraries, on DVD, or (occasionally) on streaming services.

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“Don’t just do something, sit there”*…

 

cows

You’ve heard of slow food and slow fashion. Now the BBC is spreading the gospel of slow radio.

The British public broadcaster’s Radio 3 programming this autumn will invite listeners to relax to the sounds of Irish cows being herded up a mountain and leaves crunching on walks through the country. Radio 3 controller Alan Davey tells The Guardian this “meditative, slightly old fashioned” radio will provide audiences with “a chance for quiet mindfulness.”

That sounds a lot like autonomous sensory meridian response (ASMR), or the pleasant calming sensation many people feel when listening to a range of gentle everyday noises, from softly spoken words to someone raking a zen garden…

More on soothing sound at: “The BBC is getting into ASMR.”  And for those who can’t receive Radio Three…

* Buddhist saying

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As we’re muse on mindfulness, we might recall that it was on this date in 1597 that Miguel de Cervantes Saavedra, then a tax collector in the province of Grenada, was imprisoned in the Carcel Real, the royal prison in Seville, Spain.  Apparently a subordinate had deposited tax receipts with an untrustworthy banker.

Forced to slow down, Cervantes took good advantage of his free time: he started plotting (but probably not actually writing) “El ingenioso hidalgo Don Quijote de La Mancha” (“The Ingenious Nobleman Sir Quixote of La Mancha“)– or as we have come to know it, Don Quixote.  As Somerset Maugham said,”casting my mind’s eye over the whole of fiction, the only absolutely original creation that I can think of is Don Quixote.”

cervantes source

 

Written by (Roughly) Daily

September 15, 2018 at 1:01 am

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