(Roughly) Daily

Posts Tagged ‘BBC

“A bill of rights is what the people are entitled to against every government on earth, general or particular, and what no just government should refuse, or rest on inference.”*…

First page of an original copy of twelve proposed articles of amendment, as passed by Congress in 1789, and engrossed by William Lambert (source and transcription of the full document)

Following the often heated debate between Federalists and their opponents that led to the the ratification and adoption of the U.S. Constitution, the Anti-Federalists were still unsatisfied. Then-Representative James Madison, who studied the deficiencies of the Constitution pointed out by Anti-Federalists, collected proposals (16 in all), and then crafted a series of 12 proposed corrective amendments. Congress approved the twelve articles of amendment on September 25, 1789, and submitted them to the states for ratification. 10 were ultimately ratified– the first 10 amendments to our Constitution… or as we know them, The Bill of Rights.

In an excerpt from his book, Constitutional Myths: What We Get Wrong and How to Get It Right, Ray Raphael elaborates…

The Constitution of the United States, drafted in 1787 and ratified in 1788, did not follow the precedent set by these state constitutions. Despite spending almost four months drafting their new plan, the framers did not include within it a thoughtful listing of rights but only a scattering of guarantees. On September 12, just five days before the end of the Convention, George Mason finally suggested that delegates add a “Bill of Rights” similar to the state declarations of rights, but his motion failed to garner the support of a single state delegation.

Although state conventions ratified the Constitution, several included a caveat: the new plan should be amended as soon as possible. In fact, they proposed scores of amendments, some resembling provisions of what we now know as the Bill of Rights, but many others altering or even deleting structural features of the Constitution. New York’s convention coupled its list of proposed amendments with a demand for a second federal convention to consider these various proposals. The profusion of proposed amendments, plus the prospect of a second convention, frightened supporters of the Constitution, who feared that a new convention, if it met, would revise the fledgling Constitution before it could be put into effect and gut some of its major provisions.

Most leading Federalists hunkered down. In arguing against a second federal convention, they insisted that a bill of rights was not necessary and could even jeopardize rights that were not included. The job of the Constitution, they said, was to state what government could do, not what it couldn’t do. Rights already were secured because the government possessed no power that allowed it to impinge upon them. In fact, any catalog of specified rights would imply that rights were limited to those in the catalog, and not others.

James Madison and George Washington agreed with this argument, but they also took an accurate measure of people’s displeasure. It was strong and it was widespread. Rather than fight a rearguard action against the wave of discontent, they preferred to channel and control it. Article V of the Constitution stipulated that either Congress or state conventions might propose amendments. If Congress acted first, Madison and Washington reasoned, it could take charge of the issue and protect the substantive features of the new plan–congressional taxation, for instance–while giving ground elsewhere. Madison, meanwhile, pledged to his Virginia constituents that he would work to add a bill of rights if they elected him to represent them in Congress.

Once elected, in the First Federal Congress, Madison whittled down the large list of amendments suggested by the states’ ratifying conventions. With President Washington’s blessing, he proposed nineteen that did not endanger key constitutional components. After considerable debate and some revision, Congress pared Madison’s list down to twelve amendments, which it sent to the states for approval. Ten of these, which we call today the Bill of Rights, were ratified by three-quarters of the states, as required by the new Constitution. The genesis of the Bill of Rights, like the origins of the Constitution, was political as well as theoretical.

The short-term effect of the framing and ratification of the Bill of Rights was to put a Federalist stamp on the amendments and to doom the attempts by the Constitution’s opponents to modify the substantive or structural features of the new plan. The long-term effect was to reinforce America’s culture of rights and to infuse specific rights into American jurisprudence. After more than two centuries, the Bill of Rights, which had been so casually dismissed by the framers, figures so prominently in our minds that it often eclipses the Constitution itself. In an era when the word “government” has a bad name, the ten amendments that circumscribe the federal government’s authority over individuals are often viewed more favorably than the Constitution the framers created in 1787…

The backstory of the Bill of Rights, via the always-illuminating Delanceyplace.com

For more on the process that yielded them, and the texts of all 16 proposed amendments, see here.

* Thomas Jefferson, a critic of Federalists, in a 1787 letter to James Madison (who had originally been opposed to the idea of a “bill of rights,” both because he believed that the Constitution as written did not grant the federal government the power to take away people’s rights, and because he [and some other Framers] believed that we have natural rights too numerous to list– and that anything not explicitly included in a Bill of Rights would be unprotected.)

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As we ponder precedent, we might recall that it was on this date in 1930 that a BBC newsreader had nothing to communicate. His entire script for the 8:45 pm news bulletin was: “There is no news”… after which piano music was played for the rest of the 15-minute segment. The wireless service then returned to broadcasting from the Queen’s Hall in London, where the Wagner opera Parsifal was being performed.

This was how most British people got their news in 1930 – listening to radio; TV broadcasts started six years later (source)

“Music proposes. Sound disposes.”*…

On the heels of Bach and Gluck, a visit to a temple of sound…

The BBC Sound Effects Archive is available for personal, educational or research purposes. There are over 33,000 clips from across the world from the past 100 years. These include clips made by the BBC Radiophonic workshop, recordings from the Blitz in London, special effects made for BBC TV and Radio productions, as well as 15,000 recordings from the Natural History Unit archive. You can explore sounds from every continent – from the college bells ringing in Oxford to a Patagonian waterfall – or listen to a submarine klaxon or the sound of a 1969 Ford Cortina door slamming shut…

– source

Open and easily searchable: “The BBC Sound Effects Archive,” from @BBC.

See also: 32 Sounds (and here).

(Image above: source)

Babette Deutsch

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As we listen, we might recall that it was on this date in 1927 that Warner Bros. released The Jazz Singer, the first feature-length motion picture with both synchronized recorded music and lip-synchronous singing and speech (in several isolated sequences)… that’s to say, the first “talkie.” Based on the 1925 play of the same title by Samson Raphaelson (the plot, adapted from his short story “The Day of Atonement”), The Jazz Singer was warmly received– and effectively marked the end of the silent film era.

The Jazz Singer won two Oscars at the first Academy Awards, has been added to the United States National Film Registry by the Library of Congress (as being “culturally, historically or aesthetically significant”), and was chosen by the American Film Institute as one of the best American films of all time, ranking at number ninety. It has passed into the public domain and can be seen at the Internet Archive: here.

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Written by (Roughly) Daily

October 6, 2024 at 1:00 am

“The more wonderful the means of communication, the more trivial, tawdry, or depressing its contents seemed to be”*…

… a little harsh, perhaps– but, as Mane Kara-Yakoubian reports, all-too-consonant with the results of a major new study of news participation around the world…

A massive cross-cultural study reported a 12% decline in overall news participation—including liking, sharing, and commenting on social media, and discussing news offline—a trend spanning 46 countries between 2015 to 2022. This research was published in New Media & Society.

“I was interested in news participation because in recent years many have expressed concerns about dark forms of participation, such as the sharing of ‘fake news’. Yet, what we see on social media isn’t a representative sample of reality,” said Sacha Altay (@Sacha_Altay), a postdoctoral researcher at the University of Zürich in the department of political science. “For instance, we know that a small group of very active and vocal internet users drive most forms of dark participation online. I wanted to understand general trends in participation beyond these potentially unusual and unrepresentative cases.”

The research team used data from the Digital News Report surveys conducted by YouGov and its partners, which encompassed responses from 577,859 individuals across 46 countries over an eight-year period. These surveys were designed to be nationally representative, with quotas for age, gender, region, and, in some cases, education and political orientation…

“The main takeaway is that in many countries, news participation is declining,” explained Altay. “For example, people report sharing, commenting, or liking news on social media less. This decline is not only confined to online spaces: people also report talking less about the news in face-to-face interactions with their friends or colleagues. The only form of participation that has increased is news sharing via private messaging applications such as WhatsApp.”

Specifically, sharing news on social media dropped by 29%, commenting decreased by 26%, and offline discussions fell by 24%. Conversely, sharing news through private messaging apps increased by 20%, suggesting a preference for private communication channels.

Participants with higher education levels, younger individuals, women, and those with a keen interest in news were more likely to participate in news activities. However, over time, the decline in participation was more pronounced among women, those without a bachelor’s degree, and individuals with low trust in news. This shift resulted in men eventually participating more than women, a reversal of the trend observed in 2015. Further, political polarization within countries was linked to lower levels of news participation, suggesting that increasing societal divides may discourage news engagement…

“The decline in news participation that we document is likely a symptom of growing negative perceptions of the news: in the last seven years, trust in news has slowly but steadily declined, news avoidance has grown, and interest in news has fallen sharply,” Altay told PsyPost. “I see these trends as worrying given the role that the news plays in informing people and, among other things, holding politicians accountable.”…

If true, it’s worrying news to anyone concerned for healthy civil discourse: “Massive cross-cultural study finds participation with news is declining,” from @ManeYakoubian in @PsyPost.

The open access paper: “News participation is declining: Evidence from 46 countries between 2015 and 2022”, by Sacha Altay, Richard Fletcher, and Rasmus Kleis Nielsen.

* Arthur C. Clarke, 2001: A Space Odyssey

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As we investigate engagement, we might spare a thought for a journalist from a brighter time for the field and a champion of an educated, informed populace, Norman MacKenzie; he died on this date in 2013. After graduating for the LSE, MacKenzie worked for two decades at the New Statesman magazine. But in 1962, Asa Briggs recruited him to teach sociology at the University of Sussex (where he also set up the Centre for Educational Technology). In the mid-1960s he worked with Richmond Postgate of the BBC and the then education minister Jennie Lee on ideas for getting more people into university. He subsequently instrumental in creating the Open University.

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“Everything we see hides another thing”*…

Son of Man

No artist more perfectly anticipated the banal strangeness of life in the twenty-first century than Rene Magritte…

René François Ghislain Magritte: born 1898, died 1967; noted fan of bowler hats and pipes; creator of some 1,100 oil paintings and another 850 works on paper, many of which now seem kitschy or lazily repetitive; and yet, I suspect, the twentieth-century artist whose work best anticipated the texture and tenor of life in the twenty-first. The texture: smooth as an iPhone screen, unscathed by contact with the physical world. The tenor: a low rumble, almost silent, somewhere between a growl and a chuckle.

A century ago, the only people who called the world “surreal” were capital-S Surrealists: poets and painters, many of them rooted in Paris, who sought to dig up the buried treasures of the unconscious and convert them into words and images. Today, nobody seriously doubts that the world is a lowercase-s surreal place. Advertising is surreal. Politics is surreal. Dating is surreal. Half of television and all of the Internet is surreal. The art world would be surreal even if Surrealism didn’t sell so well (last week someone picked up a Magritte for the GDP of a small country). At some point between the 1920s and the 2020s, between capital and lowercase, the surreal has been hidden all over again, banalized to the point where everybody acknowledges it but nobody stops to notice it.

Studying Magritte’s life and work forces you to stop and notice. Contemporary U.S. life is surreal, but, at least to me, it doesn’t look like a Salvador Dalí painting or even the work of latter-day descendants such as David Lynch and Haruki Murakami. It looks like Magritte, with its weightless, endlessly reproduced photographs and logos that make everywhere feel like everywhere else (i.e., nowhere). It puzzles in the same placid, teasing way that Magritte puzzles; it seems utterly random and utterly repetitive, at once too obscure and too obvious, creating the illusion that everything will make sense if only you stay and puzzle a little longer. Contemporary U.S. life—like an apple in a café, like many of the figures in Magritte’s paintings, like Magritte himself—is hiding in plain sight…

Jackson Arn on “Magritte’s Prophetic Surrealism.”

* Rene Magritte

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As we investigate the invisible, we might recall that it was on this date (April Fool’s Day) in 1965 that the BBC put one over on its television viewers:

BBC TV interviewed a professor from London University who had perfected a technology he called “smellovision.” It allowed viewers to smell aromas produced in the television studio in their homes. The professor explained that his machine broke scents down into their component molecules which could then be transmitted through the screen.

The professor offered a demonstration by placing first some coffee beans and then onions into the smellovision machine. He asked viewers to report by noon whether they were able to smell anything, instructing them that “for best results stand six feet away from your set and sniff.” Viewers called in from across the country to confirm that they distinctly experienced these scents as if they were there in the studio with him. Some claimed the onions made their eyes water.

The Smellovision experiment was repeated on June 12, 1977 by Bristol University psychology lecturer Michael O’Mahony, who was interested in exploring the effect of the power of suggestion on smell. O’Mahony told viewers of Reports Extra, a late-night news show that aired in the Manchester region, that a new technology called Ramen spectroscopy would allow the station to transmit smells over the airwaves. He told them he was going to transmit “a pleasant country smell, not manure” over their TV sets, and he asked people to report what they smelled. Within the next 24 hours the station received 172 responses. The highest number came from people who reported smelling hay or grass. Others reported their living rooms filling with the scent of flowers, lavender, apple blossom, fruits, potatoes, and even homemade bread. Two people complained that the transmission brought on a severe bout of hay fever.

Museum of Hoaxes

Written by (Roughly) Daily

April 1, 2022 at 1:00 am

“Who is to say plutonium is more powerful than, say, rice?”*…

A mysterious illness killed princesses and sailors alike. Wellcome Collection/CC BY 4.0

In the late 19th century, a mysterious illness plagued the upper reaches of Japanese society…

In 1877, Japan’s Meiji Emperor watched his aunt, the princess Kazu, die of a common malady: kakke. If her condition was typical, her legs would have swollen, and her speech slowed. Numbness and paralysis might have come next, along with twitching and vomiting. Death often resulted from heart failure.

The emperor had suffered from this same ailment, on-and-off, his whole life. In response, he poured money into research on the illness. It was a matter of survival: for the emperor, his family, and Japan’s ruling class. While most diseases ravage the poor and vulnerable, kakke afflicted the wealthy and powerful, especially city dwellers. This curious fact gave kakke its other name: Edo wazurai, the affliction of Edo (Edo being the old name for Tokyo). But for centuries, the culprit of kakke went unnoticed: fine, polished, white rice…

The fascinating tale of kakke, and of the determined doctor who found a cure: “How Killer Rice Crippled Tokyo and the Japanese Navy,” in @atlasobscura.

* N.K. Jemisin

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As we opt for brown rice, we might recall that it was on this date in 1937 that Marcel Boulestin became the first “television chef” when he hosted the first episode of the first TV cooking show, the BBC’s Cook’s Night Out. A successful chef, restaurateur, and cookbook author, Boulestin helped popularize French cuisine in the English-speaking world (and was an important influence on Elizabeth David, and in turn, on Julia Child).

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