Posts Tagged ‘Jerry Lee Lewis’
“I think it would be a very good idea”*…

As we discuss global culture(s) or geo-politics, we often talk about “The West” (and the rest). In a review of Georgios Varouxakis‘ new book The West: The History of an Idea, Andrew Kaufmann reminds us that it’s important to interrogate that defining concept…
What is the West? Many take the idea for granted, but few can define it. In this meticulously researched, engaging, and sometimes bewildering new book, The West: The History of an Idea, intellectual historian Georgios Varouxakis takes readers on a two-centuries-long tour of the many uses, definitions, and redefinitions of the term. Along the way, readers may find their own long-held assumptions and stereotypes challenged and even undermined.
The book makes a number of arguments, but for the purposes of this review, it’s worth focusing on just a few major ones. The first and most innovative argument of the book is this: The idea of the West as a transnational sociopolitical community distinct from the rest of the world is more recent than we think. This idea received its first sophisticated and coherent articulation in the 1820s from French philosopher Auguste Comte.
While historians and other academics had long looked to past societies like ancient Athens or medieval Europe as representing the “West” against some “other,” Comte was the first to coherently put together a future-oriented political program to be adopted and followed. Most scholars locate the future-focused version of the West’s inauguration in the 1890s, when the idea was used to justify imperial and colonial expansion. By contrast, Varouxakis argues that Comte and his followers wanted to build a West that was anti-imperialist, committed to science and reason, liberated from dogmatic Christianity, and fueled by altruism and sympathy.
As a progressive positivist, Comte saw the “Western Republic” as a via media between a hyper nationalism (of the French variety) and an overly abstract universalism. He imagined a way station that transcended the parochialism of family and nation and would one day be realized and embraced all over the world, even if it would take a full seven centuries from his own writing to come to fruition (that was Comte’s timeline). Neither tied to a particular nation like France (although Paris would be the center of this Republic until Constantinople would replace it), nor embodied by an abstract and universal cosmopolitanism, the Western Republic (or l’Occident) would be set off against its Other—in particular, Russia and the Orient. Still, over time this republic would non-coercively welcome the rest of the world into its fold.
Contrary to a common conception of “the West,” it was not to be a society (or society of societies) committed to democracy, individualism, or liberalism. It was instead a rejection of the hyper-individualism of the modern period, and it was an attempt to recover an older other-centered ethic that had been lost to a prior age.
The second major argument Varouxakis presents is that despite this idea of a transnational West that had its origin in Comte’s work, and despite Comte’s legacy that his disciples clearly carried across continents and centuries, the history of the idea of the West since Comte is complicated and contested. Put another way, while the specter of Comte hovers over the entire narrative, his vision is not always fully realized, nor is the meaning of the term always stable. This complicated history manifests itself in a number of different ways and carries with it some significant implications…
… Many casual users of “Western Civilization” will often identify it as one and the same with liberal democracy. They often find that somehow and at some point Britain came to embrace the West as being just that—liberal and democratic. Varouxakis complicates this picture by showing that while a few liberal voices in Britain were certainly also champions of Western Civilization, the more consistent and coherent users of the term were disciples of Comte and therefore much more illiberal in their thinking…
… Or take the more familiar East vs. West framework we associate with the Cold War, where surely the fault lines of Eastern totalitarianism against Western liberal capitalism are clean and clear. But even here the history is complicated, as the period begins with the acknowledgement that it was indeed Soviet Russia that helped to save “western civilization.” Indeed, it took forty years of gradual evolution for the idea of the “West” to finally crystallize around the shared commitment to economic, religious, and political freedom over and against Soviet planned economies, state-sanctioned atheism, and one-party politics with no free and fair elections…
… Given the winding road of the history of the West, it is instructive that there seems to be something of a settlement on its meaning for today, even if there are differences in its application. This can be seen most clearly in Varouxakis’ penultimate chapter on the dispute between Samuel Huntington and Francis Fukuyama after the end of the Cold War. Fukuyama of course is well known for his view that the West—in its embrace of liberal democracy and capitalism—had now emerged triumphant over the defeated ideas of Marxist totalitarianism, which found its fullest expression in Soviet Russia of the East.
Samuel Huntington’s ideas of what the West embodied were not much different, but he diverged from Fukuyama in his vision of what the world’s future likely entailed. For Huntington, the coming years and decades would see a “clash of civilizations,” a conflict of the most basic sort between the West and the great civilizations of the world as we know it. He saw nothing certain about the global triumph of any particular civilizational expression, including the West. Indeed, Huntington contends that it is only the West that even believes in universal ideals, and that all of the non-Western civilizations—whether Chinese, Islamic, or otherwise—are all partial in their visions. Therefore, we see here in the latest debate about the West a return of the Comtean question: Will the West become a universal civilization, or will it endure as one of many civilizations forever in conflict with each other? While we may have some agreement on what the West stands for, we may have less confidence in its future in the world.
The history is complex, indeed. But Varouxakis also raises the question of whether Western Civilization—however one defines it—is something to defend in the first place. He considers this question several times in the book, but perhaps none more poignantly than in the Great War itself. For example, there were many who noted the hypocrisy of the “Western powers” that suddenly found common cause with the long-excluded Russia in their fight against Germany and the Central Powers. But perhaps more troubling is what it says about a civilization when it produces not the peace and altruism long promised by its founder, but instead destruction on a scale that had never been seen before in human history. One could likewise ask: What kind of civilization deliberately excludes and exploits the weakest members within its borders, such as in the treatment of African Americans in the United States and of those in the furthest regions of the colonial empires of Europe? This crisis of confidence and feeling of decline continued through the interwar years, as Oswald Spengler expresses in his Decline of the West, a fitting rejoinder to the optimism of Comte’s Western utopia.
And so, perhaps the best way to conclude for readers of all sorts—but especially Christians—is to offer two words of caution. The first is to those who would defend the “West” and “Western Civilization” as something either resonant with or even inspired by a Judeo-Christian worldview. And that word is simple: the origins of the idea of the West in one of its most dominant forms (the Comtean one) and in its subsequent historical uses is either non-Christian or even anti-Christian. Indeed, I went into the book expecting a heavy dose of Judeo-Christian connections to the idea of the West, and while the link is not completely absent, I was struck by its muted nature.
Besides the post-Christian progressive vision of Comte himself, consider the voice of Black writer Richard Wright as one representative example to follow in the Frenchman’s footsteps. As someone who identified with the West, he considered “the content of [his] Westernness [residing] fundamentally…in [his] secular outlook upon life.” The progress of the West would be realized the more it emancipated itself from the influence of “mystical powers” or the priests who would speak in their name. Armed with the tools of trial-and-error pragmatism, human life can be sustained without recourse to divine help. A West liberated from divine help is a West worth preserving, at least according to Wright.
Overall, the West as an idea has many champions who are quite open in their antipathy toward the Christian religion, and it would be foolish to ignore those influences on the meaning and use of the term for us today. Still, the second and final note I’d like to offer is a bit more optimistic. In the concluding chapter, Varouxakis urges readers to move from the parochialism of “Western” ideas to adopt a language that is universal in its appeal. What, after all, was so attractive about any of the Western projects that Varouxakis so painstakingly chronicles? It was always their global appeal.
Altruism, sympathy, love for others, freedom, individualism, democracy, capitalism. These are not ideals that belong to just a few but rightfully can be embraced by all of God’s creatures in different places, at different times, and in different ways. Certainly for Christians who embrace a global faith, the least we can do is see the inheritance of the “West,” however defined, as a mixed bag of common grace insights and ideas in rebellion against God, combined with the perspective that none of what is worth keeping in the West should ever be kept from those who would embrace its ideals…
Eminently worth reading in full: “The Idea of the West” from @mereorthodoxy.bsky.social.
For a look at the concept in current context/practice: “The Rest take on the West,” from @noemamag.com.
* Gandhi’s response when asked, “what do you think of western civilization?”
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As we ponder perplexingly plastic paradigms, we might recall that it was on this date in 1957 that “Whole Lotta Shakin’ Going On” by Jerry Lee Lewis peaked at #3 on the US pop singles charts (though it topped the R&B and country charts shortly after). It was a cover of a 1955 release by Big Maybelle of a song written by Dave “Curlee” Williams (and sometimes also credited to James Faye “Roy” Hall). Lewis, with session drummer Jimmy Van Eaton and guitarist Roland Janes, had recorded the song at Sun Records in just one take.
“The sound must seem an echo to the sense”*…
As devices once common fall out of use, we stop hearing the sounds that they made…
“Conserve the sound” is an online archive for disappearing sounds. The sounds of a rotary dial phone, a Walkman, an analog typewriter, a pay phone, a 56k modem, a nuclear power plant or even a mobile phone keyboard have partly disappeared or are just disappearing from everyday life. In addition, people have their say in text and video interviews and deepen their view into the world of disappearing sounds…”
The signature sounds of the items above and so many more: “Conserve the sound,” a project of CHUNDERKSEN.
Apposite: “Google Translate for the zoo? How humans might talk to animals,” a review of Karen Bakker‘s The Sounds of Life.
And. of course, 32 Sounds.
* Alexander Pope
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As we listen in, we might recall that it was on this date in 1986, in Cleveland, that the Rock and Roll Hall of Fame inducted it’s first class of members: Little Richard, Chuck Berry, James Brown, Ray Charles, Sam Cooke, Fats Domino, The Everly Brothers, Alan Freed, John Hammond, Buddy Holly, Robert Johnson, Jerry Lee Lewis, San Phillips, Elvis Presley, Little Richard, Jimmie Rodgers, and Jimmy Yancey. The I. M. Pei designed museum opened on June 7, 1993.
“The music was always in the background, like music at a church service; it was something to depend upon”*…
The Gap In-Store Playlists blog is the passion project of Mike Bise, a 56-year-old elementary school computer teacher and former Gap employee. Bise, who worked at Gap for 15 years, started the blog in 2015 on a quest to compile every in-store playlist from 1992 to 2006. In the nearly seven years since, he hasn’t let up. And with help from all corners of the country, his musical quest is now nearly three-quarters of the way complete…
I began working at the Gap at Highland Park Village in Dallas on October 17, 1992. Immediately, I was overwhelmed by the music played in the store during business hours. At the time, my main musical passions were the songs of Stevie Nicks and Kate Bush, as well as dance music played in clubs. Gap exposed me to a wide array of music such as House, Techno, Alternative Rock, Modern and Classic R&B, Acid Jazz, and so much more. From that very first day, I was captivated by all of this new music and wanted to purchase much of it for my own enjoyment at home, in the car, etc.
When I started at Gap, the music was on four-hour cassette tapes made by AEI Music. In an eight-hour shift, you would usually hear all of the songs twice a day. By March 1998, Gap had switched over to four-hour CDs for the music, still created by AEI. In April 1999, Gap began using Muzak as the company’s music service, again with four-hour CDs. Eventually, both AEI and Muzak would be acquired by Mood Media.
When each tape/CD arrived at the store each month, a paper playlist insert was included which listed all of the songs and artists on that month’s tape/CD. Most stores posted the playlists either at the cash wrap or in the backroom for employees who were interested in the songs as well as to be able to answer customers’ questions about the music.
New tapes usually arrived the last week of each month. While the old tapes and CDs were required to be mailed back to AEI back then, the playlists did not have to be sent back. Therefore, most playlists piled up in the backroom or were discarded. Because of my interest in the music on the tapes, I asked my manager at Highland Park Village if I could take each old playlist at the end of the month when the new tape arrived. Thus started my collecting of the Gap In-Store Playlists!
I collected almost every single playlist from the Gap brand from June 1992 to February 2006, as well as most GapKids and babyGap playlists from May 1998 to February 2006 and many GapBody playlists from 2000 to 2004. I stored the playlists in a small cardboard box that was once used in visual displays at Gap in 1995. I would buy CDs with the songs I wanted, plus buying individual songs form iTunes starting in June 2005, while ever-so-slowly putting together playlists on my computer. In the back of my mind, I planned to recreate all of the playlists on my iMac. I wasn’t just interested in single songs but the playlists as whole entities.
Shortly after I left Gap in February 2006, I lost the box that contained all of the playlists during a move. It was devastating to realize that all of the playlists were gone forever. Eventually, I began my Gap Playlists blog in the hopes of attracting others who also saved the playlists from when they worked at Gap. Although I have recovered dozens of playlists thanks to the blog, there are still many more to go to reach my goal of re-obtaining the playlists that I lost.
If you worked at Gap and saved any of the paper playlists that came with each month’s CD/tape, please share them with me. Contact me at: michaelbise@msn.com…
Retail refrains: “Gap In-Store Playlists,” from @GapPlaylists.
See also “The Guy Collecting Every Gap Store Playlist Ever Made,” @WeAreMel, from whence the photo above.
* Joyce Carol Oates
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As we hum along, we might recall that it was on this date in 2009 that the Tennessee State Legislature voted to names a stretch of Getwell Road in Shelby County (running from the Mississippi state line to Interstate 240) as the Jerry Lee Lewis Highway.
“A man is worked upon by what he works on”*…

Further to last week’s “The most perfect political community is one in which the middle class is in control, and outnumbers both of the other classes”*…
The numbers tell one story. Unemployment in the US is the lowest it’s been in 50 years. More Americans have jobs than ever before. Wage growth keeps climbing.
People tell a different story. Long job hunts. Trouble finding work with decent pay. A lack of predictable hours.
These accounts are hard to square with the record-long economic expansion and robust labor market described in headline statistics. Put another way, when you compare the lived reality with the data and it’s clear something big is getting lost in translation. But a team of researchers thinks they may have uncovered the Rosetta Stone of the US labor market.
They recently unveiled the US Private Sector Job Quality Index (or JQI for short), a new monthly indicator that aims to track the quality of jobs instead of just the quantity. The JQI measures the ratio of what the researchers call “high-quality” versus “low-quality” jobs, based on whether the work offer more or less than the average income.
A reading of 100 means that there are equal numbers of the two groups, while anything less implies relatively lower-quality jobs. Here’s what it looks like:
So, what is this newfangled thing telling us? Right now the JQI is just shy of 81, which implies that there are 81 high-quality jobs for every 100 low-quality ones. While that’s a slight improvement from early 2012—the JQI’s 30-year nadir—it’s still way down from 2006, the eve of the housing market crash, when the economy regularly supported about 90 good jobs per 100 lousy ones.
Or, in plainer English, the US labor market is nowhere near fully recovered from the Great Recession. In fact, the long-term trend in the balance of jobs paints a more ominous picture…
Quality vs. quantity: more at “The great American labor paradox: Plentiful jobs, most of them bad.”
Resonantly, see also: “Job loss predictions over rising minimum wages haven’t come true.” The higher minimum wages in question are still below the average that separates high- and low-quality jobs; but they are a step in the direction of narrowing the gap.
* “A man is worked upon by what he works on. He may carve out his circumstances, but his circumstances will carve him out as well.” –
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As we “Get a Job,” we might recall that it was on this date in 1956 that serendipity yielded one of the coolest collectibles ever: rockabilly legend Carl “Blue Suede Shoes” Perkins was recording at Sam Phillips’ Sun Records in Memphis; Perkin’s buddy Johnny Cash, a Sun artist and a country star by virtue of his recent hits “I Walk The Line” and “Folsom Prison Blues,” was hanging out in the booth; and soon-to-be-famous Jerry Lee Lewis was playing piano (for a $15 dollar session fee– “Whole Lotta Shakin’ Goin’ On” was set for release a few weeks later).
A couple of years earlier, Phillips had launched Elvis Presley with “It’s Alright Mama”; but in 1955, as Elvis’ career exploded, Phillips had sold his contract to RCA, and Elvis moved on. But The King was back in Memphis that fateful day; he stopped by Sun to say hello… and an impromptu jam ensued. Phillips had the presence of mind to order his engineer, Jack Clement, to roll tape– a tape that was promptly shelved, forgotten, and unheard for 20 years. The recordings of what was arguably the first “supergroup” were found in 1976 and finally released in 1981… since when, they’ve been treasured by fans– a new crop of which has emerged with the success of the Broadway musical Million Dollar Quartet.
“Without music, life would be a mistake”*…
From great songs…

… to the works of great bands…

… Designer Viktor Hertz presents The Pictograms of Pop (among many other graphic delights).
* Friedrich Nietzsche
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As we smile semiotically, we might recall that it was on this date in 1957 that rock and roll’s first great wild man, “The Killer”– Jerry Lee Lewis– appeared on television for the first time.
click here or on the image above to view JLL’s July 28, 1957 appearance on The Steve Allen Show





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