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Posts Tagged ‘cartography

“Night Time Is the Right Time”*…

An architect based in Boston by day, Andrew Thomas Shea is a photography hobbyist at night and his latest project, Neon New England, celebrates a beloved common fixture across the Northeastern United States… vintage neon signs.

More of Shea’s sumptuous work at “Nocturnal photographs of New England’s famous American neon signs.”

* song written and first performed by Roosevelt Sykes (1937), bt better known in subsequent versions by inspired many subsequent versions, including hits by Ray Charles, Rufus and Carla (Thomas), and James Brown

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As we reflect on reflection, we might recall that it was on this date in 1851 that Léon Foucault famously used a pendulum suspended from the top of the dome in the Pantheon in Paris to demonstrate that the earth turns on its axis. (He used a technique developed by Vincenzo Viviani, though it was Foucault’s “experiment that caught the public’s attention.) The following year, Foucault used (and named) the gyroscope in a conceptually simpler experimental proof.

(Several years later he also helped take the first photo of the sun.)

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“Once, centuries ago, a map was a thing of beauty, a testament not to the way things were but to the heights scaled by men’s dreams”*…

“Le Globe Terrestre … dressé sur la projection de M. de la Hyre … par I.B. Nolin, etc” 1767

George III’s extensive ‘K.Top’ [King’s Topographical] collection of around 40,000 maps and views reflects changing impressions of place and space across the 16th–19th centuries through manuscript and printed atlases; architectural drawings and garden plans; maps and records of military campaigns, fortifications, barracks, bridges and canals; records of town and country houses, civic and collegiate buildings; drawn and printed records of antiquities including stained glass, sculpture, tombs, mosaic pavements and brasses; and thousands of drawn and printed views.

The collection includes the work of familiar names from Hollar to Hawksmoor, alongside the works of a host of lesser-known artists and amateurs and much anonymous or unidentified material. The British Library has received support from a number of generous donors to make this material available digitally…

“View of Sydney” Fernando Brambila (court painter to the Spanish monarch), 1793

Maps: King George III Topographical and Maritime collections, digitized by the British Museum– on their web site, here; on Flickr, here.

* Bea González, Mapmaker’s Opera

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As we find our way, we might recall that it was on this date in 4004 BCE that the Universe was created… as per calculations by Archbishop James Ussher in the mid-17th century.

When Clarence Darrow prepared his famous examination of William Jennings Bryan in the Scopes trial [see here], he chose to focus primarily on a chronology of Biblical events prepared by a seventeenth-century Irish bishop, James Ussher. American fundamentalists in 1925 found—and generally accepted as accurate—Ussher’s careful calculation of dates, going all the way back to Creation, in the margins of their family Bibles.  (In fact, until the 1970s, the Bibles placed in nearly every hotel room by the Gideon Society carried his chronology.)  The King James Version of the Bible introduced into evidence by the prosecution in Dayton contained Ussher’s famous chronology, and Bryan more than once would be forced to resort to the bishop’s dates as he tried to respond to Darrow’s questions.

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Ussher

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“Geographers never get lost. They just do accidental field work.”*…

 

maps

An image from The Catalan Atlas, 1375

 

When Christopher Columbus first set foot in what’s now the Bahamas, it was the lucky sum of a 1,400-year-old cartographical error and Columbus’s own miscalculations of the globe. The Genoese explorer believed the Eurasian landmass to cover nearly 2/3 of the earth’s circumference—the actual distance from Spain eastward to his target of eastern Asia was closer to 1/3 of the circumference.

Columbus’s image of the world was based on ancient maps that greatly overestimated the size of the Eurasian continent and depicted the planet’s circumference some 25 percent smaller than it actually was—a misjudgment compounded by his own wishful thinking and erroneous math. By his calculation, India lay within a 2,500-mile voyage west of Spain. He was off by about 8,000 miles.

Columbus’s errors are only a chapter in a series of discoveries, theories, and mistakes that tell the story of maps and mapmaking. Maps are a 10,000-year journey of humans trying to understand Earth. In 1492, most people had no idea what the world looked like; even some impressively accurate maps were full of myths and mistakes, from fantastical monsters to entire missing continents to swaths of terra incognita, or “unknown territory.”

Over time, errors were corrected and empty spaces were filled in, and today, much of the population walks around with a map of the entire Earth in their pocket that’s so detailed you can see your own front door…

Eight maps, from antiquity to today, that changed how we see the world: “Why Maps Are Civilization’s Greatest Tool.”

* Nicholas Chrisman

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As we find our way, we might might recall that it was on this date in 1415 that Henry the Navigator led Portuguese forces to victory over the Marinids at the Battle of Ceuta, the Muslim port on the North African coast across the Straits of Gibraltar from the Iberian Peninsula– which marked the beginning of the Portuguese Empire in Africa.  Henry remained a central figure in the early days of the Portuguese Empire and was a key driver of the 15th-century European maritime discoveries and maritime expansion. Through his administrative direction– including his patronage of cartographers– he is regarded as the main initiator of what would be known as the Age of Discovery.

220px-Henry_the_Navigator1 source

 

“Like guns and crosses, maps can be good or bad, depending on who’s holding them, who they’re aimed at, how they’re used, and why”*…

 

World Map

“A New and Accurat [sic] Map of the World,” John Speed 1626. For background, see here

 

We expect maps to tell us the truth. They seem trustworthy, after all: when you need to figure out how to get from Copley Square to Fenway Park, or if you’re interested in comparing the income levels of Boston’s neighborhoods, the first reference material you’re likely to seek out is a map.

But maps, truth, and belief have a complicated relationship with one another. Every map is a representation of reality, and every representation, no matter how accurate and honest, involves simplification, symbolization, and selective attention. Even when a map isn’t actively trying to deceive its readers, it still must reduce the complexity of the real world, emphasizing some features and hiding others. Compressing the round globe onto a flat sheet of paper, and converting places, people, and statistics into symbols, lines, and colors is a process inherently fraught with distortion.

Meanwhile, what we understand to be true is based on what we have seen in maps. For example, how do you know that New Zealand is an island off the coast of Australia if you’ve never been on a ship in the Tasman Sea or flown up in space to see it yourself? That fact about the world is one you can believe because you’ve seen it reproduced over and over again in maps produced by people and institutions that you trust…

Because they seem to show the world how it “really is,” maps produce a powerful sense of trust and belief.  But maps and data visualizations can never communicate a truth without any perspective at all.  They are social objects whose meaning and power are produced by written and symbolic language and whose authority is determined by the institutions and contexts in which they circulate.  From the Boston Public Library’s Norman B. Leventhal Map & Education Center, a remarkable online exhibit that explores the many ways in which maps and data can mislead: BENDING LINES: Maps and Data from Distortion to Deception. (Lots of fascinating information and LOTS of glorious maps!)

See also: “How to Detect the Distortions of Maps.”

And lest we underestimate the innate challenges facing cartographers, “The U.S. Is Getting Shorter, as Mapmakers Race to Keep Up.”

* Mark Monmonier, How to Lie with Maps

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As we aspire to accuracy, we might recall that it was on this date in 1784 that Élisabeth Thible became the first women to ascend in an untethered balloon (eight months after the first manned balloon flight).  When the balloon left the ground Thible, dressed as the Roman goddess Minerva, and her pilot, Monsieur Fleurant sang two duets from Monsigny’s La Belle Arsène, a celebrated opera of the time.  The flight lasted 45 minutes, covered four kilometers, and achieved an estimated height of 1,500 meters.  Their audience included King Gustav III of Sweden, in whose honor the balloon was named.

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Élisabeth Thible on a later flight

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“What wouldn’t I give now for a never-changing map of the ever-constant ineffable?”*…

 

Atlas

 

Now that we’re corralled into our homes and apartments, something seems pre-modern in how our worlds have shrunk. Unlike past quarantines, we’re also connected by digital technology to the rest of the globe, calling to mind poet John Donne’s line from a 1633 poem about making “one little room an everywhere.” Donne came of age able to envision a mental map of the globe based on new and detailed evidence about a dizzying array of locations. His poetry is replete with globes, maps, and atlases. What’s considered to be the first atlas was first available in an Antwerp print shop 450 years ago [see here] only two years before Donne was born. It was large, handsome, and expensive, with the grandiose title of Theatrum Orbis Terrarum, or in English Theater of the Orb of the World. Donne was undoubtedly familiar with it. Produced by the cartographer Abraham Ortelius, it was one of the most popular books of the era. Ortelius had invented the world.

403px-Bodleian_Libraries,_Ortelius,_Theatrum_Orbis_Terrarum_Titlepage_with_four_figures_which_embody_the_four_known_continents

Never before had all cartographic knowledge been compiled together; never before could a reader imagine the totality of the Earth so completely…

Ortelius wasn’t the first mapmaker to be concerned with what the coastlines actually looked like, or with making sure that islands were in the right location. But he was the first to gather all of that detailed material in a single place. Those who purchased the Theatrum were not unlike those first seeing The Blue Marble, a photograph of Earth the members of the 1972 Apollo 17 mission took from space.

As with that image, Ortelius’ atlas birthed a new mental geography, a new imagined space. If Medieval thinkers saw themselves as living in a symbolic and allegorical geographic order, then the Theatrum presented the physical world in its totality. The cartographer didn’t prove that the world was round (people already knew that) or that the world was large (they knew that too) but he gave people the mental images necessary to imagine themselves on that large, round globe. Ortelius gave us not disenchantment, but a differing enchantment—a sense of the sheer magnitude of the planet.

It was the most expensive book ever published (up to then), and one of the most impactful: “The Book That Invented the World.”

* David Mitchell, Cloud Atlas

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As we find our places, we might recall that it was on this date in 1790 that Peruvian-Spanish explorer and cartographer Manuel Quimper began his exploration and mapping of The Strait of Juan de Fuqua (known until a few years earlier as The North Straits).  Running into the Pacific at the northern extreme of what is now Washington State, the center of the Strait defines the international boundary between Canada and the United States (and in earlier maps, per the link in the quote above, contributed incorrectly to defining California as an island).

Manuel_Quimper source

 

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