Posts Tagged ‘cartography’
“The afternoon knows what the morning never suspected”*…
Change in population aged 65 and older, 2010-2023. [Screenshot: ESRI]
We’re all getting older. It’s the one thing that every single person alive right now has in common. But we’re also getting older as a population, with Americans both living longer and having fewer children. Census projections show a major demographic shift already underway and accelerating in the years to come.
At the same time, populations are not aging evenly, and issues related to aging will impact individual communities in vastly different ways, boosting economic opportunity in some areas while putting a strain on social services in others.
For instance, real estate developers that invest in progressive senior housing projects now could benefit down the road as demand for modern facilities that cater to active seniors grows. Similarly, American tech companies will see opportunity in developing innovative high-tech solutions for senior care, such as health-monitoring devices, ride-share services aimed at seniors, and care-bots. (Take a look at how Japan has embraced high-tech solutions for its aging population for more on how that might play out in the United States.)
On the flip side, social safety nets are likely to face increasing financial challenges with the continued retirement of America’s Baby Boomers, the youngest of whom will reach 67 by 2031. As that happens, rural counties—where people on average rely on Social Security as a larger portion of their overall income—may disproportionately feel the economic effects of aging.
One way to sort out who will be most impacted by aging is to look at age demographics across the country and how they will change over time…
America is aging, but not evenly: “7 maps that tell the incredible story of aging in America.”
See also this essay by Don Norman, the 83 year-old dean of user-centered design (author of The Design of Everyday Things and a former VP at Apple): “I wrote the book on user-friendly design. What I see today horrifies me.”
* Robert Frost
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As we stand up to senescence, we might recall that it was on this date in 1965 that Peter Townsend wrote “My Generation”– inspired by the Queen Mother, who’d had his 1935 Packard hearse towed off a street in Belgravia because she was offended by the sight of it during her daily drive through the neighborhood. The song was released as a single later that year and became first a hit, then an anthem.
“People almost invariably arrive at their beliefs not on the basis of proof but on the basis of what they find attractive”*…
A map characterizes the Republican trade policy platform in the 1888 election
When PJ Mode began to purchase old maps in the 1980s, he set out to amass a typical collection of world maps. But along the way, his attention turned to unusual maps that dealers weren’t sure how to categorize—those that attempted to persuade rather than convey geographic information.
“Most collectors looked down their noses at these maps because they didn’t technically consider them maps,” Mode says. “But they were fun and they were inexpensive, and over the years I became more interested in them than the old world maps.”
The interest has culminated in a collection of more than 800 “persuasive maps,” as they are now called, which can be found in digital form through Cornell University’s library…
Maps never succeed is depicting reality exactly, fully as it is. But as a digital collection at Cornell University shows, many important maps from our past haven’t even tried. How subjective maps can be used to manipulate opinion: “These ‘Persuasive Maps’ Want You to Believe.”
See also “Maps that Make a Point” and “A map of the world that does not include Utopia is not worth even glancing at, for it leaves out the one country at which Humanity is always landing.”
De l’art de persuader
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As we try to find our way, we might send birthday greetings to a “cartographer” of a different sort: James Augustine Aloysius Joyce was born on this date in 1882. A poet and novelist best known for Ulysses, he was the preeminent figure in the Modernist avant-garde, and a formative influence on writers as various as (Joyce’s protege) Samuel Becket, Jorge Luis Borges, Salmon Rushdie, and Joesph Campbell.
In 1998, the Modern Library ranked Ulysses No. 1, A Portrait of the Artist as a Young Man No. 3, and Finnegans Wake No. 77, on its list of the 100 best English-language novels of the 20th century. The next year, Time Magazine named Joyce one of its 100 Most Important People of the 20th century, observing that “Joyce … revolutionized 20th century fiction.” And illustrating that Joyce’s influence was not confined to the arts: physicist Murray Gell-Mann used the sentence “Three quarks for Muster Mark!” (in Joyce’s Finnegans Wake) as source for the elementary particle he was naming– the quark.
Photo of Joyce included in a printed subscription order form for Ulysses, published Paris, 1921
“Who that goeth on Pilgrimage but would have one of these Maps about him, that he may look when he is at a stand, which is the way he must take?*…
Carta Marina, by Olaus Magnus, 1539
Johannes Gutenberg printed his first Bible in 1455, and the first published sailing directions appeared thirty-five years later. Print media encouraged the divergence of navigational information from material discussing the commercial prospects of trade at various ports. Printing promoted the widespread distribution of geographic and hydrographic information, including maps, to readers throughout Europe at a time when literacy was on the rise and the spreading use of vernacular languages made such works available to non-scholars…
Europe’s explorers actively sought and exploited both academic knowledge and geographic experience in their systematic search for new trade routes. Use of the sea ultimately rested on reliable knowledge of the ocean. Fresh appreciation for empirical evidence fueled recognition of the value of experience, and the process of exploration included mechanisms for accumulating and disseminating new geographic knowledge to form the basis for future navigation.
At the outset of the discovery of the seas, portolan charts recorded actual experiences at sea. These navigational aids provided mariners with compass direction and estimated the distance between coastal landmarks or harbors. Utterly novel for their time, portolans were the first charts to attempt to depict scale. Portolans created by fourteenth- and fifteenth-century explorers document Portuguese and Spanish discovery of Atlantic islands and the African coast and helped subsequent mariners retrace their steps. Accuracy of portolans was best over shorter distances, and they became less useful when navigators steered offshore.
In contrast to creators of portolans, armchair cartographers compiled world maps of little use for actual navigation but which reflected shifting knowledge of oceans. While manuscript maps had been produced alongside written manuscripts since antiquity, the earliest known printed map was included in an encyclopedia of 1470. It represents the world schematically within a circle, in which the three continents of Asia, Europe, and Africa are surrounded by an ocean river and separated from each other by horizontal and vertical rivers that form a T shape—hence the name “T-O” to describe this kind of map. Other early maps were based on Ptolemy’s work, on biblical stories or other allegories, or occasionally on portolans…
Although the majority of medieval maps and nautical charts of the Age of Discovery did not include sea monsters, the ones that do reveal both a rise of general interest in marvels and wonders and a specific concern for maritime activities that took place at sea, including in far distant oceans. The more exotic creatures are often positioned on maps at the edge of the Earth, conveying a sense of mystery and danger and perhaps discouraging voyages in those areas. Images of octopuses or other monsters attacking ships would seem to be warning of dangers to navigation…
An excerpt from a fascinating essay on how cartographers saw the– mostly blue– world in the Age of Discovery; read it in full at “Mapping the Oceans.”
* John Bunyan, The Pilgrim’s Progress
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As we find our way, we might light a birthday candle for Sir Francis Bacon– English Renaissance philosopher, lawyer, linguist, composer, mathematician, geometer, musician, poet, painter, astronomer, classicist, philosopher, historian, theologian, architect, father of modern science (The Baconian– aka The Scientific– Method), and patron of modern democracy, whom some allege was the illegitimate son of Queen Elizabeth I of England (and other’s, the actual author of Shakespeare’s plays)… He was in any event born on this date in 1561.
Bacon (whose Essays were, in a fashion, the first “management book” in English) was, in Alexander Pope’s words, “the greatest genius that England, or perhaps any country, ever produced.” He probably did not actually write the plays attributed to Shakespeare (as a thin, but long, line of enthusiasts, including Mark Twain and Friedrich Nietzsche, believed). But Bacon did observe, in a discussion of sedition that’s as timely today as ever, that “the remedy is worse than the disease.”
“I have long, indeed for years, played with the idea of setting out the sphere of life—bios—graphically on a map”*…
A Jo Mora carte of Carmel-By-The-Sea, made in 1942. Larger image at David Rumsey Map Collection
Joseph Jacinto Mora knew all the dogs in Carmel-By-The-Sea, California. He knew Bess, a friendly brown mutt who hung out at the livery stables. He knew Bobby Durham, a pointy-eared rascal who, as Mora put it, “had a charge [account] and did his own shopping at the butcher’s.” He knew Captain Grizzly, an Irish terrier who went to town with his muzzle on and invariably came back carrying it, having charmed a kind stranger into taking it off.
If you spend time with Mora’s map of the town—which was first printed in 1942—you’ll know the town dogs of that era, too. They’re all stacked in a column on the right side, lovingly described and illustrated, and looking as natural as those items you’d be more inclined to expect on a map: streets, land masses, the compass rose. On this particular map, those elements aren’t so typical either: the streets are strewn with tiny houses, and both the land and sea are peppered with busy people. The compass rose is rotated 90 degrees counterclockwise, and—as befits an artist’s town—is helmed by a painter, a performer, a writer, and a musician.
Such is the way of a Jo Mora map. Over the course of his life, the “Renaissance Man of the West,” as some have called him, packed history, geography, and personal details into a series of maps of different parts of California. Although well-known in his time—“Mora has produced works of art which have told their story to more persons, probably, than have the works of any other Californian,” columnist Lee Shippey wrote in the Los Angeles Times in 1942—he has largely fallen out of the public consciousness. But a few minutes with one of his maps plunges you back into his era, and his own worldview…
Jo Mora poured the state’s whole history—and his own life—into his incredibly detailed, whimsical maps. More of his own extraordinary story at “The Cowboy Cartographer Who Loved California.” Browse a wonderful selection of his works at the glorious David Rumsey Map Collection.
* Walter Benjamin
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As we find our place, we might send delightfully drawn birthday greetings to Ben Shahn; he was born on this date in 1898. A photographer and artist, known for his social realism, he earned acclaim in a variety of fields: Edward Steichen selected Shahn’s work, including his October 1935 photograph The family of a Resettlement Administration client in the doorway of their home, Boone County, Arkansas, for MoMA’s world-touring The Family of Man which was seen by 9 million visitors; he was selected as a painter to join Willem de Kooning in representing the United States at the 1954 Venice Biennale; and his commercial illustration (like his well-known 1965 portrait of Martin Luther King, Jr. on the cover of Time) earned him membership in the Art Director’s Club Hall of Fame. His published writings, including The Biography of Painting and The Shape of Content, have ben enormously influential in the art world.
“I have an existential map. It has ‘you are here’ written all over it.”*…
A detail from illustrator James Turner‘s Map of Humanity.
A long time ago, I made a map of the rationalist community. This is in the same geographic-map-of-something-non-geographic tradition as the Greater Ribbonfarm Cultural Region or xkcd’s map of the Internet. There’s even some sort of therapy program that seems to involve making a map like this of your life, though I don’t know how seriously they take it.
There’s no good name for this art and it’s really hard to Google. If you try “map of abstract concept” you just get a bunch of concept maps. It seems the old name, from back when this was a popular Renaissance amusement, is “sentimental cartography”, since it was usually applied to sentiments like love or sorrow. This isn’t great – the Internet’s not a sentiment – but it’s what we’ve got and I’ll do what I can to try to make it catch on…
See the marvelous examples (like the one above) collected by Scott Alexander at “Sentimental Cartography.”
* Steven Wright
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As we find our place, we might spare a thought for Seymour Papert; he died on this date in 2016. Trained as a mathematician, Papert was a pioneer of computer science, and in particular, artificial intelligence. He created the Epistemology and Learning Research Group at the MIT Architecture Machine Group (which later became the MIT Media Lab); he directed MIT’s Artificial Intelligence Laboratory; he authored the hugely-influential LOGO computer language; and he was a principal of the One Laptop Per Child Program. Called by Marvin Minsky “the greatest living mathematics educator,” Papert won a Guggenheim fellowship (1980), a Marconi International fellowship (1981), the Software Publishers Association Lifetime Achievement Award (1994), and the Smithsonian Award (1997).
“Maps codify the miracle of existence”*…
This 1922 map of the world was the first general reference map created by National Geographic magazine’s in-house cartography shop, which was founded in 1915.
Cartography has been close to National Geographic’s heart from the beginning. And over the magazine’s 130-year history, maps have been an integral part of its mission. Now, for the first time, National Geographic has compiled a digital archive of its entire editorial cartography collection — every map ever published in the magazine since the first issue in October 1888.
The collection is brimming with more than 6,000 maps (and counting) and you’ll have a chance to see some of the highlights as the magazine’s cartographers explore the trove and share one of their favorite maps each day.
Follow @NatGeoMaps on Twitter, Instagram, and Facebook to see what they discover. (The separate map archive is not available to the public, but subscribers can see them in their respective issues in the digital magazine archive)...
More background– and more samples from the vault– at “Discover Fascinating Vintage Maps From National Geographic’s Archives.”
* Nicholas Crane, Mercator: The Man Who Mapped the Planet
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As we contemplate cartography, we might recall that it was on this date in 1931 that Swiss physicist, inventor, and explorer Auguste Piccard launched himself and an assistant in a 300-pound, 82-inch diameter aluminum gondola suspended from a hydrogen gas-filled balloon. They rose to a record 51,775 feet, then landed safely.
Auguste Piccard was the model for Professor Cuthbert Calculus in The Adventures of Tintin by Belgian cartoonist Hergé, and Gene Roddenberry’s inspiration in naming Captain Jean-Luc Picard in Star Trek.
“All things are metaphors”*…
For much of the 17th century, Europeans believed that California was an island. Indeed, readers who have suffered through your correspondent’s explanation of scenario planning know that a 17th century map in which California is depicted as an island, very like the one above, figures into the talk as an example of the way that incorrect maps– cartographical or mental maps– are hard to change and often lead us astray.
But as this appreciation of Stanford’s collection of California maps points out, there may be a deeper truth to the depiction:
The fact that a number of explorers knew that California was not an island was not enough to nip the idea in the bud. Yet it would be a shame to think of the idea as simply an error, a cartographical crease which needed ironing out. Even though maps may be presented as accurate, they cannot escape their metaphorical nature. They reflect much more than physical geography. That California was mapped as an island for so long speaks to its separateness. The writer Rebecca Solnit, a student of the Stanford maps, has argued that, “An island is anything surrounded by difference.” The state contains around 2,000 plant species found nowhere else. Its borders comprise dizzying mountains, harsh deserts and immense ocean. It has been home to the Gold Rush, the psychedelic era, the silicon boom. In several ways then, California is an island…
More (and more marvelous maps) at “Maps Showing California as an Island.”
* Johann Wolfgang von Goethe
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As we remember that “the map is not the territory,” we might recall that it was on this date in 1570 that Gilles Coppens de Diest at Antwerp published Flemish cartographer Abraham Ortelius’ Theatrum Orbis Terrarum— a collection of 53 maps that is generally agreed to have been the first modern atlas.
Interestingly (for reasons explained in the article linked above), Ortelius’ maps, which pre-date the charts in the Stanford collection, portray California more accurately.
Title page from a 1606 edition
