Posts Tagged ‘crime’
“When I consider Life, ’tis all a cheat / Yet, fooled with hope, men favour the deceit”*…
We live in a time of extraordinary grift. In an excerpt from his book, Spam: A Shadow History of the Internet, Finn Brunton shares the history and explores the culture of an OG, the 419 (or Nigerian Prince) scam– and reminds us that fraudsters have long told stories of imprisoned nobles and hidden fortunes, with desperate pleas for help. The internet and email simply gave their messages a perfect medium….
A message arrives: a panicked plea referencing a desperate situation in an exotic location. It might be a wealthy refugee family trying to make it out of Zimbabwe, or the widow of an aide to Saddam Hussein in a hospital in Chiang Rai, or a Russian oligarch’s daughter hiding in the Czech Republic and communicating through her London solicitor.
They are looking for a compassionate soul — “whom God will use to assist me and my family” — who can help them get themselves and their assets — “US$45,000,000.00” — out of this difficult moment in geography and history. The phone and fax numbers work, and the web addresses point to real news sites — “You can go to google in internet and check my clients name and information” — and many of the government bureaus and banks check out online.
This is what’s known simply as the advance-fee fraud, or the 419 scam. It is so unmistakable that it embodies its own parodic genre, casually appearing as a gag in television comedies like “30 Rock” and “The Office.” It always starts with the same canonical line, trotted out in conversation over the phone, or perhaps over email: “Hello! I am a Nigerian prince.”
It is easy to see 419 merely as a tired cliché — and to mistake that familiarity for understanding. But doing so often leads to facile assumptions about the risks, motives, and imagined rewards on both sides of the exchange. To see the scam clearly, we need to treat it not simply as spam, but as a cultural myth, or even a motif. These scams are not ads for products — for porn or mortgages or relief for masculine anxiety. They are part of an enormous web of narratives, running back centuries, about corruption, politics, and the failures of globalization, from which you, the reader, can allegedly profit.
Advance-fee fraud dates back to at least the 19th century, with the emergence of the Spanish Prisoner confidence trick. It goes like this: There is a beautiful, rich woman incarcerated by the cruel King of Spain for complex political reasons. You have been contacted because you could help her escape. In return, she will give you a portion of her fortune (and possibly more). The escape is complex: There need to be bribes for the guards, hired guides, supplies for the trek through the mountains, and help for the inside man. You receive pleading notes from her and letters of credit that will make you wealthy once she and her assets have been reunited.
You choose to assist. However, things do not go smoothly because Spain is a far-off foreign country in turmoil, politically confusing, and corrupt. Perhaps there’s a change of authorities and a new set of bribes is needed; the muleteers have to be paid off. Or maybe negotiations have broken down, or the prisoner has fallen desperately ill and needs a doctor, which the prison won’t provide — but you can help.
It is a persistent con, changing to suit the times and political circumstances…
[Brunton recounts some historical examples…]
… While all advance-fee scams share the same narrative contours, they have, over the centuries, been seamlessly retrofitted to the technological platforms and practices of spam. From letters and telegrams in a world of newspapers to email messages in a 24-hour news cycle, 419 works where the spammer’s capacity to generate evidence exceeds our individual capacity to evaluate it — given some willful suspension of disbelief.
Not too much suspension is required, though, for reasons anthropologist Daniel Jordan Smith has described. After all, the structure of 419 messages is predicated on a general understanding of how a profoundly corrupt society operates. This is apparent to both the sender and the receiver.
From the perspective of the senders, working in internet cafés at 70 cents an hour (or $2 for a full night’s use), the messages are a natural enough business practice in a society that is, in fact, profoundly corrupt. It is common knowledge among them that the country’s elites do actually move millions, and even billions, of dollars out of the country covertly, in collusion with Western business partners and banks; there are plenty of African industrialists and dictators who cut deals with people overseas to send money abroad in return for a kickback. Furthermore, the countries these elites run are so thoroughly corrupt that any significant advancement — any construction of a building, resource extraction project, even getting a phone line or a lease — involves some palm-greasing and “additional costs.” If that’s the case, how do you expect to make any real money without following their lead?
On the recipient’s side, it takes a deeply cynical (if ill-informed) understanding of politics — not necessarily Nigerian, as the messages are often set in other presumably chaotic and corrupt environments — that views the world as including these covert machinations from which you are finally in a position to profit. This cynicism is combined with an almost touching naïveté on the part of the Westerners responding to these messages: Not only are they taking it for granted that someone would actually work with them to smuggle millions in gold or launder some huge sum in dollars, but they are also laboring under the assumption that their sudden windfall would not attract the attention of Interpol, the Economic and Financial Crimes Commission, the IRS, or the FBI.
All told, this strange dynamic between sender and receiver in 419 messages contains a perverse kind of brilliance: They turn the very fact of Nigeria’s history of exploitation by Western interests and its own leadership into a resource that can itself be exploited — as a place in which outsiders can be convinced that they, too, can take advantage and make a fortune.
But who is actually doing the exploiting? Not the writers of the messages themselves; they are merely fishing for marks, who are then passed up the chain to a smaller group of bosses. Rather, it is the kind of people with the resources and expertise to procure fax messages, letters, credit cards, time-stamped photos of gold bars, and so on. As Smith — who has lived in Nigeria for a number of years and is married to an Igbo spouse — quotes a young 419 writer he interviewed: “The people getting rich from this are the same people at the top who are stealing our money. I am just a struggle-man.”
These low-level, somewhat educated scammers, like the one Smith interviewed, live in a society largely bereft of opportunity for those without connections by birth or patronage. They have ended up as components in a strange kind of writing machine. This machine is made up of young people and old computers telling and retelling stories from templates circulated by email and thumb drives, with names changed and details updated with fresh material from the news: U.S. soldiers have found a cache of Saddam Hussein’s gold; a natural-gas oligarch needs to spirit his money out of Vladimir Putin’s Russia. Meanwhile, the higher-level bosses — with their stolen or manufactured stationery from Nigeria’s U.S. embassy, NGO offices, and central banks, and the money to arrange settings for plausible overseas meetings — are drawn from the ranks of white-collar professionals such as attorneys, accountants, and engineers…
[Brunton further explores the ethnography of scamming, recounts the history of the mail fraud that immediately preceded spam, then considers some of the higher-profile examples of 419 frauds…]
… Thanks to these — and other — high-profile incidents of skullduggery, the international cultural impact on Nigeria has been striking. No other country has become so synonymous with spam, even though the vast bulk of the volume has come from the U.S. and (much less so) from China, Russia, the United Kingdom, and Brazil. As Smith points out, 419 messages have only added to the deep unease among outside investors toward Nigeria, reinforcing the perception of a country of thieves. Within the country, “419” has a much broader meaning, referring to general fraud, much of it directed against other Nigerians. 419 can mean the vast frauds perpetrated against the population by political and business leaders working hand in glove with foreign corporations, small-time quack medical experts, and everyday scams like selling or renting homes under false pretenses.
An entire subgenre produced by the thriving and astonishingly creative “Nollywood” — a portmanteau of Nigeria and Hollywood — industry has devoted itself to 419 videos, featuring the many travails, disasters, and moral turpitude of the scammers who prey on one another and their own people. “The Master” is a representative example: Its star, actor and comedian Nkem Owoh, wrote the song “I Go Chop Your Dollar” for the soundtrack, emphasizing the thrill of winning at 419, which is “just a game” that everybody plays (“Everybody dey play am.”).
To be sure, Owoh’s song is not an endorsement of scamming, as he himself has made clear. It is simply an illustration of the world as it is. It is a vision of a society of institutionalized corruption in which everyone — from the lowest hustler to the highest official — has been made a part of the game…
Crime as a symptom (of larceny in the system, fed by larcent in the heart): “A Brief History of the Internet’s Favorite Scam,” from @mitpress.bsky.social.
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As we dwell on Diogenes, we might recall that it was on this date in 2009 that Irving Picard, trustee of the assets seized from Bernie Madoff when he was convicted of a $69 Billion Ponzi scheme, sued Madoff’s wife Ruth in an attempt to recover from her $45 million in Madoff funds that were being used to support her “life of splendor” on the gains from the fraud committed by her husband.
On November 25, 2008, she had withdrawn $5.5 million, and $10 million on December 10, 2008, from her brokerage account at Cohmad, a feeder fund that had an office in Madoff’s headquarters and was part-owned by him. In November she also received $2 million from her husband’s London office. She has been seen riding the N.Y.C. subway, and did not attend her husband’s sentencing. In May 2019, 77-year-old Ruth Madoff agreed to pay $594,000 ($250,000 in cash, and $344,000 of trusts for two of her grandchildren), and to surrender her remaining assets when she dies, to settle claims by Irving Picard. She is required to provide reports to Picard about her expenditures often, as to any purchase over $100, to ensure she does not have any hidden bank accounts. The case is Picard v. Madoff, 1:09-ap-1391, U.S. Bankruptcy Court, Southern District of New York (Manhattan).
– source

“By gold all good faith has been banished; by gold our rights are abused; the law itself is influenced by gold, and soon there will be an end of every modest restraint.”*…
Timely etymology from Dan Lewis…
If you follow politics (or, more likely, a politics-themed TV sitcom or drama) you’ve probably heard the term “slush fund” — and usually, it’s tied to something shady. A slush fund is money set aside for unofficial, often unethical, and sometimes illegal uses. It’s the kind of fund that no one really wants to talk about, and if they do, they don’t want to explain too much about it. If someone has a slush fund, you could say that there’s something fishy going on.
And you’d be right — literally speaking.
The word “slush” dates back to at least the mid-1600s, referring to the cold, wet muck that is formed when snow begins to melt. It’s unpleasant texture must have made an impression of the people of the day because a century or two later, “slush” took on a new, second meaning — at least, if you were on a boat.
Salt pork — salted (for preservative reasons) pieces of pork belly — was a staple on fishing and whaling ships of the early-to-mid 1800s. Crews aboard those ships spent a lot of a time at sea, and salt pork was a good, long-lasting protein source in an era before refrigeration. Salt pork was typically fried, and as the ship’s voyage continued onward, fat, grease, and other waste products would build up in the cooking vats. This residue became known as “slush,” likely because of its similarities to the melted snow seen back on land.
But this pig-created slush wasn’t just thrown overboard as waste — it turned out to be useful; as One Word a Day notes, “sailors used it as a lubricant and to waterproof the rigging and sails on their ships.” So they kept it around, and when their whaling or fishing expeditions ended, they typically still had a large amount of slush left over. And it turned out, there was a market for the stuff. Other ships could also use it to help their sailing efforts (before they started cooking up their own salt pork). As The Straight Dope notes, it could also be used by candle and soap makers. Once back on land, there were plenty of people who would gladly buy the slush off the ship’s cooks or other sailors.
That turned out to be a boon for the crew. Because the slush was a byproduct of the efforts to feed the crew, ship owners rarely, if ever, cared about the value of the slush itself — to them, it was waste created by the cost of doing business, not an asset. So when the sailors sold off the slush, they kept the money for themselves and their crewmates. Per Merriam-Webster, “The money from the sale of slush was reserved for the crew of the ship, and would be used to purchase items, such as musical instruments or books, which were not considered necessary enough that a country’s navy, or a ship’s owner, had to provide them for a crew.”
According to the Online Etymology Dictionary, as a result of this usage, the phrase “slush fund” first appeared in our collective lexicon in 1839. It would take a generation or two before it gained its current, negative connotation often implying bribery. And with that came another term for financial shenanigans, which also comes from the use of salt pork byproducts to fund sailors whims: “greasing,” meaning “bribing.” The Etymology Dictionary explains “The extended meaning ‘money collected for bribes and to buy influence’ is first recorded 1874, no doubt with suggestions of ‘greasing’ palms.”
The term “slush fund” didn’t originally imply anything untoward — the association with bribery came later, as noted above. And the same is likely true for the word “bribe” itself. Per the Online Etymology Dictionary, “bribe” comes from the Old French term of the 14th century of the same spelling meaning “a gift,” and specifically, “bit, piece, hunk; morsel of bread given to beggars.” It took 200 or so years before the modern, sketchy meaning developed, and it’s unclear why…
“The Original Slush Fund” It was greasy. Literally. @nowiknow.com
(Image above: source)
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As we lament lawlessness, we might recall that it was on this date in 1972 that an 18-1/2-minute gap appears in the tape recording of the conversations between U.S. President Richard Nixon and his advisers regarding the recent arrests of his operatives while breaking into the Watergate complex.
Still, the tapes were damming. The White House released the subpoenaed tapes on August 5. One tape, later known as the “Smoking Gun” tape, documented the initial stages of the Watergate coverup. On it, Nixon and Haldeman are heard formulating a plan to block investigations by having the CIA falsely claim to the FBI that national security was involved.
It’s a measure of how different those times were from ours that, once the “Smoking Gun” transcript was made public, Nixon’s political support practically vanished: the ten Republicans on the House Judiciary Committee who had voted against impeachment in committee announced that they would now vote for impeachment once the matter reached the House floor.

“Black money is so much a part of our white economy, a tumour in the centre of the brain – try to remove it and you kill the patient.”*…
The informal, or shadow, economy (and here and here)– economic activity, both casual and criminal, that is neither recorded nor taxed– is a feature of life virtually everywhere. Dorothy Neufeld (in Visual Capitalist) unpacks the league table…
The world’s $12.5 trillion informal economy covers nearly every corner of the world, seeing the highest concentration in emerging economies.
Yet in absolute terms, China, the U.S. and India are home to the largest black markets—covering everything from street vendors to illegal activities that evade governmental oversight. Overall, this generates lower tax revenue and poorer working conditions given the absence of worker protections, leaving millions exposed to poor working conditions…
… Since 2004, workers employed in China’s informal economy have nearly doubled, reaching approximately 200 million.
Driving this trend are jobs are found in the labor-intensive services sector, such as drivers, nannies, and roadside repairmen. As a result, China’s income tax revenue accounts for about 6% of GDP—far lower than the 24% OECD average.
Ranking in second is the U.S. shadow economy, valued at $1.4 trillion. Overall, states with lower real GDP and higher regulatory burdens tend to have more active underground economies.
Meanwhile, Brazil leads in Latin America, with a shadow economy valued at $448 billion. In Europe, Germany is home to the largest at $308 billion, equal to 6.8% of GDP…
Ranked: “The World’s Biggest Shadow Economies.”
* Rohinton Mistry, Family Matters
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As we contemplate commerce, we might recall that it was on this date in 1988 that three 50 pound snapping turtles were found in a Bronx, New York sewage treatment plant. They had probably been pets that were flushed down the toilet when very small. One might imagine that this story helped spawn the Teenage Mutant Ninja Turtles, but the Ninja Turtles are actually a bit older than that. Comic book artists Kevin Eastman and Peter Laird published the first Ninja Turtles comic in 1984.
“I seen my opportunities and I took em”*…
Since he kicked off his campaign, Trump’s business empire has landed billions of dollars of deals at home and abroad. Max Abelson and Annie Massa bring the receipts…
The way Donald Trump sees it, he’s the greatest businessman to campaign for the White House.
“I’m the most successful person ever to run,” he told an Iowa reporter in 2015. “I have a Gucci store that’s worth more than Romney.”
That might have been an exaggeration, but this isn’t: A decade later, no modern American president has positioned his family to make so much money while in the White House. Already, since the early days of his reelection campaign, he’s more than doubled his net worth to about $5.4 billion.
In that time, the Trump name has powered more than $10 billion of real estate projects, a multibillion-dollar valuation for his money-losing social-media company, more than $500 million in sales from just one of his crypto ventures and millions of dollars more from stakes in companies that offer financial services, guns and drone parts. Family members have also scored an array of corporate positions — at least seven new roles as an adviser or executive for his oldest son, Donald Trump Jr., alone.
Compared with the tumult of the presidency, the empire’s approach is consistent and clear: Sell the family name. In any other era, this scale of presidential moneymaking would threaten to be the story of the year, but political uproar has hogged most of the attention.
In his first months in power, Trump put tariffs on and took some off, blamed Ukraine for Russia’s attacks, sent immigrants to a foreign prison and teased a third term that the Constitution doesn’t allow. And as he’s hacked away at the government’s workforce and budget, he’s shrunk the agencies and offices that oversee his public company, crypto projects and even conflicts of interest.
Trump has loosened constraints on overseas dealmaking that were put in place in his last administration. (He also let Elon Musk, the billionaire leading an effort to slash government spending, police his own conflicts). This week, he’s scheduled to dine with his new memecoin’s top holders.
What makes this era even more remarkable is how close Trump came to ruin. His first term ended with a riot at the Capitol, later followed by a $454 million civil fraud judgment and his conviction for falsifying business records. Trump has appealed both.
Now, his assets are in a trust overseen by his oldest son. And despite talk of a recession, the clan stands to get richer than ever.
“President Trump has been the most transparent president in history in all respects, including when it comes to his finances,” said a White House spokesperson. “President Trump handed over his multibillion-dollar empire in order to serve our country, and he has sacrificed greatly. President Trump has disclosed his financial holdings through his annual financial disclosure report and he will continue to do so.”
Trump Jr. said he shouldn’t be expected to change his career on account of his dad’s power.
“I’m a private citizen who has been a businessman and serial investor my entire adult life,” he said in a statement. “It’s ridiculous to expect me to stop doing what I’ve always done to provide for my five children just because my dad was elected president.”
These are the corporate connections, crypto projects and licensing deals — all of them since the 2024 campaign began — that the Trumps are using to climb higher than ever…
The gory (and mind-boggling) details: “The Trump Family’s Money-Making Machine” (gift link) from @bloomberg.com.
Apposite: “A World of MAGA Liquor Is Exploding Online. But What If It’s Not Real?“
* “Everybody is talkin’ these days about Tammany men growin’ rich on graft, but nobody thinks of drawin’ the distinction between honest graft and dishonest graft. There’s an honest graft, and I’m an example of how it works. I might sum up the whole thing by sayin’: “I seen my opportunities and I took ’em.” — George Washington Plunkitt, New York State Senator and “Sage of Tammany Hall” (See also)
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As we ponder probity (and its absence), we might spare a thought for Jonathan Wild; he died on this date in 1725. An English thief-taker and a major figure in the organization and growth of London’s criminal underworld, he was notable for operating on both sides of the law: posing as a public-spirited vigilante known as the “Thief-Taker General,” he simultaneously ran a significant criminal empire, and used his crimefighting role to remove rivals and launder the proceeds of his own crimes (fencing, but also selling goods he’d stolen back to their owners).
“In the world of art, authenticity is often just an illusion”*…
Kelly Grovier with the simple rules to use in identifyng art forgery…
It’s everywhere: fake news, deep fakes, identity fraud. So ensnared are we in a culture of digitised deceptions, a phenomenon increasingly augmented by artificial intelligence, it would be easy to think that deceit itself is a high-tech invention of the cyber age. Recent revelations however – from the discovery of an elaborate, if decidedly low-tech, art forger’s workshop in Rome to the sensational allegation that a cherished Baroque masterpiece in London’s National Gallery is a crude simulacrum of a lost original – remind us that duplicity in the world of art has a long and storied history, one written not in binary ones and zeroes, but in impossible pigments, clumsy brushstrokes and suspicious signatures. When it comes to falsification and phoniness, there is indeed no new thing under the Sun.
On 19 February, Italy’s Carabinieri Command for the Protection of Cultural Heritage uncovered a covert forgery operation in a northern district of Rome. Authorities confiscated more than 70 fraudulent artworks falsely attributed to notable artists from Pissarro to Picasso, Rembrandt to Dora Maar, along with materials used to mimic vintage canvases, artist signatures, and the stamps of galleries no longer in operation. The suspect, who has yet to be apprehended, is thought to have used online platforms such as Catawiki and eBay to hawk their phoney wares, deceiving potential buyers with convincing certificates of authenticity that they likewise contrived.
News of the clandestine lab’s discovery was quickly followed by publicity for a new book, due for release this week, alleging that one of The National Gallery’s highlights is not at all what it seems. According to artist and historian Euphrosyne Doxiadis, author of NG6461: The Fake National Gallery Rubens, the painting Samson and Delilah – a large oil-on-wood attributed to the 17th Century Flemish master Peter Paul Rubens and purchased by the London museum in 1980 for £2.5m (then the second-highest price ever paid for a painting at auction) – is three centuries younger than the date of 1609-10 that sits beside it on the gallery wall and is incalculably less accomplished than the museum believes.
Doxiadis’s conclusion corroborates one reached in 2021 by the Swiss company, Art Recognition, which determined, through the use of AI, that there was a 91% probability that Samson and Delilah is the work of someone other than Rubens. Her assertion that the brushwork we see in the painting is crass and wholly inconsistent with the fluid flow of the Flemish master’s hand is strongly contested by The National Gallery, which stands by its attribution. “Samson and Delilah has long been accepted by leading Rubens scholars as a masterpiece by Peter Paul Rubens”, it said in a statement given to the BBC. “Painted on wood panel in oil shortly after his return to Antwerp in 1608 and demonstrating all that the artist had learned in Italy, it is a work of the highest aesthetic quality. A technical examination of the picture was presented in an article in The National Gallery’s Technical Bulletin in 1983. The findings remain valid.”
The divergence of opinion between the museum’s experts and those who doubt the work’s authenticity opens a curious space in which to reflect on intriguing questions of artistic value and merit. Is there ever legitimacy in forgery? Can fakes be masterpieces? As more sophisticated tools of analysis are applied to paintings and drawings whose legitimacy has long been in question (including several works attributed to Leonardo da Vinci, such as the hotly disputed chalk and ink drawing La Bella Principessa), as well as those whose validity has never been in doubt, debates about the integrity of cultural icons are only likely to accelerate. What follows are a handful of handy principles to keep in mind when navigating the impending controversies – five simple rules for spotting a fake masterpiece…
When a work of art isn’t what it appears to be: “Rembrandt to Picasso: Five ways to spot a fake masterpiece,” from BBC. Eminently worth reading in full.
* B.A. Shapiro, The Art Forger
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As we ferret out the faux, we might send carefully-secured birthday greetings to Linus Yale, Jr.; he was born on this date in 1821. After launching a promising career as a portrait painter, Yale joined his father’s lock business and became the nation’s leading expert on banklocks. He created many locks, among them, the one for which he is best remembered, the “safe door lock,” the first modern “pin tumbler lock” (AKA “the Yale lock”).








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