Posts Tagged ‘histomap’
“A map does not just chart, it unlocks and formulates meaning; it forms bridges between here and there, between disparate ideas that we did not know were previously connected”*…
Readers may recall an earlier post on John B. Sparks’ Histomap, a well-known 1931 attempt to visualize the 4,000 year history of global power. Public Domain Review takes a look at Histomap‘s ancestor/inspiration, Friedrich Strass’ Der Strom der Zeiten (published in 1803), and its influence…
In his foundational textbook Elements, the Alexandrian mathematician Euclid defined a line as “breadthless length” — a thing with only one dimension. That’s what lines can do to history when used to plot events: they condense its breadth into pure motion, featuring only those people and places that serve as forces thrusting it forwards along an infinite axis. Early in the nineteenth century, Friedrich Strass proposed a different way to visualize time’s flow. A Prussian historian and schoolteacher, he published his chronological chart in 1803, a massive diagram titled Der Strom der Zeiten oder bildliche Darstellung der Weltgeschichte von den altesten Zeiten bis zum Ende des achtzehnden Jahrhunderts (The stream of the times or an illustrated presentation of world history from the most ancient times until the eighteenth century). The linear timelines that Strass resisted, like those inspired by Joseph Priestley, “implied a uniformity in the processes of history that was simply misleading”, write Anthony Grafton and Daniel Rosenberg. Strass’ stream, by contrast, allowed historical events to “ebb and flow, fork and twist, run and roll and thunder.” It would spawn several imitations as the century drew on…
Capturing history in its organic unfolding: “The Stream of Time,” from @PublicDomainRev. See the original at the David Rumsey Map Collection.
* Reif Larsen
###
As we contemplate chronology, we might recall that it was on this date in 1800 that the Library of Congress was established. James Madison has first proposed a national library in 1783. But it wasn’t until 1800, when (on this date) President John Adams signed signed an act of Congress providing for the transfer of the seat of government from Philadelphia to the new capital city of Washington, that the deed was done. The Act appropriated $5,000 “for the purchase of such books as may be necessary for the use of Congress … and for fitting up a suitable apartment for containing them.” Books were ordered from London, creating a collection consisting of 740 books and three maps, which were housed in the new United States Capitol.
But in 1814, during the War of 1812, British forces burned the Capitol Building, and with it, the the collection (by then, around 3,000 volumes). The Library as we know it was created from those ashes. Thomas Jefferson offered to sell his personal library– 6,487 books– as a replacement, Congress accepted, and the Library of Congress grew from there.
“Without a map who would attempt to study geography?”*…
History and maps!…
Imagine creating a timeline of your country’s whole history stretching back to its inception.
It would be no small task, and simply weighing the relative importance of so many great people, technological achievements, and pivotal events would be a tiny miracle in itself.
While that seems like a challenge, imagine going a few steps further. Instead of a timeline for just one country, what about creating a graphical timeline showing the history of the entire world over a 4,000 year time period, all while having no access to computers or the internet?…
John B. Sparks maps the ebb and flow of global power going all the way back to 2,000 B.C. on one coherent timeline.
Histomap, published by Rand McNally in 1931, is an ambitious attempt at fitting a mountain of historical information onto a five-foot-long poster. The poster cost $1 at the time, which would equal approximately $18 when accounting for inflation.
Although the distribution of power is not quantitatively defined on the x-axis, it does provide a rare example of looking at historic civilizations in relative terms. While the Roman Empire takes up a lot of real estate during its Golden Age, for example, we still get a decent look at what was happening in other parts of the world during that period.
The visualization is also effective at showing the ascent and decline of various competing states, nations, and empires. Did Sparks see world history as a zero-sum exercise; a collection of nations battling one another for control over scarce territory and resources?
Crowning a world leader at certain points in history is relatively easy, but divvying up influence or power to everyone across 4,000 years requires some creativity, and likely some guesswork, as well. Some would argue that the lack of hard data makes it impossible to draw these types of conclusions (though there have been other more quantitative approaches.)
Another obvious criticism is that the measures of influence are skewed in favor of Western powers. China’s “seam”, for example, is suspiciously thin throughout the length of the timeline. Certainly, the creator’s biases and blind spots become more apparent in the information-abundant 21st century.
Lastly, Histomap refers to various cultural and racial groups using terms that may seem rather dated to today’s viewers.
John Spark’s creation is an admirable attempt at making history more approachable and entertaining. Today, we have seemingly limitless access to information, but in the 1930s an all encompassing timeline of history would have been incredibly useful and groundbreaking. Indeed, the map’s publisher characterized the piece as a useful tool for examining the correlation between different empires during points in history.
Critiques aside, work like this paved the way for the production of modern data visualizations and charts that help people better understand the world around them today…
Histomap: a 1931 attempt to visualize the 4,000 year history of global power. (via Visual Capitalist)
* John B. Sparks, creator of Histomap
###
As we ponder patterns in the past, we might spare a thought for Carl Jacob Christoph Burckhardt; he died on this date in 1897. Probably best known for The Civilization of the Renaissance in Italy (which established that period as the vaunted subject it has become), he was a historian of art and culture and an influential figure in the historiography of both fields. Indeed, he is considered one the the founders of cultural history.
Sigfried Giedion said of Burckhardt’s achievement: “The great discoverer of the age of the Renaissance, he first showed how a period should be treated in its entirety, with regard not only for its painting, sculpture and architecture, but for the social institutions of its daily life as well.”
You must be logged in to post a comment.