Posts Tagged ‘Origin of the Species’
“In all chaos there is a cosmos, in all disorder a secret order”*…
Between 1617 and 1621 the English physician and polymath Robert Fludd published his masterpiece Utriusque Cosmi . . . Historia, a two-volume work packed with over sixty intricate engravings. Urszula Szulakowska looks at the philosophical and theological ideas behind the extraordinary images found in the first volume, an exploration of the macrocosm of the universe and spiritual realm…
Robert Fludd was a respected English physician (of Welsh origins) employed at the court of King James I of England. He was a prolific writer of vast, multi-volume encyclopaedias in which he discussed a universal range of topics from magical practices — such as alchemy, astrology, kabbalism, and fortune-telling — to radical theological thinking concerning the interrelation of God with the natural and human worlds. However, he also proudly displayed his grasp of practical knowledge, such as mechanics, architecture, military fortifications, armaments, military manoeuvres, hydrology, musical theory and musical instruments, mathematics, geometry, optics, and the art of drawing, as well as chemistry and medicine. Fludd used the common metaphor for the arts as being the “ape of Nature”, a microcosmic form of how the universe itself functioned.
Fludd’s most famous work is the History of the Two Worlds (Utriusque Cosmi . . . Historia, 1617-21) published in two volumes by Theodore de Bry in Oppenheim. The two worlds under discussion are those of the Microcosm of human life on earth and the Macrocosm of the universe (which included the spiritual realm of the Divine).
Fludd himself was a staunch member of the Anglican Church. He was educated in the medical profession at St. John’s College in Oxford. At the turn of the seventeenth century, he set out for an extended period of travel on the continent. He spent a winter with some Jesuits, a Roman Catholic order deeply opposed to Protestantism who, nevertheless, tutored Fludd on magical practices. Fludd, however, always claimed to have worked out the theological and magical systems in his first volume of the Utriusque Cosmi . . . Historia (1617) during his undergraduate days at Oxford. In this work Fludd devised a lavishly illustrated cosmology based on the chemical theory of Paracelsus, in which the materials of the universe were separated out of chaos by God who acted in the manner of a laboratory alchemist…
All of Fludd’s treatises were lavishly illustrated with extraordinary engravings, unique in their form and subject matter, which have the visionary quality of a genuine spiritual seer and which exerted an influence on his contemporary occultists such as Michael Maier, Jacob Boehme, and Johannes Mylius. Fludd himself designed these images and they were engraved by the artisans employed at his publishers. (Some of his own original drawings still exist for the first volume of the Utriusque Cosmi . . . Historia, 1617)…
Read on for more explanation and many more mesmerizing images. A 17th century “theory of everything”: “Robert Fludd and His Images of The Divine,” in @PublicDomainRev.
* Carl Jung
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As we think holistically, we might recall that it was on this date in 1859 that our perspective was shifted in a different kind of way: Charles Darwin published The Origin of the Species. Actually, on that day he published On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life; the title was shortened to the one we know with the sixth edition in 1872.
“Oh how wrong we were to think immortality meant never dying”*…
The John Templeton Foundation has undertaken a undertaken a deep investigation into the biology, philosophy, and theology of immortality research. Lorraine Boissoneault offers the first in a series of reports on their work…
Around 100,000 years ago, humans living in the region that would come to be called “Israel” did something remarkable. When members of the community died, those left behind buried the dead in a cave, placing some of the bodies with great care and arranging them near colorful pigments and shells. Although burial is so common today as to be almost unremarkable, for ancient humans to exhibit such behavior suggested a major development in cultural practices. The Qafzeh Cave is one of the oldest examples that humans understand death differently than many other creatures. We seem to have an innate desire to mark it with ritual.
It is an unavoidable fact of biology that all organisms die, whether by disease, disaster, or simply old age. Yet our species, Homo sapiens, seems to be the only creature blessed—or cursed—with the cognitive ability to understand our mortality. And thanks to our powerful intelligence, we’re also the only beings to imagine and seek out death’s opposite: immortality.
In religious traditions, spiritual afterlives and reincarnation offer continuation of the self beyond death. In myth and legend, sources of everlasting life abound, from the Fountain of Youth to elixirs of life. Some people seek symbolic immortality through procreation. Others aim for contributions to society, whether artistic, academic or scientific. And still others have pushed the bounds of technology in search of dramatic life extension or a digital self.
Where does this impulse come from?…
Find out: “Pre-life, Afterlife, and the Drive for Immortality,” from @boissolm @templeton_fdn.
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As we internalize eternity, we might recall that it was on this date in 1826 that the HMS Beagle set sail from Plymouth on its first voyage, an expedition to conduct a hydrographic survey of Patagonia and Tierra del Fuego in support of the larger ship HMS Adventure.
The Beagle‘s second voyage (1831-1836) is rather better remembered, as it was on that expedition that the ship’s naturalist, a young Charles Darwin (whose published journal of the journey, quoted above, earned him early fame as a writer) made the observations that led him to even greater fame for his theory of evolution.
“The element of mystery to which you want to draw attention should be surrounded and veiled by a quite obvious, readily recognisable commonness”*…
An appreciation of the marvelous M.C. Escher…
Despite being a fan of Rennaisance Art and the work of the Impressionists, he feels increasingly pulled in a different direction…
When you look at this picture, you’re flipping between world views. Either you’re seeing the white birds, and the bright, presumably sunlit day scene with its cheerful flotilla of steam ships puffing their way upriver – or you’re seeing the black birds, and your eye is drawn to the night-shrouded landscape where the houses have their lights on and the sky’s already eaten the horizon & is creeping nearer…
Except, that’s not quite right. The black birds are in the daylight side, and the white ones are flying into the night. These aren’t just mirror images: they’re like the Ancient Chinese yin-yang symbol, each side containing part of its opposite…
Escher’s love of the fantastical is primarily inspired by what he sees around him, not what he can dream up out of next to nothing… By looking closely at the real world, and trying to understand how it works, Escher will invite his initially small but intensely loyal fanbase to explore some very strange mysteries indeed.
…
It’s the 1960s now, and nonconformity is all the rage. Hair is getting longer, psychedelics-powered artistry is flourishing, and anything that seems to scream to hell with the rules is increasingly in vogue… Because of the fantastical elements of his work, Escher is acquiring a reputation as a surrealist. As a self-identifying “reality enthusiast,” it’s the very last thing he wants. Take Ascending & Descending, where he’s clearly turning his imagination to the futility of so much in the human-centred world. In a letter to a friend, he says:
“Yes, yes, we climb up and up, we imagine we are ascending; one step is about 10 inches high, terribly tiring – and where does it get us? Nowhere.”
But until the end of his career, his work will continue to speak to something deeper – a rebellion against human incuriosity, or a constant rallying-cry for the act of paying attention…
Read it in full: “Fooling With Certainty: The Impossibly Real Worlds Of MC Escher,” from Mike Sowden (@Mikeachim)
* M. C. Escher
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As we look closely, we might recall that it was on this date in 1859 that our perspective was shifted in a different kind of way: Charles Darwin published The Origin of the Species. Actually, on that day he published On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life; the title was shortened to the one we know with the sixth edition in 1872.
(Roughly) Daily will be on a brief Thanksgiving hiatus, returning when the the tryptophan haze has passed…
“This series is about how those in power have used Freud’s theories to try and control the dangerous crowd in an age of mass democracy”*…
A hundred years ago a new theory about human nature was put forth by Sigmund Freud. He had discovered he said, primitive and sexual and aggressive forces hidden deep inside the minds of all human beings. Forces which if not controlled led individuals and societies to chaos and destruction.
This series is about how those in power have used Freud’s theories to try and control the dangerous crowd in an age of mass democracy.
But the heart of the series is not just Sigmund Freud but other members of the Freud family.
This episode is about Freud’s American nephew Edward Bernays. [See here.]
Bernays is almost completely unknown today but his influence on the 20th century was nearly as great as his uncles. Because Bernays was the first person to take Freud’s ideas about human beings and use them to manipulate the masses. He showed American corporations for the first time how to they could make people want things they didn’t need by linking mass produced goods to their unconscious desires.
Out of this would come a new political idea of how to control the masses. By satisfying people’s inner selfish desires one made them happy and thus docile. It was the start of the all-consuming self which has come to dominate our world today…
From the introduction to Adam Curtis‘ remarkable 2002 BBC documentary series, Century of Self, all-too-relevant today– how propaganda, marketing and advertising, political messaging, management techniques all “flowered” from Freud’s seed.
Here is a complete transcript of the series.
Readers can find the (riveting) documentaries themselves at:
Hypernormalization, Curtis’ 2016 BBC (sort of) sequel is here.
And keep an eye peeled for What Is It That’s Coming, a (tentatively-titled series, projected at nine parts) on which he’s currently at work.
* Adam Curtis
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As we sort signal from noise, we might consider just how far we have– and haven’t– come, as it was on this date in 1859 that Charles Darwin published The Origin of the Species. Actually, on that day he published On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life; the title was shortened to the one we know with the sixth edition in 1872.
“Okay, so that was trolley problem version number seven. Chidi opted to run over five William Shakespeares instead of one Santa Claus.”*…
Imagine you are standing beside some tram tracks. In the distance, you spot a runaway trolley hurtling down the tracks towards five workers who cannot hear it coming. Even if they do spot it, they won’t be able to move out of the way in time.
As this disaster looms, you glance down and see a lever connected to the tracks. You realise that if you pull the lever, the tram will be diverted down a second set of tracks away from the five unsuspecting workers.
However, down this side track is one lone worker, just as oblivious as his colleagues.
So, would you pull the lever, leading to one death but saving five?
This is the crux of the classic thought experiment known as the trolley dilemma, developed by philosopher Philippa Foot in 1967 and adapted by Judith Jarvis Thomson in 1985.
The trolley dilemma allows us to think through the consequences of an action and consider whether its moral value is determined solely by its outcome.
The trolley dilemma has since proven itself to be a remarkably flexible tool for probing our moral intuitions, and has been adapted to apply to various other scenarios, such as war, torture, drones, abortion and euthanasia.
The trolley dilemma explored: would you kill one person to save five?
See also your correspondent’s favorite examination of the issue, from The Good Place:
Indeed, Michael “resolves” the dilemma in a way that would make today’s Almanac honoree (below) proud:
For an earlier look at The Trolley Problem on (Roughly) Daily, see “Educating the mind without educating the heart is no education at all”*…
[Image at top from Devine Lu Linvega (or @neauoire)]
* Michael, The Good Place, Season Two, Episode Five: “The Trolley Problem”
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As we muse on morality, we might spare a thought for John Bordley Rawls; he died on this date in 2002 (Spinoza’s birthday and the anniversary of Darwin’s publication of On the Origin of the Species). A moral and political philosopher, Rawls argued for “justice as fairness,” recommending equal basic rights, equality of opportunity, and promoting the interests of the least advantaged members of society. He made these social justice arguments using a thought experiment he called the “original position,” in which people select what kind of society they would choose to live under as if they did not know which social position they would personally occupy.
Rawls received both the Schock Prize for Logic and Philosophy and the National Humanities Medal in 1999, the latter presented by President Bill Clinton, in recognition of the way in which Rawls’ work “helped a whole generation of learned Americans revive their faith in democracy itself.” He is widely considered the most important political philosopher of the 20th century– with the unusual distinction among contemporary political philosophers of being frequently cited by the courts of law in the United States and Canada and referenced by practicing politicians in the United States and the UK.
A concept central to the “original position” approach to moral dilemmas is Rawls’ notion of a “veil of ignorance“: we decide the outcome without knowing which character we “are” in the situation… an approach that leads to Michael to his conclusion in The Good Place. The “Golden Rule” strikes again! [see also “The Unselfish Trolley Problem“]
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