Posts Tagged ‘Jules Verne’
“Would you like your money starched, sir? Box or hanger?”*…
Xizhi Li pioneered a new method of money laundering that enriched Latin American drug lords and China’s elite; Sebastian Rotella and Kirsten Berg explain…
In 2017, Drug Enforcement Administration agents following the money from cocaine deals in Memphis, Tennessee, identified a mysterious figure in Mexico entrusted by drug lords with their millions: a Chinese American gangster named Xizhi Li.
As the agents tracked Li’s activity across the Americas and Asia, they realized he wasn’t just another money launderer. He was a pioneer. Operating with the acumen of a financier and the tradecraft of a spy, he had helped devise an innovative system that revolutionized the drug underworld and fortified the cartels.
Li hit on a better way to address a problem that has long bedeviled the world’s drug lords: how to turn the mountains of grimy twenties and hundreds amassed on U.S. streets into legitimate fortunes they can spend on yachts, mansions, weapons, technology and bribes to police and politicians.
For years, the Mexican cartels that supply the U.S. market with cocaine, heroin and fentanyl smuggled truckloads of bulk cash to Mexico, where they used banks and exchange houses to move the money into the financial system. And they also hired middlemen — often Colombian or Lebanese specialists who charged as much as 18 cents on the dollar — to launder their billions.
Those methods were costly, took weeks or even months to complete and exposed the stockpiled cash to risks — damage, robbery, confiscation.
Enter Li. About six years ago, federal antidrug agents in Chicago saw early signs of what would become a tectonic change. They trailed cartel operatives transporting drug cash to a new destination: Chinatown, an immigrant enclave in the flatlands about 2 miles south of the city’s rampart of lakefront skyscrapers.
Agents on stakeout watched as cartel operatives delivered suitcases full of cash to Chinese couriers directed by Li. Furtive exchanges took place in motels and parking lots. The couriers didn’t have criminal records or carry guns; they were students, waiters, drivers. Neither side spoke much English, so they used a prearranged signal: a photo of a serial number on a dollar bill.
After the handoff, the couriers alerted their Chinese bosses in Mexico, who quickly sent pesos to the bank accounts or safe houses of Mexican drug lords. Li then executed a chain of transactions through China, the United States and Latin America to launder the dollars. His powerful international connections made his service cheap, fast and efficient; he even guaranteed free replacement of cartel cash lost in transit. Li and his fellow Chinese money launderers married market forces: drug lords wanting to get rid of dollars and a Chinese elite desperate to acquire dollars. The new model blew away the competition.
“At no time in the history of organized crime is there an example where a revenue stream has been taken over like this, and without a shot being fired,” said retired DEA agent Thomas Cindric, a veteran of the elite Special Operations Division. “This has enriched the Mexican cartels beyond their wildest dreams.”…
The fascinating– and chilling– story in full: “How a Chinese American Gangster Transformed Money Laundering for Drug Cartels,” Part 1 of a series in @propublica; Part 2: “The Globetrotting Con Man and Suspected Spy Who Met With President Trump,” a portrait of Li’s colleague Tao Liu and his separate (but related) crimes.
* Mohsin Hamid, Moth Smoke
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As we clean currency, we might recall that it was on this date in 1956 that Mike Todd’s adaptation of Jules Verne’s classic Around the World in 80 Days was released. Directed by Michael Anderson from a screenplay by James Poe, John Farrow and S. J. Perelman, the movie starred David Niven, Cantinflas, Shirley MacLaine and Robert Newton, and featured cameos from Cesar Romero, Charles Coburn, Peter Lorre, Red Skelton, Frank Sinatra, Buster Keaton and Glynis Johns. Its six-minute-long animated title sequence, shown at the end of the film, was created by award-winning designer Saul Bass.
The film was shot in just 75 days, in England, France, India, Spain, Thailand and Japan, using 680,000 feet of film that was edited down to 25,734. The cast included 68,894 people (wearing 74,685 costumes and 36,092 trinkets) and 7,959 animals.
The movie was nominated for eight Academy Awards and won five: Best Picture, Best Cinematography, Best Film Editing, Best Music and Best Screenplay-Adapted.
“This potential possibility need only play a role as a counterfactual, according to quantum theory, for it to have an actual effect!”*…
Contemplate counterfactuals: things that have not happened — but could happen — a neglected area of scientific theory…
If you could soar high in the sky, as red kites often do in search of prey, and look down at the domain of all things known and yet to be known, you would see something very curious: a vast class of things that science has so far almost entirely neglected. These things are central to our understanding of physical reality, both at the everyday level and at the level of the most fundamental phenomena in physics — yet they have traditionally been regarded as impossible to incorporate into fundamental scientific explanations. They are facts not about what is — the ‘actual’ — but about what could or could not be. In order to distinguish them from the actual, they are called counterfactuals.
Suppose that some future space mission visited a remote planet in another solar system, and that they left a stainless-steel box there, containing among other things the critical edition of, say, William Blake’s poems. That the poetry book is subsequently sitting somewhere on that planet is a factual property of it. That the words in it could be read is a counterfactual property, which is true regardless of whether those words will ever be read by anyone. The box may be never found; and yet that those words could be read would still be true — and laden with significance. It would signify, for instance, that a civilization visited the planet, and much about its degree of sophistication.
To further grasp the importance of counterfactual properties, and their difference from actual properties, imagine a computer programmed to produce on its display a string of zeroes. That is a factual property of the computer, to do with its actual state — with what is. The fact that it could be reprogrammed to output other strings is a counterfactual property of the computer. The computer may never be so programmed; but the fact that it could is an essential fact about it, without which it would not qualify as a computer.
The counterfactuals that matter to science and physics, and that have so far been neglected, are facts about what could or could not be made to happen to physical systems; about what is possible or impossible. They are fundamental because they express essential features of the laws of physics — the rules that govern every system in the universe. For instance, a counterfactual property imposed by the laws of physics is that it is impossible to build a perpetual motion machine. A perpetual motion machine is not simply an object that moves forever once set into motion: it must also generate some useful sort of motion. If this device could exist, it would produce energy out of no energy. It could be harnessed to make your car run forever without using fuel of any sort. Any sequence of transformations turning something without energy into some thing with energy, without depleting any energy supply, is impossible in our universe: it could not be made to happen, because of a fundamental law that physicists call the principle of conservation of energy.
Another significant counterfactual property of physical systems, central to thermodynamics, is that a steam engine is possible. A steam engine is a device that transforms energy of one sort into energy of a different sort, and it can perform useful tasks, such as moving a piston, without ever violating that principle of conservation of energy. Actual steam engines (those that have been built so far) are factual properties of our universe. The possibility of building a steam engine, which existed long before the first one was actually built, is a counterfactual.
So the fundamental types of counterfactuals that occur in physics are of two kinds: one is the impossibility of performing a transformation (e.g., building a perpetual motion machine); the other is the possibility of performing a transformation (e.g., building a steam engine). Both are cardinal properties of the laws of physics; and, among other things, they have crucial implications for our endeavours: no matter how hard we try, or how ingeniously we think, we cannot bring about transformations that the laws of physics declare to be impossible — for example, creating a perpetual motion machine. However, by thinking hard enough, we can come up with more and better ways of performing a possible transformation — for instance, that of constructing a steam engine — which can then improve over time.
In the prevailing scientific worldview, counterfactual properties of physical systems are unfairly regarded as second-class citizens, or even excluded altogether. Why? It is because of a deep misconception, which, paradoxically, originated within my own field, theoretical physics. The misconception is that once you have specified everything that exists in the physical world and what happens to it — all the actual stuff — then you have explained everything that can be explained. Does that sound indisputable? It may well. For it is easy to get drawn into this way of thinking without ever realising that one has swallowed a number of substantive assumptions that are unwarranted. For you can’t explain what a computer is solely by specifying the computation it is actually performing at a given time; you need to explain what the possible computations it could perform are, if it were programmed in possible ways. More generally, you can’t explain the presence of a lifeboat aboard a pirate ship only in terms of an actual shipwreck. Everyone knows that the lifeboat is there because of a shipwreck that could happen (a counterfactual explanation). And that would still be the reason even if the ship never did sink!
Despite regarding counterfactuals as not fundamental, science has been making rapid, relentless progress, for example, by developing new powerful theories of fundamental physics, such as quantum theory and Einstein’s general relativity; and novel explanations in biology — with genetics and molecular biology — and in neuroscience. But in certain areas, it is no longer the case. The assumption that all fundamental explanations in science must be expressed only in terms of what happens, with little or no reference to counterfactuals, is now getting in the way of progress. For counterfactuals are essential to a number of things that are currently explained only vaguely in science, or not explained at all. Counterfactuals are central to an exact, unified theory of heat, work, and information (both classical and quantum); to explain matters such as the appearance of design in living things; and to a scientific explanation of knowledge…
An excerpt from Chiara Marletto‘s The Science of Can and Can’t: A Physicist’s Journey Through the Land of Counterfactuals, via the invaluable @delanceyplace.
[Image above: source]
* Roger Penrose, Shadows of the Mind: A Search for the Missing Science of Consciousness
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As we ponder the plausible, we might send superlatively speculative birthday greetings to an accomplished counterfactualist, H.G. Wells; he was born on this date in 1866. A prolific writer of novels, history, political and social commentary, textbooks, and rules for war games, Wells is best remembered (with Jules Verne and Hugo Gernsback) as “the father of science fiction” for his “scientific romances”– The War of the Worlds, The Time Machine, The Invisible Man, The Island of Doctor Moreau, et al.

“Now I have a machine gun. Ho ho ho”*…
Ok, enough bickering and fighting. Let’s settle this once and for all in the only way I know how – going into a topic in way too much detail.
As we prepare to enter the year 32 ADH (a.k.a. After Die Hard), the world is gripped by a constantly nagging question.
No, it’s not “Why does everyone call Hans Gruber and his gang ‘terrorists’ when they were clearly bank robbers?”
Today we’re going to use data to answer the question “Is Die Hard a Christmas movie?”
Along the way, we’re going to test Die Hard’s Christmas bona fides against all movies in US cinemas for the past thirty years, using a variety of methods…
Stephen Follows tackles a perennial poser: “Using data to determine if Die Hard is a Christmas movie.”
[Image above: source… which also weighs in on the Die Hard question.]
* Hans Gruber (Alan Rickman), reading what John McClane (Bruce Willis) had written on a dead terrorist’s shirt
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As we just say Yippie-Ki-Yay, we might recall that it was on this date that Phileas Fogg completed his circumnavigation of the globe in Jules Verne’s Around the World in Eighty Days. (As the book was published in 1873, the putative year of the journey was 1871 or 1872.)
In 1888 American journalist Nellie Bly convinced her editor to let her attempt the feat. She completed her round-the-world journey in 72 daysShe completed her round-the-world journey in 72 days.

First edition of Verne’s tale
Your correspondent is headed into his annual Holiday hiatus; Regular service will resume on or around January 2… Meantime, many thanks to all for reading– and Happy Holidays!
“Ignorance is the softest pillow on which a man can rest his head”*…

Chinese porcelain pillow, Song Dynasty (960–1279)
So far as we know, the earliest pillows date back over 9,000 years to Mesopotamia, or modern day Iraq. Formed from stone, the top was carved in a half-moon shape to support the neck. The idea obviously wasn’t comfort, at least not immediate comfort. The basic function of the pillow was to keep the head off the ground and prevent insects from crawling into mouths, noses, and ears. Ancient Egyptians and Chinese also used similar pillows, though each culture had its own reasons for them…
Learn how the pillow evolved in function–and happily, in form– at “Pillows Throughout The Ages.”
* Michel de Montaigne
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As we lay down our heads, we might send grateful birthday greetings to the extraordinary Jules Verne, imaginative writer non pareil (c.f., e.g., here); he was born in Nantes on this date in 1828.
Best known for his novels A Journey to the Center of the Earth (1864), From the Earth to the Moon (1865), Twenty Thousand Leagues Under the Sea (1869–1870), Around the World in Eighty Days (1873) and The Mysterious Island (1875), Verne is the second most translated (individual) author of all time, behind Agatha Christie. He is considered, with H.G. Wells, the founder of science fiction.
Verne was startlingly prescient: Paris in the 20th Century, for example, describes air conditioning, automobiles, the Internet, television, even electricity, and other modern conveniences very similar to their real world counterparts, developed years– in many cases, decades– later. From the Earth to the Moon, apart from using a space gun instead of a rocket, is uncannily similar to the real Apollo Program: three astronauts are launched from the Florida peninsula– from “Tampa Town” (only 130 miles from NASA’s Cape Canaveral)– and recovered through a splash landing. And in other works, he predicted helicopters, submarines, projectors, jukeboxes, and the existence of underwater hydrothermal vents that were not invented/discovered until long after he wrote about them.
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