Posts Tagged ‘classics’
“Your library teacher would say, ‘What happens to a generation that doesn’t read the Classics?’ Me, I’m not your library teacher. But I have some of the same questions and concerns, you know?”*…
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My Atlantic colleague John McWhorter and I must have received the same high-frequency language-nerd alert, audible only to the types of people whose idea of fun is Esperanto grammar. We both recently learned that Princeton’s classics department had ceased requiring its students to study Latin and Greek, and we reacted in predictable horror. A classics department without Latin and Greek is like a math department without multiplication and division, or an art department without paint. More than a thousand years ago, the monk Ælfric prefaced his Latin Grammar by saying it was “the key that unlocks the understanding of books.” I had a vision of a new generation of Princeton classicists, sniffing and thwacking at padlocked volumes of Thucydides or Cicero with looks of total incomprehension, like Ben Stiller and Owen Wilson trying to get the files “in the computer” in Zoolander.
But then I remembered my own language training, and I’ve come around to Princeton’s point of view. My classical education started, oddly enough, just like Owen Wilson’s. We attended the same private school about a decade apart, and like all students, we were subjected to a mandatory year of Latin. (After that requirement was abolished, Wilson and his co-screenwriter Wes Anderson made the film Rushmore, in which the nixing of Latin from a prep-school curriculum is a plot point.) We had the same teacher, who told me that Wilson was one of the worst students he’d ever taught. I took another five years of Latin, plus four of Greek, while Wilson went off to find his fortune in Hollywood. I think even Ælfric would agree he got the better end of that deal…
Saving classics from oblivion? Graeme Wood (@gcaw) ponders the news: “Princeton Dumbs Down Classics.”
* poet and rapper Saul Williams
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As we decline to decline, lest we decline, we might recall that today– and every June 16– is Bloomsday, a commemoration and celebration of the life of Irish writer James Joyce, during which the events of his novel Ulysses (a modern classic set on this date in 1904) are relived: Leopold Bloom goes about Dublin, James Joyce’s immortalization of his first outing with Nora Barnacle, the woman who would eventually become his wife.
The first Bloomsday was observed on the 50th anniversary of the events in the novel, in 1954, when John Ryan (artist, critic, publican and founder of Envoy magazine) and the novelist Brian O’Nolan organized what was to be a daylong pilgrimage along the Ulysses route. They were joined by Patrick Kavanagh, Anthony Cronin, Tom Joyce (a dentist who, as Joyce’s cousin, represented the family interest), and AJ Leventhal (a lecturer in French at Trinity College, Dublin).
“The ancient Oracle said that I was the wisest of all the Greeks. It is because I alone, of all the Greeks, know that I know nothing.”*…
Your correspondent will be off-line for the next 10 days or so; regular service will resume on or around April 26th. In the meantime, a meeting of the (very) old and the (very) new…
The Virtual Reality Oracle (VRO) is a first-person virtual reality experience of oracular divination at the ancient Greek site of Dodona circa 450 BCE. Immerse yourself in the lives of ordinary people and community leaders alike as they travel to Dodona to consult the gods. Inspired by the questions they posed on themes as wide-ranging as wellbeing, work, and theft, perhaps you in turn will ask your question of Zeus?…
Homer mentioned Dodona; now you can be there, then. An immersive experience of the ancient Greek gods: “Virtual Reality Oracle.”
* Socrates
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As we look for answers, we might recall that it was on this date in 1977 that both the Apple II and Commodore PET 2001 personal computers were introduced at the first annual West Coast Computer Faire.
Ironically, Commodore had previously rejected purchasing the Apple II from Steve Jobs and Steve Wozniak, deciding to build their own computers. Both computers used the same processor, the MOS 6502, but the companies had two different design strategies and it showed on this day. Apple wanted to build computers with more features at a higher price point. Commodore wanted to sell less feature-filled computers at a lower price point. The Apple II had color, graphics, and sound selling for $1298. The Commodore PET only had a monochrome display and was priced at $795.
Note, it was very difficult finding a picture with both an original Apple II (not IIe) and Commodore PET 2001. I could only find this picture that also includes the TRS-80, another PC introduced later in 1977.
source
“When angry, count four. When very angry, swear”*…
Anger, like other emotions, has a history.
It is not merely that the causes of anger may change, or attitudes toward its expression. The nature of the emotion itself may alter from one society to another. In classical antiquity, for example, anger was variously viewed as proper to a free citizen (an incapacity to feel anger was regarded as slavish); as an irrational, savage passion that should be extirpated entirely, and especially dangerous when joined to power; as justifiable in a ruler, on the model of God’s righteous anger in the Bible; and as blasphemously ascribed to God, who is beyond all human emotions.
Profound social and cultural changes—the transition from small city-states to the vast reach of the Roman Empire, the adoption of Christianity as the official religion of Rome—lay behind these shifting views, but all the positions had their defenders and were fiercely debated. This rich heritage offers a wealth of insights into the nature of anger, as well as evidence of its social nature; it is not just a matter of biology….
The history of anger– indeed, the very fact that it has a history– sheds light on the elevated emotional climate of today: “Repertoires of Rage.”
* Mark Twain
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As we wrestle with wrath, we might recall that in 1752 in Britain and throughout the British Empire (which included the American colonies) yesterday was September 2. The “jump” was occasioned by a switch from the Julian to the Gregorian calendar, as a product of which almost all of “western civilization” was then on Pope Gregory’s time; Sweden (and Finland) switched the following year.
“O teach me how I should forget to think”*…
When members of the Unite the Right rally marched through Charlottesville on August 11, 2017 in polo shirts and carrying tiki torches, Twitter went wild with jokes. “When you have to use a Polynesian cultural product (tiki torches) to defend and assert white supremacy,” wrote one Twitter pundit. Another captioned a photo of the marchers: “Y’all, we can’t get dates on Friday night (again) so we’re fixin’ to pick up some tiki torches at Walmart & have a klan rally. Who’s in?”
But Sarah Bond, an associate professor of classics at the University of Iowa, didn’t find the jokes funny. “Something horrible is going to happen,” she remembered thinking.
For the past several years, Bond has written about “classical reception” — or how Greco-Roman culture is received and interpreted — for Forbes online, the art and culture website Hyperallergic, and Eidolon, an informal online journal devoted to the classics. Because classical thinkers, institutions, writings, and art have been portrayed as the epitome of “civilization” since the Renaissance, she’s also documented how hate groups have latched onto the perceived legitimacy of antiquity to make themselves seem more legitimate.
“Torches are very much tied to violence in antiquity,” she says. “They are meant to intimidate people. There are a number of examples from antiquity of the use of mob violence where fire and torches are specifically used prior to an assassination.” The Ku Klux Klan, the Nazis, and the Golden Dawn all marched with flames.
The day after the August rally and the Twitter jokes, violence erupted between the marchers and counter-protestors, and alt-right supporter Alex Fields Jr. drove his car into a crowd of anti-racism demonstrators, killing 32-year-old Heather Heyer and injuring dozens of others. Bond, a Virginia native who’d attended undergrad at the University of Virginia in Charlottesville, was upset but not surprised. “That was the tipping point where I was like, you know what? Fuck their use of antiquity.”
White supremacists, misogynists, and anti-Semites see the ancient Mediterranean as a touchstone. Would a better sense of history change their minds? “Hate Groups Love Ancient Greece and Rome. Scholars Are Pushing Back.”
* Shakespeare, Romeo and Julliet
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As we correct our corollaries, we might send cooperative birthday greetings to zoologist Warder Clyde Allee; he was born on this date in 1885. One of the great pioneers of American ecology, Allee is best remembered for his research on animal behavior, protocooperation— for which he’s considered by many to be the “Father of Animal Ecology”– and for identifying what is now known as “the Allee effect“: a positive correlation between population density and the per capita population growth rate in very small populations, the product of cooperation– of the organisms acting as a group as opposed to individually.
“Let us now praise famous men [and women], and our fathers [and mothers] that begat us”*…
The classical scholar and tutor Miriam Griffin, who has died aged 82, played a crucial role in getting readers to appreciate the philosophical writing of the ancient Romans in their historical context, in particular that of Seneca, the Stoic philosopher and tutor to the emperor Nero.
Seneca’s works had generally been viewed either as the self-exculpation of a hypocrite, parading his aspirations to virtue while pocketing Nero’s largesse, or as an unreliable compilation of ideas from earlier (otherwise lost) Greek Stoics. Miriam’s intellectual biography, Seneca: A Philosopher in Politics (1992), made a case for thinking about Seneca’s writing in its specifically Roman social, intellectual and political context, illuminating the particular dilemmas with which Stoic ideas enabled him to grapple…
The scholar who rescued the philosophical reputation of Seneca (and Cicero), as she illuminated the often torrid world of Roman imperial politics: Miriam Griffin.
* from the Wisdom of Sirach (44:1), famously appropriated by james Agee as the title for his celebrated collaboration with photographer Walker Evans
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As we note that too often what’s past is present again, we might think of Seneca’s challenge as we recall that it was on this date in 1859 that Charles Blondin crossed Niagara Falls on a tightrope. Twice.
On the morning of June 30, 1859, about 25,000 thrill-seekers arrived by train and steamer and dispersed on the American or Canadian side of the falls, the latter said to have the better view. Both banks grew “fairly black” with swarms of spectators, among them statesmen, judges, clerics, generals, members of Congress, capitalists, artists, newspaper editors, professors, debutantes, salesmen and hucksters. Vendors hawked everything from lemonade to whiskey, and Colcord gave tours to the press, explaining the logistics of what the Great Blondin was about to attempt.
A light rope, not even an inch thick, had been attached to one end of his hempen cable so it could be conveyed across the Niagara River. On the American side the cable was wound around the trunk of an oak tree in White’s Pleasure Grounds, but securing it on the Canadian side presented a problem. Blondin’s assistants feared that the light rope wouldn’t bear the weight of the cable as it was drawn up the gorge for anchorage in Canada, but the rope dancer, to the delight of his audience, executed a daring solution.
After tying another rope around his waist, he rappelled 200 feet on the small rope, attached the second rope to the end of the cable, and then blithely climbed back to Canadian ground and secured the cable to a rock. To prevent swaying, guy ropes ran from the cable at 20-foot intervals to posts on both banks, creating the effect of a massive spider web. Blondin could do nothing, however, about the inevitable sag in its center, approximately 50 feet of cable to which it was impossible to fasten guy ropes. At that spot, in the middle of his crossing, he would be only 190 feet above the gorge. “There were hundreds of people examining the rope,” reported one witness, “and, with scarcely an exception, they all declared the inability of M. Blondin to perform the feat, the incapacity of the rope to sustain him, and that he deserved to be dashed to atoms for his desperate fool-hardiness.”
Shortly before 5 p.m., Blondin took his position on the American side, dressed in pink tights bedecked with spangles. The lowering sun made him appear as if clothed in light. He wore fine leather shoes with soft soles and brandished a balancing pole made of ash, 26 feet long and weighing nearly 50 pounds. Slowly, calmly, he started to walk. “His gait,” one man noted, “was very like the walk of some barnyard cock.” Children clung to their mothers’ legs; women peeked from behind their parasols. Several onlookers fainted. About a third of the way across, Blondin shocked the crowd by sitting down on his cable and calling for the Maid of the Mist, the famed tourist vessel, to anchor momentarily beneath him. He cast down a line and hauled up a bottle of wine. He drank and started off again, breaking into a run after he passed the sagging center. While the band played “Home, Sweet Home,” Blondin reached Canada. One man helped pull him ashore and exclaimed, “I wouldn’t look at anything like that again for a million dollars.”
After 20 minutes of rest Blondin began the journey to the other side, this time with a Daguerreotype camera strapped to his back. He advanced 200 feet, affixed his balancing pole to the cable, untied his load, adjusted it in front of him and snapped a likeness of the crowd along the American side. Then he hoisted the camera back into place and continued on his way. The entire walk from bank to bank to bank took 23 minutes, and Blondin immediately announced an encore performance to take place on the Fourth of July… [source]
Blondin and his camera, as rendered in “Blondin: His Life and Performances.” [source]
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