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Posts Tagged ‘Cartoon

“What’s in a name? that which we call a rose / By any other name would smell as sweet.”*…

Ducklings everywhere: the names of Donald Duck’s three nephews across Europe, from Mapologies (where one will also find the other names of Donald himself and of the Flintstones).

* Shakespeare, Romeo and Juliet

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As we dunk on Uncle Donald, we might recall that it was on thus date in 1921 that Newman Laugh-O-Gram studio released it’s first (more or less) four animated films as a kind of demo reel. The first three were live shots of young director Walt Disney drawing a single fame; the fourth, “Kansas City’s Spring Clean-up,” was actually animated.

Laugh-O-Gram only lasted two years, but it was long enough for Disney to recruit several pioneers of animation: Ub IwerksHugh HarmanFriz Freleng, and Carman Maxwell— and, with Iwerks, to create Mickey Mouse.

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Written by LW

March 20, 2021 at 1:01 am

“I knew I shoulda taken that left turn at Albuquerque”*…

Looney Tunes without Looney Tunes: “Looney Tunes Backgrounds.”

[TotH to This Isn’t Happiness]

* Bugs Bunny

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As we contemplate context, we might send uncertain birthday greetings to Werner Karl Heisenberg; he was born on this date in 1901.  A theoretical physicist, he made important contributions to the theories of the hydrodynamics of turbulent flows, the atomic nucleus, ferromagnetism, superconductivity, cosmic rays, and subatomic particles.  But he is most widely remembered as a pioneer of quantum mechanics and author of what’s become known as the Heisenberg Uncertainty Principle.  Heisenberg was awarded the Nobel Prize in Physics for 1932 “for the creation of quantum mechanics.”

During World War II, Heisenberg was part of the team attempting to create an atomic bomb for Germany– for which he was arrested and detained by the Allies at the end of the conflict.  He was returned to Germany, where he became director of the Kaiser Wilhelm Institute for Physics, which soon thereafter was renamed the Max Planck Institute for Physics. He later served as president of the German Research Council, chairman of the Commission for Atomic Physics, chairman of the Nuclear Physics Working Group, and president of the Alexander von Humboldt Foundation.

Some things are so serious that one can only joke about them

Werner Heisenberg

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“The cinema is an invention without any future”*…

Some lost films are more lost than others. There are very early works that no one now alive has seen, and we have little hope of recovering. While later silent feature films were duplicated and distributed widely, there are hundreds of short experiments by the first film-makers, movies no more than a few seconds long, that no longer exist even as a memory.

It seemed too good to be true, then, that lost films by Georges Méliès could really have been found by chance in a German bookshop in 2013. Yet a dogged research project by an independent scholar from France, Thierry Lecointe, has helped uncover miraculous images from lost films, not just by Méliès, but also by Alice Guy-Blaché.

The frames were preserved as images printed on to the card pages of tiny flipbooks. With digital technology, the flipbooks, known as folioscopes, have now become something like film fragments again. The photographer Onno Petersen shot each page in high-resolution and the motion-picture restoration expert Robert Byrne, from the San Francisco Silent Film festival, produced animations revealing such treats as a long-lost magic trick, dance, comic sketch or a train caught on camera more than a century ago

Some of the earliest experiments in film 120 years ago were reproduced as flipbooks for wider audiences. Now a painstaking restoration project has brought long-lost gems back to life: “What the flip! The chance discovery that’s uncovered treasures of the very earliest cinema.”

See also Variety‘s account of a similar reclamation project: “George Melies Flip Book Sets off Crowdsourcing.”

* Cinema pioneer Louis Lumière… who was, happily, wrong

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As we enjoy our popcorn, we might recall that it was on this date in 1942 that “Tweety,” the star of 46 Looney Tunes and Merrie Melodies cartoons, made his official debut in “A Tale of Two Kitties.”

Originally created by Bob Clampett (who also created the first version of Bugs Bunny and went to to such marvels as Beany and Cecil), Tweety was redesigned by Fritz Freleng– who took over when Clampett left Warner Bros, reimagined Tweety, and crucially, added Sylvester the Cat. The first short to team Tweety and and his hapless nemesis, 1947’s Tweetie Pie, won Warner Bros its first Academy Award for Best Short Subject (Cartoons). Both Tweety and Sylvester were, of course, voiced by the great Mel Blanc.

In related news, there is a live action reboot of Tom and Jerry on the way…

“The chief difficulty Alice found at first was in managing her flamingo”*…

 

flamingo

Flamingos (alive)

 

Why do flamingos stand on one leg?

… because it’s the easiest way to stand: their knee locks up and they balance perfectly, so they don’t have to engage any muscles. They can sleep standing one one leg.

Scientists tested whether they really didn’t have to use any muscle tension by getting dead flamingos and trying to balance them on one foot. Which apparently works.

The reason flamingos sleep on one foot is because the waters they live in are toxic. They live in lakes that are either filled with blue-green algae (usually a menace, its poisonous to most animals) or lakes so salty they can strip off human skin. (I imagine this is an advantage because there’s not much competition for food and nesting space in a toxic lake.)

Their legs are covered in tough, scaly skin, but their bodies are softer. If they were to sleep floating on the water like ducks do, the water would burn them. This idea of living your whole life perched…

Via @mckinleaf and her ever-illuminating newsletter The Whippet: “Dead flamingos can stand on one foot.”

* Lewis Carroll, Alice’s Adventures in Wonderland

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As we achieve balance, we might recall that it was on this date in 1913 that cartoonist John Randolph (J.R.) Bray first exhibited his animated film, “The Artist’s Dream” (later retitled “The Dachshund and the Sausage” for reasons that will be obvious).  Bray was not the first animator; indeed, he was following purposefully in the steps of fellow cartoonist Windsor McCay, who had added animations of “Little Nemo” and “How a Mosquito Operates” to his stage presentations.  But Bray earned a place in the history of the art by being among the first– arguably the first– animator to organize his work and his studio according to the principles of industrial production (that’s to say, with division of labor)– an approach that has survived to this day.

 

 

Bray source

 

 

Written by LW

June 12, 2020 at 1:01 am

“Propaganda does not deceive people; it merely helps them to deceive themselves”*…

 

Produced at the height of the Cold War [1956], and made at the behest of the American Petroleum Institute (still the biggest lobby for the U.S. oil and gas industry), this great little promotional film from John Sutherland Studios [producer of other such gems as “Rhapsody of Steel,” “A is for Atom,” and “Wise Use of Credit’; c.f. here] champions not only the wonders of oil as might be expected, but also free-market capitalism. The surprisingly humorous cartoon tells the story of how the suspiciously Stalin-like leader of Mars, named Ogg, sends a rather calamity-prone citizen to Earth to find a better power source for his poorly-running “state limousine”. The exploring Martian, of course, lands in the United States and soon discovers the many and myriad delights of petroleum, and that, in contrast to his home planet, competition between companies is rife. His take-home lesson (and one drilled into the viewer on numerous occasions) is that “competing for the customer’s dollar” is key to the success of the oil industry and, of course, the thriving country as a whole. Delivering the news to Ogg back on Mars, the leader replies defiantly that “competition is downright un-Martian”, but the ordinary Martians are not to be deterred and soon rise up to overthrow Ogg and set up a thriving oil industry (and capitalist culture) of their own — the short ending with the slogan “destination unlimited” writ proudly across the screen…

Via Public Domain Review, and the Internet Archive.

* Eric Hoffer

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As we fill ‘er up, we might recall that it was on this date in 1888 that Bertha Benz, wife of inventor Karl Benz made the first motor tour. Without her husband’s knowledge, she borrowed one of his cars and with their teenage sons travelled 180 km to visit relatives for 5 days. She drove her sons, Richard and Eugen, 14 and 15 years old, in Benz’s newly-constructed “Patent Motorwagen” automobile, from Mannheim to Pforzheim– a distance of more than 106 km (66 miles).  She thus became the first person to drive an automobile over more than just a very short distance… and in so doing, brought her husband’s handiwork worldwide attention, securing his company’s first sales.

The Benz Patent-Motorwagen Number 3 of 1886, used by Bertha Benz for the highly publicized first long distance road trip

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Written by LW

August 12, 2017 at 1:01 am

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