Posts Tagged ‘comic’
“Then we got into a labyrinth, and when we thought we were at the end, came out again at the beginning, having still to seek as much as ever.”*…
On the heels of Wordle‘s extraordinary success, there have been a rash of variations: e.g., Crosswordle, Absurdle, Quordle, even the NSFW Lewdle.
Now for the National Gallery of Art, another nifty puzzle: Artle.
Enjoy!
* Plato, Euthydemus
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As we play, we might recall that it was on this date in 1934 that Mandrake the Magician first appeared in newspapers. A comic strip, it was created by Lee Falk (before he created The Phantom)… and thus its crime-fighting, puzzle-solving hero is regarded by most historians of the form to have been America’s first comic superhero.
“Give me juicy autumnal fruit, ripe and red from the orchard”*…
American fruit and nuts…
Pascale Georgiev, editorial director at Atelier Éditions, was researching botanical artwork a few years ago when she came across the US Department of Agriculture’s pomological watercolour collection, an archive of 7,500 watercolours of fruit and nuts grown in the US between 1886 and 1942, mostly created before photography was widespread. The discovery led to a new book, An Illustrated Catalog of American Fruits & Nuts (Atelier, £44), full of images that Georgiev describes as irresistible. “The belle angevine pear… makes my heart sing and I’m partial to a plum named tragedy.” She’s also proud that the book showcases women working in science: “Nine of this US department’s 21 artists were women. A rare thing at the time.” Most of all she’d like readers to think about biodiversity. “I hope they share my delight in discovering the history of the fruit we consume, alongside beautiful artworks.”
A glorious collection: “Get fruity: vintage botanical watercolors,” from @guardian.
* Walt Whitman
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As we ruminate on ripeness, we might recall that it was on this date in 1950 that the daily comic strip Peanuts premiered in eight newspapers: The Washington Post, The Chicago Tribune, The Minneapolis Tribune, The Allentown Call-Chronicle, The Bethlehem Globe-Times, The Denver Post, The Seattle Times, and The Boston Globe. Its creator, Charles Schulz had developed the concept as a strip (L’il Folks) in his hometown paper, The St. Paul Pioneer Press, from 1947 to 1950. At its peak, Peanuts ran in over 2,600 newspapers, with a readership of 355 million in 75 countries, and was translated into 21 languages.
“There is no ‘ordinary person'”*…
Tobar Mayo in Abar, the First Black Superman
As Black Panther continues to slay at the box office, a look at one of that blockbuster’s less well-known– indeed, virtually anonymous– antecedents…
Abar, the First Black Superman is truly a cinematic marvel. It has its heart in the right place and fumbles spectacularly in every way possible—the painfully preachy dialogue, the scrappy special effects, the too long running time. But even if it’s not anywhere close to the achievement of Black Panther, it’s a fascinating product of the time and more proof that black superheroes have long existed outside the Marvel universe. And just like Black Panther, their superpowers are almost always political…
An extraordinary story: “One of Cinema’s First Black Superheroes Is Not Who You Think It Is.”
* “The disciplines of physical exercise, meditation and study aren’t terribly esoteric. The means to attain a capability far beyond that of the so-called ordinary person are within the reach of everyone, if their desire and their will are strong enough. I have studied science, art, religion and a hundred different philosophies. Anyone could do as much. By applying what you learn and ordering your thoughts in an intelligent manner it is possible to accomplish almost anything. Possible for an ‘ordinary person.’ There’s a notion I’d like to see buried: the ordinary person. Ridiculous. There is no ‘ordinary person’.” – that most super of superheroes, Ozymandias, in Alan Moore’s Watchmen
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As we don our capes, we might recall that it was on this date in 1935 that America was introduced to Little Lulu (in the February 23 issue of The Saturday Evening Post), appearing as a flower girl at a wedding and mischievously strewing the aisle with banana peels. Created by Marjorie Henderson Buell (whose work appeared under the name “Marge”), Little Lulu ran as a regular panel in the Post through 1944; then as a comic book and a comic strip into the 1980s. She also appeared in a series of animated theatrical cartoons and in a number of TV series and specials.
“Nothing could be more misleading than the idea that computer technology introduced the age of information”*…
Stuart McMillen‘s glorious illustration of [a] seminal passage from Neil Postman’s glorious Amusing Ourselves to Death…
From McMillen’s site, Recombinant Records (via)
* Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business
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As we recommit to being careful what we wish for, we might send prudent birthday greetings to Maria Josepha Amalia of Saxony (Maria Josepha Amalia Beatrix Xaveria Vincentia Aloysia Franziska de Paula Franziska de Chantal Anna Apollonia Johanna Nepomucena Walburga Theresia Ambrosia); she was born on this date in 1803. The youngest daughterof Prince Maximilian of Saxony and his first wife, Princess Carolina of Parma (daughter of Duke Ferdinand of Parma), she was raised in a German convent to a fervent Catholicism.
Maria Josepha became the Queen of Spain when Ferdinand VII, still childless after the death of his second wife, chose her as his consort. But feeling the burden of her religious upbringing, Maria Josepha refused to consummate the marriage. It took a personal letter from Pope Pius VII to convince the queen that sexual relations between spouses were not contrary to the morality of Catholicism; still, she died young (at age 25) and childless. The King’s fourth wife, Maria Christina of the Two Sicilies, eventually gave birth to the future Queen Isabella II of Spain.
“Shall I part my hair behind? Do I dare to eat a peach?”*…
From Julian Peters, the 24-page comic version of “The Love Song of J. Alfred Prufrock” (with larger, zoomable images).
Because.
* T.S. Eliot, “The Love Song of J. Alfred Prufrock”
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As we hear mermaids singing, we might send elegant birthday greetings to Marianne Moore; she was born on this date in 1887. An American Modernist poet, critic, translator, and editor, she is known for formal innovation, precise diction, irony, and wit in her literary work… and for being probably the only highly-regarded poet ever to to be involved in automotive marketing.
She argues, in her best known poem, “Poetry,” that it is not formal attributes like meter that define poetry, but delight in language and precise, heartfelt expression…
… nor is it valid
to discriminate against ‘business documents and
school-books’; all these phenomena are important. One must
make a distinction
however: when dragged into prominence by half poets, the
result is not poetry,
nor till the poets among us can be
‘literalists of
the imagination’–above
insolence and triviality and can present
for inspection, ‘imaginary gardens with real toads in them’, shall
we have
it. In the meantime, if you demand on the one hand,
the raw material of poetry in
all its rawness and
that which is on the other hand
genuine, you are interested in poetry.
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