Posts Tagged ‘mythology’
“All ancient books which have once been called sacred by man will have their lasting place in the history of mankind”*…

In 1999, Santa Cruz, California software engineer John Bruno Hare founded what he hoped would become “a quiet place in cyberspace”…
Welcome to the largest freely available archive of online books about religion, mythology, folklore, and the esoteric on the Internet… Texts are presented in English translation and, where possible, in the original language…
This site has no particular agenda other than promoting religious tolerance and scholarship. Views expressed at this site are solely those of specific authors, and are not endorsed by sacred-texts. Sacred-texts is not sponsored by any religious group or organzation.
This site strives to produce the best possible transcriptions of public domain texts on the subject of religion, mythology, folklore and the esoteric. The texts are posted for free access on the Internet. This site is like a public library: it is accessible to anyone, contains unfiltered information, and does not advocate any particular point of view. However, nobody is going to shush you if you make too much noise while using this site…
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Spirituality in all of its shapes: The Internet Scared Text Archive.
* “All ancient books which have once been called sacred by man will have their lasting place in the history of mankind; and those who possess the courage, the perseverance, and the self-denial of the true miner, and of the true scholar, will find even in the darkest and dustiest shafts what they are seeking for–real nuggets of thought, and precious jewels of faith and hope.” – Max Müller, Introduction to the Upanishads Vol. II
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As we delve into the devotional, we might recall that it was on this date in 1848 that a document that isn’t in the Sacred Text Archive, but that is arguably apposite, was published– a political pamphlet by the German philosophers Karl Marx and Friedrich Engels, The Communist Manifesto. Commissioned by the Communist League and written in German, it appeared as the Revolutions of 1848 began to erupt. Subsequently, of course, Marx elaborated on his argument (with Engel’s help, after Marx’s death) in Das Kapital.

“See the turtle of enormous girth, on his shell he holds the earth”*…
On the roots of a surprisingly wide-spread– and durable– image…
Anyone who’s ever heard the expression “it’s turtles all the way down” is probably familiar with the image of the world being carried on the back of a giant turtle. While that philosophical one-liner is of relatively modern vintage, the cosmic turtle mytheme has appeared in disparate cultures across the globe for millennia. In honor of everyone’s favorite intellectual quandary, let’s take a moment to celebrate the tortoises that hold up the world.
In his book Researches Into the Early History of Mankind and the Development of Civilization, the turn-of-the-20th-century anthropologist Edward Burnett Tylor writes that the world turtle concept likely first appeared in Hindu mythology. In one Vedic story, the form of the god Vishnu’s second avatar, Kurma, is a great turtle, which provides a celestial foundation upon which a mountain is balanced.
Over in China, part of the traditional creation mythology involves a giant turtle named Ao, although the image in this case is a bit different. According to the legend, the creator goddess cut off the legs of the cosmic turtle and used them to prop up the heavens, which had been damaged by another god. It’s not quite carrying the world on its back, but it still puts a terrapin at the center of the universe, making sure that the very sky doesn’t fall down.
The concept of a world turtle seems to have arisen independently within Native American myth and legend. In the creation stories of the Lenape and Iroquois people, the Earth is created as soil is piled on the back of a great sea turtle that continues to grow until it is carrying the entire world. Many indigenous tribes in North America refer to the continent as Turtle Island to this day.
The image of the world being carried through space by an ancient, impossibly massive tortoise is evocative, so it’s not hard to imagine why it has survived for so long in so many different cultures. But in the end, why turtles?
In a 1974 issue of the anthropological journal Man, the scholar Jay Miller provides some thoughts on what makes the turtle such a popular world bearer, writing, “I viewed the turtle as a logical choice for such an atlantean because its shape and appearance were suited to this role.” But he goes on to write, specifically of the Lenape belief in a world turtle, that the creature also mirrored aspects that they valued in their culture, such as perseverance and longevity. And that idea doesn’t just apply to the cosmic turtle in Lenape culture. “With intensive research, the above analysis should also apply for other societies that place the earth on the back of a turtle.” Most turtles and tortoises are also famously long-lived, giving them a wise, ancient quality that lends itself to mythologizing.
World turtles appear in more modern pop culture as well, from the Great A’Tuin of the late Terry Pratchett’s Discworld franchise, to the all-knowing Maturin of Stephen King’s metaverse. Clearly, it remains cool to imagine that our world is being led through space by a being that actually knows where we’re headed.
“Why Is the World Always on the Back of a Turtle?” As Eric Grundhauser (@OMGrundhauser) explains, it’s mythology all the way down.
* Stephen King
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As we contemplate cosmological chordates, we might recall that it was on this date in 762 that Baghdad was founded. After the fall of the Umayyads, the first Muslim dynasty, the victorious Abbasid rulers wanted their own capital from which to rule. They chose a site north of the Sassanid capital of Ctesiphon— a site especially blessed as it had control over strategic and trading routes along the Tigris, and it had an abundance of water in a dry climate. The caliph Al-Mansur commissioned the construction of the city– in the round, a deliberate reminder of an expression in the Qur’an, when it refers to Paradise.
Within a short time, Baghdad evolved into a significant cultural, commercial, and intellectual center of the Muslim world. This, in addition to housing several key academic institutions, including the House of Wisdom (see also here), as well as hosting a multi-ethnic and multi-religious environment, earned the city a worldwide reputation as the “Center of Learning.”
Baghdad was the largest city in the world for much of the Abbasid era during the Islamic Golden Age, peaking at a population of more than a million. But the city was largely destroyed at the hands of the Mongol Empire in 1258, resulting in a decline– fueled by frequent plagues and the turmoil of multiple successive empires– that lingered through many centuries.
“If I had to choose a superhero to be, I would pick Superman. He’s everything that I’m not.*…
The images that pop up in most people’s heads when they think about superheroes can be traced back to the 1938 debut of Superman and the genre evolution that followed. But it’s possible to go back even further, connecting the Hulk to the ancient epic poem of Gilgamesh, and Batman to 17th Century cross-dressing crimefighter Moll Cutpurse…
Heroic history at: “How Ancient Legends Gave Birth to Modern Superheroes.”
* Stephen Hawking
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As we investigate our icons, we might recall that it was on this date in 1885 that Mark Twain’s Adventures of Huckleberry Finn was published in the U.S. Considered by many to be the Great American Novel, Huckleberry Finn has been controversial from it birth (e.g., here and here)– indeed, the controversy began before its birth: The UK and Canadian edition came out two months earlier; the U.S. version was delayed because one of the engravers added an obscenity to one of the illustrations: on p. 283, an illustration of Aunt Sally and Silas Phelps was augmented by the addition of a penis. Thirty thousand copies of the book had been printed before the unwanted addition was discovered. A new plate was made to correct the illustration and repair the existing copies; still, copies with the so-called “curved fly” plate remain valuable collectors items.

Huck, as drawn by E. W. Kemble for the original edition of the book
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