Posts Tagged ‘travel’
“The future belonged to the showy and the promiscuous”*…
Emily J. Orlando on the enduring relevance and the foresight of Edith Wharton…
If ever there were a good time to read the American writer Edith Wharton, who published over forty books across four decades, it’s now. Those who think they don’t know Wharton might be surprised to learn they do. A reverence for Wharton’s fiction informs HBO’s Sex and the City, whose pilot features Carrie Bradshaw’s “welcome to the age of un-innocence.” The CW’s Gossip Girl opens, like Wharton’s The House of Mirth, with a bachelor spying an out-of-reach love interest at Grand Central Station while Season 2 reminds us that “Before Gossip Girl, there was Edith Wharton.”
But why Wharton? Why now? Perhaps it’s because for all its new technologies, conveniences, and modes of travel and communication, our own “Gilded Age” is a lot like hers [see here]. For the post-war and post-flu-epidemic climate that engendered her Pulitzer-Prize-winning novel The Age of Innocence is not far removed from our post-COVID-19 reality. In both historical moments, citizens of the world have witnessed a retreat into conservatism and a rise of white supremacy.
Fringe groups like the “Proud Boys” and “QAnon” and deniers of everything from the coronavirus to climate change are invited to the table in the name of free speech and here Wharton’s distrust of false narratives resonates particularly well. Post-9/11 calls for patriotism and the alignment of the American flag with one political party harken back to Wharton’s poignant questioning, in a 1919 letter, of the compulsion to profess national allegiance:
how much longer are we going to think it necessary to be “American” before (or in contradistinction to) being cultivated, being enlightened, being humane, & having the same intellectual discipline as other civilized countries?
Her cosmopolitan critique of nationalist fervor remains instructive to us today…
Eminently worth reading in full (then picking up one of Wharton’s wonderful novels): “How Edith Wharton Foresaw the 21st Century,” in @lithub.
See also: “These days, the bigger the company, the less you can figure out what it does.”
* Edith Wharton, The Custom of the Country
###
As we prize perspicacity, we might recall that it was on this date in 1884, in the midst of the Gilded Age, that Harper’s Bazaar proclaimed, “…it is not convenable, according to European ideas, to wear a loose flowing robe of the tea-gown pattern out of one’s bedroom or boudoir. It has been done by ignorant people at a watering-place, but it never looks well. It is really an undress, although lace and satin may be used in its composition. A plain, high, and tight-fitting garment is much the more elegant dress for the afternoon teas as we give them.”
Embraced by artists and reformers, the Aesthetic Dress Movement of the 1870s and 1880s was a non-mainstream movement within fashion that looked to the Renaissance and Rococo periods for inspiration. The movement began in response to reformers seeking to call attention to the unhealthy side effects of wearing a corset, thus, the main feature of this movement in women’s dress was the loose-fitting dress, which was worn without a corset. Artists and progressive social reformers embraced the Aesthetic Dress movement by appearing uncorseted and in loose-fitting dresses in public. For many that fell into these categories, Aesthetic Dress was an artistic statement. Appearing in public uncorseted was considered controversial for women, as it suggested intimacy. In fact, many women across the country were arrested for appearing in public wearing Aesthetic costumes, as authorities and more conservative citizens associated this type of dress with prostitution.
But for most wealthy women, the influence of the Aesthetic Dress movement on their wardrobes took the form of the Tea Gowns. Like most dresses that could be considered “Aesthetic,” Tea Gowns were loose and meant to be worn without a corset. However, they were less controversial than the Aesthetic ensembles of more artistic and progressive women. This is because they were not typically worn in public or in the company of the opposite sex. Tea Gowns were a common ensemble for hosts of all-female teas that were held in the wearer’s home. Thus, because no men were in attendance, Tea Gowns were socially acceptable in these scenarios. Mainstream magazines like Harper’s Bazar were not especially keen on the Tea Gown and cautioned their readers not to appear wearing one in public.
“Gilded Age Fashion”
For a sense of what was at stake, see “The Corset X-Rays of Dr Ludovic O’Followell (1908)“
“As long as we tell our urban ancestors’ stories, no city is ever lost. They live on, in our imaginations and on our public lands, as a promise that no matter how terrible things get, humans always try again.”*…
In the dusty plains of present-day Sindh in southern Pakistan lie the remains of one of the world’s most impressive ancient cities of which most people have never heard. Samantha Shea reports…
A slight breeze cut through the balmy heat as I surveyed the ancient city around me. Millions of red bricks formed walkways and wells, with entire neighbourhoods sprawled out in a grid-like fashion. An ancient Buddhist stupa towered over the time-worn streets, with a large communal pool complete with a wide staircase below. Somehow, only a handful of other people were here – I practically had the place all to myself.
I was about an hour outside of the dusty town of Larkana in southern Pakistan at the historical site of Mohenjo-daro. While today only ruins remain, 4,500 years ago this was not only one of the world’s earliest cities, but a thriving metropolis featuring highly advanced infrastructures.
Mohenjo-daro – which means “mound of the dead men” in Sindhi – was the largest city of the once-flourishing Indus Valley (also known as Harappan) Civilisation that ruled from north-east Afghanistan to north-west India during the Bronze Age. Believed to have been inhabited by at least 40,000 people, Mohenjo-daro prospered from 2500 to 1700 BCE.
“It was an urban centre that had social, cultural, economic and religious linkages with Mesopotamia and Egypt,” explained Irshad Ali Solangi, a local guide who is the third generation of his family to work at Mohenjo-daro.
But compared to the cities of Ancient Egypt and Mesopotamia, which thrived around the same time, few have heard of Mohenjo-daro. By 1700 BCE, it was abandoned, and to this day, no-one is sure exactly why the inhabitants left or where they went…
The fascinating tale: “Pakistan’s lost city of 40,000 people,” from @IDtravelblog in @BBC_Travel.
* Annalee Newitz, Four Lost Cities: A Secret History of the Urban Age
###
As we muse on mutability, we might send (semi-)adventurous birthday greetings to Thomas Cook; he was born on this date in 1808. An English businessman, he is best known for founding the travel agency Thomas Cook & Son— through which he pioneered the “package tour” and helped build tourism systems (vouchers, company agents/guides, purpose-built hotels, et al.) that fueled the growth of leisure travel first in Italy, then around the world.
“I’ve always lived by signs”*…
Justin McElroy, Municipal Affairs Reporter for CBC Vancouver, has taken to Twitter to perform an important public service…
I’ve identified 185 communities in the province of British Columbia that have welcome signs.
And in this thread, I’m going to rank every single one.
You can follow the thread, which is underway now: Rating the Welcome Signs of British Columbia, from @j_mcelroy. Via @broderick.
* Iris Murdoch, Henry and Cato
###
As we contemplate connoisseurship, we might might send significant birthday greetings to a master of a different kind of sign, William Lilly; he was born on this date in 1602 (O.S.). Described as a genius at something “that modern mainstream opinion has since decided cannot be done at all,” he was an astrologer who was powerfully influential in his own time and hugely impactful on the future course of Western astrological tradition.
Lilly’s autobiography, published towards the end of his life in 1681, at the request of his patron Elias Ashmole, gives candid accounts of the political events of his era, and biographical details of contemporaries that are unavailable elsewhere. It was described, in the late 18th century, as “one of the most entertaining narratives in our language”, in particular for the historical portrayal it leaves of men like John Dee, Simon Forman, John Booker, Edward Kelley, including a whimsical first meeting of John Napier and Henry Briggs, respective co-inventors of the logarithm and Briggsian logarithms, and for its curious tales about the effects of crystals and the appearance of Queen Mab. In it, Lilly describes the friendly support of Oliver Cromwell during a period in which he faced prosecution for issuing political astrological predictions. He also writes about the 1666 Great Fire of London, and how he was brought before the committee investigating the cause of the fire, being suspected of involvement because of his publication of images, 15 years earlier, which depicted a city in flames surrounded by coffins… To his supporters he was an “English Merlin”; to his detractors he was a “juggling wizard and imposter.”…
Wikipedia
“The turning points of lives are not the great moments. The real crises are often concealed in occurrences so trivial in appearance that they pass unobserved.”*…
What’s true of threats is also true of opportunities. Could Ford’s new truck be the pivot to a new, greener personal transportation future?
As the top-selling model line in the U.S. for 40 years, Ford Motor Co.’s F-Series pickups hold special weight in the auto ecosystem. The lineup, led by the F-150, generates more than $40 billion in annual revenue. Only one other U.S. product—Apple Inc.’s iPhone—tops F-Series sales.
Given this, Ford’s decision to electrify the F-150 stands as one of the boldest strategic decisions in 21st century business. An electric F-150, more than any other vehicle, will persuade rural America to go green, leading the way for almost every automaker that finds itself challenged by the electric transition.
…
Costs for Lightning owners will be considerably lower than for those owning the F-150. The $39,974 base price (factoring in federal subsidies) is 17% less than that of an entry-level F-150, according to Atlas Public Policy.
Operating costs are lower too…
The most highly anticipated EV is about to hit the U.S. market — and raise the stakes for automakers’ efforts to cut emissions: “How Ford’s Electric F-150 Pickup Truck Will Cut Carbon Pollution,” from @business.
* George Washington
###
As we plug in, we might recall that it was on this date in 1924 that map and travel publisher Rand McNally published the first edition of Auto Chum, which went on to become the best-selling Rand McNally Road Atlas.
“What beauty is, I know not, though it adheres to many things”*…
Renaissance artist Albrecht Dürer was on a constant hunt for inspiration– and found novelty everywhere on his travels…
In 1520 Albrecht Dürer was in Brussels when the contents of a treasure ship sent back from the Americas by Hernán Cortés were put on display to celebrate the coronation of Charles V. The cache contained, among other items, obsidian weapons, jaguar pelts, feathered shields, gemstones and mosaic pieces, and gold wrought in innumerable inventive ways. Dürer, the son of a Nuremberg goldsmith, was flabbergasted. “All the days of my life I have seen nothing that rejoiced my heart so much as these things,” he wrote, “for I saw amongst them wonderful works of art.” But then, for him, everything was a work of art – either God-made or man-made. His well-known watercolours of a piece of turf and the iridescent wing of a blue roller bird are themselves marvels of creation that show marvels of creation.
For Dürer, even more than for most artists, the world was a place of wonder. If Leonardo da Vinci, his senior by 19 years, looked longest and deepest at natural phenomena – from the flow of water to the action of veins and sinews – Dürer (1471-1528) was in thrall to materiality, where sight became an extension of touch…
How a Renaissance master and inveterate traveler journeyed in a permanent state of fascination: “The wonders of Albrecht Dürer’s world,” from Michael Prodger in @NewStatesman.
* Albrecht Dürer
###
As we wonder, we might spare a thought for Ludwig Emil Grimm; he died on this date in 1863. A painter, art professor, etcher, and copper engraver, his subjects included his two brothers, the folklorists Jacob and Wilhelm Grimm.
You must be logged in to post a comment.