Posts Tagged ‘Shakespeare’
“It’s not those who write the laws that have the greatest impact on society. It’s those who write the songs”*…
Broadside ballads were single-sheet songs that emerged with the spread of printing and sold for a penny a piece; the most popular of them were the 16th and 17th century equivalent of the Hit Parade. Christopher Marsh and Angela McShane have put together an extraordinary rich collection…
We here identify and present a body of the biggest hits from seventeenth-century England…
This website concentrates on over 100 resoundingly successful examples that you can investigate through recordings, images and a wealth of other materials. Whether you are interested in music, art, love, gender, tragedy, politics, family life, crime, history, humour or death, you will find something to engage you here…
For example, the ballad pictured above:
The Lamentable and Tragicall History of Titus Andronicus seems certain to have been written in c. 1594 as a spin-off from Shakespeare’s play about the fictional general whose final months in late-imperial Rome were even more bloody than the decades of military service that went before. Plays for the stage and songs for the street cross-fertilised throughout the early-modern period, and several of our hit songs reveal the relationship (see, for example, The Lamentation of Master Pages wife and An Excellent Ballad of George Barnwel).
The ballad, like the play, was highly successful. Of the two forms, it was perhaps the ballad that maintained its popularity more consistently after Titus’ first phase of marketability in the Elizabethan and Jacobean periods. There were numerous editions of the ballad in the seventeenth and eighteenth centuries. More occasionally, it was also included in printed song-collections such as Richard Johnson’s Golden garland of princely pleasures (1620).
…
To the tune of ‘Fortune my Foe’ (standard name)
‘Fortune my foe’ was so well known that notation appears in dozens of sources, both printed and manuscript. There are instrumental settings for lute, virginals, cittern and lyra viol, and several of the period’s most celebrated composers – John Dowland and William Byrd, for example – applied their talents to the tune. This was a remarkably solid melody, and renditions are striking in their consistency over time and space…
[Here it here]
99 other Tops of the Pops in the 17th century: “100 Ballads” @100ballads.
* Blaise Pascal
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As we belt it out, we might recall that on this date in 1994, a different ballad was #1 on the pop charts: Celine Dion singing “The Power of Love”– a cover of its author Jennifer Rush‘s version, which had itself reached the top of the chart nine years earlier.
“Thou art a monument without a tomb, / And art alive still while thy book doth live / And we have wits to read and praise to give”*…
400 years ago this month, seven years after Shakespeare’s death, his friends John Heminge and Henry Condell published The First Folio, containing 36 of Shakespeare’s plays, (an endeavor which they financed with a bequest that he had left them).
Although 19 of Shakespeare’s plays had been published in quarto before 1623, the First Folio is arguably the only reliable text for about 20 of the plays, and a valuable source text for many of those previously published. Eighteen of the plays in the First Folio, including The Tempest, Twelfth Night, and Measure for Measure among others, are not known to have been previously printed.
It is considered one of the most influential books ever published. Of perhaps 750 copies printed, 235 are known to remain, most of which are kept in either public archives or private collections. More than one third of the extant copies are housed at the Folger Shakespeare Library in Washington, D.C., which is home to a total of 82 First Folios.
It is also, as Alicia Andrzejewski and Carole Levin explain, one of the most stolen…
Late at night on July 13th, 1972, an unknown person entered the University of Manchester’s Library and violently smashed the plate glass top of an exhibition case, stealing the contents. Inside was one of the most famous, most valuable books in existence: the library’s near-perfect edition of one of Shakespeare’s First Folios. This theft is the most mysterious of all the stolen First Folios. More than fifty years have passed, and this First Folio—one of the 750 printed in 1623 and of the estimated 232 known copies across the globe today—is still missing.
This year, 2023, marks the 400th year anniversary of the printing of Shakespeare’s First Folio, deemed one of the most significant books in the English language, “a coveted treasure,” to quote Eric Rasmussen, an expert on the First Folios and author of The Shakespeare Thefts: In Search of the First Folios. Without the First Folio, we would not have many of Shakespeare’s most famous plays, the half that were not printed in his lifetime, including The Taming of the Shrew, Macbeth, Twelfth Night, and The Tempest. In collecting and printing these plays, Shakespeare’s two close friends and fellow actors, John Heminge and Henry Condell, validated that plays are more than entertainment—they have literary value.
The First Folios still in existence are mainly housed in public institutions—their significance is underscored by their rarity, as copies are almost never available for sale, and the most recent one sold in 2020 for almost ten-million dollars. Even in the seventeenth century, when the First Folios were first printed, they were only available to elite members of society: earls, lords, knights, admirals, and the occasional lawyer. To this day, ownership is limited to, and a fetish among, the super wealthy. Because of their elite status, Rasmussen speculates that, of the copies that cannot be located, most “have probably been stolen.”
For some, as Rasmussen suggests, the First Folio is coveted because of its monetary value, an object to steal and eventually attempt to sell. Three First Folios were stolen in the 20th century alone, including the Manchester Library’s copy, and the thieves in the latter two cases are characters as strange as some of those in Shakespeare’s plays, the heists as thrilling as some of his plots. The thefts we describe, and the desires that inspire them, speak to Shakespeare’s foothold in Western civilization—the reverence and awe so many people have for him, that imbue the First Folio with an almost religious power…
Some of the most brazen heists of a historic volume: “Shakespeare’s First Folio has been Stolen Many, Many Times,” in @CrimeReads.
* Ben Jonson, “To the Memory of My Beloved the Author, Mr. William Shakespeare” (in the First Folio)
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As we linger on literary larceny, we might recall that it was on this date fifty years ago that then-President Richard Nixon made his famous declaration of character:
On Nov. 17, 1973, President Richard M. Nixon held a news conference before Associated Press managing editors in Orlando, Fla., in which he defended himself against a number of allegations. Most of the questions related to the Watergate break-in, which had become even more of a scandal a month earlier with the “Saturday Night Massacre.” Other questions focused on reports that he had cheated on his tax returns.
The Nov. 18 New York Times outlined President Nixon’s many assertions, concluding that the president had acquitted himself well: “The president seemed composed and on top of the subject throughout the session, faltering perceptibly only during the discussion of his taxes. In contrast with some of his recent appearances he did not berate his critics or his political enemies.”
The best-remembered part of the news conference came as the president defended himself against claims that he had illicitly profited from his years in public service. “I made my mistakes, but in all of my years of public life, I have never profited, never profited from public service — I earned every cent,” he said. “And in all of my years of public life, I have never obstructed justice. And I think, too, that I could say that in my years of public life, that I welcome this kind of examination, because people have got to know whether or not their president is a crook. Well, I am not a crook. I have earned everything I have got.”
The news conference did little to end questions over Mr. Nixon’s honesty. His declaration “I’m not a crook” was used against him — and the line would forever be associated with the Watergate era.
In April 1974, the Internal Revenue Service ordered that the president pay more than $400,000 in back taxes for making improper deductions. And the Watergate investigation continued to uncover misconduct. In August 1974, with the House Judiciary Committee having recommended impeachment and the release of a “smoking gun” tape showing that he had approved a cover-up, the president resigned…
“Nixon Declares ‘I Am Not a Crook’”
“Trees and people used to be good friends”*…
What’s old is new again… yet again…
If there’s a style that defines 2020, it has to be “cottagecore.” In March 2020, the New York Times defined it as a “budding aesthetic movement… where tropes of rural self-sufficiency converge with dainty décor to create an exceptionally twee distillation of pastoral existence.” In August, consumer-culture publication The Goods by Vox heralded cottagecore as “the aesthetic where quarantine is romantic instead of terrifying.”
Baking, one of the activities the quarantined population favored at the height of the pandemic, is a staple of cottagecore, whose Instagram hashtag features detailed depictions of home-baked goods. Moreover, the designer Lirika Matoshi’s Strawberry Dress, defined as The Dress of 2020, fully fits into the cottagecore aesthetic. A movement rooted in self-soothing through exposure to nature and land, it proved to be the antidote to the stress of the 2020 pandemic for many.
Despite its invocations of rural and pastoral landscapes, the cottagecore aesthetic is, ultimately, aspirational. While publications covering trends do point out that cottagecore is not new—some locate its origins in 2019, others in 2017—in truth, people have sought to create an escapist and aspirational paradise in the woods or fields for 2,300 years.
Ancient Greece had an enduring fascination with the region of Arcadia, located in the Peloponnesus, which many ancient Greeks first dismissed as a primitive place. After all, Arcadia was far from the refined civilization of Athens. Arcadians were portrayed as hunters, gatherers, and sensualists living in an inclement landscape. In the Hellenistic age, however, Arcadia became an idea in the popular consciousness more than a geographical place…
And the pastoral ideal resurfaced regularly therafter. Theocritus, Virgil, Longus, Petrarch, Shakespeare, Thomas Hardy, even Marie-Antoinette– keeping cozy in a countryside escape, through the ages: “Cottagecore Debuted 2,300 Years Ago,” from Angelica Frey (@angelica_frey) in @JSTOR_Daily.
* Hayao Miyazaki, My Neighbor Totoro
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As we pursue the pastoral, we might recall that it was on this date in 1865, after four years of Civil War, approximately 630,000 deaths, and over 1 million casualties, that General Robert E. Lee surrendered the Confederate Army of Northern Virginia to the commander of the Union Army, Lieutenant General Ulysses S. Grant, at the home of Wilmer and Virginia McLean in the town of Appomattox Court House, Virginia… a one-time pastoral setting.

“Eventually everything connects”*…
Long-time readers will know of your correspondent’s fascination with Powers of Ten, a remarkable short film by Charles and Ray Eames, with Philip Morrison, that begins with a couple having a picnic, zooms out by “powers of ten” to the edge of the universe, then zooms in (by those same increments) to a proton.
We’ve looked before at a number of riffs on this meditation on scale: see, e.g., here, here, and here.
Now the BBC has updated the first half of Powers of Ten:
It’s a trip worth taking.
* Charles Eames
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As we wrestle with relationships, we might light a birthday candle for Sir Francis Bacon– English Renaissance philosopher, lawyer, linguist, composer, mathematician, geometer, musician, poet, painter, astronomer, classicist, philosopher, historian, theologian, architect, father of modern science (The Baconian– aka The Scientific– Method), and patron of modern democracy, whom some allege was the illegitimate son of Queen Elizabeth I of England (and others, the actual author of Shakespeare’s plays)… He was in any event born on this date in 1561.
Bacon (whose Essays were, in a fashion, the first “management book” in English) was, in Alexander Pope’s words, “the greatest genius that England, or perhaps any country, ever produced.” He probably did not actually write the plays attributed to Shakespeare (as a thin, but long, line of enthusiasts, including Mark Twain and Friedrich Nietzsche, believed). But Bacon did observe, in a discussion of sedition that’s as timely today as ever, that “the remedy is worse than the disease.”








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