Posts Tagged ‘Virgil’
“I tell you, sir, the only safeguard of order and discipline in the modern world is a standardized worker with interchangeable parts.”*…
… a sentiment that grates on the indivisualists among us. Still, there’s no denying the enormous impact that standardization has had. In an excerpt from his book, Exactly: How Precision Engineers Created The Modern World, Simon Winchester on the revolution that came from interchangeable parts…
Lewis Mumford, the historian and philosopher of technology, was one of the earliest to recognize the major role played by the military in the advancement of technology, in the dissemination of precision-based standardization, in the making of innumerable copies of the same and usually deadly thing, all iterations of which must be identical to the tiniest measure, in nanometers or better. The stories that follow, in which standardization and precision-based manufacturing are shown to become crucial ambitions of armies on both sides of the Atlantic, serve both to confirm Mumford’s prescience and to underline the role that the military plays in the evolution of precision. The examples from the early days of the science are of course far from secret; those from today, and that might otherwise be described in full to illustrate today’s very much more precise and precision-obsessed world, are among the most secure and confidential topics of research on the planet — kept in permanent shadow, as the dark side necessarily has to be.
It was in the French capital in 1785 that the idea of producing interchangeable parts for guns was first properly realized, and the precision manufacturing processes that allowed for it were ordered to be first put into operation. Still, it is reasonable to ask why, if the process was dreamed up in 1785, was it not being applied to the American musketry in official use in 1814, twenty-nine years later? Men were running, battles were being lost, great cities were being burned — and in part because the army’s guns were not being made as they should have been made. There is an answer, and it is not a pretty one.
Two little-remembered Frenchmen got the honor of first introducing the system that, had it been implemented in time and implemented properly, would have given America the guns it should have had. The first, the less familiar of the pair, despite the evidently superior nature of his name, was Jean-Baptiste Vaquette de Gribeauval, a wellborn and amply connected figure who specialized in designing cannons for the French artillery. He supposedly came up with a scheme, in 1776, for boring out cannons using almost exactly the same technique that John Wilkinson had invented in England, that of moving a rotating drill into a solid cannon-size and cannon-shaped slug of iron. Wilkinson had patented his precisely similar system two years earlier, in 1774, but nonetheless, the French system, the système Gribeauval, as it came to be known for the next three decades, long dominated French artillery making. It gave the French armies access to a range of highly efficient and lightweight, but manifestly not entirely originally conceived, field pieces. (Gribeauval did employ what were called go and no-go gauges as a means of ensuring that cannonballs fitted properly inside his cannons, but this was hardly revolutionary engineering, and it had been around in principle for five centuries.)
The second figure, the man who did the most to bring the system of interchangeable parts to the making of guns, and whose technique was, unlike Gribeauval’s, unchallengeable, was Honoré Blanc. He was not a soldier but a gunsmith, and during his apprenticeship he became well aware of the Gribeauval system. He decided early in his career that he could bring a similar standardization to the flintlock musket, for the benefit of the man on the battlefield.
Yet there was a difference. A cannon was big and heavy and crude — a gunner simply touched his linstock, with its attached lighted match, to the vent, and the cannon fired — and so such parts as there were proved easily amenable to standardization. With the flintlock, however, the lock (that part of a musket that delivered the spark that exploded the priming powder that ignited the main charge and drove the ball down the barrel) was a fairly delicate and complex piece of engineering, made of many oddly shaped parts and liable to all kinds of failure. To the uninitiated, the names of the bits and pieces of a flintlock alone are bewildering: a lock has parts that are variously known as the bridle, the sear, the frizzen, the pan, and any number of springs and screws and bolts and plates as well as, of course, the spark-producing (when struck by the aforementioned metal frizzen) piece of flint. To render the lock into a standard piece of military equipment, with all its parts made exactly the same for each lock, was going to be a tall order.
Cost, rather than the well-being of the infantryman or the conduct of the battle, was the prime motive. The French government declared in the mid-1780s that the country’s gunsmiths were charging too much for their craftsmanship, and demanded they improve their manufacturing process or lower their prices. The smiths not unnaturally balked at the impertinence of the suggestion, and promptly tried selling their products to the new armories and gun makers across the Atlantic in America, a move that alarmed the French government, as it imagined it might well run out of weaponry as a result.
It was at this point that Honore Blanc entered the picture, taking a civilian job as the army’s quality-control inspector. His brother gunsmiths expressed their dismay over the fact that one of their number was going over to the other side, was a poacher turning gamekeeper. Blanc dismissed the criticism and got on with his job, his own motivation being the welfare of the soldier out in the field rather than allowing the government to cut costs. He was greatly influenced by M. de Gribeauval, and decided he could ape his system of standardization, ensuring that all the component parts of a flintlock he made as exact and faithful copies of one perfectly made master.
This master he made himself, carefully and with great precision, and with all the specifications laid down as precisely as possible (using the arcane system of the Ancien Régime, which still employed dimensional measures such as the pointe, the ligne, and the pouce) to tolerances of about what today we would recognize as 0.02 millimeters. He then made a series of jigs and gauges to ensure that all the locks made subsequently were faithful to this first perfect master, by the judicious use of files and such lathes as were available. The gunsmiths hired by Blanc to perform this task — by hand, still — made each lock exactly as the original. Providing that they did so, exactly, all the pieces would then fit perfectly together, and the whole assembled lock would fit equally perfectly into each completed weapon.
Yet only a small number of gunsmiths were willing to work under these stringent new conditions. Most balked. Making guns simply by copying parts reduced the value of the gunsmith’s craftsmanship to near insignificance, they argued. Unskilled drones could do their work instead. By arguing this, the French smiths were voicing much the same complaints as the Luddites had grumbled over in England: that precision was stripping their skills of worth. This argument would be heard many times in the future as the steady march of precision engineering advanced across Europe, the Americas, the world. The kind of mutinous sentiments heard in the English Midlands half a century before were now being muttered in northern France, as precision started to become an international phenomenon, its consequences rippling into the beyond.
Such was the hostility in France to Honoré Blanc, in fact, that the government had to offer him protection, and so sequestered him and his small but faithful crew of precision gun makers in the basement dungeons of the great Château de Vincennes, east of Paris. At the time, the great structure (much of it still standing, and much visited) was in use as a prison: Diderot had been incarcerated there, and the Marquis de Sade. In the relative peace of what would, within thirty years, become one of postrevolutionary France’s greatest arsenals, Blanc and his team worked away producing his locks, all of them supposedly identical. Blanc made all the necessary tools and jigs to help in his efforts — according to one source, hardening the metal pieces by burying them for weeks in the copious leavings of manure from the castle stables.
By July of 1785, Blanc was ready to offer a demonstration. He sent out invitations to the capital’s nabobs and military flag officers and to his still-hostile colleague gunsmiths, to show them what he had achieved. Many officials came, but few of the smiths, who were still seething. Yet one person of great future significance did present himself at the donjon’s fortified gates: the minister to France of the United States of America, Thomas Jefferson…
On the making of the modern world: interchangeable parts, from @simonwwriter, via the invaluable @delanceyplace.
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As we mix and match, we might spare a thought for another contibutor to our modern age, Jethro Tull; he died on this date in 1741. An agronomist who promoted planting seeds in rows (as opposed to “broadcast,” simply casting the seeds around), he perfected a horse-drawn seed drill in 1701 that economically sowed the seeds in three neat rows; because of its internal moving parts (including a rotary mechanism that became part of all sowing devices that followed), it has been called the first agricultural machinery. He later developed a horse-drawn hoe, a four-coultered plow that made vertical cuts in the soil before the plowshare.
Tull’s methods– horse-hoeing and row seeding, effectively a rejection of traditional Virgilian husbandry– were initailly controversial, but were steadily adopted by many landowners and helped to provide the basis for modern agriculture.
“February is the uncertain month, neither black nor white, but all shades between by turns. Nothing is sure.”*…
Yeah, but why is it shorter than all of the other months? Timothy Taylor has the story…
I understand why the calendar adds an extra day to February every four years. The revolution of the earth around the sun is approximately 365 and one-quarter days. Every four years, that adds up to one additional day, plus some extra minutes. The modest rounding error in this calculation is offset by steps like dropping the extra day of leap year for years ending in “00.”
But my question is why February has only 28 days in other years. After all, January has 31 days and March has 31 days. If those two months each donated a day to February, then all three months could be 30 days long, three years out of four, and February could be 31 days in leap years. Every other month is either 30 or 31 days. Why does February only get 28 days?…
… The answer to such questions leads to a digression back into the history of calendars. In this case, Jonathan Hogeback writing at the Britannica website tells me, it seems to settle on the Roman king Numa Pompilius back around 700 BCE, before the start of the Roman Empire. The ancient Roman calendar of that time had a flaw: it didn’t have nearly enough days. As Hogeback writes:
The Gregorian calendar’s oldest ancestor, the first Roman calendar, had a glaring difference in structure from its later variants: it consisted of 10 months rather than 12. In order to fully sync the calendar with the lunar year, the Roman king Numa Pompilius added January and February to the original 10 months. The previous calendar had had 6 months of 30 days and 4 months of 31, for a total of 304 days. However, Numa wanted to avoid having even numbers in his calendar, as Roman superstition at the time held that even numbers were unlucky. He subtracted a day from each of the 30-day months to make them 29. The lunar year consists of 355 days (354.367 to be exact, but calling it 354 would have made the whole year unlucky!), which meant that he now had 56 days left to work with. In the end, at least 1 month out of the 12 needed to contain an even number of days. This is because of simple mathematical fact: the sum of any even amount (12 months) of odd numbers will always equal an even number—and he wanted the total to be odd. So Numa chose February, a month that would be host to Roman rituals honoring the dead, as the unlucky month to consist of 28 days.
This discussion does explain why February would be singled out, since it was the month of rituals honoring the dead. In Numa’s calendar, the 355-day year would be made up of 11 months that had the lucky odd numbers of 29 or 31 days, plus unlucky February.
The discussion also explains why months that start with the prefix “Oct-” or eight, “Nov” or nine, and “Dec-” or ten, are actually months 10, 11, and 12 in the calendar. Those names were originally part of a 10-month calendar year.
But questions remains unanswered: Why did the Romans of that time view odd numbers as lucky, compared with unlucky even numbers? I suppose that explaining any superstition is hard, but I’ve never seen a great explanation. A Dartmouth course on “Geometry in Art and Architecture” describes Pythagorean feelings about odd and even numbers. For those of you keeping score at home, Pythagoras lived about two centuries after Numa Pompilius. The Dartmouth course material summarizes aspects of “Pythagorean Number Symbolism”:
Odd numbers were considered masculine; even numbers feminine because they are weaker than the odd. When divided they have, unlike the odd, nothing in the center. Further, the odds are the master, because odd + even always give odd. And two evens can never produce an odd, while two odds produce an even. Since the birth of a son was considered more fortunate than birth of a daughter, odd numbers became associated with good luck…
[Taylor recounts the recurrence of this theme, from Virgil to Shakespeare…]
… While I acknowledge this history of a belief in odd numbers, as a person born on an even day of an even month in an even year, I’m not predisposed to accept it. But it’s interesting that modern photographers have a guideline for composing photographs called the “rule of odds.” Rick Ohnsman at the Digital Photography School, for example, describes it this way:
This is where the rule of odds comes into play, a deceptively simple yet powerful tool in your photographic arsenal. It’s all about arranging your subjects in odd numbers to craft compositions that are naturally more pleasing to the eye. Unlike more static guidelines, the rule of odds offers a blend of structure and organic flow, making your images both aesthetically pleasing and impressively compelling.
The revised calendar of Numa Pompilius couldn’t last. With only 355 days, it didn’t reflect the actual period of the earth revolving around the sun, and thus led to further revisions which are a story in themselves.
But when you think about it, the question of February having 28 days all goes back to Numa Pompilius and the superstitions about odd numbers. The modern calendar has 365 days in a typical year. You might think that the obvious way to divide this up would be to start off with 12 months of 30 days, and then add five days. Indeed, the ancient Egyptians had a calendar of this type, with five “epagomenal” or “outside the calendar days added each year.
The preference over the last two millennia, at least since the time of Julius Caesar, is to have 12 months, with a few of them being a day longer. But even so, why not in a typical year have five months of 31 days, and the rest with 30? The “problem,” I think, is that most months would then have unlucky totals of an even number of days. By holding February to 28 days rather than 30, you can redistribute two days from February and have 31 days in January and March. Thus, you can have only four months with an even total of 30 days every year (“Thirty days hath September, April, June, and November …”), and seven months always with the luckier odd total of 31 days. In leap years, when February has 29 days, then eight months have an odd number of days. I think this makes February 29 a lucky day?…
“Why Does February (Usually) Have 28 Days?” from @TimothyTTaylor.
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As we muse on the marking of months, we might recall that it was on this date in 1692 that a doctor in Salem, Massachusetts (generally believed to have been William Griggs), was unable to find a physical explanation for the ailments (fits, pins-and-needles) of three young girls. As other young women in Salem began to evince the same symptoms, the local preacher declared them “bewitched”… and the stage was set for The Salem Witch Trials.

“Trees and people used to be good friends”*…
What’s old is new again… yet again…
If there’s a style that defines 2020, it has to be “cottagecore.” In March 2020, the New York Times defined it as a “budding aesthetic movement… where tropes of rural self-sufficiency converge with dainty décor to create an exceptionally twee distillation of pastoral existence.” In August, consumer-culture publication The Goods by Vox heralded cottagecore as “the aesthetic where quarantine is romantic instead of terrifying.”
Baking, one of the activities the quarantined population favored at the height of the pandemic, is a staple of cottagecore, whose Instagram hashtag features detailed depictions of home-baked goods. Moreover, the designer Lirika Matoshi’s Strawberry Dress, defined as The Dress of 2020, fully fits into the cottagecore aesthetic. A movement rooted in self-soothing through exposure to nature and land, it proved to be the antidote to the stress of the 2020 pandemic for many.
Despite its invocations of rural and pastoral landscapes, the cottagecore aesthetic is, ultimately, aspirational. While publications covering trends do point out that cottagecore is not new—some locate its origins in 2019, others in 2017—in truth, people have sought to create an escapist and aspirational paradise in the woods or fields for 2,300 years.
Ancient Greece had an enduring fascination with the region of Arcadia, located in the Peloponnesus, which many ancient Greeks first dismissed as a primitive place. After all, Arcadia was far from the refined civilization of Athens. Arcadians were portrayed as hunters, gatherers, and sensualists living in an inclement landscape. In the Hellenistic age, however, Arcadia became an idea in the popular consciousness more than a geographical place…
And the pastoral ideal resurfaced regularly therafter. Theocritus, Virgil, Longus, Petrarch, Shakespeare, Thomas Hardy, even Marie-Antoinette– keeping cozy in a countryside escape, through the ages: “Cottagecore Debuted 2,300 Years Ago,” from Angelica Frey (@angelica_frey) in @JSTOR_Daily.
* Hayao Miyazaki, My Neighbor Totoro
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As we pursue the pastoral, we might recall that it was on this date in 1865, after four years of Civil War, approximately 630,000 deaths, and over 1 million casualties, that General Robert E. Lee surrendered the Confederate Army of Northern Virginia to the commander of the Union Army, Lieutenant General Ulysses S. Grant, at the home of Wilmer and Virginia McLean in the town of Appomattox Court House, Virginia… a one-time pastoral setting.

“Troy has perished, the great city. Only the red flame lives there now.”*…

It wasn’t just a legend. As Joshua Hammer explains, archaeologists are getting to the bottom of the city celebrated by Homer nearly three millennia ago…
It has been nearly 3,000 years since Homer wrote the Iliad, one of the foundational works of Western literature. The epic poem describes, in gory and lyrical detail, 52 days near the end of the ten-year siege of Troy, the “well-fortified” city ruled by the kindly King Priam. According to the legend, Priam’s son Paris (sometimes known in Turkey as Alexandros) ignited the war by seducing the “lovely haired Helen,” wife of the Spartan king Menelaus, and spiriting her to the Citadel at Troy. In response, Menelaus’ brother Agamemnon, the “king of kings” who ruled from Mycenae on the Greek mainland, led a fleet of warships across the Aegean to recapture Helen and take revenge against the city.
The question of which of these people and events, if any, are historical has captivated scholars for centuries, and though there’s little conclusive evidence that any scene happened as Homer described it, he invested his characters with such vitality and complexity that it can be hard to remember that much of the story is likely made up. His epic, based on centuries of oral tradition, plays out among the ships in the harbor, inside the walls of Troy, and on the plain in between… It was there, according to the legend, that the Greeks, led by “god-like” Achilles, confronted Priam’s son Hector and his Trojan force. With its stirring descriptions of martial pageantry, its dramatic accounts of close combat, its heroic but flawed characters, its sacrifices, betrayals, grieving lovers and parents, and its powerful descriptions of loss and human suffering, the Iliad shaped Western literature through millennia. “Poets must sing the story over and over again, passing it from generation to generation, lest in losing Troy we lose a part of ourselves,” the British actor and scholar Stephen Fry wrote in his recent best seller Troy.
…
Until about 150 years ago, it was widely believed that Troy was a fiction, a mythical city like Atlantis or El Dorado. And yet throughout antiquity there was a tradition linking Hisarlik to Troy. The classical Greeks, who lived hundreds of years after the events described by Homer would have taken place, believed that Hisarlik had been the site of the Homeric city of Troias, and they built a Greek settlement with a lavish temple, theater and city council building there. Writing in the first century A.D., Plutarch described a visit by Alexander the Great in 334 B.C. to celebrate the Mycenaean conquest nearly a millennium earlier—and to grieve at the supposed tomb of Achilles. The Romans, for their part, believed that they descended from the Trojan hero Aeneas, who fled to Italy after Troy’s destruction, as recounted by Virgil in the Aeneid; Julius Caesar was said to have visited Hisarlik in 48 B.C. to pay homage to Aeneas, Hector and other Trojan heroes. The emperor Constantine even considered making Hisarlik the new capital of his empire before choosing Byzantium, later to become Constantinople, then Istanbul. In the fifth century, a series of earthquakes led to the city’s abandonment, and its links to Homeric Troy were largely forgotten. Still, as late as the 15th century, a Castilian traveler and writer named Pedro Tafur visited a collection of ruins—apparently Hisarlik—and described it as “that place which they say was Troy.”
In the modern era, the first person to suggest Hisarlik as the site of Troy was the Scottish polymath Charles Maclaren, a one-time editor of the Encyclopaedia Britannica. But it would be nearly half a century before an amateur archaeologist named Frank Calvert began to explore the mound overlooking the Dardanelles that the Turks called the “Place of Fortresses.” A wealth of detail in the Iliad suggested to him that Hisarlik and Troy were one and the same. Homer had placed the city on a hill situated between two rivers, the Scamander and the Simoeis, which some modern scholars suggest correspond to the rivers now known as the Karamenderes and the Dumrek Su. The Iliad also contains dozens of references to mile-high Mount Ida, 20 miles south of Hisarlik, from which Zeus “the cloud-gatherer” and his “ox-eyed queen” Hera observed the fighting and intervened on behalf of favored warriors. And there is a tantalizing description of “two well-heads of lovely water,” one hot and one cold, around which Achilles pursued Hector toward the end of the Iliad. (In the late 1990s, archaeologists discovered an underground reservoir that some believe fed the wells described by Homer.) Calvert uncovered temples and other ruins from Hellenistic and Roman towns, but he ran out of money to dig further. When he met a self-taught German archaeologist named Heinrich Schliemann, who was in Turkey conducting his own search for Troy, he encouraged Schliemann to pick up where he left off…
Follow the story of discovery at Hisarlik from there all the way to today: “In Search of Troy,” from @Joshuaiveshamme @SmithsonianMag.
* Homer, The Illiad
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As we ponder the past, we might recall that it was on this date in 861 that the Viking burned Paris to the ground (for the third time since the Siege of Paris, on this same date in 845). The invaders also torched the Abbey of Saint-Germain-des-Prés, which they pillaged again in 869. In 870, King Charles the Bald ordered the construction of two bridges, the Grand Pont and the Petit Pont, to block the passage of the Vikings up the Seine. In 885, Gozlin, the Bishop of Paris, repaired the city wall and reinforced the bridges, enabling the city to resist an attack by the Vikings, who tried again twice (in 887 and 888), but were repelled each time.
Paris then enjoyed 90 years of (relative) peace, until 978, when the city was laid siege by The Holy Roman Emperor Otto II.

Wisdom is wherever one finds it…

From Surviving the World, Dante Shepherd’s “Daily Lessons in Science, Literature, Love, and Life.”
As we luxuriate in understanding, we might might compose celebratory hexameter for Publius Vergilius Maro (AKA, Vigil); the author of the Eclogues, the Georgics, and the Aeneid was born on this date in 70 BCE.




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