Posts Tagged ‘style’
“To achieve style, begin by affecting none”*…
From Roger’s Bacon, in New Science, a brief history of scientific writing…
Since the founding of the first scientific journal in 1665, there have been calls to do away with stylistic elements in favor of clarity, concision, and precision.
In 1667, Thomas Sprat urged members of the Royal Society to “reject all the amplifications, digressions, and swellings of style; to return back to the primitive purity, and shortness, when men delivered so many things, almost in an equal number of words.” Some 200 years later, Charles Darwin said much the same: “I think too much pains cannot be taken in making the style transparently clear and throwing eloquence to the dogs” (Aaronson, 1977).
Darwin and Sprat eventually got their way. Modern scientific writing is homogenous, cookie-cutter, devoid of style. But scientific papers weren’t always like this.
Writing in The Last Word On Nothing blog, science journalist Roberta Kwok explains how old articles differ from their modern counterparts:
Scientists used to admit when they don’t know what the hell is going on.
When philosopher Pierre Gassendi tried to capture observations of Mercury passing in front of the Sun in 1631, he was beset by doubts:
“[T]hrown into confusion, I began to think that an ordinary spot would hardly pass over that full distance in an entire day. And I was undecided indeed… I wondered if perhaps I could not have been wrong in some way about the distance measured earlier.”
They get excited and use italics.
In 1892, a gentleman named William Brewster observed a bird called a northern shrike attacking a meadow mouse in Massachusetts. After tussling with its prey, he wrote, “[t]he Shrike now looked up and seeing me jumped on the mouse with both feet and flew off bearing it in its claws.”
They write charming descriptions.
Here’s French scientist Jean-Henri Fabre rhapsodizing about the emperor moth in his book, The Life of the Caterpillar (1916):
Who does not know the magnificent Moth, the largest in Europe, clad in maroon velvet with a necktie of white fur? The wings, with their sprinkling of grey and brown, crossed by a faint zig-zag and edged with smoky white, have in the centre a round patch, a great eye with a black pupil and a variegated iris containing successive black, white, chestnut and purple arcs.
All this to say: Scientists in the pre-modern era wrote freely, despite calls to do away with that freedom. At some point, narrative and literary styles vanished and were replaced with rigid formats and impoverished prose. The question now is: Have we gone too far in removing artistry from scientific writing?…
For a well-argued case that we have– “the way that we write is inseparable from the way that we think, and restrictions in one necessarily lead to restrictions in the other”– read on: “Research Papers Used to Have Style. What Happened?,” from @RogersBacon1 and @newscienceorg.
* E. B. White, The Elements of Style
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As we ponder purposive prose, we might spare a thought for Johann Adam Schall von Bell; he died on this date in 1666. An expressive writer in both German and Chinese, he was an astronomer and Jesuit missionary to China who revised the Chinese calendar, translated Western astronomical books, and was head of Imperial Board of Astronomy (1644-64). Given the Chinese name “Tang Ruowang,” he became a trusted adviser (1644-61) to Emperor Shun-chih, first emperor of the Ch’ing dynasty (1644-1911/12), who made him a mandarin.
“Trees and people used to be good friends”*…
What’s old is new again… yet again…
If there’s a style that defines 2020, it has to be “cottagecore.” In March 2020, the New York Times defined it as a “budding aesthetic movement… where tropes of rural self-sufficiency converge with dainty décor to create an exceptionally twee distillation of pastoral existence.” In August, consumer-culture publication The Goods by Vox heralded cottagecore as “the aesthetic where quarantine is romantic instead of terrifying.”
Baking, one of the activities the quarantined population favored at the height of the pandemic, is a staple of cottagecore, whose Instagram hashtag features detailed depictions of home-baked goods. Moreover, the designer Lirika Matoshi’s Strawberry Dress, defined as The Dress of 2020, fully fits into the cottagecore aesthetic. A movement rooted in self-soothing through exposure to nature and land, it proved to be the antidote to the stress of the 2020 pandemic for many.
Despite its invocations of rural and pastoral landscapes, the cottagecore aesthetic is, ultimately, aspirational. While publications covering trends do point out that cottagecore is not new—some locate its origins in 2019, others in 2017—in truth, people have sought to create an escapist and aspirational paradise in the woods or fields for 2,300 years.
Ancient Greece had an enduring fascination with the region of Arcadia, located in the Peloponnesus, which many ancient Greeks first dismissed as a primitive place. After all, Arcadia was far from the refined civilization of Athens. Arcadians were portrayed as hunters, gatherers, and sensualists living in an inclement landscape. In the Hellenistic age, however, Arcadia became an idea in the popular consciousness more than a geographical place…
And the pastoral ideal resurfaced regularly therafter. Theocritus, Virgil, Longus, Petrarch, Shakespeare, Thomas Hardy, even Marie-Antoinette– keeping cozy in a countryside escape, through the ages: “Cottagecore Debuted 2,300 Years Ago,” from Angelica Frey (@angelica_frey) in @JSTOR_Daily.
* Hayao Miyazaki, My Neighbor Totoro
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As we pursue the pastoral, we might recall that it was on this date in 1865, after four years of Civil War, approximately 630,000 deaths, and over 1 million casualties, that General Robert E. Lee surrendered the Confederate Army of Northern Virginia to the commander of the Union Army, Lieutenant General Ulysses S. Grant, at the home of Wilmer and Virginia McLean in the town of Appomattox Court House, Virginia… a one-time pastoral setting.

“Slang is a language that rolls up its sleeves, spits on its hands and goes to work”*…
For example…
The slang of 19th century scoundrels and vagabonds: browse it in full at invaluable Internet Archive, “Vocabulum; or, The Rogue’s Lexicon.”
* Carl Sandburg
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As we choose our words, we might send fashionable birthday greetings to George Bryan “Beau” Brummell; he was born on this date in 1778. An important figure in Regency England (a close pal of the Prince Regent, the future King George IV), he became the the arbiter of men’s fashion in London in the territories under its cultural sway.
Brummell was remembered afterwards as the preeminent example of the dandy; a whole literature was founded upon his manner and witty sayings, e.g. “Fashions come and go; bad taste is timeless.”
“What’s a bigger mystery box than a movie theater?”*…

“Eastern Bloc Architecture: 50 Buildings that Defined an Era” is a collaborative series by The Calvert Journal and ArchDaily highlighting iconic architecture that had shaped the Eastern world. Each publication has released a round-up of five– so ten in total– Eastern Bloc projects of different sorts. The above, from: “Eastern Bloc Architecture: Sci-fi Cinemas.”
More where that came from at “Eastern Bloc Architecture: 50 Buildings that Defined an Era.”
* J.J. Abrams
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As we take our seats, we might send brief birthday greetings to Valentin Sergeyevich Pavlov; he was born on thus date in 1937. A Russian economist and politician, he served as Prime Minister of the Soviet union for 9 month in 1991. During his tenure he oversaw a major currency reform and (concerned to prevent the break-up of the USSR) he attempted to shift the locus of power from the President– Gorbachev at the time– to the Prime Minister and the Cabinet of Deputies. When that move failed, he joined a coup attempt… which, when it too failed, cost him his post and landed him in prison.

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