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Posts Tagged ‘printing

“The greatest value of a picture is when it forces us to notice what we never expected to see”*…

Detail from Richard Waller’s “Tabula colorum physiologica …” [Table of physiological colours], from Philosophical Transactions, 1686 — Source.

One of the most demanding challenges for early modern scientists was devising how best to visually portray their discoveries to the public. In the absence of any sort of technology for automatic visualisation, like cameras or scanners, the sixteenth- and seventeenth-century natural philosopher had to rely on drawings and subsequently woodcuts, etchings, or engravings to turn an experimental finding into a reproducible and publicly accessible demonstration. This was a laborious, expensive, time-consuming, and often problematic operation. Negotiated between several parties involved in the world of image-making, such as draughtsmen, engravers, and printers, the results were inevitably compromises between the intentions of the researcher and the possibilities of the printing press. For example, what a drawing could express with shading, washing, and chromatic nuances, printed illustrations could only approximate through a binary system of black and white, resulting from the pressure of an inked copper plate against a page.

The problem of efficient imaging was particularly felt during the early years of the Royal Society, a scientific institution founded in London in the early 1660s and today still regarded as one of the most prestigious institutions of scientific research in the world. In its early decades of activity, the Royal Society established itself as one of the central forces of the Scientific Revolution, with renowned members such as Robert Boyle and Isaac Newton. Members of the Society used to meet on a weekly basis to discuss ongoing research on a variety of subjects, such as physics, mathematics, biology, astronomy, mechanics, geography, and antiquarianism.

Soon after its foundation, the Royal Society sought new ways to increase visibility and maximise its public reach. From this emerged the Philosophical Transactions, a monthly peer-reviewed journal, the first of its kind, featuring extracts from the Royal Society’s weekly research meetings. Founded in 1665 by the Society’s Secretary Henry Oldenburg and still published to this day, the Transactions are regarded as the first and longest-running scientific journal in history, as contributions were the result of original explorative studies into natural and mechanical matters informed by the Society’s culture of experiment — part of what today we generally call science.

The Transactions were printed in small quarto format (about 17x22cm) with up to about a dozen articles per issue and could be purchased for the price of one shilling, about £5 today. The journal was a pioneering learned publication, with exceptional frequency and aimed at a diverse public of curious researchers. As such, especially in the early years, its contributors were often preoccupied with how best to communicate their ideas and discoveries through the immediacy of mass-producible visual media. A closer look into a selection of these articles demonstrates the extent to which natural philosophers were prepared to re-invent the production and consumption of images with new and often odd strategies for representing the world. This was a process of endless hands-on experimentation, often pushing beyond the traditional confines of the printing house…

From infographics to digital renders, today’s scientists have ready access to a wide array of techniques to help visually communicate their research. It wasn’t always so: “‘More Lively Counterfaits’– Experimental Imaging at the Birth of Modern Science.”

* John Tukey

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As we “show don’t tell,” we might spare a thought for Earle Dickson; he died on this date in 1961.  Dickson, concerned that his wife, Josephine Knight, often cut herself while doing housework and cooking, devised a way that she could easily apply her own dressings.  He prepared ready-made bandages by placing squares of cotton gauze at intervals along an adhesive strip and covering them with crinoline.  In the event, all his wife had to do was cut off a length of the strip and wrap it over her cut.  Dickson, who worked as a cotton buyer at Johnson & Johnson, took his idea to his employer… and the Band-Aid was born.

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“Design is the intermediary between information and understanding”*…

 

graphic design manuscripts

Pages depicting flasks of urine for diagnosing disease, from The Twenty Jordans (MS. Ashmole, 1413). The pictures run across facing pages, so that you can compare samples easily (courtesy Bodleian Libraries, University of Oxford)

 

Designing English: Graphics on the Medieval Page at the University of Oxford’s Bodleian Libraries examines the how the creation of early English books, from their hand-written language to the bindings themselves, can be viewed as pioneering graphic design. Whether a hunting manual with ages of deers described through illustrations of antler growth, or an elegant 15th-century copy of The Canterbury Tales where borders and titles guide the reader through the text, these manuscripts grappled with engaging their readers through their visual design.

“We’ve deliberately used the term ‘design’ which wasn’t used in our sense during the Middle Ages,” Dan Wakelin, professor of medieval English paleography and curator of Designing English, told Hyperallergic. “First, the term ‘design’ helps us appreciate the creativity of the past. Medieval craftspeople left us few records of their own thought processes, so we often need to use our own terms when we try to reconstruct them. The term ‘design’ brings to light aspects of the thoughtfulness and ingenuity behind medieval manuscripts and artifacts which we might otherwise miss.”…

How early English authors and scribes worked to communicate: “How Medieval Manuscript Makers Experimented with Graphic Design.”

* Hans Hofmann

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As we lay it out, we might recall that it was on this date in 1878 that the first telephone directory was issued. Consisting of a single piece of cardboard, it listed 50 individuals, businesses, and other offices in New Haven, Connecticut that had telephones.  There were, as readers will note on the photo below, no numbers, as callers had to be connected by an operator.

oldphone source

 

Written by LW

February 21, 2020 at 1:01 am

“I never said, ‘I want to be alone.’ I only said ‘I want to be let alone!’ There is all the difference.”*…

 

moshed-1

 

Someone observing her could assemble in forensic detail her social and familial connections, her struggles and interests, and her beliefs and commitments. From Amazon purchases and Kindle highlights, from purchase records linked with her loyalty cards at the drugstore and the supermarket, from Gmail metadata and chat logs, from search history and checkout records from the public library, from Netflix-streamed movies, and from activity on Facebook and Twitter, dating sites, and other social networks, a very specific and personal narrative is clear.

If the apparatus of total surveillance that we have described here were deliberate, centralized, and explicit, a Big Brother machine toggling between cameras, it would demand revolt, and we could conceive of a life outside the totalitarian microscope. But if we are nearly as observed and documented as any person in history, our situation is a prison that, although it has no walls, bars, or wardens, is difficult to escape.

Which brings us back to the problem of “opting out.” For all the dramatic language about prisons and panopticons, the sorts of data collection we describe here are, in democratic countries, still theoretically voluntary. But the costs of refusal are high and getting higher: A life lived in social isolation means living far from centers of business and commerce, without access to many forms of credit, insurance, or other significant financial instruments, not to mention the minor inconveniences and disadvantages — long waits at road toll cash lines, higher prices at grocery stores, inferior seating on airline flights.

It isn’t possible for everyone to live on principle; as a practical matter, many of us must make compromises in asymmetrical relationships, without the control or consent for which we might wish. In those situations — everyday 21st-century life — there are still ways to carve out spaces of resistance, counterargument, and autonomy.

We are surrounded by examples of obfuscation that we do not yet think of under that name. Lawyers engage in overdisclosure, sending mountains of vaguely related client documents in hopes of burying a pertinent detail. Teenagers on social media — surveilled by their parents — will conceal a meaningful communication to a friend in a throwaway line or a song title surrounded by banal chatter. Literature and history provide many instances of “collective names,” where a population took a single identifier to make attributing any action or identity to a particular person impossible, from the fictional “I am Spartacus” to the real “Poor Conrad” and “Captain Swing” in prior centuries — and “Anonymous,” of course, in ours…

There is real utility in an obfuscation approach, whether that utility lies in bolstering an existing strong privacy system, in covering up some specific action, in making things marginally harder for an adversary, or even in the “mere gesture” of registering our discontent and refusal. After all, those who know about us have power over us. They can deny us employment, deprive us of credit, restrict our movements, refuse us shelter, membership, or education, manipulate our thinking, suppress our autonomy, and limit our access to the good life…

As Finn Brunton and Helen Nissenbaum argue in their new book Obfuscation: A User’s Guide for Privacy and Protest, those who know about us have power over us; obfuscation may be our best digital weapon: “The Fantasy of Opting Out.”

* Greta Garbo

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As we ponder privacy, we might recall that it was on this date in 1536 that William Tyndale was strangled then burned at the stake for heresy in Antwerp.  An English scholar and leading Protestant reformer, Tyndale effectively replaced Wycliffe’s Old English translation of the Bible with a vernacular version in what we now call Early Modern English (as also used, for instance, by Shakespeare). Tyndale’s translation was first English Bible to take advantage of the printing press, and first of the new English Bibles of the Reformation. Consequently, when it first went on sale in London, authorities gathered up all the copies they could find and burned them.  But after England went Protestant, it received official approval and ultimately became the basis of the King James Version.

Ironically, Tyndale incurred Henry VIII’s wrath after the King’s “conversion” to Protestantism, by writing a pamphlet decrying Henry’s divorce from Catherine of Aragon.  Tyndale moved to Europe, where he continued to advocate Protestant reform, ultimately running afoul of the Holy Roman Empire, which sentenced him to his death.

 source

 

Written by LW

October 6, 2019 at 1:01 am

“Printing…is the preservative of all arts”*…

 

dunhuang-diamond-sutra-frontispiece

Frontispiece of the Dunhuang Diamond Sūtra

 

In 366, the itinerant monk Yuezun was wandering through the arid landscape [around the Western Chinese city of Dunhuang] when a fantastical sight appeared before him: a thousand buddhas, bathed in golden light. (Whether heat, exhaustion or the strange voice of the sands worked themselves on his imagination is anyone’s guess.) Awed by his vision, Yuezun took up hammer and chisel and carved a devotional space into a nearby cliff-face. It soon became a centre for religion and art: Dunhuang was situated at the confluence of two major Silk Road routes, and both departing and returning merchants made offerings. By the time the site fell into disuse in the 14th century, almost 500 temples had been carved from the cliff.

Among the hundreds of caves was a chamber that served as a storeroom for books. The Library Cave held more than 50,000 texts: religious tracts, business reports, calendars, dictionaries, government documents, shopping lists, and the oldest dated printed book in the world. A colophon at the end of the Dunhuang Diamond Sūtra scroll dates it to 868, nearly six centuries before the first Gutenberg Bible…

Learn more at: “The Oldest Printed Book in the World.”  Then page through the British Libraries digitization of its restoration.

* Isaiah Thomas (the 19th century publisher and author, not the basketball player)

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As we treasure tomes, we might recall that it was on this date in 1990 that  Tim Berners-Lee published a formal proposal for aa “Hypertext project” that he called the World Wide Web (though at the time he rendered it in one word: “WorldWideWeb”)… laying the foundation for a network that has become central to the information age– a network that, with its connected technologies, is believed by many to have sparked a revolution as fundamental and impactful as the revolution ignited by Gutenberg and moveable type.

Sir_Tim_Berners-Lee_(cropped) source

 

Written by LW

November 12, 2018 at 1:01 am

“There is no exquisite beauty… without some strangeness in the proportion”*…

 

The ascent of the Prophet over the Ka’bah guided by Jibrā’īl and escorted by angels. (via the British Library)

The Miscellany of Iskandar Sultan is a book lover’s fantasy: a bespoke manuscript, hand-painted and hand-written by the greatest artists and calligraphers of its day. The patchwork book is pieced together from a wide range of texts, from epic poetry to learned disquisitions on astrology, medicine, and the interpretation of dreams. It is a fifteenth-century library distilled into a single volume and a relic of another world. In a time before copyright, texts could be borrowed, copied, and recycled into something new. In a time before mass-scale printing, a book could be a deeply personal affair, curated exactly to its patron’s unique set of interests. In a time before the internet, a pocket-sized library was the best way to carry a world of knowledge everywhere you went.

The Miscellany’s patron was Jalāl al-Dīn Iskandar Sultan ibn ‘Umar Shaykh, ruler of Shiraz and Isfahan and grandson of the world-famous conqueror Timur…

The remarkable story in full at “The ultimate bespoke manuscript“; browse the manuscript on the British Library’s Digital Viewer.

* Edgar Allan Poe

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As we contemplate comprehensiveness, we might recall that not too long after this exercise in collecting everything relevant to a single reader, there was a seminal move to make a single thing available to many, many readers: on this date in 1484, William Caxton, who introduced the printing press to England and was its first book publisher (see here and here), published his English translation of Aesop’s Fables.

The fable of the farmer and his sons from Caxton’s edition, 1484

source

 

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