Posts Tagged ‘Foucault’
“He is seen, but he does not see; he is the object of information, never a subject in communication”*…

We’ve looked before at digital regimes that seem a little too close for comfort to Jeremey Bentham‘s notion of the Panopticon. Surveillance has continued to intensify. 404 Media’s Jason Koebler and Joseph Cox bring us up to speed…
It’s nearly impossible not to be watched these days. It can start right at home with your neighbors and their Ring cameras—a company that sold fear to the American public and is now integrating AI to turn entire neighborhoods into networked, automated surveillance systems.
Head out a bit further and you’ll likely be confronted by Flock’s network of cameras that not only track license plates, but also track people’s movements with detailed precision. And as the Trump administration raids cities across the U.S. for undocumented immigrants, tech giants like Palantir are powering tools for ICE, including one called ELITE that helps the agency pick which neighborhoods to raid.
To better understand what exactly we’re looking at in this dystopian hellscape, 404 Media’s Jason Koebler and Joseph Cox joined r/technology for an AMA.
Understandably, people are worried about violations of their privacy by companies and the government. And many wonder, is there any way to go back once we’ve released all this AI-powered, surveillance tech?…
The (lightly edited for clarity) transcript is a bracing– but critically-important– read: “From Flock to ICE, Here’s a Breakdown of How You’re Being Watched,” @jasonkoebler.mastodon.social.ap.brid.gy and @josephcox.bsky.social in @404media.co.
* “Bentham’s Panopticon [at top] is the architectural figure of this composition. We know the principle on which it was based: at the periphery, an annular building; at the centre, a tower; this tower is pierced with wide windows that open onto the inner side of the ring; the peripheric building is divided into cells, each of which extends the whole width of the building; they have two windows, one on the inside, corresponding to the windows of the tower; the other, on the outside, allows the light to cross the cell from one end to the other. All that is needed, then, is to place a supervisor in a central tower and to shut up in each cell a madman, a patient, a condemned man, a worker or a schoolboy. By the effect of backlighting, one can observe from the tower, standing out precisely against the light, the small captive shadows in the cells of the periphery… He is seen, but he does not see; he is the object of information, never a subject in communication. – Michel Foucault, Discipline and Punish: The Birth of the Prison
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As we feel seen, we might recall that it was on this date in 2000, that the dot.com bust effectively began. Between 1995 and its peak five days earlier, on March 10, 2000, investments in the Nasdaq Composite stock market index rose from 1,006 to 5,048—a 400% gain fueled by the conviction that the internet would render every prior valuation framework obsolete. It did not.
On March 13, 2000, news that Japan had once again entered a recession triggered a global sell off that disproportionately affected technology stocks. Soon after, Yahoo! and eBay ended merger talks and the Nasdaq fell 2.6%; still, the S&P 500 rose 2.4% as investors shifted from strong performing technology stocks to poor performing established stocks. The market held steady on the 14th. Then, on this date 26 years ago, the broader market begin to drop… and kept dropping. By the end of the stock market downturn of 2002 (the “second chapter” in the correction that began in 2000), stocks had lost $5 trillion in market capitalization since the peak. At its trough on October 9, 2002, the NASDAQ-100 had dropped to 1,114, down 78% from its peak. It took 15 years for the Nasdaq to regain its March, 2000 peak.
“Men have become the tools of their tools”*…
Visionary philosopher Bernard Stiegler argued that it’s not our technology that makes humans special; rather, it’s our relationship with that technology. Bryan Norton explains…
It has become almost impossible to separate the effects of digital technologies from our everyday experiences. Reality is parsed through glowing screens, unending data feeds, biometric feedback loops, digital protheses and expanding networks that link our virtual selves to satellite arrays in geostationary orbit. Wristwatches interpret our physical condition by counting steps and heartbeats. Phones track how we spend our time online, map the geographic location of the places we visit and record our histories in digital archives. Social media platforms forge alliances and create new political possibilities. And vast wireless networks – connecting satellites, drones and ‘smart’ weapons – determine how the wars of our era are being waged. Our experiences of the world are soaked with digital technologies.
But for the French philosopher Bernard Stiegler, one of the earliest and foremost theorists of our digital age, understanding the world requires us to move beyond the standard view of technology. Stiegler believed that technology is not just about the effects of digital tools and the ways that they impact our lives. It is not just about how devices are created and wielded by powerful organisations, nation-states or individuals. Our relationship with technology is about something deeper and more fundamental. It is about technics.
According to Stiegler, technics – the making and use of technology, in the broadest sense – is what makes us human. Our unique way of existing in the world, as distinct from other species, is defined by the experiences and knowledge our tools make possible, whether that is a state-of-the-art brain-computer interface such as Neuralink, or a prehistoric flint axe used to clear a forest. But don’t be mistaken: ‘technics’ is not simply another word for ‘technology’. As Martin Heidegger wrote in his essay ‘The Question Concerning Technology’ (1954), which used the German term Technik instead of Technologie in the original title: the ‘essence of technology is by no means anything technological.’ This aligns with the history of the word: the etymology of ‘technics’ leads us back to something like the ancient Greek term for art – technē. The essence of technology, then, is not found in a device, such as the one you are using to read this essay. It is an open-ended creative process, a relationship with our tools and the world.
This is Stiegler’s legacy. Throughout his life, he took this idea of technics, first explored while he was imprisoned for armed robbery, further than anyone else. But his ideas have often been overlooked and misunderstood, even before he died in 2020. Today, they are more necessary than ever. How else can we learn to disentangle the effects of digital technologies from our everyday experiences? How else can we begin to grasp the history of our strange reality?…
[Norton unspools Stiegler’s remarkable life and the development of his thought…]
… Technology, for better or worse, affects every aspect of our lives. Our very sense of who we are is shaped and reshaped by the tools we have at our disposal. The problem, for Stiegler, is that when we pay too much attention to our tools, rather than how they are developed and deployed, we fail to understand our reality. We become trapped, merely describing the technological world on its own terms and making it even harder to untangle the effects of digital technologies and our everyday experiences. By encouraging us to pay closer attention to this world-making capacity, with its potential to harm and heal, Stiegler is showing us what else is possible. There are other ways of living, of being, of evolving. It is technics, not technology, that will give the future its new face…
Eminently worth reading in full: “Our tools shape our selves,” from @br_norton in @aeonmag.
Compare and contrast: Kevin Kelly‘s What Technology Wants
* Henry David Thoreau
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As we own up, we might send phenomenological birthday greetings to Immanuel Kant; he was born on this date in 1724. One of the central figures of modern philosophy, Kant is remembered primarily for his efforts to unite reason with experience (e.g., Critique of Pure Reason [Kritik der reinen Vernunft], 1781), and for his work on ethics (e.g., Metaphysics of Morals [Die Metaphysik der Sitten], 1797) and aesthetics (e.g., Critique of Judgment [Kritik der Urteilskraft], 1790).
But Kant made important contributions to mathematics and astronomy. For example: his argument that mathematical truths are a form of synthetic a priori knowledge was cited by Einstein as an important early influence on his work. And his description of the Milky Way as a lens-shaped collection of stars that represented only one of many “island universes,” was later shown to be accurate by Herschel.
Act so as to treat humanity, whether in your own person or in that of another, at all times also as an end, and not only as a means.

“Iteration, like friction, is likely to generate heat instead of progress”*…
A word of caution from the wondrous Randall Munroe (@xkcd): “Rotatation.”
* George Eliot, The Mill on the Floss
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As we resist repetition, we might send perpetual birthday greetings to Jean Bernard Léon Foucault; he was born on this date in 1819. A physicist who made an early measurement of the speed of light, discovered eddy currents, and is credited with naming the gyroscope (although he did not invent it), Foucault is best remembered for the (eponymously-named) Foucault’s Pendulum– suspended from the roof of the Panthéon in Paris– demonstrating the effects of the Earth’s rotation. Using a long pendulum with a heavy bob, he showed its plane was not static, but rotated at a rate related to Earth’s angular velocity and the latitude of the site.
In fact, essentially the same experimental approach had been used by Vincenzo Viviani as early as 1661; but it was Foucault’s work that caught the public imagination: within years of his 1851 experiment, the were “Foucault’s Pendulums” hanging– and attracting crowds–in major cities across Europe and America.

“What’s a Multiverse?”*…

Last fall, a hand-picked group of the world’s top theoretical physicists received an invitation to a conference about the multiverse, a subject to which many of them had devoted the majority of their careers. Invitations like these were nothing unusual in their line of work. What was unusual was this conference was not being hosted by a university or research institute, but rather by a Scottish Duke.
And its organizer was not a physicist, but a landscape architect by the name of Charles Jencks.
The physicists were surprised to learn that Jencks had spent the past three years bringing their cosmological theories to life in the form of a massive land installation carved into the hills and pastures of the Nith Valley in southwest Scotland. It was titled “Crawick Multiverse” after the village where it was built, and its features, according to the brochure accompanying the invitation, included a Supercluster of Galaxies, twin Milky Way and Andromeda spiral mounds, the Sun Amphitheater (which seats 5,000), a Comet Walk, Black Holes (“in two different phases”), an Omphalos (a boulder-limned grotto symbolizing Earth’s “mythic navel” [pictured above]) and of course, the multiverse itself…

A panoramic painting of Crawick.
More at “The Duke, The Landscape Architect, and the World’s Most Ambitious Plan to Bring the Cosmos to Earth.”
* Penny: What’s a multiverse?
Sheldon: GET HER OUT OF HERE!
– Big Bang Theory
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As we note, with Rebecca Solnit, that a path is simply a prior interpretation of the best way to traverse a landscape, we might send perpetual birthday greetings to Jean Bernard Léon Foucault; he was born on this date in 1819. A physicist who made an early measurement of the speed of light, discovered eddy currents, and is credited with naming the gyroscope (although he did not invent it), Foucault is best remembered for the (eponymously-named) Foucault’s Pendulum– a long and heavy pendulum suspended from the roof of the Panthéon in Paris– demonstrating the effects of the Earth’s rotation. In fact, essentially the same experimental approach had been used by Vincenzo Viviani as early as 1661; but it was Foucault’s work that caught the public imagination: within years of his 1851 experiment, the were “Foucault’s Pendulums” hanging– and attracting crowds–in major cities across Europe and America.





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