(Roughly) Daily

Posts Tagged ‘radio

“Just remember: Abraham Lincoln didn’t die in vain, he died in Washington D.C.”*…

Ken Goffman (better known as R. U. Sirius, the co-founder and first editor of the seminal Mondo 2000) on an equally-seminal comedy group…

If you were a college student or Western counterculture person in the late 1960s-70s, the albums of Firesign Theatre occupied more space on your shelf and in your hippocampus than even The Beatles or Pink Floyd. If you were an incipient techno-geek or hacker, this was even more the case. Firesign was the premier comedy recording act of the very first media-saturated technofreak tribe.

In his tremendously informative and enjoyable history of Firesign Theatre titled Firesign: The Electromagnetic History of Everything as told in Nine Comedy Albums, author Jeremy Braddock starts by giving us the roots of a band of satirists that started out (to varying degrees) as social activists with a sense of humor. He shows them slowly coming together in Los Angeles while infiltrating, first, the alternative Pacifica radio stations like KPFK in Los Angeles, and eventually, briefly, hosting programs in the newly thriving hip commercial rock radio stations of the times, before they lost that audience share to corporatization. 

Braddock takes us through the entire Firesign career and doesn’t stint on media theory and the sociopolitics of America in the 20th century that were a part of the Firesign oeuvre. 

For those of us out in the wilds of the youth counterculture of the time, without access to their radio programs, it was Columbia Records albums that captured our ears and minds, starting with Waiting For the Electrician or Someone Like Him in early 1968. Their third album, Don’t Crush That Dwarf Hand Me the Pliers sold 300,000 right out of the gate and, in the words of an article written for the National Registry in 2005, “breaking into the charts, continually stamped, pressed and available by Columbia Records in the US and Canada, hammering its way through all of the multiple commercial formats over the years: LPs, EPs, 8-Track and Cassette tapes, and numerous reissues on CD, licensed to various companies here and abroad, continuing up to this day.” As covered toward the end of the book, they have been frequently sampled in recent years by hip-hop artists.

My introduction to Firesign came as the result of seeing the cover of their second album How Can You Be In Two Places At Once When You’re Not Anywhere At All in the record section of a department store in upstate New York. It was the cover, with pictures of Groucho Marx and John Lennon and the words “All Hail Marx and Lennon” that caught my eye. 

It was the mind-breaking trip of Babe, as he enters a new car purchased from a then-stereotypical, obnoxiously friendly car salesman, and finds himself transitioning from one mediated space to another, eventually landing in a Turkish prison and witnessing the spread of plague, as an element of a TV quiz show. 

The album ends with a chanteuse named Lurlene singing “We’re Bringing the War Back Home.” This was all during the militant opposition to the US war in Vietnam. Probably few listeners would have recognized “Bring The War Home” as the slogan of The Weatherman faction of Students for a Democratic Society (SDS), but Braddock gets it, like he gets the seriousness of Firesign’s satire. Indeed, Braddock notes that several reviewers, writing with appreciation about one of their albums, averred that its dystopia was “not funny.”

Most fans would agree with me that the peak of the Firesign run on Columbia Records was the exceedingly multivalent Don’t Crush That Dwarf, Hand Me The Pliers and the futuristic, AI-saturated I Think We’re All Bozos on this Bus, which I note in this interview predicted the future better than any of the self-described futurists of the 1970s. But to apprehend the richness of those two psychedelic assaults on the senses and on the idiocracy of its times, you will need to read the book and listen to the recordings or at least read this interview… 

Read on for his conversation with Jeremy Braddock: “Firesign Theatre: The Greatest Satirists of 20th Century Media Culture and its Techno-romanticism were… Not Insane!” from @rusirius.bsky.social and @jbraddock.bsky.social

* Firesign Theatre, How Can You Be In Two Places At Once When You’re Not Anywhere At All

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As we cherish canny comedy, we might recall that it was on this date in 1932 that Walk a Little Faster opened on Broadway at the St. James Theatre. A “musical review with sketches,” it featured “April in Paris” (by E. Y “Yip” Harburg, who seven years later provided all of the songs– including “Over the Rainbow— for the film The Wizard of Oz) and writing by S. J. Perelman (who had just scripted the Marx Brothers films Monkey Business and Horse Feathers).

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“For every complex problem, there’s a solution that is simple, neat, and wrong”*…

Last year, in explaining the Biden Administration’s emerging new economic policy, National Security Advisor Jake Sullivan talked of a “small yard, high fence” approach to its trade with China. The idea: to place strict restrictions on a small number of technologies with significant military potential while maintaining normal economic exchange in other areas.

The estimable Henry Farrell argues that this approach to technology and China is working poorly (though, he suggests, it will work much worse if Trump wins and takes office in January). Self-reinforcing political feedback loops and self-reinforcing expectations are leading to breakdown.

The fundamental problem of managing geopolitics through manipulating technological trajectories is not readily solvable given existing means, Farrell suggests. We live in a much more complex world than existing state institutions are capable of handling. Therefore, he argues, we need to remake the state…

… Making the right choices in a complex policy environment requires an approach that is a world away from the application of brute force at scale. Your maps of the environment are going to be all wrong when you go in, and brute force is likely to have unexpected consequences. It isn’t just that you are going to make mistakes (you are), but your map of the actual problem you are trying to solve is likely to be utterly out of whack. As you try to catch up with China on EV, you discover that you don’t understand the market right. As you try to impose controls on military use of semiconductors, you find out that you don’t have the information you need to really actually understand how the semiconductor market works.

The problem – as Jen Pahlka’s book Recoding America explains at length – is that addressing such complex problems does not fit well with the way that the U.S. government works. When you are trying to impose order a vast sprawling bureaucracy, which is its own mid-sized global economy, and when your people don’t trust government much, you rely on rigid contracting systems, which define the problem in advance down to its finest details, even if that definition is out of whack with reality. You don’t build connections between the bureaucracy and outside actors, unless they run through cumbersome and rigidly pre-defined channels because it takes months or years to get approval for such connections. And you certainly don’t try to remake policy in realtime as your understanding of the situation changes. Pahlka’s book is cunningly disguised as an account of US software outsourcing practices. If it mentions either ‘national security’ or ‘economic security’ once, I don’t remember it. But it is arguably (along with Dan Davies’ similarly motivated The Unaccountability Machine) the most important book on these topics of the last twenty years. [Your correspondent heartily agrees.]…

… what do you do – is this. You start to think… about how to build economic security institutions that are designed from the ground up to manage complexity. If you want to take ‘small yard, high fence’ seriously as a policy approach, you need to build the apparatus to discover what lies inside, what lies outside, and what the barriers ought be. That apparatus – and its prescriptions – need to change over time both to match a better understanding of the policy environment, and changes in the environment itself.

And we don’t have the apparatus to actually implement small yard, high fence properly. Nor do we have it for pretty well every other plausible economic security policy you might imagine, short of a brute force decoupling of the U.S. and Chinese economies. And if you did that, you would need enormous capacity to manage the horrifically complex aftermath, if that aftermath could even be managed at all.

Clearly, it is far easier to make these arguments in the general than the particular. Saying that you need reforms is straightforward, but figuring out what they ought to be, let alone how to implement them in current political circumstances, is an altogether more difficult challenge. But it is where the debate needs to be going – and there is a role for technology in it. We are in a situation that rhymes in weird ways with the situation discovered by Vannevar Bush after World War II – recognizing that the needs of government had changed, that vastly better information and feedback systems were required to meet those needs, and that even if we didn’t exactly know what those systems were, we needed to start figuring them out, and quickly. That world had its pathologies. This one does too. But to prevent them becoming worse, we need better ways to manage them, and to ensure that the solutions are better than the problems that they are supposed to mitigate.

This is – obviously – a radical set of claims. But it’s one that is entailed by the diagnosis of the problem that I’ve presented. If we need to manage complex challenges – of which the U.S. China relationship is only one – we need a state that is capable of managing complexities. We don’t have one. And that remains a first order problem, regardless of however hawkish or dovish you are…

We need a new kind of state for the new geopolitics: “‘Small Yard, High Fence’: these four words conceal a mess,” from @himself.bsky.social (and @pahlkadot.bsky.social). Eminently worth reading in full.

* H.L. Mencken

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As we ruminate on restructuring, we might recall that it was on this date in 1954 (7 years after the transistor was developed at Bell Labs) that Texas Instruments introduced the Regency TR-1, the first commercially-manufactured transistor radio. Its performance was mediocre, but its small size and portability drove sales of over 150,000 units.

Further to Farrell’s and Pahlka’s points, it’s instructive to ponder what became of the transistor radio as a product category (and of the competitors in it) over the next few decades– and the altogether-unanticipated plethora of small, convenient, hand-held product categories it spawned: calculators, mobile phones, tablets… and whatever comes next…

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“I am saying something far more serious than that we are being deprived of authentic information. I am saying we are losing our sense of what it means to be well informed”*…

With under three weeks to go until the election, Sarah Scire with a bracing report (via a new study from Pew): even as more and more TikTok users get news from the platform, the most-followed/viewed creators don’t follow the news…

Pop culture, viral dances, and comedy are big on TikTok. News and politics? Not so much.

A new report from the Pew Research Center finds that Americans on TikTok follow very few politicians, journalists, or traditional media outlets. In fact, the typical U.S. adult on TikTok follows zero accounts in those categories.

For the new analysis published Tuesday, the Pew Research Center used human coding and machine classification to look at a nationally representative group of 664 U.S. adults who use TikTok and the 227,946 unique accounts they follow. (Pew researchers have shared details on how they use OpenAI’s GPT model to tackle “rote” research tasks before.) Journalists, traditional media outlets, and politicians each accounted for less than half of 1% of the followed accounts.

And this is a problem, because…

Previous studies have shown that though TikTok users — especially those under 30 — are increasingly getting news from the platform, the vast majority (95%) say they use the platform because it’s entertaining

… In 2022, Pew conducted a similar analysis of the accounts U.S. adults follow on Twitter. The most recent report highlights “one key difference in following behaviors” between TikTok today and Twitter two years ago:

“The accounts followed by the largest share of U.S. adults on Twitter contained a much higher proportion of media outlets or journalists, governmental or political figures, or policy/advocacy groups than is true on TikTok today,” the Pew report notes. “These accounts are nearly nonexistent among the most-followed accounts on TikTok at the time of our new study.”…

Eminently worth reading— and pondering– in full: “The typical American TikTok user doesn’t follow a single journalist or traditional media outlet,” @pewresearch via @SarahScire and @NiemanLab.

The full report is linked above, and here.

Apposite: “Americans are as skeptical of the media as they’ve ever been– none more so than the youngest generations

Resonant (and dark): “I’m Running Out of Ways to Explain How Bad This Is– what’s happening in America today is something darker than a misinformation crisis” (gift article)

(Image above, ironically, sourced here)

* Neil Postman, Amusing Ourselves to Death

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As we contemplate civil discourse, we might recall that it was on this date in 1907 that Guglielmo Marconi inititaed the first commercial trans-Atlantic radio service. Three years earlier, Marconi had introduced a service that transmitted nightly news summaries to subscribing ships.

Marconi Operator L.R. Johnstone transmitting first official messages of the commercial wireless telegraph service from Marconi Towers, near Glace Bay, Nova Scotia, to Clifden, Ireland, October, 1907. (source)

Written by (Roughly) Daily

October 17, 2024 at 1:00 am

“The blues are the roots and the other musics are the fruits”*…

We recently lost an audio pioneer: Ben Manilla, an award-winning radio and podcast producer, audio entrepreneur, pioneering disc jockey, and broadcast journalism educator, passed away at the end of last month. In his long and storied career, he won awards (the Peabody, Columbia University’s Edward Howard Armstrong Award, RTNDA Edward R. Murrow Award, and the Scripps Howard Award among others) for everything from Philosophy Talk (from Stanford University) to The Loose Leaf Book Company (with Tom Bodett).

But Ben had a long suit in programming about the Blues. His work with Martin Scorcese and the Experience Music Project helped lead the year-long, nation-wide multimedia event, “The Blues.” It included Ben’s thirteen-hour radio documentary, The Blues with Keb’ Mo’, the most widely distributed special in the history of Public Radio International (PRI). His long running Elwood’s BluesMobile with Dan Aykroyd (nee, House of Blues) was recently inducted into the Library of Congress.

Ben

Here in tribute both to Ben and to the Blues, the series’ induction ceremony at the Library of Congress:

(Image at the top: source)

* “The blues are the roots and the other musics are the fruits. It’s better keeping the roots alive, because it means better fruits from now on. The blues are the roots of all American music. As long as American music survives, so will the blues.” – Willie Dixon

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As we feel it, we might recall that it was on this date in 1997 that Bo Diddley, Keb’ Mo’, Buddy Guy, and a host of others performed at a tribute at the Kennedy Center to the “father of Chicago Blues,” Muddy Waters.

“All the world is made of faith, and trust, and pixie dust”*…

The Gen Z gender divide, especially as it relates to ever-more conservative males and ever-more liberal females, is widely remarked. (E.g., see here [gift article].) Ruth Graham explores that divide in a different dimension– one that may be fueling the political divergence…

… For the first time in modern American history, young men are now more religious than their female peers. They attend services more often and are more likely to identify as religious.

“We’ve never seen it before,” Ryan Burge, an associate professor of political science at Eastern Illinois University, said of the flip.

Among Generation Z Christians, this dynamic is playing out in a stark way: The men are staying in church, while the women are leaving at a remarkable clip.

Church membership has been dropping in the United States for years. But within Gen Z, almost 40 percent of women now describe themselves as religiously unaffiliated, compared with 34 percent of men, according to a survey last year of more than 5,000 Americans by the Survey Center on American Life at the American Enterprise Institute.

In every other age group, men were more likely to be unaffiliated. That tracks with research that has shown that women have been consistently more religious than men, a finding so reliable that some scholars have characterized it as something like a universal human truth.

The men and women of Gen Z are also on divergent trajectories in almost every facet of their lives, including education, sexuality and spirituality.

Young women are still spiritual and seeking, according to surveys of religious life. But they came of age as the #MeToo movement opened a national conversation about sexual harassment and gender-based abuse, which inspired widespread exposures of abuse in church settings under the hashtag #ChurchToo. And the overturning of Roe v. Wade in 2022 compelled many of them to begin paying closer attention to reproductive rights.

Young men have different concerns. They are less educated than their female peers. In major cities, including New York and Washington, they earn less.

At the same time, they place a higher value on traditional family life. Childless young men are likelier than childless young women to say they want to become parents someday, by a margin of 12 percentage points, according to a survey last year by Pew…

… This growing gender divide has the potential to reshape the landscape of not just religion, but also of family life and politics. In a Times/Siena poll of six swing states in August, young men favored former President Donald J. Trump by 13 points, while young women favored Vice President Kamala Harris by 38 points — a 51-point gap far larger than in other generational cohorts.

It is too early to know if this new trend in churchgoing indicates a long-term realignment, said Russell Moore, the editor in chief of Christianity Today.

But he marveled at its strangeness in Christian history.

“I’m not sure what church life looks like with a decreasing presence of women,” he said, pointing out that they historically have been crucial forces in missionary work and volunteering. “We need both spiritual mothers and spiritual fathers.”…

Eminently worth reading in full: “In a First Among Christians, Young Men Are More Religious Than Young Women” (gift article) by @publicroad in @nytimes.

* J.M. Barrie, Peter Pan

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As we ponder piety, we might spare a thought for Aimee Semple McPherson; she died on this date in 1944. A Pentecostal evangelist and media celebrity in the 1920s and 1930s, she is best known for founding the Los Angeles-based Foursquare Church and for pioneering the use of media to build her following. She broadcast on radio (spiced with popular entertainment and stage techniques) to draw in both audience and revenue for her weekly sermons at Foursquare’s Angelus Temple, an early megachurch. In her time, she was the most well-known (and publicized) Protestant evangelist, surpassing Billy Sunday and other predecessors.

While McPherson certainly undertook her own promotion, her fame was ignited in 1926, when (a la Agatha Christie) she disappeared– in McPherson’s case for five weeks. The evangelist insisted that she had been kidnapped and taken to Mexico; many believed that she had “retreated” into a tryst with a male colleague. Indeed, she was investigated and charged by L.A. authorities with fabricating a hoax. That charge was never proved, though many still believe that she was in fact the architect of her own disappearance. In any event, the turmoil was national news– and supercharged her rise.

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