(Roughly) Daily

Posts Tagged ‘performance

“Every time you learn you can do something, you can go a little bit faster next time”*…

 

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Joey Chestnut set a new world record by eating 75 hotdogs in 10 minutes at Nathan’s Famous Hot Dog Eating Contest on July 4

 

… at least, up to a point.  Readers will know that (Roughly) Daily has checked in on the competitive eating circuit before (e.g., here), with special attention to the the event hosted by the iconic Nathan’s.  So imagine your correspondent’s surprise to learn that the era of dramatic new records year after year might be coming to a close…

The four-minute mile and the two-hour marathon were once believed impossible: now a new gauntlet has been thrown down for the world of elite competition. A scientific analysis suggests competitive eaters have come within nine hotdogs of the limits of human performance.

The theoretical ceiling has been set at 84 hotdogs in 10 minutes. The current world record, set by Joey “Jaws” Chestnut earlier this month, stands at 75.

James Smoliga, a sports medicine specialist at High Point University in North Carolina who authored the research, described 84 hotdogs as “the maximum possible limit for a Usain Bolt-type performance”.

The analysis is based on 39 years of historical data from Nathan’s Famous Hot Dog Eating Contest, an annual spectacle of gluttony held on Coney Island, New York, combined with the latest sports science theory, which uses mathematical modelling to project trends in performance.

Hotdog composition and size have, reportedly, remained unchanged at Nathan’s Famous in the fast food company’s 104-year history, allowing for valid comparison between competitors across years.

Improvement curves in elite sports ranging from sprinting to pole vaulting tend to follow a so-called sigmoidal curve, featuring an initial slow and steady rise, followed by an era of rapid improvement and finally a levelling off. “Hotdog eating has definitely reached that second plateau,” said Smoliga…

The limit of progress? The end of history? “Competitive hotdog eaters nearing limit of human performance.”  See also “Scientists Have Finally Calculated How Many Hot Dogs a Person Can Eat at Once.”

* Joey Chestnut, competitive eating champion [pictured above]

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As we chow down, we might recall that it was on this date in 1762 that Catherine II– better known as Catherine the Great– became the Empress of Russia after the murder of her husband (in a coup that she’d helped arrange).  While her personal habits (largely her love life) tend to dominate popular memories of her, scholars note that her reign (through 1792) was a “Golden Age,” during which she revitalized Russia, which grew larger and stronger, and became one of the great powers of Europe and Asia.

Catherine enthusiastically supported the ideals of the Enlightenment; and as a patron of the arts, presided over the age of the Russian Enlightenment, including the establishment of the Smolny Institute for Noble Maidens, the first state-financed higher education institution for women in Europe.

503px-Catherine_II_by_J.B.Lampi_(1780s,_Kunsthistorisches_Museum) source

 

“Turn the page”*…

 

 

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Like elevators, page turners are only remarkable when things go awry. And go awry they do…

 

But then…

There are breakout moments in musical history where turners become visible and audible through neither accident nor error. In Ravel’s two-piano version of his Introduction and Allegro, he calls for a mysterious “third hand ad lib.” to perform an impossible trill—a part that could only be executed by an especially daring page turner, reaching across the keyboard and right into the middle of the action. In the middle movement of Charles Ives’s Violin Sonata No.2, a raucous hoe-down, the composer’s manuscript features an additional stave with a drum-like rhythm instructing the page turner to smash out noisy cluster chords at the bottom end of the keyboard. It’s a strong reaction to anonymity…

Why pager turners matter (with an number of very amusing examples): “Turning Over.”

* Metallica (from the 1988 album “Garage, Inc.”)

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As we keep time, we might recall that it was on this date in 1897 that Alexander Scriabin’s piano concerto premiered in Odessa, with Scriabin as soloist.  Already a renowned pianist, the then-24-year-old Scriabin was making his debut as a composer for the orchestra (with what turned out to be his only concerto).  While this early work was influenced by Chopin, Scriabin went on to develop (independently of Schoenberg) an atonal musical system, and was one of the most innovative– and most controversial– of early modern composers.  The Great Soviet Encyclopedia said of Scriabin that “no composer has had more scorn heaped on him or greater love bestowed.”

Scriabin pf source

 

Written by (Roughly) Daily

October 23, 2019 at 1:01 am

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