Posts Tagged ‘birds’
“When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.”*…
As Josh Begley elegantly demonstrates, silence may be nigh…
The New York Times published its first issue on September 18, 1851, but the first photos wouldn’t appear on the cover until the early 1900s over 60 years later. This visual timeline by self-described data artist Josh Begley captures the storied newspaper’s approach to layout and photography by incorporating every NY Times front page ever published into a single one-minute video. The timelapse captures decades text-only front pages before the newspaper began to incorporate illustrated maps and wood engravings. The liberal usage of black and white photography begins a century later and finally the first color photo appears in 1997. What a fascinating way to view history through image, over 60,000 front pages in all…
Showing instead of (simply) telling: “The Rise of the Image: Every NY Times Front Page Since 1852 in Under a Minute,” from @thisiscolossal.com (who found it via @kottke.org).
See the animated visualization here or here.
(TotH to EWW)
* Ansel Adams
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As we ponder the prevalence of pictures, we might spare a thought for a man who made powerful– and beautiful– use of images, John James Audubon; he died on this date in 1851. An ornithologist, naturalist, and artist, Audubon documented all types of American birds with detailed illustrations depicting the birds in their natural habitats. His The Birds of America (1827–1839), in which he identified 25 new species, is considered one of the most important– and finest– ornithological works ever completed.

Happy Mozart’s Birthday!
“Nature does not hurry, yet everything is accomplished”*…
Paul Constance on a chain of dedicated scientists who are building data sets on the natural world around us, and how– coupled with emerging new nature apps that enable citizen scientists– they are expanding our ecological attention span into the long now…
Every two weeks from March to November, Chris Halsch walks a ten-mile loop near the Donner Pass, high up in California’s Sierra Nevada, for the sole purpose of counting butterflies.
It is one of five sites at various altitudes that Halsch, a PhD candidate at the University of Nevada, Reno, has been visiting with metronomic regularity for the past five years. At each one he retraces his steps, pausing every so often to jot down species and numbers in a notebook.
Along the way, he sometimes meets recreational birders or hikers who take photographs and use nature apps to identify species for fun. But unlike those random snapshots, Halsch’s notes are a coveted resource for scientists. Once he types them into a spreadsheet, each of his data points adds a new segment to a chain of observations that has been growing without interruption for half a century, in one the world’s longest-lived efforts to monitor butterfly populations. Like a relay runner, Halsch is extending a marathon of sustained attention that began 20 years before he was born.
Multi-decadal time-series of field observations are among the rarest and most valuable artifacts in ecosystem science because they help to overcome a peculiar weakness in our ability to perceive and interpret the natural world. Humans have developed powerful methods for reconstructing events in the distant past, from the birth of a galaxy to mass extinctions in the Devonian. We have built instruments that can parse the present down to the zeptosecond. But when it comes to the modest timescale of our own lifespans, we are like near-sighted moles.
Weren’t there more birds in this meadow when we were kids?
Doesn’t it seem like spring is a lot rainier than it used to be?
Are you sure it’s safe to eat fish from this river?
Our answers to these types of questions are notoriously unreliable. Think of the tendency to describe a single weather event as evidence for (or against) climate change, or the panic caused by invasive zebra mussels that, 20 years later, turns out to have been misplaced. Perceptions are distorted by selective memories, cognitive biases, political agendas and shifting baseline syndrome—the propensity of each generation to gradually forget past environmental conditions and accept present ones as normal. In an essay published in 01990, the zoologist John J. Magnuson wrote that this temporal myopia can trap us in the “invisible present,” a space where we fail to see slow changes and are unable to interpret effects that lag years behind their causes. “In the absence of the temporal context provided by long-term research, serious misjudgments can occur not only in our attempts to understand and predict change in the world around us, but also in our attempts to manage our environment,” he warned.
Magnuson was echoing a group of mid-century scientists who believed that some of the biggest questions in ecology could only be answered with field observations that were carefully structured and repeated at the same sites for at least two decades. The longer the time-series, the greater likelihood that the invisible present will “melt away,” exposing the complex and often unexpected dynamics of ecosystem change….
[Constance describes a variety of efforts underway…]
… Collectively, these efforts are widening the aperture of our ecological attention, enabling scientists to find and stitch together scattered fragments of temporal data into panoramas that tell a more illuminating story about the interactions that drive change. Unfortunately, the emerging picture is still largely focused on wealthy countries—particularly ones with long histories of field-based science. A map of the International LTER network, an association of 750 field stations that, like their U.S. counterparts, are making long-term observations, shows that more than two thirds are concentrated in Western Europe. Numerous countries in Asia, Africa and Latin America have no stations at all. Moreover, even as scientists like Moran and Grames are exploiting the new wealth of temporal evidence, it is not clear how this research will influence the wider culture, where the blinkered perceptions of the “invisible present” are still pervasive.
The trend that may ultimately overcome both of these limitations is driven, paradoxically, by smartphones. Non-scientists have long been a critical source of field labor for long time-series, most famously for the Audubon Society’s 122-year-old Christmas Bird Count, but also in hundreds of smaller projects that monitor other kinds of flora and fauna. Now, smartphones with powerful cameras and apps such as eBird, iNaturalist, Seek and Picture Insect have enabled millions of casual observers to supplement this pool of dedicated volunteers. Despite the lively debate on whether smartphone usage in the outdoors enhances or interferes with people’s appreciation of nature, one fact is clear: because nature apps automatically time-stamp, geo-reference and store each observation in a robust database, they are generating potential time-series at an unprecedented scale.
In the 20 years since the Cornell Lab of Ornithology launched eBird, the app has amassed more than one billion observations by 700,000 birders from every country in the world. Carrie Seltzer, who heads stakeholder engagement at iNaturalist, says that more than 2.4 million people have made observations on the app, at a rate that has grown between 50 percent and 100 percent per year since 02012… This torrent of raw field data vastly exceeds what even well-funded researchers could ever dream of gathering with traditional methods…
Understanding the world around us: “Peering into The Invisible Present,” from @presentbias and @longnow. Eminently worth reading in full– then browsing the other remarkable pieces available on the Long Now website.
* Lao Tzu
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As we take the long view, we might send insightful birthday greetings to a man who encourages us to see in different ways, M. C. Escher; he was born on this date in 1898. A graphic artist inspired by mathematics, he created woodcuts, lithographs, and mezzotints, that— while largely ignored by the art world in his lifetime, have become widely celebrated. He’s been recognized as an heir to Parmigianino, Hogarth, and Piranesi.
His work features mathematical objects and operations including impossible objects, explorations of infinity, reflection, symmetry, perspective, truncated and stellated polyhedra, hyperbolic geometry, and tessellations. And though Escher believed he had no mathematical ability, he interacted with the mathematicians George Pólya, Roger Penrose, and Donald Coxeter, and the crystallographer Friedrich Haag, and conducted his own research into tessellation.
For more on (and more examples of) Escher’s work, see here.


“The daily hummingbird assaults existence with improbability”*…
Zito Madu‘s lovely meditation on– and appreciation of– the hummingbird…
… Hummingbirds are wondrous creatures. As Katherine Rundell wrote in her 2022 essay “Consider the Hummingbird”:
There is nothing I admire more than evolution. But it’s difficult, more than with any other living thing, to imagine hummingbirds beginning as archaebacteria among primordial murk, painstakingly working over millions of years to grow bright wings. They seem as if they were made in an instant, a spark of genius from an extravagant god.
They are the smallest living birds in the world. There are 366 known species of hummingbirds, with the smallest being the bee hummingbird that measures at two inches, and the largest being the giant hummingbird, which is 9.1 inches long. Most live in the tropics, largely in Central and South America, but there are around seventeen species in the United States. They have long needle-like beaks, can fly forward, backward, up, down, and in zigzags. They flap their wings faster than any other bird, up to fifty times per second, they have the largest heart-to-body-size rate in an animal, and that heart has typically 500 to 1200 beats per minute, according to The Hummingbird Handbook (2021) by John Shewey. When in a state of deep rest, and to conserve energy, the hummingbird can slow down its heart rate to only fifty beats per minute, and drop its metabolism by 95 percent.
In 2022, a study was published by Yale scientists on the range of colors in the plumage of hummingbirds, which “exceeds the known diversity of colors found in the plumages of all other bird species combined, increasing the total of known bird-visible plumage colors by 56 percent.”…
“Hummingbirds are Wondrous,” from @_Zeets in @Plough.
* Ursula K. Le Guin, No Time to Spare: Thinking About What Matters
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As we appreciate abundance, we might send bucolic birthday greetings to Ralph Waldo Emerson; he was born on this date in 1803. An essayist, lecturer, philosopher, abolitionist, and poet, he articulated the philosophy of Transcendentalism in his 1836 essay “Nature.”
A mentor and friend of Henry David Thoreau, a fellow Transcendentalist, and remains among the linchpins of the American romantic movement.
“What is the pattern that connects the crab to the lobster and the primrose to the orchid, and all of them to me, and me to you?”*…
Crab-like body plans have evolved independently at least five times. As Jason P. Dihn explains, biologists are still trying to figure out exactly why…
In 1989, paleontologist Stephen Jay Gould proposed a thought experiment: What would the world look like if we turned back time and replayed the evolutionary tape? “I doubt that anything like Homo sapiens would ever evolve again,” he concluded. Maybe not. But crabs might.
Evolution just can’t stop creating crabs. Believe it or not, the flat-and-wide body plan has evolved at least five different times. The process is called carcinization, and it’s inspired comics, memes and entire subreddits.
Still, biologists don’t know why crabs keep evolving. Figuring it out would satisfy the online masses, sure, but it would also be a step toward solving other important scientific mysteries. For instance, why some species share evolutionary paths while others forge unique ones (looking at you, platypus)…
Convergent evolution: “Evolution Only Thinks About One Thing, and It’s Crabs,” from @JasonPDinh in @DiscoverMag.
Will crabs need to (re-)evolve a sixth time? “Alaska’s snow crabs have disappeared. Where they went is a mystery.”
(Image above: source)
* Gregory Bateson
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As we fiddle with phylogeny, we might spare a thought for Walter Rothschild, 2nd Baron Rothschild; he died on this date in 1937. A British banker, politician and soldier, he is best remembered for his pursuit of his passion— zoology and his collection of species. At its largest, Rothschild’s collection included 300,000 bird skins, 200,000 birds’ eggs, 2,250,000 butterflies and 30,000 beetles, as well as thousands of specimens of mammals, reptiles, and fishes. They formed the largest zoological collection ever amassed by a private individual (and are now part of the Natural History Museum). He named dozens of animal taxa, published Novitates Zoologicae, and authored or co-authored scores of scientific papers.
Related: “How Bird Collecting Evolved Into Bird-Watching.”
“There is a similarity between juggling and composing on the typewriter”*…
… and indeed making art with a typewriter…
Jeremy Mayer challenges the notion that typewriters’ creative output is confined to the written word. The artist scours shops and trash bins near his Bay Area studio for analog processors in disrepair that he then disassembles, sorts, and reconstructs into metallic sculptures. His previous works include symmetrical assemblages, anatomical recreations, and an ongoing series of birds, the most recent of which are shown here. Mayer builds every piece solely from original parts rather than soldering or gluing, and some sculptures, including the black crow with a Corona-brand typewriter logo on its back [above], feature spring-like components that allow the creatures to bob their heads.
Mayer is currently at work on a few large-scale reliefs, a kinetic lotus, skull, and additional birds, and you can follow updates and news about purchasing pieces on his Instagram. For more about his practice, check out the 2016 film California Typewriter, which documents his work alongside other enthusiasts…
More at “Vintage Typewriters Are Reassembled into Amazing Metallic Bird Sculptures by Jeremy Mayer,” in @Colossal.
* Tom Robbins
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As we reassemble, we might recall that it was on this date in 1935 that the world’s first parking meter (Park-O-Meter No. 1, AKA “the Black Maria”) was installed on the southeast corner of what was then First Street and Robinson Avenue in Oklahoma City, Oklahoma. The design, by Holger George Thuesen and Gerald A. Hale, was done for Carl Magee, who patented and installed the device.
Magee, a journalist who’d earlier helped expose the Teapot Dome Scandal, and whose day job in 1935 was editor of the Oklahoma City News, is perhaps best remembered as coiner (more accurately adaptor, from Dante) of publisher E.W. Scripps Company’s motto: “Give Light and the People Will Find Their Own Way.”

Magee and the Meter (source)








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