(Roughly) Daily

Kira Cook contemplates a series of photos taken by kids of their (unaware or surprised) parents…

… somehow, these malevolent images are borne from the tiny fingers and eyes and perspectives of the ones who love us… most?!

Children, of course, know little to nothing about “crafting” a good portrait. They know naught of symmetry, or contrast, or depth of field. They do, however, know the specific power of finally having control over the rectangular device normally glued to their parents’ hands. They pound that round red button at will, capturing images from their abbreviated heights, their lilliputian thumbs obscuring the lens, often blurring the image with their relentless movement.

These pictures remind us that while we study our children, they study us back. Before we speak, we see. For months before spoken language ever enters the relationship, a child gazes upon its mother for hours, every day. The gaze of the child is the least judgmental, the most accepting. When a child takes a portrait of their parent, there is an absence of so many of the elements that inherently exist in the portraits an adult makes. There is no moralizing, for one. No manipulation. They don’t bother to hide or deny the aspects we normally do in photos. In fact, unlike in every other photographic example, there is a total absence of forethought or editorializing…

More (and more on the) unflattering portraits that do what kids do best, wholeheartedly engage with the present moment: “The Humbling Tyranny of the Photos Our Kids Take of Us,” from @kirahesser in @romper.

* Jacob Liberman

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As we say cheese, we might recall that it was on this date in 1839 that Samuel Morse, a professor of art and painting at the University of the City of New York (now New York University) in Paris to promote his invention of the telegraph, met with Louis Daguerre.

Morse was fascinated by Daguerre’s daguerreotype—the first practical means of photography.  Morse wrote a letter to the New York Observer describing the invention, which was published widely in the American press and stoked broad interest in the new technology. On his return to New York, he taught classes in the technique to his colleagues at NYU and others– including Mathew Brady, one of the earliest photographers in American history, famous for his depictions of the Civil War.