Posts Tagged ‘rhythm and blues’
“What dreadful hot weather we have! It keeps one in a continual state of inelegance.”*…
Climatologist Zeke Hausfather on what’s turning out to be a scorching summer…
I’m generally pretty measured in how I discuss climate data. There has been only one time in recent years when I was truly shocked: when global temperatures came in for September 2023 at a full 0.5C warmer than any prior September on record. Once until today, that is. With the July runs now in from 667 ensemble members across 14 different seasonal forecast models, it looks like this year’s El Niño is not only very likely to be the strongest event since reliable records began – it may end up the strongest by a truly mind-blowing margin.
The multi-model median for the event’s peak (measured as detrended sea surface temperature anomalies in the Niño 3.4 region of the tropical Pacific) currently stands at 3.6C, roughly 0.8C hotter than the prior record of 2.75C set in 2015-16. For context, the gap between the strongest and the fifth strongest El Niño of the past 150 years is only about 0.5C. The models are forecasting something outside the envelope of anything we have ever observed [as the chart at the top illustrates].
A few things stand out in this figure. First, no event in a century and a half of observations has ever pushed meaningfully past 2.75C. The legendary 1877-78 event comes closest, in a statistical dead heat with 2015-16 (2.73C vs 2.75C, well within the uncertainty of 19th-century ship data). Second, the middle 80% of this year’s forecast ensemble sits entirely at or above that all-time record: even the low end of the plume (2.8C) grazes it. Around 91% of ensemble members exceed the 2015-16 record at their peak…
… What is remarkable here is not just the level but the trajectory. The 2026 event is developing faster than 1997-98, the previous gold standard for explosive El Niño onsets. And unlike 2015 which started its year already warm from a precursor event, this one launched from genuinely La Niña-ish conditions in January…
Read on the for the chilling-but-in-the-wrong-way details.
A ~90% chance of a record-setting event: “The Strongest El Niño Ever,” from @zekehausfather.com.
More detail– and opportunity to track the heat– at Zeke’s Climate Dashboard. And for related info, see also Climate.us— the volunteer-fielded “successor” to the now-suppressed Climate.gov.
* Jane Austen, in a 1796 letter to her elder sister, Casandra
###
As we sweat it, we might send scorching birthday greetings to the sublime Martha Reeves; she was born on this date in 1941. A singer, she is best known for her work in Martha and the Vandellas, which scored several major Hot 100 hits, including “Nowhere to Run,” “Jimmy Mack,” “Dancing in the Street,” and of course, “Heat Wave.” In 1995, the group was inducted into the Rock and Roll Hall of Fame; in 2023, Reeves was included on Rolling Stone‘s list of the 200 Greatest Singers of All Time.
“And these children that you spit on / “As they try to change their worlds / Are immune to your consultations. / They’re quite aware of what they’re going through.”*…
From our friends at The Pudding— specifically, from Alvin Chang— a thorough (and illuminating and bracing) look at how the conditions in which our young are raised have everything to do with how their lives unfold…
In this story, we’ll follow hundreds of teenagers for the next 24 years, when they’ll be in their late-30s. They’re among the thousands of kids who are part of the National Longitudinal Survey of Youth. This means researchers have followed them since their teenage years to the present day – and beyond.
As Matt Muir observes in his invaluable Web Curios…
… Very North America-centric in terms of the data it’s drawing on, but wherever you are in the world the themes that it speaks to will apply – drawing on data about the life experiences of young people tracked by US statisticians….
As you scroll you see visual representations of the proportion of kids in each agegroup coterie who will experience ‘significant’ life events, from crime to poverty and beyond, and how those life events will go on to impact their academic prospects and, eventually, their life prospects – none of this should be surprising, but it’s a hugely-effective way of communicating the long-term impacts of relatively small differences in early-stage life across a demographic swathe…
Data visualization at its best and most compelling: “This Is a Teenager,” from @alv9n in @puddingviz via @Matt_Muir.
* David Bowie, “Changes”
###
As we analyze adolescence, we might recall that it was on this date in 1961 that the Cleftones, a group of teens who had formed a vocal group a 3 years earlier in high school, released “Heart and Soul” (a rearrangement of the 1938 standard); it reached #18 on the pop chart and #10 on the R&B chart and was later used in the 1973 movie American Graffiti.
Then fifteen-year-old Duane Hitchings, who went on to win a Grammy award for his work on the Flashdance soundtrack in 1984, played keyboards on the track– his first professional gig. In an interview with Rock United, he recalls that the recording session was cut short when singer Pat Spann, who was dating drummer Panama Francis, was caught in a compromising position with the guitarist. “That ended the session. So the last track we recorded was the record.”
“A nice blend of prediction and surprise seem to be at the heart of the best art”*…
Walter, later Wendy, Carlos was a pioneer of electronic music, a collaborator with Robert Moog in developing the Moog Synthesizer that changed music forever (among other things, she convinced Moog to add a touch-sensitive device, allowing greater musical dynamics) and a performer/recording artist who popularized the instrument. In 1970, she did an explainer for the BBC…
We can break popular music into two periods: before the Moog and after the Moog. Upon its debut in 1964, that synthesizer made a big splash in the small but long-established electronic-music world by, among other innovative qualities, being smaller than an entire room. Over the next few years, inventor Bob Moog (whose previous line was in theremins) refined his eponymous brainchild to the point that it became accessible to composers not already on the cutting edge of music technology. But for Wendy Carlos, the cutting edge of music technology was where she’d spent most of her life; hence her ability to create the first bestselling all-Moog album, 1968’s Switched-On Bach…
She even plays a bit of the second movement of Bach’s Brandenburg Concerto #4, Carlos’ rendition of which on Switched-On Bach‘s follow-up The Well-Tempered Synthesizer moved no less an authority than Glenn Gould to call it “the finest performance of any of the Brandenburgs — live, canned, or intuited — I’ve ever heard.”…
A titan of electronic music breaks it down: “Wendy Carlos Demonstrates the Moog Synthesizer on the BBC (1970),” from Colin Marshall (@colinmarshall) in @openculture.
* Wendy Carlos
###
As we plug in, we might recall that it was on this date in 1956 that Chuck Berry recorded “Roll Over Beethoven” for Chess Records. It was released the following month and peaked at number 2 on the Billboard R&B chart and number 29 on the pop chart. “Roll Over Beethoven” is one of the most widely covered songs in popular music – “a staple of rock and roll bands”, according to Cub Koda of AllMusic– with famous versions by Jerry Lee Lewis, the Beatles, Carl Perkins, and Electric Light Orchestra. In 2003 it was was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry.
“I like to open people’s eyes”*…
The #PurpleSyllabus presents essential topics, readings, and multimedia related to Prince. Prince’s impact and influence spreads across nearly all aspects of society and culture. This syllabus presents works written by scholars and journalists across diverse topics. Our hope is that this syllabus will serve as a resource for teachers and curriculum designers looking to infuse their classrooms and courses with Prince content.
Created by Prince fans affiliated with the University of Minnesota Libraries in conjunction with the Prince From Minneapolis Symposium…
Dive deep at “The #PurpleSyllabus.”
* Prince
###
As we acclaim The Artist, we might recall that it was on this date in 2015 that Prince staged a Dance Rally 4 Peace at Paisley Park to pay tribute to Freddie Gray, a 25-year-old African-American who died in police custody after his arrest in Baltimore, and to show support for the activists protesting his death. With his backup band 3RDEYEGIRL, Prince performed a 41-minute concert including his protest song “Baltimore,” which was inspired by Gray’s death.
You must be logged in to post a comment.