Posts Tagged ‘Bach’
“Study Bach. There you will find everything.”*…
When eminent biologist and author Lewis Thomas was asked what message he would choose to send from Earth into outer space in the Voyager spacecraft, he answered, “I would send the complete works of Johann Sebastian Bach.” After a pause, he added, “But that would be boasting.” (Indeed.)
Evan Goldfine agreed– and decided to devote a year to listening to Bach… all of Bach…
… Take your favorite author and read all of it! The early exploratory stuff, the later material you’ll throw against the wall, the angry letters to publishers and daffy love letters, every word. (This strategy also works for visual artists and filmmakers, etc.)
I’d listened to only about a third of Bach’s work prior to Year of Bach. Why so little? I loved what I’d heard…
How much of Bach do you know? You’ve tasted only a morsel of the world’s biggest cake.
That said, of all the great artists, Bach has the lowest variance in style and quality of output from youth to old age…
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My Year of Bach ended in December, but I’m still listening to plenty of JSB. I’m happy whenever my algo serves it up. The music is fundamental and infinite…
… My gamble last January was that I’d enjoy listening to all 200 hours of Bach’s compositions. My goodness, did Bach live up to his part of the deal. The music was never less than excellent…
See also here
A year of majesty and beauty: “37 takeaways from 200 hours with Bach.”
(Image at top: source)
* Johannes Brahms
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As we celebrate completists, we might recall that it was on the date in 1749 that George Frideric Handel’s “Music For The Royal Fireworks” debuted in London’s Green Park. Bach and Handel were contemporaries; they (and Domenico Scarlatti) were born in 1685.
“I believe that the Binomial Theorem and a Bach Fugue are, in the long run, more important than all the battles of history”*…
Using his “musical animation machine.” Stephen Malinowski illustrates the genius of Bach’s “Great” Fugue in G minor, BWV 542…
Q: What’s so “great” about this fugue?
A: It’s called “great” to distinguish it from the other fugue in G minor (BWV 578) which is called “little”; you can compare it here. The BWV 578 fugue is a stand-alone piece, but BWV 542 is a pair of pieces; its full title is “Fantasia and Fugue in G minor.”…
* James Hilton
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As we marvel, we might recall that it was on this date in 1762 that Christoph Willibald Gluck‘s glorious opera Orfeo ed Euridice premiered at the Burgtheater in Vienna, in the presence of Empress Maria Theresa. The first of Gluck’s “reform” operas (which brought “noble simplicity” to what had become abstruse opera seria), it was hugely influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart’s The Magic Flute, Beethoven’s Fidelio, and Wagner’s Das Rheingold.

“I was obliged to be industrious”*…
There’s an old joke that goes something like this: Mozart, on dying too young, finds himself in Heaven. He’s approached by God, who suggests that Mozart might become the conductor of Heaven’s orchestra. Mozart, taken aback, exclaims, “I’m flattered Lord, but surely Kapellmeister Bach is here and would be a more appropriate choice.” to which God responds, “I am Bach.”
Tyler Cowan with an argument that the joke isn’t so far off…
I’ve been reading and rereading biographies of Bach lately (for some podcast prep), and it strikes me he might count as the greatest achiever of all time. That is distinct from say regarding him as your favorite composer or artist of all time. I would include the following metrics as relevant for that designation:
1. Quality of work.
2. How much better he was than his contemporaries.
3. How much he stayed the very best in subsequent centuries.
4. Quantity of work.
5. Peaks.
6. Consistency of work and achievement.
I see Bach as ranking very, very high in all these categories. Who else might even be a contender for greatest achiever of all time? Shakespeare? Maybe, but Bach seems to beat him for relentlessness and quantity (at a very high quality level). Beethoven would be high on the list, but he doesn’t seem to quite match up to Bach in all of these categories. Homer seems relevant, but we are not even sure who or what he was. Archimedes? Plato or Aristotle? Who else?…
In any case, a reminder that we should all be listening to more Bach: “Is Bach the greatest achiever of all time?“, from @tylercowen.
* Johann Sebastian Bach
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As we muse on magnificence, we might send melodic birthday greetings to Girolamo Frescobaldi; he was born on this date in 1583. A composer and keyboard virtuoso, he created some of the most influential music of the 17th century. His work influenced Bach, Johann Pachelbel, Henry Purcell, and other major composers.
Indeed, Bach is known to have owned a number of Frescobaldi’s works, including a manuscript copy of Frescobaldi’s Fiori musicali (Venice, 1635), which Bach signed and dated 1714 and performed in Weimar the same year.







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