Posts Tagged ‘movies’
“There is virtue in work and there is virtue in rest. Use both and overlook neither.”*…
As we unwind into the weekend, sci-fi art curator Adam Rowe, with a collection of photos of famed sci-fi characters (and monsters) taking a break…
More at: “Break Time,” from @AdamRRowe.
* Alan Cohen
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As we give it a rest, we might recall that it was on this date in 1984 that The Terminator was released. Directed by James Cameron and produced by Gale Anne Hurd, it starred Arnold Schwarzenegger as the Terminator, a cybernetic assassin sent back in time from 2029 to 1984 to kill Sarah Connor (Linda Hamilton), whose unborn son will one day save mankind from extinction by Skynet, a hostile artificial intelligence in a post-apocalyptic future. Kyle Reese (Michael Biehn) played a soldier sent back in time to protect Sarah. The screenplay was credited to Cameron and Hurd, while co-writer William Wisher Jr. received an “additional dialogue” credit.
Defying low pre-release expectations, The Terminator topped the United States box office for two weeks, eventually grossing $78.3 million against a modest $6.4 million budget. It is credited with launching Cameron’s film career and solidifying Schwarzenegger’s status as a leading man. The film’s success led to a franchise consisting of several sequels, a television series, comic books, novels and video games. In 2008, The Terminator was selected by the Library of Congress for preservation in the United States National Film Registry.

“Journalism is the first draft of history”*…
… and newsreels were the first available footage. Pathé News was a producer of newsreels and documentaries from 1910 to 1970 in the United Kingdom. Its founder, Charles Pathé, was a pioneer of moving pictures in the silent era.
The Pathé News archive is known today as “British Pathé,” and contains all of Pathé’s work, along with the archives of Reuters, Gaumont, Visnews and others…
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it….
… Spanning the years from 1896-1978, its collections include footage from around the globe of major events, famous faces, fashion trends, travel, science, and culture. It is an invaluable resource for broadcasters, documentary producers, museum curators, and researchers worldwide. The entire archive of 85,000 films is available to view for free on the British Pathé website while licences can be acquired for other uses.
British Pathé also represents content from partner organisations, such as Reuters’ historical collection, which includes more than 130,000 items dating from 1910 to the end of 1984…
The entire Pathé collection has been available on its website since 2002. Now the 85,000 Pathé News items are also available on YouTube.
Explore!
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As we rewind, we might recall that it was on this date in 1910 that the British ocean liner RMS Olympic was launched. The lead ship of the White Star Line‘s trio of Olympic-class liners, Olympic had a career spanning 24 years from 1911 to 1935, in contrast to her short-lived sister ships, Titanic and Britannic. This included service as a troopship during the First World War, which gained her the nickname “Old Reliable”, and during which she rammed and sank the U-boat U-103. She returned to civilian service after the war and served successfully as an ocean liner throughout the 1920s and into the first half of the 1930s, although increased competition, and the slump in trade during the Great Depression after 1930, made her operation increasingly unprofitable. Olympic was withdrawn from service and sold for scrap in 1935.
Olympic was the largest ocean liner in the world for two periods during 1910–13, interrupted only by the brief tenure of the slightly larger Titanic, which had the same dimensions but higher gross register tonnage, before the German SS Imperator went into service in June 1913.
Pathe has the footage…
“Music proposes. Sound disposes.”*…
On the heels of Bach and Gluck, a visit to a temple of sound…
The BBC Sound Effects Archive is available for personal, educational or research purposes. There are over 33,000 clips from across the world from the past 100 years. These include clips made by the BBC Radiophonic workshop, recordings from the Blitz in London, special effects made for BBC TV and Radio productions, as well as 15,000 recordings from the Natural History Unit archive. You can explore sounds from every continent – from the college bells ringing in Oxford to a Patagonian waterfall – or listen to a submarine klaxon or the sound of a 1969 Ford Cortina door slamming shut…
– source
Open and easily searchable: “The BBC Sound Effects Archive,” from @BBC.
See also: 32 Sounds (and here).
(Image above: source)
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As we listen, we might recall that it was on this date in 1927 that Warner Bros. released The Jazz Singer, the first feature-length motion picture with both synchronized recorded music and lip-synchronous singing and speech (in several isolated sequences)… that’s to say, the first “talkie.” Based on the 1925 play of the same title by Samson Raphaelson (the plot, adapted from his short story “The Day of Atonement”), The Jazz Singer was warmly received– and effectively marked the end of the silent film era.
The Jazz Singer won two Oscars at the first Academy Awards, has been added to the United States National Film Registry by the Library of Congress (as being “culturally, historically or aesthetically significant”), and was chosen by the American Film Institute as one of the best American films of all time, ranking at number ninety. It has passed into the public domain and can be seen at the Internet Archive: here.
“The worst part about having a mental illness is people expect you to behave as if you don’t”*…
Trends across all causes and risks of disease/disability show that there have been substantial declines in infectious diseases, malnutrition, cardiovascular diseases, and several cancers. But even as we make strides in addressing physical health, mental health challenges are on the rise. In sharp contrast, mental health disorders and alcohol-related disability adjusted life years (DALYS) have increased sharply over the last few decades, especially among people aged 25 to 74.
The WHO found that the two most common mental disorders, anxiety and depression, cost global GDP
$1 trillion in 2010. Lost output for the same time period attributed to mental, neurological, and substance
abuse disorders – which often intersect – was estimated between $2.5-$8.5 trillion. This is expected to double by 2030.
A report from the Aspen Institute and Dalberg explores the global rise of mental illness through economics, lived experiences, and expert insights…
According to the World Health Organization (WHO), 450 million people suffer from some form of mental illness over the course of their lives. So, it’s no surprise that many of us have experienced, or know some-one who has experienced, severe struggles with mental health. This is a full-blown crisis exacerbated by a lack of infrastructure, lack of funding, and a lack of health equity. This is despite the fact that mental health issues are the leading cause of disability globally. Also, according to the WHO, mental health conditions are the primary cause of suicide. And suicide is the second leading cause of death for people age 15to 29. This is a crisis of our time.
In this report, we offer a snapshot into both the magnitude and the scope of the mental health crisis facing humanity. In addition to briefly framing the issues, we share summaries of dozens of interviews we held with both “expert practitioners” working both in the public and private sectors and individuals with a “lived experience” touched by mental health struggles.
In the course of our work, we looked for recurring themes that could promote a dialogue about seeking sustainable, scalable solutions to the crisis. Among those themes are the challenges of building an infrastructure for access to quality mental healthcare, the continued lack of parity between the provision of services for mental health versus physical health, and the pervasiveness of stigma associated with diseases of the mind.
Further, although most of us do not think of mental health as related to investing, and if we do, we might find the notion distasteful, there are indeed a growing number of developing technologies and treatment modalities that hold promise for expanding access to mental health services and offering innovative practices. We highlight a handful of examples. The individuals who generously shared their personal struggles also shared the resources and practices that they found most helpful.
We acknowledge the global nature of the crisis and the role that both the pandemic and other contextual factors have played in substantial increases in anxiety disorders and other mental health issues. Further, we are seeing increases in specific demographics, such as poorer mental health among women, with one in five women experience a more common mental disorder (such as anxiety or depression), compared with one in eight men. No demographic is immune.
Given the crisis at hand, it is our hope that offering greater transparency to the world of mental health will stimulate a search for solutions…
Bracing– but important– reading: “A Crisis of Our Time.”
(Image above from a series of photos illustrating mental illness, from Christian Sampson.)
* from the notebook of Arthur Fleck (AKA, The Joker), via Todd Phillips 2019 film Joker
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As we care about care, we might recall that it was on this date in 2019 that the first presentation print of Todd Phillip’s film Joker was shipped to Italy, where it premiered at the Venice International Film Festival and won the Golden Lion, the fest’s top prize. The film went on to box office success and set records for an October release. It grossed over $1 billion; the first R-rated to do so. It received numerous accolades, including two Academy Award wins at the 92nd Academy Awards for Best Actor (Joaquin Phoenix) & Best Original Score (Hildur Guðnadóttir) out of 11 nominations including Best Picture, first DC film to score.














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