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Posts Tagged ‘movies

“Journalism is the first draft of history”*…

… and newsreels were the first available footage. Pathé News was a producer of newsreels and documentaries from 1910 to 1970 in the United Kingdom. Its founder, Charles Pathé, was a pioneer of moving pictures in the silent era.

The Pathé News archive is known today as “British Pathé,” and contains all of Pathé’s work, along with the archives of Reuters, Gaumont, Visnews and others…

Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it….

… Spanning the years from 1896-1978, its collections include footage from around the globe of major events, famous faces, fashion trends, travel, science, and culture. It is an invaluable resource for broadcasters, documentary producers, museum curators, and researchers worldwide. The entire archive of 85,000 films is available to view for free on the British Pathé website while licences can be acquired for other uses.

British Pathé also represents content from partner organisations, such as Reuters’ historical collection, which includes more than 130,000 items dating from 1910 to the end of 1984…

The entire Pathé collection has been available on its website since 2002. Now the 85,000 Pathé News items are also available on YouTube.

Explore!

Phil Graham

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As we rewind, we might recall that it was on this date in 1910 that the British ocean liner RMS Olympic was launched. The lead ship of the White Star Line‘s trio of Olympic-class liners, Olympic had a career spanning 24 years from 1911 to 1935, in contrast to her short-lived sister ships, Titanic and Britannic. This included service as a troopship during the First World War, which gained her the nickname “Old Reliable”, and during which she rammed and sank the U-boat U-103. She returned to civilian service after the war and served successfully as an ocean liner throughout the 1920s and into the first half of the 1930s, although increased competition, and the slump in trade during the Great Depression after 1930, made her operation increasingly unprofitable. Olympic was withdrawn from service and sold for scrap in 1935.

Olympic was the largest ocean liner in the world for two periods during 1910–13, interrupted only by the brief tenure of the slightly larger Titanic, which had the same dimensions but higher gross register tonnage, before the German SS Imperator went into service in June 1913.

Pathe has the footage…

RMS Olympic setting sail. Shots of relatives and survivors after Titanic sinking.
Charlie Chaplin returns home (London) aboard the White Star liner RMS Olympic and greets crowds, 1921

Written by (Roughly) Daily

October 20, 2024 at 1:00 am

“Music proposes. Sound disposes.”*…

On the heels of Bach and Gluck, a visit to a temple of sound…

The BBC Sound Effects Archive is available for personal, educational or research purposes. There are over 33,000 clips from across the world from the past 100 years. These include clips made by the BBC Radiophonic workshop, recordings from the Blitz in London, special effects made for BBC TV and Radio productions, as well as 15,000 recordings from the Natural History Unit archive. You can explore sounds from every continent – from the college bells ringing in Oxford to a Patagonian waterfall – or listen to a submarine klaxon or the sound of a 1969 Ford Cortina door slamming shut…

– source

Open and easily searchable: “The BBC Sound Effects Archive,” from @BBC.

See also: 32 Sounds (and here).

(Image above: source)

Babette Deutsch

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As we listen, we might recall that it was on this date in 1927 that Warner Bros. released The Jazz Singer, the first feature-length motion picture with both synchronized recorded music and lip-synchronous singing and speech (in several isolated sequences)… that’s to say, the first “talkie.” Based on the 1925 play of the same title by Samson Raphaelson (the plot, adapted from his short story “The Day of Atonement”), The Jazz Singer was warmly received– and effectively marked the end of the silent film era.

The Jazz Singer won two Oscars at the first Academy Awards, has been added to the United States National Film Registry by the Library of Congress (as being “culturally, historically or aesthetically significant”), and was chosen by the American Film Institute as one of the best American films of all time, ranking at number ninety. It has passed into the public domain and can be seen at the Internet Archive: here.

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Written by (Roughly) Daily

October 6, 2024 at 1:00 am

“The worst part about having a mental illness is people expect you to behave as if you don’t”*…

Trends across all causes and risks of disease/disability show that there have been substantial declines in infectious diseases, malnutrition, cardiovascular diseases, and several cancers. But even as we make strides in addressing physical health, mental health challenges are on the rise. In sharp contrast, mental health disorders and alcohol-related disability adjusted life years (DALYS) have increased sharply over the last few decades, especially among people aged 25 to 74.

The WHO found that the two most common mental disorders, anxiety and depression, cost global GDP
$1 trillion in 2010. Lost output for the same time period attributed to mental, neurological, and substance
abuse disorders – which often intersect – was estimated between $2.5-$8.5 trillion. This is expected to double by 2030.

A report from the Aspen Institute and Dalberg explores the global rise of mental illness through economics, lived experiences, and expert insights…

According to the World Health Organization (WHO), 450 million people suffer from some form of mental illness over the course of their lives. So, it’s no surprise that many of us have experienced, or know some-one who has experienced, severe struggles with mental health. This is a full-blown crisis exacerbated by a lack of infrastructure, lack of funding, and a lack of health equity. This is despite the fact that mental health issues are the leading cause of disability globally. Also, according to the WHO, mental health conditions are the primary cause of suicide. And suicide is the second leading cause of death for people age 15to 29. This is a crisis of our time.

In this report, we offer a snapshot into both the magnitude and the scope of the mental health crisis facing humanity. In addition to briefly framing the issues, we share summaries of dozens of interviews we held with both “expert practitioners” working both in the public and private sectors and individuals with a “lived experience” touched by mental health struggles.

In the course of our work, we looked for recurring themes that could promote a dialogue about seeking sustainable, scalable solutions to the crisis. Among those themes are the challenges of building an infrastructure for access to quality mental healthcare, the continued lack of parity between the provision of services for mental health versus physical health, and the pervasiveness of stigma associated with diseases of the mind.

Further, although most of us do not think of mental health as related to investing, and if we do, we might find the notion distasteful, there are indeed a growing number of developing technologies and treatment modalities that hold promise for expanding access to mental health services and offering innovative practices. We highlight a handful of examples. The individuals who generously shared their personal struggles also shared the resources and practices that they found most helpful.

We acknowledge the global nature of the crisis and the role that both the pandemic and other contextual factors have played in substantial increases in anxiety disorders and other mental health issues. Further, we are seeing increases in specific demographics, such as poorer mental health among women, with one in five women experience a more common mental disorder (such as anxiety or depression), compared with one in eight men. No demographic is immune.

Given the crisis at hand, it is our hope that offering greater transparency to the world of mental health will stimulate a search for solutions…

Bracing– but important– reading: “A Crisis of Our Time.”

(Image above from a series of photos illustrating mental illness, from Christian Sampson.)

* from the notebook of Arthur Fleck (AKA, The Joker), via Todd Phillips 2019 film Joker

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As we care about care, we might recall that it was on this date in 2019 that the first presentation print of Todd Phillip’s film Joker was shipped to Italy, where it premiered at the Venice International Film Festival and won the Golden Lion, the fest’s top prize. The film went on to box office success and set records for an October release. It grossed over $1 billion; the first R-rated to do so. It received numerous accolades, including two Academy Award wins at the 92nd Academy Awards for Best Actor (Joaquin Phoenix) & Best Original Score (Hildur Guðnadóttir) out of 11 nominations including Best Picture, first DC film to score.

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“The crisis consists precisely in the fact that the old is dying and the new cannot be born; in this interregnum a great variety of morbid symptoms appear.”*…

… for many, this phrase from Italian Marxist Antonio Gramsci sums up the current crisis of world politics and world power. Adam Tooze unpacks the oddity– and potential danger– of these lines becoming one of the soundbites of the early 21st-century…

… I want to put this conceptualization of our current crisis in question. Gramsci’s notion of interregnum may have served him to illuminate his immediate context. But, it transmits to our era a philosophy of history that actually obscures how we got from his moment of writing to our present day. It thus stands in the way of thinking hard about the challenges and opportunities of our current moment.

The currency of Gramsci’s lines today today should give us pause. After all, if we take Antonio Gramsci seriously as a historical thinker, as we absolutely must, we should also acknowledge the huge gulf that separates him from the present. He was a Communist who paid with his life for his commitment to the cause of world revolution. His lines on interregnum, now the stock in trade of after dinner speeches and think tank meetings, were composed in November 1930 in a fascist jail. Gramsci was thirty-nine. He would die at 46, his fragile health irrevocably broken by harsh imprisonment.

With morbid symptoms Gramsci may have been referring to fascism. Alternatively, he may have been criticizing the turn to the ultraleft of the Italian Communist party under pressure from Moscow. His medical language evokes Lenin’s famous denunciation of left communism as an “infantile disorder”.

Wondering about the popularity of Gramsci’s lines today, I’ve come to think that it may have something to do with the way in which they combine drama – crisis, birth, death, interregnum – with an undertone of reassurance. If this is true, it is a deep historic irony. Gramsci derived his fortitude and belief from his Marxist understanding of world history. Today his words serve very different purposes.

First of all, Gramsci’s quote implies a definite direction of historical travel. We know what is old. We know what is new. We may currently be in crisis, but it is only a matter of time before “the new” will eventually be delivered.

A transition from old to new might imply significant change, which could open us up to thinking about radically different futures. That might be good news. But it might also be disturbing. Once again reassurance is provided by Gramsci’s definition of the crisis as interregnum. The present is an inter-regnum, because it a period between two orders. It may be messy now, but a new era is on the way.

This kind of historical thinking is not confined to Gramsci. It is nicely illustrated, for example, in this conventional chronology of modern economic history.

Once cast in terms of the sequence of regnum-interregnum-regnum our current disorder becomes merely a passing moment. Given this sequence, who could doubt that a new white bar lies ahead of us. In this graphic, the grey phase of interregnum that began in 2008 already has a right-hand demarcation, even if no date is, as yet, attached to the endpoint.

A further point of certainty amidst Gramsci’s interregnum, is that we can confidently distinguish what is morbid from what is healthy. This again implies a superior vantage point, something that one might think would be in jeopardy in a true moment of crisis.

The obvious question is: what is the basis for Gramsci’s judgement? This troubling question is especially pressing if Gramsci was, in fact, applying the label morbid not to fascism but to those he disagreed with in the ranks of the international communist movement. Was this a medico-technical diagnosis? Or, was his judgement, like Lenin’s, a political act, an act of polemic, stigmatizing disagreement? In which case the naturalized conception of crisis is, in fact, disguising a political clash.

Finally, and most fundamentally, Gramsci’s diagnosis locates the current crisis within history imagined as a natural cycle of life, of birth and death…

… Models of this kind gesture to the confusion and terror of interregnum, all the while reducing that phase of disorder to something temporary, recurring and predictable. The model gestures to historical development – the upward step of phase after phase – but actually reduces radical change to repetition. After one hegemony what we look forward to, is simply another.

This line of thinking is not just simplistic. In the current moment it is dangerously so. To the drama of America’s evidently waning hegemony it adds the intensity of the follow-on question: who comes next? This question – far from necessary – is framed by the assumption of historical repetition – hegemon-interregnum-hegemony. In the current moment there can only be one possible answer: CCP-led China. That in turns eggs the flailing American elite on to a more intense rearguard action. But why assume that in the 21st century there will be a successor to America’s 20th century power?

Any serious examination of the foundations of modern power actually suggests that this kind of cyclical or sequential view of history is misplaced.

Take GDP as a proxy for power resources and think about the kind of intellectual gymnastics which are necessary to turn history as depicted by GDP below into [a cyclical] sequence…

Source: Maddison Project data

As for the long-run continuity, global GDP prior to the 19th century is so low that it can not be sensibly depicted on the same graph extending into the 20th century. This is also true for economic heft and destructive power. Of course, there were highly destructive wars, in the 17th century for instance, but their violence unfolded according to a very different logic from that in the 20th century.

And as for the pattern of change, what we see is not a neat sequence of substitutions in which one hegemon displaces another, but rather something more akin to “piling on”. This is history not as repetition, but in Mark Blyth’s wonderful phrase as a “one-way trip into the unknown”…

… I see the construction of global hegemony in the 20th century not as a repetition of something familiar, but as itself a venture into the unknown. To put it simply, I see global hegemony as a 20th-century problem…

Of course, the distinctive 20th-century visions of global power had precursors. They had preconditions. Something had first to constitute our modern conception of globality. This happened through the global system of power, communication, transport and commerce created by the British Empire in the 19th century. This constituted for the first time what Michael Geyer and Charles Bright called the “global condition”. All too often this encourages thinking in terms of an Anglo-American sequence. But again this underestimates the power of accumulation and overlay. Compared to US power in its mid 20th-century pomp, the British empire was a thin mesh of networks. The British empire maintained its grip with extremely limited resources in large part as a result of the weakness of its rivals…

… But by 1916 it was clear that only the United States had the power to manage the new configuration of global forces. The weird architecture of global mobilization in the first phase of WWI could not be sustained without at least the approval of the government of the USA. This is the story of my book, Deluge.

The economy, as measured by novel statistics of national income, would be America’s trump card. But that in itself is not an obvious fact. It was an effect of particular circumstances. 1916 is a pivotal moment because with the inconclusive battles of materiel at Verdun and the Somme, following the “hunger winter” of 1915/1916, it became clear that purely military operations were at an impasse and this meant that war production and home front stability would take on a new and central role in determining the course of the war. War became a new kind of totalizing war. It was also an election year in the USA, arguably the first formal democratic event (as opposed to a revolution) to matter on a global scale. Certainly, it was the first US election that was watched with baited breath by political classes around the world.

It was out of the historically specific, financial and economic urgencies of World War I, that a new American-centered network of power emerged. This was something new, something architected and built to meet the urgency of the moment. There was no womb of hegemonic logic from which the US power was born to replace a dying British global order. It was not the inevitable sequence of monetary logic that ground through its inevitable development to make the dollar replace the pound sterling. It was war and war finance. The dollar in the 20th century would play a role quite different from sterling under the 19th century gold standard. Furthermore, America’s global power did not substitute for British power. It overlayed Britain’s own efforts, first in World War I, then in the interwar period and finally during World War II, to master the new hegemonic problem. In crucial areas, notably the oil fields of the Middle East, it was not until the late 1960s that the US finally took over…

… America’s age of hegemony was not an answer to an interregnum. It truly was new. It was thus not the latest iteration of some familiar form of power. It did not replace the British empire. The British empire was reinventing itself too in response to the new challenges of the early 20th century. It was overtaken by the US and nested itself under the wings of that power. It was not something born. It was built.

And if that is true for the early 20th century the question of how 21st century global power will be organized should be considered no less open. Certainly, our problem right now is not that the old is simply dying. Things are far from that simple. In certain crucial respects “the old” is hanging around and indeed seeking to mobilize new strength. At the same time the principal challenger may be “new” in the sense of unfamiliar. But the CCP-regime draws inspiration from a first successful century of ascent, evokes ancient Chinese history. And what its underlying drivers are, is a matter of contentious debate.

What is old and what is new, what morbid and what vigorous, what the underlying generative logic of history actually is, these are all questions that are at this moment up for debate. We are, therefore, experiencing a crisis of confidence and a period of uncertainty, that is far deeper than talk of an interregnum à la Gramsci implies. To be clear this does not necessarily mean more lethal or more tragic than the epoch that cut short Gramsci’s life. Our normality, however catastrophic, may be manageable. The environmental clock is ticking, but the majority of us are no longer poor. We live longer. Today, Gramsci’s life could probably have been saved. There are gigantic technological resources that democratic and progressive crisis-management could draw on. What we must let go of, is the false mantle of confidence and historical clarity that evoking the concepts of an earlier epoch entails. Abandoning talk of an interregnum may rob us of certainty. But rather than a council of despair this is simply a demand of realism. What that promises, is the chance to trade historic phantoms for new projects and the exploration of the actual possibilities of the present…

Eminently worth reading in full: “Built not Born – against “interregnum”-talk,” from @adam_tooze.

And what might we build? For a reminder that our options are perhaps broader than we might think: “The Gap at the End of the World,” from Cynthia Cruz in @LAReviewofBooks.

* Gramsci, Prison Notebooks

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As we keep our eyes up, we might recall that it was on this date last year that a new kind of cultural phenomenon burst onto the scene, surrounding the simultaneous theatrical release of two films, Warner Bros. Pictures’ Barbie and Universal Pictures’ Oppenheimer— Barbenheimer, as it came to be called.

The simultaneous release was an instance of counterprogramming. As the release date approached, discussion from rivalry to the prospect of watching the films as a double feature. Cast members of both responded by encouraging audiences to watch the films on the same day. Celebrity participants included actor Tom Cruise, who purchased tickets to watch both while his latest film, Mission: Impossible – Dead Reckoning Part One, was still playing in theaters.

In the event, both Barbie and Oppenheimer received critical acclaim and exceeded box-office expectations.  Their joint opening weekend was the fourth-largest at the American box office, and both rank among the highest-grossing films of 2023. The phenomenon also extended to the year’s awards season, in which both films emerged as leading contenders, earning a combined 21 nominations at the 96th Academy Awards. Both films were nominated for the Academy Award for Best Picture, which Oppenheimer won.

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Written by (Roughly) Daily

July 21, 2024 at 1:00 am

“Lifestyles of the Rich and Famous”*…

… in the age in which we live: two dispatches…

First, from the realm of real estate:

Nantucket, MA, has long served as a sandy summer paradise for jet setters such as Joe Biden, Ben Stiller, Kourtney Kardashian, and former Google CEO Eric Schmidt, among others.

Take, for instance, one six-bedroom house on Red Barn Road that was listed as far back as October 2020 for $2,995,000. Four years and four price cuts later, the 3.8-acre property is now listed at $1.7 million. Even so, it is still sitting on the market after seven months.

The listing agent, John Arena of Raveis, says he has received plenty of calls about the house, which is now in foreclosure.

“People are lined up to buy it,” he insists, adding that the foreclosure has prevented him from properly showing the house.

Shelly Lockwood of the real estate advisory firm Advisors Living has a different theory on why it hasn’t sold: The very beach the house sits on is slowly eroding away.

As a result, she says, “It’s falling in the ocean.”…

Buying in ‘Billionaires Isle’ Nantucket Is Now a Bargain: Homes Are ‘Falling Into the Ocean’

Next, from the arena of aristocratic accessories:

Two Italian luxury giants pay just a small amount to produce handbags that retail for thousands of dollars, according to documents in a sweeping investigation of subcontractors.

Italian prosecutors in Milan investigated the LVMH subsidiary Dior’s use of third-party suppliers in recent months. Prosecutors said these companies exploited workers to pump out bags for a small fraction of their store price.

Citing documents examined by authorities, Reuters reported last month that Dior paid a supplier $57 to produce bags that retailed for about $2,780…

The relevant unit of Dior didn’t adopt “appropriate measures to check the actual working conditions or the technical capabilities of the contracting companies,” a prosecution document said, according to Reuters.

In probes through March and April, investigators found evidence that workers were sleeping in the facility so bags could be produced around the clock, Reuters reported. They also tracked electricity-consumption data, which showed work was being carried out during nights and holidays, the report said.

The subcontractors were Chinese-owned firms, prosecutors said. They said most of the workers were from China, with two living in the country illegally and another seven working without required documentation.

The probe also said safety devices on gluing and brushing machines were removed so workers could operate them faster…

The probe also extended to Giorgio Armani contractors, and the luxury company was accused of not properly overseeing its suppliers.

Armani paid contractors $99 per bag for products that sold for more than $1,900 in stores, according to documents seen by Reuters…

As Kevin Kwan observes, too often the allure of luxury is simply an escape from reality…

Long-running television series

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As we head back to basics, we might recall that it was on this date in 2002 that a modernization of the classic Cinderella folklore, A Cinderella Story, premiered. Panned by critics, the film was a box office success, grossing $70.1 million against its $19 million budget, and inspired multiple straight-to-video films. Indeed, over the years, it has developed into a cult classic.

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Written by (Roughly) Daily

July 16, 2024 at 1:00 am